The Movietone sound system is an optical sound-on-film method of recording sound for motion pictures that guarantees synchronization between sound and picture. It achieves this by recording the sound as a variable-density optical track on the same strip of film that records the pictures. The initial version was capable of a frequency response of 8500 Hz. Although modern sound films use variable-area tracks instead, modern motion picture theaters can play a Movietone film without modification to the projector. Movietone was one of four motion picture sound systems under development in the U.S. during the 1920s, the others being DeForest Phonofilm, Warner Brothers' Vitaphone, and RCA Photophone, though Phonofilm was principally an early version of Movietone.
Explanation of Movietone camera sound-on-film system from a 1927 magazine
Optical sound is a means of storing sound recordings on transparent film. Originally developed for military purposes, the technology first saw widespread use in the 1920s as a sound-on-film format for motion pictures. Optical sound eventually superseded all other sound film technologies until the advent of digital sound became the standard in cinema projection booths. Optical sound has also been used for multitrack recording and for creating effects in some musical synthesizers.
Edge of a 35 mm film print showing four types of soundtrack. The stereo optical sound strip is located on the right, with waveforms for left and right channels. To the far left is the SDDS digital track (blue area to the left of the sprocket holes), then the Dolby Digital (grey area between the sprocket holes labelled with the Dolby "Double-D" logo in the middle), and to the right of the analog optical sound is the DTS time code (the dashed line to the far right.)
A transparent program disc imprinted with concentric optical sound tracks, used for the Optigan musical organ
Example of a variable-area sound track on the right side of the frames on this strip of 16mm film. The width of the white area is proportional to the amplitude of the audio signal at each instant.
Newspaper ad for a 1925 presentation of De Forest Phonofilms shorts, touting their technological distinction: no phonograph.
