1.
Minneapolis
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Minneapolis is the county seat of Hennepin County, and the larger of the Twin Cities, the 16th-largest metropolitan area in the United States. As of 2015, Minneapolis is the largest city in the state of Minnesota, Minneapolis and Saint Paul anchor the second-largest economic center in the Midwest, after Chicago. Minneapolis lies on both banks of the Mississippi River, just north of the confluence with the Minnesota River, and adjoins Saint Paul. It was once the worlds flour milling capital and a hub for timber, the city and surrounding region is the primary business center between Chicago and Seattle, with Minneapolis proper containing Americas fifth-highest concentration of Fortune 500 companies. As an integral link to the economy, Minneapolis is categorized as a global city. Noted for its music and performing arts scenes, Minneapolis is home to both the award-winning Guthrie Theater and the historic First Avenue nightclub. The name Minneapolis is attributed to Charles Hoag, the citys first schoolteacher, who combined mni, a Dakota Sioux word for water, and polis, Dakota Sioux had long been the regions sole residents when French explorers arrived around 1680. For a time relations were based on fur trading, gradually more European-American settlers arrived, competing for game and other resources with the Dakota. In the early 19th century, the United States acquired this territory from France, fort Snelling was built in 1819 by the United States Army, and it attracted traders, settlers and merchants, spurring growth in the area. The United States government pressed the Mdewakanton band of the Dakota to sell their land, the Minnesota Territorial Legislature authorized present-day Minneapolis as a town in 1856 on the Mississippis west bank. Minneapolis incorporated as a city in 1867, the rail service began between Minneapolis and Chicago. It later joined with the city of St. Anthony in 1872. Minneapolis developed around Saint Anthony Falls, the highest waterfall on the Mississippi River, forests in northern Minnesota were a valuable resource for the lumber industry, which operated seventeen sawmills on power from the waterfall. By 1871, the west river bank had twenty-three businesses, including mills, woolen mills, iron works, a railroad machine shop, and mills for cotton, paper, sashes. Due to the hazards of milling, six local sources of artificial limbs were competing in the prosthetics business by the 1890s. The farmers of the Great Plains grew grain that was shipped by rail to the citys thirty-four flour mills, a father of modern milling in America and founder of what became General Mills, Cadwallader C. Some ideas were developed by William Dixon Gray and some acquired through industrial espionage from the Hungarians by William de la Barre, pillsbury Company across the river were barely a step behind, hiring Washburn employees to immediately use the new methods. The hard red spring wheat that grows in Minnesota became valuable, not until later did consumers discover the value in the bran that Minneapolis
2.
Fine art
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Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with performing arts including theatre and dance. Today, the fine arts commonly include additional forms, such as film, photography, video production/editing, design, sequential art, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art, in that sense, there are conceptual differences between the fine arts and the applied arts. The word fine does not so much denote the quality of the artwork in question and this definition originally excluded the applied or decorative arts, and the products of what were regarded as crafts. According to some writers the concept of a category of fine art is an invention of the early modern period in the West. Larry Shiner in his The Invention of Art, A Cultural History locates the invention in the 18th century, There was a traditional “system of the arts” in the West before the eighteenth century. ”Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton, though the point of invention is often placed earlier, in the Italian Renaissance. The separation of arts and crafts that often exists in Europe, in Japanese aesthetics the activities of everyday life are depicted by integrating not only art with craft but man-made with nature. Traditional Chinese art distinguished within Chinese painting between the mostly landscape painting of scholar gentlemen and the artisans of the schools of court painting. A high status was given to many things that would be seen as craft objects in the West, in particular ceramics, jade carving, weaving. Drawing is a form of expression and is one of the major forms of the visual arts. Common instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoals, chalk, pastels, markers, stylus, There are a number of subcategories of drawing, including cartooning. Mosaics are images formed with pieces of stone or glass. They can be decorative or functional, an artist who designs and makes mosaics is called a mosaic artist or a mosaicist. Printmaking is the process of making artworks by printing, normally on paper, except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print is considered an original, as opposed to a copy, the reasoning behind this is that the print is not a reproduction of another work of art in a different medium — for instance, a painting — but rather an image designed from inception as a print. An individual print is also referred to as an impression, prints are created from a single original surface, known technically as a matrix. But there are other kinds, discussed below. Multiple nearly identical prints can be called an edition, in modern times each print is often signed and numbered forming a limited edition
3.
Minnesota
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Minnesota is a state in the midwestern and northern regions of the United States. Minnesota was admitted as the 32nd U. S. state on May 11,1858, the state has a large number of lakes, and is known by the slogan Land of 10,000 Lakes. Its official motto is LÉtoile du Nord, Minnesota is the 12th largest in area and the 21st most populous of the U. S. Minnesota is known for its progressive political orientation and its high rate of civic participation and voter turnout. Until European settlement, Minnesota was inhabited by the Dakota and Ojibwe/Anishinaabe, in recent decades, immigration from Asia, the Horn of Africa, and Latin America has broadened its historic demographic and cultural composition. Minnesotas standard of living index is among the highest in the United States, Native Americans demonstrated the name to early settlers by dropping milk into water and calling it mnisota. Many places in the state have similar names, such as Minnehaha Falls, Minneiska, Minneota, Minnetonka, Minnetrista, and Minneapolis, a combination of mni and polis, Minnesota is the second northernmost U. S. state. Its isolated Northwest Angle in Lake of the Woods county is the part of the 48 contiguous states lying north of the 49th parallel. The state is part of the U. S. region known as the Upper Midwest and it shares a Lake Superior water border with Michigan and a land and water border with Wisconsin to the east. Iowa is to the south, North Dakota and South Dakota are to the west, with 86,943 square miles, or approximately 2.25 percent of the United States, Minnesota is the 12th-largest state. Minnesota has some of the Earths oldest rocks, gneisses that are about 3.6 billion years old. About 2.7 billion years ago, basaltic lava poured out of cracks in the floor of the primordial ocean, the roots of these volcanic mountains and the action of Precambrian seas formed the Iron Range of northern Minnesota. Following a period of volcanism 1, in more recent times, massive ice sheets at least one kilometer thick ravaged the landscape of the state and sculpted its terrain. The Wisconsin glaciation left 12,000 years ago and these glaciers covered all of Minnesota except the far southeast, an area characterized by steep hills and streams that cut into the bedrock. This area is known as the Driftless Zone for its absence of glacial drift, much of the remainder of the state outside the northeast has 50 feet or more of glacial till left behind as the last glaciers retreated. Gigantic Lake Agassiz formed in the northwest 13,000 years ago and its bed created the fertile Red River valley, and its outflow, glacial River Warren, carved the valley of the Minnesota River and the Upper Mississippi downstream from Fort Snelling. Minnesota is geologically quiet today, it experiences earthquakes infrequently, the states high point is Eagle Mountain at 2,301 feet, which is only 13 miles away from the low of 601 feet at the shore of Lake Superior. Notwithstanding dramatic local differences in elevation, much of the state is a rolling peneplain. Two major drainage divides meet in Minnesotas northeast in rural Hibbing, forming a triple watershed, precipitation can follow the Mississippi River south to the Gulf of Mexico, the Saint Lawrence Seaway east to the Atlantic Ocean, or the Hudson Bay watershed to the Arctic Ocean
4.
Photography
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Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic sensor, this produces an electrical charge at each pixel. A negative image on film is used to photographically create a positive image on a paper base, known as a print. The word photography was created from the Greek roots φωτός, genitive of φῶς, light and γραφή representation by means of lines or drawing, several people may have coined the same new term from these roots independently. Johann von Maedler, a Berlin astronomer, is credited in a 1932 German history of photography as having used it in an article published on 25 February 1839 in the German newspaper Vossische Zeitung. Both of these claims are now widely reported but apparently neither has ever been confirmed as beyond reasonable doubt. Credit has traditionally given to Sir John Herschel both for coining the word and for introducing it to the public. Photography is the result of combining several technical discoveries, later Greek mathematicians Aristotle and Euclid also independently described a pinhole camera in the 5th and 4th centuries BCE. Daniele Barbaro described a diaphragm in 1566, wilhelm Homberg described how light darkened some chemicals in 1694. The fiction book Giphantie, published in 1760, by French author Tiphaigne de la Roche, the discovery of the camera obscura that provides an image of a scene dates back to ancient China. Leonardo da Vinci mentions natural camera obscura that are formed by dark caves on the edge of a sunlit valley, a hole in the cave wall will act as a pinhole camera and project a laterally reversed, upside down image on a piece of paper. So the birth of photography was primarily concerned with inventing means to capture, renaissance painters used the camera obscura which, in fact, gives the optical rendering in color that dominates Western Art. The camera obscura literally means dark chamber in Latin and it is a box with a hole in it which allows light to go through and create an image onto the piece of paper. Around the year 1800, British inventor Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance and he used paper or white leather treated with silver nitrate. The shadow images eventually darkened all over, the first permanent photoetching was an image produced in 1822 by the French inventor Nicéphore Niépce, but it was destroyed in a later attempt to make prints from it. Niépce was successful again in 1825, in 1826 or 1827, he made the View from the Window at Le Gras, the earliest surviving photograph from nature. Because Niépces camera photographs required a long exposure, he sought to greatly improve his bitumen process or replace it with one that was more practical. With an eye to eventual commercial exploitation, the partners opted for total secrecy, Daguerres efforts culminated in what would later be named the daguerreotype process
5.
Rembrandt
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Rembrandt Harmenszoon van Rijn was a Dutch draughtsman, painter, and printmaker. A prolific and versatile master across three media, he is considered one of the greatest visual artists in the history of art. Having achieved youthful success as a painter, Rembrandts later years were marked by personal tragedy. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, Rembrandts portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and his reputation as the greatest etcher in the history of the medium was established in his lifetime, and never questioned since. Few of his paintings left the Dutch Republic whilst he lived, but his prints were circulated throughout Europe, because of his empathy for the human condition, he has been called one of the great prophets of civilization. Rembrandt Harmenszoon van Rijn was born on 15 July 1606 in Leiden, in the Dutch Republic and he was the ninth child born to Harmen Gerritszoon van Rijn and Neeltgen Willemsdochter van Zuijtbrouck. His family was quite well-to-do, his father was a miller, religion is a central theme in Rembrandts paintings and the religiously fraught period in which he lived makes his faith a matter of interest. His mother was Roman Catholic, and his father belonged to the Dutch Reformed Church, unlike many of his contemporaries who traveled to Italy as part of their artistic training, Rembrandt never left the Dutch Republic during his lifetime. He opened a studio in Leiden in 1624 or 1625, which he shared with friend, in 1627, Rembrandt began to accept students, among them Gerrit Dou in 1628. In 1629, Rembrandt was discovered by the statesman Constantijn Huygens, as a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1646. He initially stayed with an art dealer, Hendrick van Uylenburgh, Saskia came from a good family, her father had been a lawyer and the burgemeester of Leeuwarden. When Saskia, as the youngest daughter, became an orphan, Rembrandt and Saskia were married in the local church of St. Annaparochie without the presence of Rembrandts relatives. In the same year, Rembrandt became a burgess of Amsterdam and he also acquired a number of students, among them Ferdinand Bol and Govert Flinck. In 1635 Rembrandt and Saskia moved into their own house, renting in fashionable Nieuwe Doelenstraat, in 1639 they moved to a prominent newly built house in the upscale Breestraat, today known as Jodenbreestraat in what was becoming the Jewish quarter, then a young upcoming neighborhood. The mortgage to finance the 13,000 guilder purchase would be a cause for later financial difficulties. Rembrandt should easily have been able to pay the house off with his income, but it appears his spending always kept pace with his income. It was there that Rembrandt frequently sought his Jewish neighbors to model for his Old Testament scenes, in 1640, they had a second daughter, also named Cornelia, who died after living barely over a month
6.
National Gallery of Art
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The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D. C. located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated an art collection and funds for construction. The Gallery often presents temporary special exhibitions spanning the world and the history of art and it is one of the largest museums in North America. In 1930 Mellon formed the A. W. Mellon Educational and Charitable Trust, when quizzed by Abbot, he explained that the project was in the hands of the Trust and that its decisions were partly dependent on the attitude of the Government towards the gift. Designed by architect John Russell Pope, the new structure was completed and accepted by President Franklin D. Roosevelt on behalf of the American people on March 17,1941. Neither Mellon nor Pope lived to see the completed, both died in late August 1937, only two months after excavation had begun. At the time of its inception it was the largest marble structure in the world, as anticipated by Mellon, the creation of the National Gallery encouraged the donation of other substantial art collections by a number of private donors. The Gallerys East Building was constructed in the 1970s on much of the land left over from the original congressional joint resolution. It was funded by Mellons children Paul Mellon and Ailsa Mellon Bruce, designed by famed architect I. M. Pei, the contemporary structure was completed in 1978 and was opened on June 1 of that year by President Jimmy Carter. The new building was built to house the Museums collection of paintings, drawings, sculptures. The design received a National Honor Award from the American Institute of Architects in 1981, the final addition to the complex is the National Gallery of Art Sculpture Garden. Completed and opened to the public on May 23,1999, the National Gallery of Art is supported through a private-public partnership. The United States federal government provides funds, through annual appropriations, to support the museums operations, all artwork, as well as special programs, are provided through private donations and funds. The museum is not part of the Smithsonian Institution, noted directors of the National Gallery have included David E. Finley, Jr. John Walker, and J. Carter Brown. Rusty Powell III is the current director, entry to both buildings of the National Gallery of Art is free of charge. From Monday through Saturday, the museum is open from 10 a. m. –5 p. m. it is open from 11 –6 p. m. on Sundays and it is closed on December 25 and January 1. The museum comprises two buildings, the West Building and the East Building linked by an underground passage
7.
Minneapolis Public Library
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The Minneapolis Public Library was a library system that served the residents of Minneapolis, Minnesota in the United States. It was founded in 1885 with the establishment of the Minneapolis Library Board by an amendment to the Minneapolis City Charter, lumber baron and philanthropist T. B. Walker and other city leaders such as Thomas Lowry were members of the first library board. In 2008, after financial difficulties, the library was merged into the Hennepin County Library system. At the time of its merger, the library included Central Library in downtown Minneapolis and its collection numbered about 3.1 million items with about 2.2 million of these housed in the central library. The predecessor of Minneapoliss public library was a library called the Minneapolis Athenæum. It was organized by Minneapolis businessmen in 1859 as a subscription library, after T. B. Walker moved to Minneapolis he bought shares in the Athenæum and gave away memberships to it, promoting the idea of a free public library for the city. Other stock holders raised objections, but the technique worked and soon the city financed a free library for the public with a one mill property tax. When the Minneapolis Public Library was established in 1885 the Athenæum became a partner of it, three central libraries have been built in Minneapolis, each replacing the last with a bigger and more up-to-date building. The first opened in 1889, the second in 1961 and the third, on November 7,2000, Minneapolis voters approved a $140 million package to improve library services, including funding a new Central Library building. The building was designed by Cesar Pelli, along with the Minneapolis firm Architectural Alliance, at a cost of $250 per square foot, the library features a host of energy-efficient measures, including a roof garden and substantial daylight. While the building was construction, most services were provided at the interim Central Library Marquette location. Cost of providing a site while the old library was demolished. Until the 2002 closure and demolition of the old central library, in 2005, the Minnesota Legislature apportioned funding for a new planetarium, then planned to be on the roof of the new Central Library building. Instead, the planetarium is now planned to be part of a new Bell Museum of Natural History building, the first two branches of the Minneapolis Public Library opened in 1890, one each on the north and south sides of Minneapolis. A branch in the basement of North High School opened on February 27,1890, by 2002 there were fourteen branches or community libraries. Each library had a member who was assigned to local schools to discuss the services available at the library. The 2002 referendum also included funds to renovate community libraries, supplementing an existing program, in some cases, the libraries have been demolished and moved to new, more modern buildings. East Lake Community Library, original building at 2916 East Lake Street, the building now houses a liberal political products store
8.
William Hood Dunwoody
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William Hood Dunwoody was an American banker, miller, art patron and philanthropist. He was a partner in what is today General Mills and for thirty years a leader of Northwestern National Bank, Dunwoody sold American flour to British bakers, creating an export market and environment in which Minneapolis, Minnesota, became for a time the worlds center of flour milling. By 1901, he was one of sixteen millionaires in Minneapolis and he is remembered today for his bequests that created the Dunwoody Institute and The William Hood Dunwoody Fund of the Minneapolis Institute of Art. Of Scottish descent, Dunwoody was a Quaker but he worshiped as a Presbyterian at Westminster Presbyterian Church, in 1684, his maternal ancestors John and Ann Hood and their family emigrated from Castle Donington in Leicestershire, to Pennsylvania. Dunwoody visited the area in 1893, when he and the genealogist he hired tried and failed to find a Quaker meeting place. He was born March 14,1841, in Westtown, Pennsylvania, about eleven miles from Philadelphia, to James and Hannah Dunwoody and he had two brothers, Evan who lived in Colorado Springs and survived him and John who died in Minneapolis. Dunwoody went to country schools, and at fourteen he attended an academy in Philadelphia. Dunwoody then worked for five years with his uncle, Ezekiel Dunwoody, then as senior partner at age 23, he started his own business, Dunwoody & Robertson, and became a flour merchant. He and Kate L. Dunwoody married in 1868, they had no children and they made a permanent move to Minneapolis in 1869, when Dunwoody was 28. William Channing Whitney built their first home at Mary Place & 10th Street in 1882, Whitney built their second home in 1905. Called Overlook, the Tudor Revival house had forty-two rooms, part of a twenty-year battle between the neighborhood association and a developer, it was demolished in 1967. To start, Dunwoody represented businesses in the east as a flour buyer. In 1871, his business was organized as Tiffany, Dunwoody & Co. under which he owned and managed the Arctic mill, Dunwoody distinguished himself by organizing the Minneapolis Millers Association, under which millers for a time co-operated in buying wheat. The organization became the Minneapolis Chamber of Commerce and he agreed with Cadwallader C. Washburn that flour could be sold directly to the United Kingdom and in 1877 Washburn arranged his trip there. Through clouds of insults, uncertanties, and rumors, Dunwoody made his quiet way, eventually in 1878 English bakers realized that American flour made more loaves per barrel than English flour. Dunwoody overcame most determined opposition, successfully arranged for direct export, exports to the United Kingdom and continental Europe increased from a few hundred barrels in 1877 or 1878 to four million barrels in 1895. By 1900, exports peaked at one third the output of Minneapolis mills. He became a silent partner in Washburn-Crosby & Company with Washburn, John Crosby, there he oversaw the development of the production of new process white flour
9.
McKim, Mead & White
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McKim, Mead & White was a prominent American architectural firm that thrived at the turn of the twentieth century. The firms founding partners were Charles Follen McKim, William Rutherford Mead and they hired many other architects, partners, associates, designers and draftsmen, who came to prominence during or after their time at the firm. The firms New York City buildings include Manhattans former Pennsylvania Station, the Brooklyn Museum, elsewhere in New York State and New England, the firm designed college, library, school and other buildings such as the Boston Public Library and Rhode Island State House. In Washington, D. C. the firm renovated the West and East Wings of the White House, and designed Roosevelt Hall on Fort Lesley J. McNair and the National Museum of American History. Across the United States, the firm designed buildings in Illinois, Michigan, Ohio, Pennsylvania, Tennessee, Washington, other examples are in Canada, Cuba and Italy. McKim and Mead joined forces in 1872 and they were joined in 1879 by White, who, like McKim, had worked for architect Henry Hobson Richardson. Its vision was to clean up the confusion of American cities and imbue them with a sense of order. The firm retained its name long after the deaths of founding partners White, McKim, among the firms final works under the name McKim, Mead & White was the National Museum of American History in Washington, D. C. Designed primarily by partner James Kellum Smith, it opened in 1964, Smith died in 1961, and the firm was soon renamed Steinmann, Cain and White. In 1971, it became Walker O. Cain and Associates, lewis Colt Albro – who formed a partnership with Harrie T. Lindeberg from 1906 to 1914. Henry Bacon – worked at the firm from about 1886 through 1897, boring – worked at the firm in 1890 before forming a separate partnership with Edward Lippincott Tilton. Page Brown - worked with the beginning in the 1880s, went to California. Walker O. Cain – worked at the firm, he took it over in 1961, john Merven Carrère – worked with McKim, Mead & White from 1883 through 1885, then joined Thomas Hastings to form the firm Carrère and Hastings. Arthur Loomis Harmon – later of Shreve, Lamb and Harmon, Thomas Hastings – of Carrère and Hastings, worked with McKim, Mead & White from 1883 through 1885. William Mitchell Kendall, worked with the firm from 1882 until his death, Harrie T. Lindeberg – started at the firm in 1895 as an assistant to Stanford White and remained with the firm until Whites death in 1906. Austin W. James Kellum Smith – a member of the firm from 1924 to 1961, full partner in 1929, and he primarily designed academic buildings, but his last major work was the National Museum of American History. Egerton Swartwout of Tracy and Swartwout – both Tracy and Swartwout worked together for the firm on multiple projects prior to starting their own practice, robert von Ezdorf – took over much of the firms business after Whites death. William M. Wells – worked as firms first Chief Draftsman from 1879–90, often considered to be the fourth partner
10.
Beaux-Arts architecture
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Beaux-Arts architecture expresses the academic neoclassical architectural style taught at the École des Beaux-Arts in Paris. The style of instruction that produced Beaux-Arts architecture continued without interruption until 1968. The Beaux-Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920, in contrast, many European architects of the period 1860–1914 outside France gravitated away from Beaux-Arts and towards their own national academic centers. American architects of the Beaux-Arts generation often returned to Greek models, for the first time, repertories of photographs supplemented meticulous scale drawings and on-site renderings of details. Beaux-Arts training emphasized the production of quick conceptual sketches, highly finished perspective presentation drawings, close attention to the program, site considerations tended toward social and urbane contexts. In the façade shown to the right, Diana grasps the cornice she sits on in an action typical of Beaux-Arts integration of sculpture with architecture. A sense of appropriate idiom at the craftsman level supported the teams of the first truly modern architectural offices. The prestige of the École gave the style Beaux-Arts a second wind in combining the new manner with the traditional training and they were followed by an entire generation. Henry Hobson Richardson absorbed Beaux-Arts lessons in massing and spatial planning and his Beaux-Arts training taught him to transcend slavish copying and recreate in the essential fully digested and idiomatic manner of his models. Richardson evolved a personal style freed of historicism that was influential in early Modernism. The White City of the Worlds Columbian Exposition of 1893 in Chicago was a triumph of the movement, the Beaux-Arts curriculum was subsequently begun at Columbia University, the University of Pennsylvania, and elsewhere. From 1916, the Beaux-Arts Institute of Design in New York City schooled architects, painters, bosworth, Carnegie Mellon University, designed by Henry Hornbostel, and the University of Texas, designed by Paul Philippe Cret. Beaux-Arts architecture also brought a civic face to the railroad, two of the best American examples of the Beaux-Arts tradition stand within a few blocks of each other, Grand Central Terminal and the New York Public Library. Another prominent U. S. example of the style is the largest academic dormitory in the world, in the late 1800s, during the years when Beaux-Arts architecture was at a peak in France, Americans were one of the largest groups of foreigners in Paris. Many of them were architects and students of architecture who brought this back to America. Beaux-Arts was very prominent in public buildings in Canada in the early 20th century, notably all three prairie provinces legislative buildings are in this style. Buenos Aires is a center of Beaux-Arts architecture which continued to be built as late as the 1950s, national Theatre, Melbourne General Post Office building, Forrest Place, Perth Argus Building. Beaux-Arts Architecture in New York, A Photographic Guide United States, sixteenth Street Architecture – profiles of Beaux-Arts architecture in Washington D. C
11.
Art Deco
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Art Deco, sometimes simply referred to as Deco, is a style of visual arts, architecture and design that first appeared in France just before World War I. It took its name, short for Arts Decorators, from the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925 and it combined modernist styles with fine craftsmanship and rich materials. During its heyday, Art Deco represented luxury, glamour, exuberance, Art Deco was a pastiche of many different styles, sometimes contradictory, united by a desire to be modern. It featured rare and expensive materials such as ebony and ivory, the Chrysler Building and other skyscrapers of New York were the most visible monuments of the new style. In the 1930s, during the Great Depression, the became more subdued. New materials arrived, including chrome plating, stainless steel and plastic, a more sleek form of the style, called Streamline Moderne, appeared in the 1930s, it featured curving forms and smooth, polished surfaces. Art Deco became one of the first truly international architectural styles, with examples found in European cities, the style came to an end with the beginning of World War II. Deco was replaced as the dominant global style by the functional and unadorned styles of modernism. The term arts décoratifs was first used in France in 1858, in 1868, Le Figaro newspaper used the term art décoratifs with respect to objects for stage scenery created for the Théâtre de lOpéra. In 1875, furniture designers, textile, jewelry and glass designers and it took its present name of ENSAD in 1927. The term Art déco was then used in a 1966 newspaper article by Hillary Gelson in the Times, describing the different styles at the exhibit. Art Deco gained currency as a broadly applied stylistic label in 1968 when historian Bevis Hillier published the first major book on the style. Hillier noted that the term was already being used by art dealers and cites The Times, in 1971, Hillier organized an exhibition at the Minneapolis Institute of Arts, which he details in his book about it, The World of Art Deco. The emergence of Art Deco was closely connected with the rise in status of decorative artists, the term arts décoratifs had been invented in 1875, giving the designers of furniture, textiles, and other decoration official status. The Société des artistes décorateurs, or SAD, was founded in 1901, a similar movement developed in Italy. The first international exhibition devoted entirely to the arts, the Esposizione international dArte decorative moderna, was held in Turin in 1902. Several new magazines devoted to decorative arts were founded in Paris, including Arts et décoration, Decorative arts sections were introduced into the annual salons of the Sociéte des artistes français, and later in the Salon dautomne. French nationalism also played a part in the resurgence of decorative arts, in 1911 the SAD proposed the holding of a major new international exposition of decorative arts in 1912
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