Maurizio Bolognini is a post-conceptual media artist. His installations are mainly concerned with the aesthetics of machines, and are based on the minimal and abstract activation of technological proc
Maurizio Bolognini (2004)
Sealed Computers (Nice, 1997). This installation uses computer codes to create endless flows of random images which will never be accessible for viewing.
SMSMS-SMS Mediated Sublime/CIM series (computer, audience cell phones, video projector), Imola, Italy, 2006: an interactive installation that aims to involve the audience in the experience of the manipulation and consumption of the technological sublime.
Interactive art is a form of art that involves the spectator in a way that allows the art to achieve its purpose. Some interactive art installations achieve this by letting the observer walk through,
Maurizio Bolognini
…flows focused on their physical infrastructure and was often combined with actions taken over long distance travels; the introduction of new forms of interactivity based upon structured communication techniques and e-democracy, which he used in works such as the CIMs (Collective Intelligence Machines, since 2000…
Music Room (1983), Jean-Robert Sedano and Solveig de Ory in Montpellier France
Boundary Functions (1998) interactive floor projection by Scott Snibbe at the NTT InterCommunication Center in Tokyo
Maurizio Bolognini, Collective Intelligence Machines series (CIMs, from 2000): interactive installations using the mobile phone network and participation technologies taken from e-democracy.