The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
The entire wiki reimagined as a visual magazine with video discovery · Watch your interests come alive
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century
Miniature of Abraham meeting angels, from the Cotton Genesis, 5th–6th century.
Miniature of Abraham meeting angels, from the Cotton Genesis, 5th–6th century.
Miniature of seven physicians from the Vienna Dioscurides, early 6th century.
Miniature of seven physicians from the Vienna Dioscurides, early 6th century.
Miniature of the Annuciation to the Shepherds, from a Book of Hours (Milan, Biblioteca Trivulziana, Cod. 470).
Miniature of the Annuciation to the Shepherds, from a Book of Hours (Milan, Biblioteca Trivulziana, Cod. 470).
One of the most famous of the surviving Byzantine mosaics of the Hagia Sophia in Constantinople – the image of Christ Pantocrator on the walls of the upper southern gallery, Christ being flanked by the Virgin Mary and John the Baptist; c. 1261; 4.08 x 4.2 m
One of the most famous of the surviving Byzantine mosaics of the Hagia Sophia in Constantinople – the image of Christ Pantocrator on the walls of the
Icon of the enthroned Virgin and Child with saints and angels, 6th century, Saint Catherine's Monastery, Sinai
Icon of the enthroned Virgin and Child with saints and angels, 6th century, Saint Catherine's Monastery, Sinai
The Arab Saint Arethas depicted in traditional Byzantine style (10th century)
The Arab Saint Arethas depicted in traditional Byzantine style (10th century)
Frescoes in Nerezi near Skopje (1164), with their unique blend of high tragedy, gentle humanity, and homespun realism, anticipate the approach of Giot
Frescoes in Nerezi near Skopje (1164), with their unique blend of high tragedy, gentle humanity, and homespun realism, anticipate the approach of Giotto and other proto-Renaissance Italian artists.