1.
Drohobych
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Drohobych is a city of regional significance in Lviv Oblast，Ukraine. It is the center of Drohobych district. In 1939–1941 and 1944–1959 it was the center of Drohobych Oblast, the city was founded at the end of eleventh century as important transport post between Kyiv Rus and the rest of Europe. From the fifteenth century the city was developing as a mercantile, Drohobych became part of Habsburg Empire after the first partition of Poland. In the mid-nineteenth century it became Europes largest oil extraction center, in interwar Poland it was the center of Lviv province county. The city was the birthplace of well-known personalities like Yuriy Drohobych, Ivan Franko, the city has several oil refineries. The Drohobych saltworks is considered to be the oldest in Europe, the estimated population of the city in 2016 was 76,686. While there are only legendary accounts of it, Drohobych probably existed in the Kievan Rus period, according to one legend there was a settlement, called Bych, of salt-traders. When Bych was destroyed in the Cumanian raid, the survivors rebuilt the settlement at a location under its current name which means a Second Bych. In the time of Kievan Rus, the Tustan fortress was built near Drohobych, however, scholars view this legend with skepticism, pointing out that Drohobych is a Polish pronunciation of Dorogobuzh, a common East Slavic toponym applied to three different towns in Kievan Rus. The city was first mentioned in 1387 in the records of Lviv in connection with a certain Martin of Drohobych. In the Polish-Lithuanian Commonwealth, the city was the center of large rural starostvo, Drohobych received Magdeburg rights some time in the 15th century. The salt industry was significant in the fourteenth to sixteenth centuries, from the early seventeenth century, a Ukrainian Catholic brotherhood existed in the city, In 1648, during the Khmelnytsky Uprising, the Cossacks stormed the city and its cathedral. Most of the local Poles, as well as the Greek Catholics, the 1772 partition of Poland gave the city to Austria. Significant oil resources were discovered in the area, making the city became an important center of the oil, after World War I, the area became part of the short-lived independent West Ukrainian Peoples Republic. The ZUNR was taken over by the Second Polish Republic and Drohobych became part of the Lwow Voivodeship in 1919, in 1928 the still extant Ukrainian private gymnasium opened in the center of the city. The population reached some 40,000 in the late 1920s, Drohobych was also a major sports center. In September 1939, the city was attached to Soviet Ukraine when the territory of the interwar Poland was divided between the Nazi Germany and the USSR, in Soviet Ukraine, Drohobych became a center of the Drohobych Oblast
2.
Kingdom of Galicia and Lodomeria
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From 1804 to 1918 it was a crownland of the Austrian Empire. After the reforms of 1867, it became an ethnic Pole-administered autonomous unit under the Austrian crown, the country was carved from the entire south-western part of the Polish–Lithuanian Commonwealth. Among the many titles of the princes of Hungary was ruler of Galicia and Lodomeria. The name Galicia is the Latinized form of Halych, a principality of the medieval Ruthenia, Lodomeria, is also a Latinized form of Volodymyr-Volynsky that was founded in the 10th century by the Vladimir the Great and until the partitions of Poland was known simply as Volodymyr. King of Galicia and Lodomeria was a title that King of Hungary adopted during his conquest of the region back in the 12th century. This historical region in Eastern Europe is divided today between Poland and Ukraine, the nucleus of historic Galicia consists of the modern Lviv, Ternopil, and Ivano-Frankivsk regions of western Ukraine. In 1772, Galicia was the largest part of the area annexed by the Habsburg Monarchy in the First Partition of Poland. As such, the Austrian region of Poland and what was later to become Ukraine was known as the Kingdom of Galicia and Lodomeria to underline the Hungarian claims to the country. However, after the Third Partition of Poland, a portion of the ethnically Polish lands to the west was also added to the province. During the first decades of Austrian rule, Galicia was firmly governed from Vienna, the aristocracy was guaranteed its rights, but these rights were considerably circumscribed. The former serfs were no longer mere chattel, but became subjects of law and were granted personal freedoms. Their labour obligations were defined and limited, and they could bypass the lords, at the same time, however, the Austrian Empire extracted from Galicia considerable wealth and conscripted large numbers of the peasant population into its armed services. The 1820s and 1830s were a period of bureaucratic rule overseen from Vienna, most administrative positions were filled by German-speakers, including German-speaking Czechs, although some of their children were already becoming Polonized. After the failure of the November insurrection in Russian Poland in 1830–31, in which a few thousand Galician volunteers participated, the insurrection occurred in the western, Polish-populated part of Galicia. In the same period, a sense of national awakening began to develop among the Ruthenians in the part of Galicia. In 1837, the so-called Ruthenian Triad led by Markiian Shashkevych, published The Nymph of the Dniester, alarmed by such democratism, the Austrian authorities and the Greek Catholic Metropolitan banned the book. In 1848, revolutionary actions broke out in Vienna and other parts of the Austrian Empire, in Lemberg, a Polish National Council, and then later, a Ukrainian, or Ruthenian Supreme Council were formed. Even before Vienna had acted, the remnants of serfdom were abolished by the Governor, Franz Stadion, eventually, Lemberg was bombarded by imperial troops and the revolution put down completely
3.
Realism (arts)
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Realism in the arts is the attempt to represent subject matter truthfully, without artificiality and avoiding artistic conventions, implausible, exotic and supernatural elements. Realism has been prevalent in the arts at many periods, and is in part a matter of technique and training. In the visual arts, illusionistic realism is the depiction of lifeforms, perspective. Realist works of art may emphasize the mundane, ugly or sordid, such as works of realism, regionalism. There have been various movements in the arts, such as the opera style of verismo, literary realism, theatrical realism. The realism art movement in painting began in France in the 1850s, the realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century. Realism is the precise, detailed and accurate representation in art of the appearance of scenes. Realism in this sense is also called naturalism, mimesis or illusionism, realistic art was created in many periods, and it is in large part a matter of technique and training, and the avoidance of stylization. It becomes especially marked in European painting in the Early Netherlandish painting of Jan van Eyck, however such realism is often used to depict, for example, angels with wings, which were not things the artists had ever seen in real life. It is the choice and treatment of matter that defines Realism as a movement in painting. The development of increasingly accurate representation of the appearances of things has a long history in art. It includes elements such as the depiction of the anatomy of humans and animals, of perspective and effects of distance. Ancient Greek art is recognised as having made great progress in the representation of anatomy. Pliny the Elders famous story of birds pecking at grapes painted by Zeuxis in the 5th century BC may well be a legend, roman portraiture, when not under too much Greek influence, shows a greater commitment to a truthful depiction of its subjects. The art of Late Antiquity famously rejected illusionism for expressive force, scientific methods of representing perspective were developed in Italy and gradually spread across Europe, and accuracy in anatomy rediscovered under the influence of classical art. As in classical times, idealism remained the norm, intriguingly, having led the development of illusionic painting, still life was to be equally significant in its abandonment in Cubism. The depiction of ordinary, everyday subjects in art also has a history, though it was often squeezed into the edges of compositions. However these objects are at least largely there because they carry layers of complex significance, pieter Bruegel the Elder pioneered large panoramic scenes of peasant life
4.
History of the Jews in Poland
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The history of the Jews in Poland dates back over 800 years. For centuries, Poland was home to the largest and most significant Jewish community in the world, Poland was the centre of Jewish culture thanks to a long period of statutory religious tolerance and social autonomy. This ended with the Partitions of Poland which began in 1772, in particular, from the founding of the Kingdom of Poland in 1025 through to the early years of the Polish–Lithuanian Commonwealth created in 1569, Poland was the most tolerant country in Europe. Known as paradisus Iudaeorum, it became a shelter for persecuted and expelled European Jewish communities, according to some sources, about three-quarters of the worlds Jews lived in Poland by the middle of the 16th century. With the weakening of the Commonwealth and growing religious strife, Polands traditional tolerance began to wane from the 17th century onward. Still, as Poland regained independence in the aftermath of World War I, Antisemitism was a growing problem throughout Europe in those years, from both the political establishment and the general population. At the start of World War II, Poland was partitioned between Nazi Germany and the Soviet Union, one-fifth of the Polish population perished during World War II, half of them were 3,000,000 Polish Jews murdered in The Holocaust, constituting 90% of Polish Jewry. Although the Holocaust occurred largely in German-occupied Poland, there was collaboration with the Nazis by its citizens. Collaboration by individual Poles has been described as smaller than in other occupied countries, statistics of the Israeli War Crimes Commission indicate that less than 0. 1% of Polish gentiles collaborated with the Nazis. Grouped by nationality, Poles represent the largest number of people who rescued Jews during the Holocaust, britain demanded Poland to halt the exodus, but their pressure was largely unsuccessful. Most of the remaining Jews left Poland in late 1968 as the result of the Soviet-sponsored anti-Zionist campaign. After the fall of the Communist regime in 1989, the situation of Polish Jews became normalized, Religious institutions were revived, largely through the activities of Jewish foundations from the United States. The first Jews arrived in the territory of modern Poland in the 10th century, by travelling along the trade routes leading eastwards to Kiev and Bukhara, Jewish merchants, known as Radhanites, crossed the areas of Silesia. In the summer of 965 or 966 Jacob made a trade and diplomatic journey from his native Toledo in Moslem Spain to the Holy Roman Empire, the first actual mention of Jews in Polish chronicles occurs in the 11th century. It appears that Jews were then living in Gniezno, at time the capital of the Polish kingdom of the Piast dynasty. Among the first Jews to arrive in Poland were those banished from Prague, the first permanent Jewish community is mentioned in 1085 by a Jewish scholar Jehuda ha-Kohen in the city of Przemyśl. The first extensive Jewish emigration from Western Europe to Poland occurred at the time of the First Crusade in 1098. Under Bolesław III, the Jews, encouraged by the tolerant regime of this ruler, settled throughout Poland, Bolesław III recognized the utility of Jews in the development of the commercial interests of his country
5.
Painting
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Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
6.
Jan Matejko
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Jan Alojzy Matejko was a Polish painter known for paintings of notable historical Polish political and military events. His works include oil on canvas paintings like Rejtan, Union of Lublin or Battle of Grunwald, numerous portraits, a gallery of Polish kings. He is counted among the most famous Polish painters, Matejko spent most of his life in Kraków. His teachers at the Kraków Academy of Fine Arts included Wojciech Korneli Stattler, later, he became a director at this institution, which eventually was renamed the Jan Matejko Academy of Fine Arts. A number of his students became prominent painters themselves, including Maurycy Gottlieb, Jacek Malczewski, Józef Mehoffer, Matejko was born on June 24,1838, in the Free City of Kraków. His father, Franciszek Ksawery Matejko, a Czech from the village of Roudnice, was a graduate of the Hradec Králové school who became a tutor. He first worked for the Wodzicki family in Kościelniki, Poland, then moved to Kraków, Jan was the ninth child of eleven that his parents had. He grew up in a building on Floriańska Street. After the death of his mother in 1845, Jan and his siblings were cared for by his maternal aunt, Anna Zamojska. At a young age he witnessed the Kraków revolution of 1846 and the 1848 siege of Kraków by the Austrians and his two older brothers served in them under General Józef Bem, one died and the other was forced into exile. He attended St. Anns High School, which he dropped out of in 1851 because of poor results, from his earliest days Matejko showed artistic talent, but he had great difficulty with other subjects. He never mastered a foreign language, despite that and because of his exceptional talent he studied at the School of Fine Arts in Kraków from 1852 to 1858. His teachers included Wojciech Korneli Stattler and Władysław Łuszczkiewicz and he selected historical painting as his specialization, and finished his first major work, Tsars Shuyski before Zygmunt III, in 1853. During this time, he began exhibiting paintings at the Kraków Society of Friends of Fine Arts. His seminal project for his graduation in 1858 was Sigismund I the Old ennobles the professors of the Jagiellonian University, following his graduation, Matejko received a scholarship to study under Hermann Anschütz at the Academy of Fine Arts, Munich in 1859. Next year he received a scholarship to study at Academy of Fine Arts Vienna, but after a few days. There he opened a studio at his house at Floriańska Street. It would however be years before he would gain success, for a time he was the proverbial starving artist
7.
Academy of Fine Arts Vienna
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The Academy of Fine Arts Vienna is a public art school of higher education in Vienna, Austria. In 1701 he was ennobled by Emperor Joseph I as Freiherr of the Empire, with his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, hofakademie der Maler, Bildhauer und Baukunst. Upon Charles death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige of the academy grew during the deanships of Michelangelo Unterberger and Paul Troger, in 1772, there were further reforms to the organisational structure. Chancellor Wenzel Anton Kaunitz integrated all existing art schools into the k. k. vereinigten Akademie der bildenden Künste, the word vereinigten was later dropped. In 1822 the art cabinet grew significantly with the bequest of honorary member Anton Franz de Paula Graf Lamberg-Sprinzenstein and his collection still forms the backbone of the art on display. In 1872 Emperor Franz Joseph I of Austria approved a statute making the academy the supreme government authority for the arts, a new building was constructed according to plans designed by the faculty Theophil Hansen in the course of the layout of the Ringstraße boulevard. On 3 April 1877, the building on Schillerplatz in the Innere Stadt district was inaugurated. In 1907 and 1908, young Adolf Hitler, who had come from Linz, was denied admission to the drawing class. He stayed in Vienna, subsisting on his allowance. Soon he had withdrawn into poverty and started selling amateur paintings, mostly watercolours, during the Austrian Anschluss to Nazi Germany from 1938–1945, the academy was forced to heavily reduce its number of Jewish staff. After World War II, the academy was reconstituted in 1955 and it has had university status since 1998, but retained its original name. It is currently the only Austrian university that doesnt have the university in its name. The Academy currently has about 900 students, almost a quarter of which are foreign students and its faculty includes stars such as Peter Sloterdijk. 110,000 volumes and its etching cabinet has about 150,000 drawings, the collection is one of the biggest in Austria, and is used for academic purposes, although portions are also open to the general public. Official website website of the Media Server Study in Austria, A Guide
8.
Jacek Malczewski
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Jacek Malczewski is one of the most revered painters of Poland, associated with the patriotic Young Poland movement following the century of Partitions. He is regarded as the father of Polish Symbolism, Malczewski was born in Radom, part of Congress Poland controlled by the Russian Empire. On his mothers side, he was related to the Szymanowski family whom they visited on their country estate in Cygów. Malczewski moved to Kraków at age 17, and began his art education in 1872 under the eye of Leon Piccard. He attended his first art classes in the workshop of Władysław Łuszczkiewicz at the School of Fine Arts, a year later, in 1873, reassessed by Jan Matejko himself, Malczewski formally enrolled in the School, and studied with Łuszczkiewicz, Feliks Szynalewski and Florian Cynk. In 1876 he went to Paris, France and studied for a year at the École des Beaux-Arts and he attended also the Académie Suisse. Malczewski started his studies with Jan Matejko already in 1875 before embarking on a trip to France. In spite of aesthetic differences between them, Malczewski was greatly influenced by Matejkos historical painting filled with neo-romantic metaphor and patriotic themes. In 1879, Malczewski completed a course on composition under Matejko. He was equally impressed with the art of earlier Polish Romantic painter Artur Grottger. His painting revolved around a few carefully selected motifs, constantly retold and his own awakened imagination enabled Malczewski to free the creative voice within and give rise to new aesthetic ideas defining Polands school of Symbolism. Over the course of some 30 years between 1885 and 1916, Malczewski regularly visited Paris, Munich and Vienna and he made several trips to Italy, Greece and Turkey. He also took part in the expedition organized by his friend Karol Lanckoroński. He drew his inspiration from a variety of sources often exotic or even biblical. His most famous canvasses include Błędne koło, Melancholia, Natchnienie malarza, Wizja, the series of Thanatos as well as Bajki, many of his paintings prominently feature his own self-portraits in elaborate costume, a trade-mark of his style often displaying of a great sense of humor. In 1897–1900 and 1912–1921 Malczewski served as Professor of the Academy of Fine Arts in Kraków and he was elected Rector of the Academy in 1912. His art has been compared to that of French Gustave Moreau, Swiss Arnold Böcklin and his paintings received high honours at the international exhibits including Berlin in 1891, Munich in 1892, and Paris in 1900. It is believed that the subject of numerous studies in Malczewskis paintings
9.
Norway
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The Antarctic Peter I Island and the sub-Antarctic Bouvet Island are dependent territories and thus not considered part of the Kingdom. Norway also lays claim to a section of Antarctica known as Queen Maud Land, until 1814, the kingdom included the Faroe Islands, Greenland, and Iceland. It also included Isle of Man until 1266, Shetland and Orkney until 1468, Norway has a total area of 385,252 square kilometres and a population of 5,258,317. The country shares a long border with Sweden. Norway is bordered by Finland and Russia to the north-east, Norway has an extensive coastline, facing the North Atlantic Ocean and the Barents Sea. King Harald V of the Dano-German House of Glücksburg is the current King of Norway, erna Solberg became Prime Minister in 2013, replacing Jens Stoltenberg. A constitutional monarchy, Norway divides state power between the Parliament, the Cabinet and the Supreme Court, as determined by the 1814 Constitution, the kingdom is established as a merger of several petty kingdoms. By the traditional count from the year 872, the kingdom has existed continuously for 1,144 years, Norway has both administrative and political subdivisions on two levels, counties and municipalities. The Sámi people have an amount of self-determination and influence over traditional territories through the Sámi Parliament. Norway maintains close ties with the European Union and the United States, the country maintains a combination of market economy and a Nordic welfare model with universal health care and a comprehensive social security system. Norway has extensive reserves of petroleum, natural gas, minerals, lumber, seafood, the petroleum industry accounts for around a quarter of the countrys gross domestic product. On a per-capita basis, Norway is the worlds largest producer of oil, the country has the fourth-highest per capita income in the world on the World Bank and IMF lists. On the CIAs GDP per capita list which includes territories and some regions, from 2001 to 2006, and then again from 2009 to 2017, Norway had the highest Human Development Index ranking in the world. It also has the highest inequality-adjusted ranking, Norway ranks first on the World Happiness Report, the OECD Better Life Index, the Index of Public Integrity and the Democracy Index. Norway has two names, Noreg in Nynorsk and Norge in Bokmål. The name Norway comes from the Old English word Norðrveg mentioned in 880, meaning way or way leading to the north. In contrasting with suðrvegar southern way for Germany, and austrvegr eastern way for the Baltic, the Anglo-Saxon of Britain also referred to the kingdom of Norway in 880 as Norðmanna land. This was the area of Harald Fairhair, the first king of Norway, and because of him
10.
Molde
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Molde is a city and municipality in Romsdal in Møre og Romsdal county, Norway. The municipality is located on the Romsdal Peninsula, surrounding the Fannefjord and Moldefjord, the city is located on the northern shore of the Romsdalsfjord. Other main population centers in the municipality include Hjelset, Kleive, Molde has a maritime, temperate climate, with cool-to-warm summers, and relatively mild winters. The city is nicknamed The Town of Roses and it is an old settlement which emerged as a trading post in the late Middle Ages. Formal trading rights were introduced in 1614, and the city was incorporated through a charter in 1742. The citys current location dates from the medieval period, but is preceded by the early medieval township on Veøya. However, settlement in the area can be traced further back in time—evidence given by two rock slabs carved with petroglyphs found at Bjørset, west of the city center. At the eve of the 15th century, the influence of Veøy waned, the town gained formal trading rights in 1614. During the Swedish occupation of Middle Norway, 1658–1660, after Denmark-Norways devastating defeat in the Northern Wars, after the rebellion and liberation in 1660, Molde became the administrative center of Romsdalen Amt and was incorporated through a royal charter in 1742. Molde continued to grow throughout the 18th and 19th Centuries, becoming a center for Norwegian textile, tourism later became a major industry, and Molde saw notabilities such as the German emperor Wilhelm II of Germany and the Prince of Wales as regular summer visitors. Molde consisted of luxurious hotels surrounding an idyllic township with quaint, wooden houses, lush gardens and parks, esplanades and pavilions and this was interrupted when one third of the city was destroyed in a fire on 21 January 1916. However, Molde recovered and continued to grow in the economically difficult interbellum period, a second fire, or series of fires, struck from the German air-raids in April and May 1940, which destroyed about two thirds of the town. They were put up at Glomstua, then at the outskirt of the town. The Norwegian gold reserve was also conveyed to Molde, and was hidden in a clothing factory, however, German intelligence was well aware of this, and on April 25 the Luftwaffe initiated a series of air-raids. For a week the air-raid siren on the chimney of the dairy building announced the repeated attacks, April 29 turned out to be the worst day in the history of Molde, as the city was transformed into a sea of flames by incendiary bombs. Until then the church had escaped undamaged, but in the final sortie a firebomb got stuck high up in the tower, after World War II, Molde experienced tremendous growth. The city of Molde was established as a municipality on 1 January 1838. It was surrounded by the municipality of Bolsøy
11.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
Polish pronunciation (help·info); February 21/28, 1856 – July 17, 1879) was a Polish Jewish realist painter of the Romantic period.[1] He was born in Drohobych to a wealthy, Yiddish and Polish-speaking orthodox Jewish family living in Galicia. It was then part of the Austrian sector of Partitioned Poland, now Western Ukraine. Considered one of the most talented students of Jan Matejko, Gottllieb died at the age of 23.[2]
