Maya Deren was a Ukrainian-born American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer, and photographer.
Deren in the film Meshes of the Afternoon (1943), her debut
Deren in a still from the film At Land (1944)
Still from A Study in Choreography for Camera
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Poster for The Great Blondino, a 1960s counterculture film directed by Robert Nelson and William T. Wiley
Lithuanian artist Jonas Mekas, regarded as godfather of American avant-garde cinema