Mezzotint is a monochrome printmaking process of the intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatchin
Saint Agnes, mezzotint by John Smith after Godfrey Kneller, usually thought to be a portrait of Kneller's daughter, Catherine Voss
Ludwig von Siegen, Countess Amalie Elisabeth of Hanau-Münzenberg, 1642, is the first known mezzotint, using the light to dark method.
Early mezzotint by Wallerant Vaillant, Siegen's assistant or tutor. Young man reading, with statue of Cupid. Probably made using light to dark technique. 27.5 cm × 21.3 cm (10+13⁄16 in × 8+3⁄8 in)
Four-colour mezzotint of Louis XV by Jacob Christoph Le Blon, 1739
Engraving is the practice of incising a design on a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or
Mezzotint
…is large and bold enough to be framed and hung effectively in a room. Mezzotint is often combined with other intaglio techniques, usually etching and engraving, including stipple engraving. The process was especially widely used in England from the eighteenth century, and in France was called la manière anglaise…
St. Jerome in His Study (1514), engraving by Northern Renaissance master Albrecht Dürer
Artist and engraver Chaim Goldberg at work
An assortment of hand engraving tools