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Landscape of the Acatlán valley, near San Jerónimo Xayacatlán (Lowland Mixteca Poblana).
Landscape of the Acatlán valley, near San Jerónimo Xayacatlán (Lowland Mixteca Poblana).
Landscape of La Mixteca, near Nativitas Monte Verde (Oaxaca)
Landscape of La Mixteca, near Nativitas Monte Verde (Oaxaca)
Page 37 of the Codex Vindobonensis Mexicanus I. The central scene represents, supposedly, the origin of the Mixtecs from a tree that gave birth to the
Page 37 of the Codex Vindobonensis Mexicanus I. The central scene represents, supposedly, the origin of the Mixtecs from a tree that gave birth to the ancestors of this people.
Red-on-Bayo pottery from the Highland Mixteca. Middle Preclassic Period. MNA Collection.
Red-on-Bayo pottery from the Highland Mixteca. Middle Preclassic Period. MNA Collection.
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Turquoise mosaic mask. Mixtec-Aztec, 1400–1521 AD
Turquoise mosaic mask. Mixtec-Aztec, 1400–1521 AD
Plate 37 of the Codex Vindobonensis. The central scene supposedly depicts the origin of the Mixtecs as a people whose ancestors sprang from a tree.
Plate 37 of the Codex Vindobonensis. The central scene supposedly depicts the origin of the Mixtecs as a people whose ancestors sprang from a tree.
Mixtec funerary mask; Grave No. 7, Monte Alban; Museum of Cultures of Oaxaca.
Mixtec funerary mask; Grave No. 7, Monte Alban; Museum of Cultures of Oaxaca.
The stucco reliefs in the Tomb 1 of Zaachila (The Valley, Oaxaca) reveal a remarkable influence from Mixtec art. The tomb likely belongs to a person w
The stucco reliefs in the Tomb 1 of Zaachila (The Valley, Oaxaca) reveal a remarkable influence from Mixtec art. The tomb likely belongs to a person whose name is registered in the Nuttall Codex. Tomb 1 of Zaachila, Central Valleys of Oaxaca, Late Postclassic.