Seoba Srba is a set of four similar oil paintings by the Serbian artist Paja Jovanović that depict Serbs, led by Archbishop Arsenije III, fleeing Old Serbia during the Great Serb Migration of 1690–91. The first was commissioned in 1895 by Georgije Branković, the Patriarch of Karlovci, to be displayed at the following year's Budapest Millennium Exhibition. In the view of the Serbian clergy, it would serve to legitimize Serb claims to religious autonomy and partial self-administration in Austria-Hungary by upholding the contention that Serbs left their homeland at the behest of the Holy Roman Emperor to protect the Habsburg monarchy's borders.

Pavle "Paja" Jovanović was a Serbian realist painter who painted more than 1,100 works including: The Wounded Montenegrin (1882), Decorating of the Bride (1886), The Takovo Uprising (1894), Migration of the Serbs (1896) and The Proclamation of Dušan's Law Codex (1900). As one of the best European painters of oriental scenes, Paja at the end of the 19th century turned to painting historical events of Serbian history. Paja was also the premier portraitist of Europe after 1905. He painted the Emperor Franz Joseph I of Austria 15 times, he painted royalty, major industrialists, scientists, bankers, oil barons and monopolists, including certain heirs to the Standard Oil fortune in the United States. He was a very sought-after portraitist world-wide, which made him incredibly wealthy in his lifetime. Many European and international museums carry his works, signed under various names including: Paul Joanowitch in the National Gallery of Victoria and also two portraits in the Utah Museum of Fine Arts, Paul Joanowits, Paul Ivanovitch, Paul Joanovitch, Paul Joanovitsch, P. Joanowitsch and others.