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Melencolia I (with annotations)
Melencolia I (with annotations)
Dürer's Virgin and Child Seated by a Wall (1514) is compositionally similar to Melencolia I in the position of the figures and structures, but is much
Dürer's Virgin and Child Seated by a Wall (1514) is compositionally similar to Melencolia I in the position of the figures and structures, but is much more coherent to the eye. This comparison highlights the disturbing function of the polyhedron in Melencolia I.
A 4×4 magic square has columns, rows, and diagonals that sum to 34. In this configuration, many other sets of four squares also sum to 34. Dürer inclu
A 4×4 magic square has columns, rows, and diagonals that sum to 34. In this configuration, many other sets of four squares also sum to 34. Dürer includes the year in the two bottom squares, and the squares adding to 5 and 17 may refer to his mother's death in May of that year. (First number of second row is "5" and third row "9").
An earlier woodcut with an allegory of geometry from Gregor Reisch's Margarita philosophica. It depicts many objects also seen in Melencolia I.
An earlier woodcut with an allegory of geometry from Gregor Reisch's Margarita philosophica. It depicts many objects also seen in Melencolia I.
Melencolia I (Albrecht Dürer, 1514) includes an order 4 square with magic sum 34
Melencolia I (Albrecht Dürer, 1514) includes an order 4 square with magic sum 34
Iron plate with an order-6 magic square in Eastern Arabic numerals from China, dating to the Yuan Dynasty (1271–1368).
Iron plate with an order-6 magic square in Eastern Arabic numerals from China, dating to the Yuan Dynasty (1271–1368).
A page displaying 9×9 magic square from Cheng Dawei's Suanfa tongzong (1593).
A page displaying 9×9 magic square from Cheng Dawei's Suanfa tongzong (1593).