1.
Mexico City
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Mexico City, or City of Mexico, is the capital and most populous city of Mexico. As an alpha global city, Mexico City is one of the most important financial centers in the Americas and it is located in the Valley of Mexico, a large valley in the high plateaus at the center of Mexico, at an altitude of 2,240 metres. The city consists of sixteen municipalities, the 2009 estimated population for the city proper was approximately 8.84 million people, with a land area of 1,485 square kilometres. The Greater Mexico City has a domestic product of US$411 billion in 2011. The city was responsible for generating 15. 8% of Mexicos Gross Domestic Product, as a stand-alone country, in 2013, Mexico City would be the fifth-largest economy in Latin America—five times as large as Costa Ricas and about the same size as Perus. Mexico’s capital is both the oldest capital city in the Americas and one of two founded by Amerindians, the other being Quito. In 1524, the municipality of Mexico City was established, known as México Tenochtitlán, Mexico City served as the political, administrative and financial center of a major part of the Spanish colonial empire. After independence from Spain was achieved, the district was created in 1824. Ever since, the left-wing Party of the Democratic Revolution has controlled both of them, in recent years, the local government has passed a wave of liberal policies, such as abortion on request, a limited form of euthanasia, no-fault divorce, and same-sex marriage. On January 29,2016, it ceased to be called the Federal District and is now in transition to become the countrys 32nd federal entity, giving it a level of autonomy comparable to that of a state. Because of a clause in the Mexican Constitution, however, as the seat of the powers of the federation, it can never become a state, the city of Mexico-Tenochtitlan was founded by the Mexica people in 1325. According to legend, the Mexicas principal god, Huitzilopochtli indicated the site where they were to build their home by presenting an eagle perched on a cactus with a snake in its beak. Between 1325 and 1521, Tenochtitlan grew in size and strength, eventually dominating the other city-states around Lake Texcoco, when the Spaniards arrived, the Aztec Empire had reached much of Mesoamerica, touching both the Gulf of Mexico and the Pacific Ocean. After landing in Veracruz, Spanish explorer Hernán Cortés advanced upon Tenochtitlan with the aid of many of the native peoples. Cortés put Moctezuma under house arrest, hoping to rule through him, the Aztecs thought the Spaniards were permanently gone, and they elected a new king, Cuitláhuac, but he soon died, the next king was Cuauhtémoc. Cortés began a siege of Tenochtitlan in May 1521, for three months, the city suffered from the lack of food and water as well as the spread of smallpox brought by the Europeans. Cortés and his allies landed their forces in the south of the island, the Spaniards practically razed Tenochtitlan during the final siege of the conquest. Cortés first settled in Coyoacán, but decided to rebuild the Aztec site to erase all traces of the old order and he did not establish a territory under his own personal rule, but remained loyal to the Spanish crown
2.
Art museum
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An art museum or art gallery is a building or space for the exhibition of art, usually visual art. Museums can be public or private, but what distinguishes a museum is the ownership of a collection, the term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand, private galleries refers to the commercial enterprises for the sale of art, however, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere. In broad terms, in North American usage, the word gallery alone often implies a private gallery, the term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are found clustered together in large urban centers. Smaller cities are home to at least one gallery, but they may also be found in towns or villages. Contemporary art galleries are open to the general public without charge, however. They usually profit by taking a portion of art sales, from 25% to 50% is typical, there are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly, a gallerys definition can also include the artist cooperative or artist-run space, which often operates as a space with a more democratic mission and selection process. A vanity gallery is an art gallery that charges fees from artists in order to show their work, the shows are not legitimately curated and will frequently or usually include as many artists as possible. Most art professionals are able to identify them on an artists resume, University art museums and galleries constitute collections of art that are developed, owned, and maintained by all kinds of schools, community colleges, colleges, and universities. This phenomenon exists in both the West and East, making it a global practice, although largely overlooked, there are over 700 university art museums in America alone. This number, in comparison to other kinds of art museums, throughout history, large and expensive works of art have generally been commissioned by religious institutions and monarchs and been displayed in temples, churches, and palaces. Although these collections of art were private, they were made available for viewing for a portion of the public. In classical times, religious institutions began to function as a form of art gallery. Wealthy Roman collectors of engraved gems and other precious objects often donated their collections to temples and it is unclear how easy it was in practice for the public to view these items. At the Palace of Versailles, entrance was restricted to wearing the proper apparel – the appropriate accessories could be hired from shops outside
3.
Museum
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Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public, the goal of serving researchers is increasingly shifting to serving the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, the city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries, the English museum comes from the Latin word, and is pluralized as museums. The first museum/library is considered to be the one of Plato in Athens, however, Pausanias gives another place called Museum, namely a small hill in Classical Athens opposite to the Akropolis. The hill was called Mouseion after Mousaious, a man who used to sing on the hill, the purpose of modern museums is to collect, preserve, interpret, and display items of artistic, cultural, or scientific significance for the education of the public. The purpose can also depend on ones point of view, to a family looking for entertainment on a Sunday afternoon, a trip to a local history museum or large city art museum could be a fun, and enlightening way to spend the day. To city leaders, a healthy museum community can be seen as a gauge of the health of a city. To a museum professional, a museum might be seen as a way to educate the public about the museums mission, Museums are, above all, storehouses of knowledge. In 1829, James Smithsons bequest, that would fund the Smithsonian Institution, stated he wanted to establish an institution for the increase, Museums of natural history in the late 19th century exemplified the Victorian desire for consumption and for order. Gathering all examples of classification of a field of knowledge for research. As American colleges grew in the 19th century, they developed their own natural history collections for the use of their students, while many large museums, such as the Smithsonian Institution, are still respected as research centers, research is no longer a main purpose of most museums. While there is a debate about the purposes of interpretation of a museums collection, there has been a consistent mission to protect. Much care, expertise, and expense is invested in efforts to retard decomposition in aging documents, artifacts, artworks. All museums display objects that are important to a culture, as historian Steven Conn writes, To see the thing itself, with ones own eyes and in a public place, surrounded by other people having some version of the same experience can be enchanting. Museum purposes vary from institution to institution, some favor education over conservation, or vice versa. For example, in the 1970s, the Canada Science and Technology Museum favored education over preservation of their objects and they displayed objects as well as their functions. One exhibit featured a printing press that a staff member used for visitors to create museum memorabilia
4.
Pre-Columbian era
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For this reason the alternative terms of Precontact Americas, Pre-Colonial Americas or Prehistoric Americas are also in use. In areas of Latin America the term used is Pre-Hispanic. Other civilizations were contemporary with the period and were described in European historical accounts of the time. A few, such as the Maya civilization, had their own written records, because many Christian Europeans of the time viewed such texts as heretical, men like Diego de Landa destroyed many texts in pyres, even while seeking to preserve native histories. Only a few documents have survived in their original languages, while others were transcribed or dictated into Spanish, giving modern historians glimpses of ancient culture. Indigenous American cultures continue to evolve after the pre-Columbian era, many of these peoples and their descendants continue traditional practices, while evolving and adapting new cultural practices and technologies into their lives. Now, the study of pre-Columbian cultures is most often based on scientific. Asian nomads are thought to have entered the Americas via the Bering Land Bridge, now the Bering Strait, genetic evidence found in Amerindians maternally inherited mitochondrial DNA supports the theory of multiple genetic populations migrating from Asia. Over the course of millennia, Paleo-Indians spread throughout North and South America, exactly when the first group of people migrated into the Americas is the subject of much debate. One of the earliest identifiable cultures was the Clovis culture, with sites dating from some 13,000 years ago, however, older sites dating back to 20,000 years ago have been claimed. Some genetic studies estimate the colonization of the Americas dates from between 40,000 and 13,000 years ago, the chronology of migration models is currently divided into two general approaches. The first is the short chronology theory with the first movement beyond Alaska into the New World occurring no earlier than 14, 000–17,000 years ago, followed by successive waves of immigrants. The second belief is the long chronology theory, which proposes that the first group of people entered the hemisphere at an earlier date, possibly 50. In that case, the Eskimo peoples would have arrived separately and at a later date, probably no more than 2,000 years ago. The North American climate was unstable as the ice age receded and it finally stabilized by about 10,000 years ago, climatic conditions were then very similar to todays. Within this timeframe, roughly pertaining to the Archaic Period, numerous archaeological cultures have been identified, the unstable climate led to widespread migration, with early Paleo-Indians soon spreading throughout the Americas, diversifying into many hundreds of culturally distinct tribes. The paleo-indians were hunter-gatherers, likely characterized by small, mobile bands consisting of approximately 20 to 50 members of an extended family and these groups moved from place to place as preferred resources were depleted and new supplies were sought. During much of the Paleo-Indian period, bands are thought to have subsisted primarily through hunting now-extinct giant land animals such as mastodon, Paleo-Indian groups carried a variety of tools
5.
Mexican art
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Mexican art consists of various visual arts that developed over the geographical area now known as Mexico. Mexican art is also filled most of the times with intricate patterns, during this time, all influences on art production were indigenous, with art heavily tied to religion and the ruling class. There was little to no distinction among art, architecture. After Independence, art remained heavily European in style, but indigenous themes appeared in works as liberal Mexico sought to distinguish itself from its Spanish colonial past. The first dominant Mesoamerican culture was that of the Olmecs, which peaked around 1200 BCE, the Olmecs originated much of what is associated with Mesoamerica, such as hieroglyphic writing, calendar, first advances in astronomy, monumental sculpture and jade work. They were a forerunner of later cultures such as Teotihuacan, north of Mexico City, the Zapotecs in Oaxaca, while empires rose and fell, the basic cultural underpinnings of the Mesoamerica stayed the same until the Spanish conquest of the Aztec Empire. These included cities centered on plazas, temples built on pyramid bases, Mesoamerican ball courts. While the art of Mesoamerica is more varied and extends over more time than anywhere else in the Americas, unlike modern Western art, almost all Mesoamerican art was created to serve religious or political needs, rather than art for art’s sake. It is strongly based on nature, the political reality. Octavio Paz states that Mesoamerican art is a logic of forms, lines and he goes on to state that this focus on space and time is highly distinct from European naturalism based on the representation of the human body. Even simple designs such as stepped frets on buildings fall into this representation of space and time, life, Art was expressed on a variety of mediums such as ceramics, amate paper and architecture. Most of what is known of Mesoamerican art comes from works that cover stone buildings and pottery, mostly paintings, ceramics date from the early the Mesoamerican period. They probably began as cooking and storage vessels but then were adapted to ritual, ceramics were decorated by shaping, scratching, painting and different firing methods. The earliest of these are female figures, probably associated with fertility rites because of their often oversized hips and thighs. When male figures appear they are most often soldiers, the production of these ceramic figures, which would later include animals and other forms, remained an important art form for 2000 years. In the early Olmec period most were small but large-scale ceramic sculptures were produced as large as 55 cm, after the middle pre-Classic, ceramic sculpture declined in the center of Mexico except in the Chupícuaro region. In the Mayan areas, the art disappears in the late pre-Classic, to reappear in the Classic, mostly in the form of whistles and other musical instruments. In a few areas, such as parts of Veracruz, the creation of ceramic figures continued uninterrupted until the Spanish conquest, Mesoamerican painting is found in various expressions—from murals, to the creation of codices and the painting of ceramic objects
6.
Old Master
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In art history, Old Master refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An old master print is a print made by an artist in the same period. The term old master drawing is used in the same way, therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term. The Oxford English Dictionary defines the term as A pre-eminent artist of the period before the modern, a pre-eminent western European painter of the 13th to 18th centuries. The term is used to refer to a painting or sculpture made by an Old Master. Les Maitres dautrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, the collection in the Dresden museum essentially stops at the Baroque period. The end date is necessarily vague – for example, Goya is certainly an Old Master, the term might also be used for John Constable or Eugène Delacroix, but usually is not. The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms Old Master Prints and it remains current in the art trade. Auction houses still usually divide their sales between, for example, Old Master Paintings, Nineteenth-century paintings and Modern paintings, christies defines the term as ranging from the 14th to the early 19th century. S. Master of Flémalle, Master of Mary of Burgundy, Master of Latin 757, Master of the Brunswick Diptych or Master of Schloss Lichtenstein
7.
Auguste Rodin
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François Auguste René Rodin, known as Auguste Rodin, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past and he was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Pariss foremost school of art. Sculpturally, Rodin possessed an ability to model a complex, turbulent. Many of his most notable sculptures were roundly criticized during his lifetime and they clashed with predominant figurative sculpture traditions, in which works were decorative, formulaic, or highly thematic. Rodins most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community, by 1900, he was a world-renowned artist. Wealthy private clients sought Rodins work after his Worlds Fair exhibit and he married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, Rodin remains one of the few sculptors widely known outside the visual arts community. Rodin was born in 1840 into a family in Paris, the second child of Marie Cheffer and Jean-Baptiste Rodin. He was largely self-educated, and began to draw at age ten, between ages 14 and 17, Rodin attended the Petite École, a school specializing in art and mathematics, where he studied drawing and painting. His drawing teacher, Horace Lecoq de Boisbaudran, believed in first developing the personality of his students so that they observed with their own eyes, Rodin still expressed appreciation for his teacher much later in life. It was at Petite École that he first met Jules Dalou, in 1857, Rodin submitted a clay model of a companion to the École des Beaux-Arts in an attempt to win entrance, he did not succeed, and two further applications were also denied. Given that entrance requirements at the Grande École were not particularly high, Rodins inability to gain entrance may have been due to the judges Neoclassical tastes, while Rodin had been schooled in light, 18th-century sculpture. Leaving the Petite École in 1857, Rodin earned a living as a craftsman, Rodins sister Maria, two years his senior, died of peritonitis in a convent in 1862. Rodin was anguished and felt guilty because he had introduced Maria to an unfaithful suitor, turning away from art, he briefly joined a Catholic order, the Congregation of the Blessed Sacrament. Saint Peter Julian Eymard, founder and head of the congregation, recognized Rodins talent and, sensing his lack of suitability for the order and he returned to work as a decorator, while taking classes with animal sculptor Antoine-Louis Barye. The teachers attention to detail – his finely rendered musculature of animals in motion – significantly influenced Rodin, in 1864, Rodin began to live with a young seamstress named Rose Beuret, with whom he would stay – with ranging commitment – for the rest of his life. The couple had a son, Auguste-Eugène Beuret and that year, Rodin offered his first sculpture for exhibition, and entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets dart
8.
Tintoretto
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Tintoretto was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso and his work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School. His real name Comin was discovered by Miguel Falomir of the Museo del Prado, Madrid, Comin translates to the spice cumin in the local language. Tintoretto was born in Venice in 1518, as the eldest of 21 children and his father, Giovanni, was a dyer, or tintore, hence the son got the nickname of Tintoretto, little dyer, or dyers boy, which is anglicized as Tintoret. The family originated from Brescia, in Lombardy, then part of the Republic of Venice, older studies gave the Tuscan town of Lucca as the origin of the family. In childhood Jacopo, a painter, began daubing on the dyers walls, his father, noticing his bent. This was supposedly towards 1533, when Titian was already fifty-six years of age, active disparagement also was not wanting, but it passed unnoticed by Tintoretto. The latter sought for no further teaching, but studied on his own account with laborious zeal, he lived poorly, collecting casts, bas-reliefs etc. and practising by their aid. His noble conception of art and his personal ambition were evidenced in the inscription which he placed over his studio Il disegno di Michelangelo ed il colorito di Tiziano. Now and afterwards he very frequently worked by night as well as by day, the young painter Andrea Schiavone, four years Tintorettos junior, was much in his company. Tintoretto helped Schiavone gratis in wall-paintings, and in many subsequent instances he worked also for nothing, the two earliest mural paintings of Tintoretto—done, like others, for next to no pay—are said to have been Belshazzars Feast and a Cavalry Fight. These are both long since perished, as are all his frescoes, early or later, the first work of his to attract some considerable notice was a portrait-group of himself and his brother—the latter playing a guitar—with a nocturnal effect, this also is lost. It was followed by some subject, which Titian was candid enough to praise. For the Scuola della Trinità he painted four subjects from Genesis, up till 2012, The Embarkation of St Helena in the Holy Land was attributed to his contemporary Andrea Schiavone. But new analysis of the work has revealed it as one of a series of three paintings by Tintoretto, depicting the legend of St Helena And The Holy Cross, the error was uncovered during work on a project to catalogue continental European oil paintings in the UK. The Embarkation of St Helena was acquired by the V&A in 1865 and its sister paintings, The Discovery Of The True Cross and St Helen Testing The True Cross, are held in galleries in the US. Towards 1546 Tintoretto painted for the church of the Madonna dellOrto three of his works, the Worship of the Golden Calf, the Presentation of the Virgin in the Temple. He took the commission for two of the paintings, the Worship of the Golden Calf and the Last Judgment, on a cost only basis in order to make himself better known and he settled down in a house hard by the church
9.
Pablo Picasso
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Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Picasso demonstrated extraordinary artistic talent in his years, painting in a naturalistic manner through his childhood. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, Picassos work is often categorized into periods. Much of Picassos work of the late 1910s and early 1920s is in a neoclassical style and his later work often combines elements of his earlier styles. Ruiz y Picasso were included for his father and mother, respectively, born in the city of Málaga in the Andalusian region of Spain, he was the first child of Don José Ruiz y Blasco and María Picasso y López. His mother was of one quarter Italian descent, from the territory of Genoa, though baptized a Catholic, Picasso would later on become an atheist. Picassos family was of middle-class background and his father was a painter who specialized in naturalistic depictions of birds and other game. For most of his life Ruiz was a professor of art at the School of Crafts, Picasso showed a passion and a skill for drawing from an early age. According to his mother, his first words were piz, piz, a shortening of lápiz, from the age of seven, Picasso received formal artistic training from his father in figure drawing and oil painting. Ruiz was an academic artist and instructor, who believed that proper training required disciplined copying of the masters. His son became preoccupied with art to the detriment of his classwork, the family moved to A Coruña in 1891, where his father became a professor at the School of Fine Arts. On one occasion, the father found his son painting over his sketch of a pigeon. In 1895, Picasso was traumatized when his sister, Conchita. After her death, the moved to Barcelona, where Ruiz took a position at its School of Fine Arts. Picasso thrived in the city, regarding it in times of sadness or nostalgia as his true home, Ruiz persuaded the officials at the academy to allow his son to take an entrance exam for the advanced class. This process often took students a month, but Picasso completed it in a week, the student lacked discipline but made friendships that would affect him in later life. His father rented a room for him close to home so he could work alone, yet he checked up on him numerous times a day. Picassos father and uncle decided to send the young artist to Madrids Real Academia de Bellas Artes de San Fernando, at age 16, Picasso set off for the first time on his own, but he disliked formal instruction and stopped attending classes soon after enrolment
10.
Leonardo da Vinci
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He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, many historians and scholars regard Leonardo as the prime exemplar of the Universal Genius or Renaissance Man, an individual of unquenchable curiosity and feverishly inventive imagination. Much of his working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded to him by Francis I of France, Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait, Leonardos drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated power, an adding machine. Some of his inventions, however, such as an automated bobbin winder. A number of Leonardos most practical inventions are nowadays displayed as working models at the Museum of Vinci. He made substantial discoveries in anatomy, civil engineering, geology, optics, and hydrodynamics, today, Leonardo is widely considered one of the most diversely talented individuals ever to have lived. Leonardo was born on 15 April 1452 at the hour of the night in the Tuscan hill town of Vinci. He was the son of the wealthy Messer Piero Fruosino di Antonio da Vinci, a Florentine legal notary, and Caterina. Leonardo had no surname in the modern sense – da Vinci simply meaning of Vinci, his birth name was Lionardo di ser Piero da Vinci, meaning Leonardo. The inclusion of the title ser indicated that Leonardos father was a gentleman, little is known about Leonardos early life. He spent his first five years in the hamlet of Anchiano in the home of his mother and his father had married a sixteen-year-old girl named Albiera Amadori, who loved Leonardo but died young in 1465 without children. When Leonardo was sixteen, his father married again to twenty-year-old Francesca Lanfredini, pieros legitimate heirs were born from his third wife Margherita di Guglielmo and his fourth and final wife, Lucrezia Cortigiani. Leonardo received an education in Latin, geometry and mathematics. In later life, Leonardo recorded only two childhood incidents, one, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face
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