Maximilian Alexandrovich Kirienko-Voloshin, commonly known as Max Voloshin, was a Russian poet. He was one of the significant representatives of the symbolist movement in Russian culture and literature. He became famous as a poet and a critic of literature and the arts, being published in many contemporary magazines of the early 20th century, including Vesy, Zolotoye runo, and Apollon. He was known for his translations of a number of French poetic and prose works into Russian.
Voloshin
Maximilian Voloshin by Boris Kustodiev (1924)
Voloshin's grave, on a hill high above Koktebel in the Crimea
Russian symbolism was an intellectual, literary and artistic movement predominant at the end of the 19th and beginning of the 20th century. It arose separately from West European symbolism, and emphasized defamiliarization and the mysticism of Sophiology.
Alexandre Benois, Illustration to Alexander Pushkin's The Bronze Horseman, 1904. The Russian capital was often pictured by symbolists as a depressing, nightmarish city.
Vsevolod Meyerhold in his production of Alexander Blok's Puppet Show (1906)
Mikhail Nesterov's painting The Vision of the Youth Bartholomew (1890) is often considered to mark the inauguration of the Russian Symbolists.
Alexandre Benois designed symbolist sets for Stravinsky's Petrushka in 1911.
