Mentmore Towers

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Mentmore Towers

Mentmore Towers, historically known simply as "Mentmore", is a 19th-century English country house built between 1852 and 1854 for the Rothschild family in the village of Mentmore in Buckinghamshire. Sir Joseph Paxton and his son-in-law, George Henry Stokes,[1][2] designed the building in the 19th-century revival of late 16th and early 17th-century Elizabethan and Jacobean styles called Jacobethan[3][4] The house was designed for the banker and collector of fine art Baron Mayer de Rothschild as a country home, and as a display case for his collection of fine art. The mansion has been described as one of the greatest houses of the Victorian era.[5][6]

Mentmore was the first of what were to become virtual Rothschild enclaves in the Vale of Aylesbury. Baron Mayer de Rothschild began purchasing land in the area in 1846.[7] Later, other members of the family built houses at Tring in Hertfordshire, Ascott, Aston Clinton, Waddesdon and Halton.[8]

Much of the parkland was sold in 1944, but Mentmore remained with the family until 1977. At that point, unable to come to an arrangement with the nation to preserve the building and contents intact as a Heritage property, the contents were auctioned, and it was sold to the Maharishi Foundation. In 1999, it was sold to investor Simon Halabi, who planned to build additional hotel and conference facilities.

Mentmore Towers is a Grade I listed building, with its park and gardens listed Grade II*.[9]

Architecture[edit]

The Grand Hall at Mentmore. Aged just six months, Hannah de Rothschild laid the foundation stone for the great mansion on 31 December 1851.[10]
Mentmore, the ground floor; many of the rooms named for the collections they once contained. 1:Grand Hall; 2:White Drawing Room; 3:Dining Room; 4:Library; 5:Amber Room; 6:limoges Room; 7:Imperial staircase; 8:Study; 9:Vestibule; 10:Green drawing Room; 11:South Entrance Hall; 12:Blarenberghe Room; 13:du Barry Room; 14:Billiards Room; 15:Smoking Room/Armoury; 33: Italian garden; 34:Servants' courtyard; 35:Cour d'honneur; 36:South Terrace; ST:minor service staircases. For other rooms, please see Servants' quarters
The dining room (3). The boiseries, or elaborately carved wood panels, were from the Hôtel de Villars, Paris, and are the first example of this type of decoration to be used in an English house. The fragments of the boiseries not used at Mentmore were later installed at Waddesdon Manor

Baron Rothschild hired Sir Joseph Paxton, who had previously designed the much-admired Crystal Palace, to design Mentmore. Paxton was responsible for the ridge and furrow glass roof which covered the central hall, designed to imitate the arcaded courtyard of a Renaissance palazzo, while Stokes was co-architect and clerk of works.[11][12][13] The builder was the London firm George Myers, frequently employed by members of the Rothschild family.[14]

In keeping with the contents intended to be displayed within, the interiors take their inspiration principally from the Italian Renaissance, although the house also contains drawing rooms and cabinets decorated in the gilded styles of late 18th-century France.[15] The design is closely based on that of Robert Smythson's Wollaton Hall.[16]

Earls of Rosebery[edit]

See also: Rothschild properties in the Home counties

Baron Mayer de Rothschild and his wife did not live long after the Towers' completion. After the Baroness's death it was inherited by her daughter Hannah, later Countess of Rosebery.[17] Following her death from Bright's Disease in 1890 at age 39, the house became the home of her widower Archibald Philip Primrose, 5th Earl of Rosebery, later Prime Minister for two years from 1894.[17] In the late 1920s, the fifth earl gave the estate to his son Harry Meyer Archibald Primrose, Lord Dalmeny, who in 1929 on the death of his father, became the sixth Earl.[17]

Both earls bred numerous winners of classic horse races at the two stud farms on the estate, including five Epsom Derby winners. These were Ladas, Sir Visto, and Cicero from the Crafton Stud; plus Ocean Swell and Blue Peter from the Mentmore stud. Both stud farms were within a kilometre of the mansion and together with the stable yard were designed by the architect George Devey, who also designed many cottages in the estate's villages of Mentmore, Crafton and Ledburn.[7]

Second World War[edit]

The second wife of the sixth Earl, Eva Primose, Countess of Rosebery (DBE), was interested in the arts and was acquainted with Kenneth Clark and other national art museum directors.[18] As a result of Lady Rosebery's friendships, Mentmore was chosen by the British government to store part of the British national art collections during the Second World War. The collections of the National Portrait Gallery were subsequently stored at Mentmore for the duration of the war, along with pieces from the Royal Collection, including the Gold State Coach.[18] Further works transferred to Mentmore included the portraits from Speaker's House in the Palace of Westminster, and tapestries, furniture and Grinling Gibbons carvings from Hampton Court Palace.[19]

The collection was stored in the "battery room" subsequently nicknamed the "refuge", part of the "gas house", a group of outbuildings where gas and electric light were supplied for the estate.[20] Four men guarded the refuge at night, and two during the day.[18]

Sale and dispersal[edit]

The possible purchase of Mentmore for the nation through the government's National Land Fund was the desire of Roy Strong, the director of the V&A, who hoped that Mentmore would become a "branch" of his museum devoted to 19th-century decorative arts as Ham House was for the 17th century and Osterley was for the 18th century.[21] The government refused to spend such large sums from the fund, and the sale fell through.[21][when?] Following the death of the sixth earl in 1973, the Labour government of James Callaghan refused to accept the contents in lieu of inheritance taxes, which could have turned the house into one of England's finest museums of European furniture, objets d'art and Victorian era architecture. The government was offered the house and contents for UK £2 million (equivalent to £22,196,755 in 2016) but declined.

After three more years of fruitless discussion, the executors of the estate sold the contents by public auction, and the large collection lost. The estate made over £6,000,000, but a tiny fraction of its estimated worth today. Among the paintings sold were works by Gainsborough, Reynolds, Boucher, Drouais, Moroni and other well known artists, and cabinet makers, including Jean Henri Riesener and Chippendale. Also represented were the finest German and Russian silver- and goldsmiths, and makers of Limoges enamel. This Rothschild/Mentmore collection is said to have been one of the finest ever to be assembled in private hands, other than the collections of the Russian and British royal families.[22] The sale of Mentmore has been described as a "turning point for the preservation movement".[23][clarification needed]

Many items were removed from Mentmore by the Roseberys and taken to their Scottish house, Dalmeny House, near Edinburgh.[24] Items from Mentmore at Dalmeny include tapestries, Sèvres porcelain, and an equestrian statue by Joseph Boehm of "King Tom", the foundation stallion for Baron Mayer de Rothschild's Mentmore and Crafton Studs.[25]

Maharishi Foundation[edit]

It became the headquarters for Maharishi Mahesh Yogi's educational charity, the Maharishi Foundation, in 1978.[26] As of 1997 the Natural Law Party also rented rooms there.[26] The building was put up for sale in 1997 but did not change owners until 1999 when it was purchased by investor Simon Halabi.[27]

Simon Halabi[edit]

Under the ownership of Halabi it was renamed Mentmore Towers Ltd with the intention of converting it into a luxury hotel with 171 suites, including 122 in a new wing on the slope below the house.[28] However, in September 2004 Jonathan Davey, a local resident won a last-minute injunction in the High Court to halt work on the hotel while a judicial review investigated if the planning permission granted had followed the correct procedures. In March 2005 the High Court ruled that Aylesbury Vale District Council's decision to grant planning permission to the developers was "unimpeachable" and legally sound.

However, with Halabi's property empire in serious trouble due to the housing market's collapse, the project seems to have stalled. English Heritage has placed it on the "At Risk register" and the house needs urgent work on the roof and chimneys. There is concern that weather will penetrate to the interiors, considered among the finest examples of Victorian design and craftsmanship in Britain. Halabi's property company, Buckingham Securities Holdings, was also proposing to develop the In & Out Club at 79–81 Piccadilly, London, also known as Cambridge House, before it became the Naval and Military Club and once occupied by Lord Palmerston. The intention was to turn both properties into Europe's first six-star hotels, one located in town and the other to be the sister Country Manor hotel with 36 hole private golf club. The original architects, EPR were replaced by AFR in 2005 but the development stalled in 2007. In 2004 Hotel Design Inc were retained as interior designers for both projects leading to a 2005 launch event for the marketing of the properties as a private members' club with hotel facilities (the PM Club).

The latest proposal after the sister, Piccadilly property was sold to the Rueben Brothers in 2009, was to renovate the original Mentmore Towers building and not construct the new extension containing guest-room suites, conference facilities and a large spa.

Golf courses[edit]

Much of the historic park[9] was sold off in 1944[29] and reverted to agricultural use before becoming the Mentmore Golf and Country Club, established in 1992, which has two eighteen hole golf courses, the Rothschild Course and the Rosebery Course. Although in the same ownership, Mentmore Towers and its grounds and Mentmore Golf and Country Club are quite separate.

Film location[edit]

The house has appeared in many films, including Terry Gilliam's Brazil (1985), Slipstream (1989), Stanley Kubrick's Eyes Wide Shut (1999), Philip Kaufman's Marquis de Sade biographical film Quills (2000), The Mummy Returns (2001), Ali G Indahouse (2002), Johnny English (2003), and Christopher Nolan's Batman Begins (2005), where it was used as the Gothic Wayne Manor.[30]

In 1982 director Howard Guard filmed the Roxy Music video to "Avalon", starring Sophie Ward, at the house. It also served as the filming location of Enya's Dan Nathan-directed "Only If ..." (1997), the Five Max and Dania-directed "Until the Time Is Through", and the Spice Girls Howard Greenhalgh-directed "Goodbye" (1998) music videos. It was also featured as the location of the rave party in the Inspector Morse episode "Cherubim and Seraphim".[31]

Cover of "SAVE Mentmore for the Nation". This booklet was published by SAVE Britain's Heritage in February 1977

See also[edit]

References[edit]

  1. ^ Hall, p16.
  2. ^ Hall (Waddesdon Manor), p31, refers to them as the architectural team.
  3. ^ Henry Russell Hitchcock (1958) Architecture: Nineteenth and Twentieth Centuries (Pelican History of Art), London, Penguin Books, p.73
  4. ^ Historic England. "Mentmore House (42105)". Images of England. Retrieved 19 September 2011. 
  5. ^ Hall (Waddesdon Manor), p37, makes this assertion
  6. ^ Hall (The Victorian Country House, p153
  7. ^ a b Binney, Marcus. John Robinson. William Allan (1977). SAVE Mentmore for the Nation. London: SAVE Britain's Heritage. 
  8. ^ Cowles, Virginia (1975). The Rothschilds, a family of fortune. London: First Futura Publications. ISBN 08600 7206 1. 
  9. ^ a b Historic England. "Mentmore Towers (1000319)". National Heritage List for England. Retrieved 10 July 2015. 
  10. ^ Robinson, p. 5.
  11. ^ Hall (Waddesdon Manor), p37.
  12. ^ The Builder Magazine 1852.
  13. ^ Hall (The Victorian Country House), p153, names Stokes and Paxton as joint architects.
  14. ^ Hall (The Victorian Country House), p16.
  15. ^ Crewe, Vol, p116
  16. ^ Mark Girouard, The Victorian Country House, Yale 1978
  17. ^ a b c McKinstry, Leo (2005). Rosebery, a statesman in turmoil. London: John Murray (publishers). ISBN 0-7195-6586-3. 
  18. ^ a b c Martin-Robinson 2014, pp. 128
  19. ^ Martin-Robinson 2014, pp. 130
  20. ^ Martin-Robinson 2014, pp. 129
  21. ^ a b Peter Mandler (1 May 1999). The Fall and Rise of the Stately Home. Yale University Press. pp. 472–. ISBN 978-0-300-07869-5. 
  22. ^ Sotheby's (1977). Mentmore Volume I -V. London: Sotheby, Parke, Bernet & Co. 
  23. ^ Nigel R. Jones (1 January 2005). Architecture of England, Scotland, and Wales. Greenwood Publishing Group. pp. 296–. ISBN 978-0-313-31850-4. 
  24. ^ Hugh Montgomery-Massingberd; Christopher Simon Sykes (1 January 1997). Great Houses of Scotland. Laurence King Publishing. pp. 93–. ISBN 978-1-85669-106-2. 
  25. ^ Hugh Montgomery-Massingberd; Christopher Simon Sykes (1 January 1997). Great Houses of Scotland. Laurence King Publishing. pp. 100–. ISBN 978-1-85669-106-2. 
  26. ^ a b Jury, Louise (13 May 1997). "Stately home for sale: could suit yogic flyer or maharishi". The Independent. 
  27. ^ Unknown author (12 November 2000). "Revealed: Buyer of the In and Out Club". Sunday Business. 
  28. ^ EPR Architects, Mentmore Towers Archived 1 October 2006 at the Wayback Machine. – accessed 22 September 2006.
  29. ^ Mentmore Towers Archived 1 January 2014 at the Wayback Machine. Di Camillo Companion
  30. ^ Dark Knight Location Guide. Empire Online. Retrieved 23 July 2012.
  31. ^ "Archived copy". Archived from the original on 1 January 2014. Retrieved 2012-08-22. 
  • Hall, Michael (2002). Waddesdon Manor. new York: Harry N Abrams. ISBN 0-8109-3239-3. 
  • Hall, Michael (2009). The Victorian Country House, from the archives of Country Life. London: Aurum Press. ISBN 978-1-84513-457-0. 
  • Martin-Robinson, John (2014). Requisitioned: The British Country House in the Second World War. London: Arum. ISBN 978-1-781-31095-3. 

External links[edit]

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