1.
Traditional Chinese characters
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Traditional Chinese characters are Chinese characters in any character set that does not contain newly created characters or character substitutions performed after 1946. They are most commonly the characters in the character sets of Taiwan, of Hong Kong. Currently, a number of overseas Chinese online newspapers allow users to switch between both sets. In contrast, simplified Chinese characters are used in mainland China, Singapore, the debate on traditional and simplified Chinese characters has been a long-running issue among Chinese communities. Although simplified characters are taught and endorsed by the government of Mainland China, Traditional characters are used informally in regions in China primarily in handwriting and also used for inscriptions and religious text. They are often retained in logos or graphics to evoke yesteryear, nonetheless, the vast majority of media and communications in China is dominated by simplified characters. Taiwan has never adopted Simplified Chinese characters since it is ruled by the Republic of China, the use of simplified characters in official documents is even prohibited by the government in Taiwan. Simplified characters are not well understood in general, although some stroke simplifications that have incorporated into Simplified Chinese are in common use in handwriting. For example, while the name of Taiwan is written as 臺灣, similarly, in Hong Kong and Macau, Traditional Chinese has been the legal written form since colonial times. In recent years, because of the influx of mainland Chinese tourists, today, even government websites use simplified Chinese, as they answer to the Beijing government. This has led to concerns by residents to protect their local heritage. In Southeast Asia, the Chinese Filipino community continues to be one of the most conservative regarding simplification, while major public universities are teaching simplified characters, many well-established Chinese schools still use traditional characters. Publications like the Chinese Commercial News, World News, and United Daily News still use traditional characters, on the other hand, the Philippine Chinese Daily uses simplified. Aside from local newspapers, magazines from Hong Kong, such as the Yazhou Zhoukan, are found in some bookstores. In case of film or television subtitles on DVD, the Chinese dub that is used in Philippines is the same as the one used in Taiwan and this is because the DVDs belongs to DVD Region Code 3. Hence, most of the subtitles are in Traditional Characters, overseas Chinese in the United States have long used traditional characters. A major influx of Chinese immigrants to the United States occurred during the half of the 19th century. Therefore, the majority of Chinese language signage in the United States, including street signs, Traditional Chinese characters are called several different names within the Chinese-speaking world
2.
Simplified Chinese characters
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Simplified Chinese characters are standardized Chinese characters prescribed in the Table of General Standard Chinese Characters for use in mainland China. Along with traditional Chinese characters, it is one of the two character sets of the contemporary Chinese written language. The government of the Peoples Republic of China in mainland China has promoted them for use in printing since the 1950s and 1960s in an attempt to increase literacy and they are officially used in the Peoples Republic of China and Singapore. Traditional Chinese characters are used in Hong Kong, Macau. Overseas Chinese communities generally tend to use traditional characters, Simplified Chinese characters may be referred to by their official name above or colloquially. Strictly, the latter refers to simplifications of character structure or body, character forms that have existed for thousands of years alongside regular, Simplified character forms were created by decreasing the number of strokes and simplifying the forms of a sizable proportion of traditional Chinese characters. Some simplifications were based on popular cursive forms embodying graphic or phonetic simplifications of the traditional forms, some characters were simplified by applying regular rules, for example, by replacing all occurrences of a certain component with a simplified version of the component. Variant characters with the pronunciation and identical meaning were reduced to a single standardized character. Finally, many characters were left untouched by simplification, and are identical between the traditional and simplified Chinese orthographies. Some simplified characters are very dissimilar to and unpredictably different from traditional characters and this often leads opponents not well-versed in the method of simplification to conclude that the overall process of character simplification is also arbitrary. In reality, the methods and rules of simplification are few, on the other hand, proponents of simplification often flaunt a few choice simplified characters as ingenious inventions, when in fact these have existed for hundreds of years as ancient variants. However, the Chinese government never officially dropped its goal of further simplification in the future, in August 2009, the PRC began collecting public comments for a modified list of simplified characters. The new Table of General Standard Chinese Characters consisting of 8,105 characters was promulgated by the State Council of the Peoples Republic of China on June 5,2013, cursive written text almost always includes character simplification. Simplified forms used in print have always existed, they date back to as early as the Qin dynasty, One of the earliest proponents of character simplification was Lubi Kui, who proposed in 1909 that simplified characters should be used in education. In the years following the May Fourth Movement in 1919, many anti-imperialist Chinese intellectuals sought ways to modernise China, Traditional culture and values such as Confucianism were challenged. Soon, people in the Movement started to cite the traditional Chinese writing system as an obstacle in modernising China and it was suggested that the Chinese writing system should be either simplified or completely abolished. Fu Sinian, a leader of the May Fourth Movement, called Chinese characters the writing of ox-demons, lu Xun, a renowned Chinese author in the 20th century, stated that, If Chinese characters are not destroyed, then China will die. Recent commentators have claimed that Chinese characters were blamed for the problems in China during that time
3.
Ming dynasty
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The Ming dynasty was the ruling dynasty of China – then known as the Empire of the Great Ming – for 276 years following the collapse of the Mongol-led Yuan dynasty. The Ming, described by some as one of the greatest eras of orderly government, although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng, regimes loyal to the Ming throne – collectively called the Southern Ming – survived until 1683. He rewarded his supporters and employed them as a counterweight against the Confucian scholar-bureaucrats. One, Zheng He, led seven enormous voyages of exploration into the Indian Ocean as far as Arabia, the rise of new emperors and new factions diminished such extravagances, the capture of the Zhengtong Emperor during the 1449 Tumu Crisis ended them completely. The imperial navy was allowed to fall into disrepair while forced labor constructed the Liaodong palisade, haijin laws intended to protect the coasts from Japanese pirates instead turned many into smugglers and pirates themselves. The growth of Portuguese, Spanish, and Dutch trade created new demand for Chinese products and produced an influx of Japanese. This abundance of specie remonetized the Ming economy, whose money had suffered repeated hyperinflation and was no longer trusted. While traditional Confucians opposed such a prominent role for commerce and the newly rich it created, combined with crop failure, floods, and epidemic, the dynasty collapsed before the rebel leader Li Zicheng, who was defeated by the Manchu-led Eight Banner armies who founded the Qing dynasty. The Mongol-led Yuan dynasty ruled before the establishment of the Ming dynasty, consequently, agriculture and the economy were in shambles, and rebellion broke out among the hundreds of thousands of peasants called upon to work on repairing the dykes of the Yellow River. A number of Han Chinese groups revolted, including the Red Turbans in 1351, the Red Turbans were affiliated with the White Lotus, a Buddhist secret society. Zhu Yuanzhang was a peasant and Buddhist monk who joined the Red Turbans in 1352. In 1356, Zhus rebel force captured the city of Nanjing, with the Yuan dynasty crumbling, competing rebel groups began fighting for control of the country and thus the right to establish a new dynasty. In 1363, Zhu Yuanzhang eliminated his archrival and leader of the rebel Han faction, Chen Youliang, in the Battle of Lake Poyang, arguably the largest naval battle in history. Known for its ambitious use of ships, Zhus force of 200,000 Ming sailors were able to defeat a Han rebel force over triple their size, claimed to be 650. The victory destroyed the last opposing rebel faction, leaving Zhu Yuanzhang in uncontested control of the bountiful Yangtze River Valley, Zhu Yuanzhang took Hongwu, or Vastly Martial, as his era name. Hongwu made an effort to rebuild state infrastructure. He built a 48 km long wall around Nanjing, as well as new palaces, Hongwu organized a military system known as the weisuo, which was similar to the fubing system of the Tang dynasty. With a growing suspicion of his ministers and subjects, Hongwu established the Jinyiwei, some 100,000 people were executed in a series of purges during his rule
4.
Typeface
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In metal typesetting, a font is a particular size, weight and style of a typeface. Each font was a set of type, one piece for each glyph. In modern usage, with the advent of digital typography, font is frequently synonymous with typeface, in particular, the use of vector or outline fonts means that different sizes of a typeface can be dynamically generated from one design. The word font derives from Middle French fonte melted, a casting, the term refers to the process of casting metal type at a type foundry. In a manual printing house the word font would refer to a set of metal type that would be used to typeset an entire page. Unlike a digital typeface it would not include a definition of each character. A font when bought new would often be sold as 12pt 14A 34a, meaning that it would be a size 12-point font containing 14 uppercase As, given the name upper and lowercase because of which case the metal type was located in, otherwise known as majuscule and minuscule. The rest of the characters would be provided in quantities appropriate for the distribution of letters in that language. Some metal type characters required in typesetting, such as dashes, spaces and line-height spacers, were not part of a specific font, line spacing is still often called leading, because the strips used for line spacing were made of lead. In the 1880s–90s, hot lead typesetting was invented, in which type was cast as it was set, either piece by piece or in entire lines of type at one time. In European alphabetic scripts, i. e. Latin, Cyrillic and Greek, the main properties are the stroke width, called weight, the style or angle. The regular or standard font is sometimes labeled roman, both to distinguish it from bold or thin and from italic or oblique. The keyword for the default, regular case is often omitted for variants and never repeated, otherwise it would be Bulmer regular italic, Bulmer bold regular, Roman can also refer to the language coverage of a font, acting as a shorthand for Western European. Different fonts of the same typeface may be used in the work for various degrees of readability and emphasis. The weight of a font is the thickness of the character outlines relative to their height. A typeface may come in fonts of many weights, from ultra-light to extra-bold or black, four to six weights are not unusual, many typefaces for office, web and non-professional use come with just a normal and a bold weight which are linked together. If no bold weight is provided, many renderers support faking a bolder font by rendering the outline a second time at an offset, the base weight differs among typefaces, that means one normal font may appear bolder than some other normal font. For example, fonts intended to be used in posters are often quite bold by default while fonts for long runs of text are rather light, therefore, weight designations in font names may differ in regard to the actual absolute stroke weight or density of glyphs in the font
5.
Standard Chinese
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Its pronunciation is based on the Beijing dialect, its vocabulary on the Mandarin dialects, and its grammar is based on written vernacular Chinese. Like other varieties of Chinese, Standard Chinese is a language with topic-prominent organization. It has more initial consonants but fewer vowels, final consonants, Standard Chinese is an analytic language, though with many compound words. There exist two standardised forms of the language, namely Putonghua in Mainland China and Guoyu in Taiwan, aside from a number of differences in pronunciation and vocabulary, Putonghua is written using simplified Chinese characters, while Guoyu is written using traditional Chinese characters. There are many characters that are identical between the two systems, in English, the governments of China and Hong Kong use Putonghua, Putonghua Chinese, Mandarin Chinese, and Mandarin, while those of Taiwan, Singapore, and Malaysia, use Mandarin. The name Putonghua also has a long, albeit unofficial, history and it was used as early as 1906 in writings by Zhu Wenxiong to differentiate a modern, standard Chinese from classical Chinese and other varieties of Chinese. For some linguists of the early 20th century, the Putonghua, or common tongue/speech, was different from the Guoyu. The former was a prestige variety, while the latter was the legal standard. Based on common understandings of the time, the two were, in fact, different, Guoyu was understood as formal vernacular Chinese, which is close to classical Chinese. By contrast, Putonghua was called the speech of the modern man. The use of the term Putonghua by left-leaning intellectuals such as Qu Qiubai, prior to this, the government used both terms interchangeably. In Taiwan, Guoyu continues to be the term for Standard Chinese. The term Putonghua, on the contrary, implies nothing more than the notion of a lingua franca, Huayu, or language of the Chinese nation, originally simply meant Chinese language, and was used in overseas communities to contrast Chinese with foreign languages. Over time, the desire to standardise the variety of Chinese spoken in these communities led to the adoption of the name Huayu to refer to Mandarin and it also incorporates the notion that Mandarin is usually not the national or common language of the areas in which overseas Chinese live. The term Mandarin is a translation of Guānhuà, which referred to the lingua franca of the late Chinese empire, in English, Mandarin may refer to the standard language, the dialect group as a whole, or to historic forms such as the late Imperial lingua franca. The name Modern Standard Mandarin is sometimes used by linguists who wish to distinguish the current state of the language from other northern. Chinese has long had considerable variation, hence prestige dialects have always existed. Confucius, for example, used yǎyán rather than colloquial regional dialects, rime books, which were written since the Northern and Southern dynasties, may also have reflected one or more systems of standard pronunciation during those times
6.
Pinyin
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Pinyin, or Hànyǔ Pīnyīn, is the official romanization system for Standard Chinese in mainland China, Malaysia, Singapore, and Taiwan. It is often used to teach Standard Chinese, which is written using Chinese characters. The system includes four diacritics denoting tones, Pinyin without tone marks is used to spell Chinese names and words in languages written with the Latin alphabet, and also in certain computer input methods to enter Chinese characters. The pinyin system was developed in the 1950s by many linguists, including Zhou Youguang and it was published by the Chinese government in 1958 and revised several times. The International Organization for Standardization adopted pinyin as a standard in 1982. The system was adopted as the standard in Taiwan in 2009. The word Hànyǔ means the language of the Han people. In 1605, the Jesuit missionary Matteo Ricci published Xizi Qiji in Beijing and this was the first book to use the Roman alphabet to write the Chinese language. Twenty years later, another Jesuit in China, Nicolas Trigault, neither book had much immediate impact on the way in which Chinese thought about their writing system, and the romanizations they described were intended more for Westerners than for the Chinese. One of the earliest Chinese thinkers to relate Western alphabets to Chinese was late Ming to early Qing Dynasty scholar-official, the first late Qing reformer to propose that China adopt a system of spelling was Song Shu. A student of the great scholars Yu Yue and Zhang Taiyan, Song had been to Japan and observed the effect of the kana syllabaries. This galvanized him into activity on a number of fronts, one of the most important being reform of the script, while Song did not himself actually create a system for spelling Sinitic languages, his discussion proved fertile and led to a proliferation of schemes for phonetic scripts. The Wade–Giles system was produced by Thomas Wade in 1859, and it was popular and used in English-language publications outside China until 1979. This Sin Wenz or New Writing was much more sophisticated than earlier alphabets. In 1940, several members attended a Border Region Sin Wenz Society convention. Mao Zedong and Zhu De, head of the army, both contributed their calligraphy for the masthead of the Sin Wenz Societys new journal. Outside the CCP, other prominent supporters included Sun Yat-sens son, Sun Fo, Cai Yuanpei, the countrys most prestigious educator, Tao Xingzhi, an educational reformer. Over thirty journals soon appeared written in Sin Wenz, plus large numbers of translations, biographies, some contemporary Chinese literature, and a spectrum of textbooks
7.
Bopomofo
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Zhuyin fuhao, Zhuyin or Bopomofo is a system of phonetic notation for the transcription of spoken Chinese, particularly the Mandarin dialect. The first two are traditional terms, whereas Bopomofo is the term, also used by the ISO. Consisting of 37 characters and four marks, it transcribes all possible sounds in Mandarin. Zhuyin was introduced in China by the Republican Government in the 1910s and used alongside the Wade-Giles system, the Wade system was replaced by Hanyu Pinyin in 1958 by the Government of the Peoples Republic of China, and at the International Organization for Standardization in 1982. The informal name Bopomofo is derived from the first four syllables in the ordering of available syllables in Mandarin Chinese. The four Bopomofo characters that correspond to these syllables are placed first in a list of these characters. The same sequence is used by other speakers of Chinese to refer to other phonetic systems. The original formal name of the system was Guóyīn Zìmǔ and Zhùyīn Zìmǔ and it was later renamed Zhùyīn Fúhào, meaning phonetic symbols. In official documents, Zhuyin is occasionally called Mandarin Phonetic Symbols I, in English translations, the system is often also called either Chu-yin or the Mandarin Phonetic Symbols. A romanized phonetic system was released in 1984 as Mandarin Phonetic Symbols II, the Commission on the Unification of Pronunciation, led by Wu Zhihui from 1912 to 1913, created a system called Zhuyin Zimu, which was based on Zhang Binglins shorthand. A draft was released on July 11,1913, by the Republic of China National Ministry of Education and it was later renamed first Guoyin Zimu and then, in April 1930, Zhuyin Fuhao. The last renaming addressed fears that the system might independently replace Chinese characters. Zhuyin remains the predominant phonetic system in teaching reading and writing in school in Taiwan. It is also one of the most popular ways to enter Chinese characters into computers and smartphones, in elementary school, particularly in the lower years, Chinese characters in textbooks are often annotated with Zhuyin as ruby characters as an aid to learning. Additionally, one newspaper in Taiwan, the Mandarin Daily News. In teaching Mandarin, Taiwan institutions and some communities use Zhuyin as a learning tool. The Zhuyin characters were created by Zhang Binglin, and taken mainly from regularised forms of ancient Chinese characters, the modern readings of which contain the sound that each letter represents. It is to be noted that the first consonants are articulated from the front of the mouth to the back, /b/, /p/, /m/, /f/, /d/, /t/, /n/, Zhuyin is written in the same stroke order rule as Chinese characters
8.
Song dynasty
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The Song dynasty was an era of Chinese history that began in 960 and continued until 1279. It succeeded the Five Dynasties and Ten Kingdoms period, coincided with the Liao and Western Xia dynasties and it was the first government in world history to issue banknotes or true paper money nationally and the first Chinese government to establish a permanent standing navy. This dynasty also saw the first known use of gunpowder, as well as the first discernment of true north using a compass, the Song dynasty is divided into two distinct periods, Northern and Southern. During the Northern Song, the Song capital was in the city of Bianjing. The Southern Song refers to the period after the Song lost control of its half to the Jurchen Jin dynasty in the Jin–Song Wars. During this time, the Song court retreated south of the Yangtze, the Southern Song dynasty considerably bolstered its naval strength to defend its waters and land borders and to conduct maritime missions abroad. To repel the Jin, and later the Mongols, the Song developed revolutionary new military technology augmented by the use of gunpowder, in 1234, the Jin dynasty was conquered by the Mongols, who took control of northern China, maintaining uneasy relations with the Southern Song. Möngke Khan, the fourth Great Khan of the Mongol Empire and his younger brother Kublai Khan was proclaimed the new Great Khan, though his claim was only partially recognized by the Mongols in the west. In 1271, Kublai Khan was proclaimed the Emperor of China, after two decades of sporadic warfare, Kublai Khans armies conquered the Song dynasty in 1279. The Mongol invasion led to a reunification under the Yuan dynasty, the population of China doubled in size during the 10th and 11th centuries. The Northern Song census recorded a population of roughly 50 million, much like the Han and this data is found in the Standard Histories. However, it is estimated that the Northern Song had a population of some 100 million people and this dramatic increase of population fomented an economic revolution in pre-modern China. The expansion of the population, growth of cities, and the emergence of a national economy led to the withdrawal of the central government from direct involvement in economic affairs. The lower gentry assumed a role in grassroots administration and local affairs. Appointed officials in county and provincial centers relied upon the gentry for their services, sponsorship. Social life during the Song was vibrant, citizens gathered to view and trade precious artworks, the populace intermingled at public festivals and private clubs, and cities had lively entertainment quarters. The spread of literature and knowledge was enhanced by the expansion of woodblock printing. Technology, science, philosophy, mathematics, and engineering flourished over the course of the Song, although the institution of the civil service examinations had existed since the Sui dynasty, it became much more prominent in the Song period
9.
Hangul
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The Korean alphabet, known as Hangul in South Korea and as Chosŏngŭl/Chosŏn Muntcha in North Korea is the alphabet that has been used to write the Korean language since the 15th century. It was created during the Joseon Dynasty in 1443 by King Sejong the Great, in South Korea, Hangul is used primarily to write the Korean language as using Hanja in typical Korean writing had fallen out of common usage during the late 1990s. In its classical and modern forms, the alphabet has 19 consonant and 21 vowel letters, however, instead of being written sequentially like the letters of the Latin alphabet, Hangul letters are grouped into blocks, such as 한 han, each of which transcribes a syllable. That is, although the syllable 한 han may look like a single character, each syllabic block consists of two to six letters, including at least one consonant and one vowel. These blocks are arranged horizontally from left to right or vertically from top to bottom. Each Korean word consists of one or more syllables, hence one or more blocks, of the 11,172 possible Hangul syllables, the most frequent 256 have a cumulative frequency of 88. 2%, with the top 512, it reaches 99. 9%. The modern name Hangul was coined by Ju Sigyeong in 1912, han meant great in archaic Korean, and geul is the native Korean word for script. Taken together, then, the meaning is great script, as the word han had also become one way of indicating Korea as a whole the name could also potentially be interpreted as Korean script. Korean 한글 is pronounced, and in English as /ˈhɑːn. ɡʊl/ or /ˈhɑːŋɡʊl/, when used as an English word, it is often rendered without the diacritics, hangul, and it is often capitalized as Hangul, as it appears in many English dictionaries. Hankul in the Yale romanization, a system recommended for technical linguistic studies, North Koreans call it Chosŏngŭl, after Chosŏn, the North Korean name for Korea. Because of objections to the names Hangeul, Chosŏngŭl, and urigeul by Koreans in China, until the early 20th century, Hangul was denigrated as vulgar by the literate elite, who preferred the traditional hanja writing system. They gave it such names as these, Achimgeul, in the original Hanja, it is rendered as 故智者不終朝而會，愚者可浹旬而學。 Gugmun Eonmun Amgeul. Am is a prefix that signifies a noun is feminine Ahaetgeul or Ahaegeul Hangul was promulgated by Sejong the Great, the Hall of Worthies, a group of scholars who worked with Sejong to develop and refine the new alphabet, is often credited for the work. The project was completed in late December 1443 or January 1444, the publication date of the Hunmin Jeong-eum, October 9, became Hangul Day in South Korea. Its North Korean equivalent, Chosongul Day, is on January 15, various speculations about the creation process were put to rest by the discovery in 1940 of the 1446 Hunmin Jeong-eum Haerye. This document explains the design of the consonant letters according to articulatory phonetics, to assuage this problem, King Sejong created the unique alphabet known as Hangul to promote literacy among the common people. However, it entered popular culture as Sejong had intended, being used especially by women, the late 16th century, however, saw a revival of Hangul, with gasa literature and later sijo flourishing. In the 17th century, Hangul novels became a major genre, by this point spelling had become quite irregular
10.
Hanja
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Hanja is the Korean name for Chinese characters. Borrowed from Chinese and incorporated into the Korean language with Korean pronunciation, hanja-mal or hanja-eo refers to words that can be written with hanja, and hanmun refers to Classical Chinese writing, although hanja is sometimes used loosely to encompass these other concepts. Because hanja never underwent major reform, they are almost entirely identical to traditional Chinese, only a small number of hanja characters are modified or unique to Korean. By contrast, many of the Chinese characters currently in use in Japan and Mainland China have been simplified, and contain fewer strokes than the corresponding hanja characters. Today, a working knowledge of Chinese characters is still important for anyone who wishes to study older texts. Learning a certain number of hanja is very helpful for understanding the etymology of Sino-Korean words, hanja are not used to write native Korean words, which are always rendered in hangul, and even words of Chinese origin—hanja-eo —are written with the hangul alphabet most of the time. A major motivation for the introduction of Chinese characters into Korea was the spread of Buddhism, the major Chinese text that introduced hanja to Koreans, however, was not a religious text but the Chinese text, Cheonjamun. One way of adapting hanja to write Korean in such systems was to represent native Korean grammatical particles, for example, Gugyeol uses the characters 爲尼 to transcribe the Korean word hăni, in modern Korean, that means does, and so. However, in Chinese, the characters are read as the expression wéi ní. This is an example of Gugyeol words where the radical is read in Korean for its meaning. Hanja was the means of writing Korean until King Sejong the Great promoted the invention of hangul in the 15th century. However, even after the invention of hangul, most Korean scholars continued to write in hanmun and it was not until the 20th century that hangul truly replaced hanja. Officially, hanja has not been used in North Korea since June 1949, additionally, many words borrowed from Chinese have been replaced in the North with native Korean words. However, there are a number of Chinese-borrowed words in widespread usage in the North. The replacement has been less total in South Korea where, although usage has declined over time, some remains in common usage in some contexts. Each hanja is composed of one of 214 radicals plus in most cases one or more additional elements, the vast majority of hanja use the additional elements to indicate the sound of the character, but a few hanja are purely pictographic, and some were formed in other ways. This dual meaning-sound reading of a character is called eumhun, the word or words used to denote the meaning are often—though hardly always—words of native Korean origin, and are sometimes archaic words no longer commonly used. South Korean primary schools abandoned the teaching of hanja in 1971 and it is taught in separate courses in South Korean high schools, separately from the normal Korean-language curriculum
