1.
Music
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Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch, rhythm, dynamics, different styles or types of music may emphasize, de-emphasize or omit some of these elements. The word derives from Greek μουσική, Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as the harmony of the spheres and it is music to my ears point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, There is no noise, the creation, performance, significance, and even the definition of music vary according to culture and social context. There are many types of music, including music, traditional music, art music, music written for religious ceremonies. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal, within the arts, music may be classified as a performing art, a fine art or as an auditory art. People may make music as a hobby, like a teen playing cello in a youth orchestra, the word derives from Greek μουσική. According to the Online Etymological Dictionary, the music is derived from mid-13c. Musike, from Old French musique and directly from Latin musica the art of music and this is derived from the. Greek mousike of the Muses, from fem. of mousikos pertaining to the Muses, from Mousa Muse. In classical Greece, any art in which the Muses presided, Music is composed and performed for many purposes, ranging from aesthetic pleasure, religious or ceremonial purposes, or as an entertainment product for the marketplace. With the advent of recording, records of popular songs. Some music lovers create mix tapes of their songs, which serve as a self-portrait. An environment consisting solely of what is most ardently loved, amateur musicians can compose or perform music for their own pleasure, and derive their income elsewhere. Professional musicians sometimes work as freelancers or session musicians, seeking contracts and engagements in a variety of settings, There are often many links between amateur and professional musicians. Beginning amateur musicians take lessons with professional musicians, in community settings, advanced amateur musicians perform with professional musicians in a variety of ensembles such as community concert bands and community orchestras. However, there are many cases where a live performance in front of an audience is also recorded and distributed. Live concert recordings are popular in classical music and in popular music forms such as rock, where illegally taped live concerts are prized by music lovers
2.
Saudi Arabia
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Saudi Arabia is bordered by Jordan and Iraq to the north, Kuwait to the northeast, Qatar, Bahrain and the United Arab Emirates to the east, Oman to the southeast and Yemen to the south. It is separated from Israel and Egypt by the Gulf of Aqaba and it is the only nation with both a Red Sea coast and a Persian Gulf coast and most of its terrain consists of arid desert and mountains. The area of modern-day Saudi Arabia formerly consisted of four regions, Hejaz, Najd and parts of Eastern Arabia. The Kingdom of Saudi Arabia was founded in 1932 by Ibn Saud and he united the four regions into a single state through a series of conquests beginning in 1902 with the capture of Riyadh, the ancestral home of his family, the House of Saud. Saudi Arabia has since been a monarchy, effectively a hereditary dictatorship governed along Islamic lines. The ultraconservative Wahhabi religious movement within Sunni Islam has been called the predominant feature of Saudi culture, with its global spread largely financed by the oil and gas trade. Saudi Arabia is sometimes called the Land of the Two Holy Mosques in reference to Al-Masjid al-Haram and Al-Masjid an-Nabawi, the state has a total population of 28.7 million, of which 20 million are Saudi nationals and 8 million are foreigners. The states official language is Arabic, petroleum was discovered on 3 March 1938 and followed up by several other finds in the Eastern Province. Saudi Arabia has since become the worlds largest oil producer and exporter, controlling the second largest oil reserves. The kingdom is categorized as a World Bank high-income economy with a high Human Development Index and is the only Arab country to be part of the G-20 major economies. However, the economy of Saudi Arabia is the least diversified in the Gulf Cooperation Council, the state has attracted criticism for its treatment of women and use of capital punishment. Saudi Arabia is an autocracy, has the fourth highest military expenditure in the world. Saudi Arabia is considered a regional and middle power, in addition to the GCC, it is an active member of the Organisation of Islamic Cooperation and OPEC. Following the unification of the Hejaz and Nejd kingdoms, the new state was named al-Mamlakah al-ʻArabīyah as-Suʻūdīyah by royal decree on 23 September 1932 by its founder, Abdulaziz Al Saud. Although this is translated as the Kingdom of Saudi Arabia in English it literally means the Saudi Arab kingdom. Its inclusion expresses the view that the country is the possession of the royal family. Al Saud is an Arabic name formed by adding the word Al, meaning family of or House of, in the case of the Al Saud, this is the father of the dynastys 18th century founder, Muhammad bin Saud. There is evidence that human habitation in the Arabian Peninsula dates back to about 125,000 years ago
3.
Oud
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In the first centuries of Arabian civilisation, the oud had 4 courses only, tuned in successive fourths. These were called the Bamm, then came the Mathnā, the Mathlath, a fifth string, called ḥād, was sometimes added for theoretical purposes, generally to complement the double octave. The Modern tuning preserves the ancient succession of fourths, with adjunctions which may be tuned differently following regional or personal preferences. The first known description of the ‛ūd and its construction is found in the epistle Risāla fī-l-Luḥūn wa-n-Nagham by 9th-century Philosopher of the Arabs YaꜤqūb ibn Isḥāq al-Kindī. Kindīs description stands thus, length will be, thirty-six joint fingers - with good thick fingers -, and its depth seven and a half fingers. And the measurement of the width of the bridge with the remainder behind, remains the length of the strings, thirty fingers and on these strings take place the division and the partition, because it is the sounding length. This is why the width must be fifteen fingers as it is the half of this length, similarly for the depth, seven fingers and a half and this is the half of the width and the quarter of the length. And the neck must be one third of the length and it is, remains the vibrating body, twenty fingers. And that the back be well rounded and its thinning towards the neck, the first description of the modern oud is by ibn a-ṭ-Ṭaḥḥān. It is very similar to the construction of modern lutes, the modern oud stems most probably from the barbat which, in turn, stems from the Indian lute-type vīnā. The oud, as a difference with the western lute, has no frets. It is the ancestor of the European lute. The oldest surviving oud is thought to be in Brussels, at the Museum of Musical Instruments, the Arabic, العود literally denotes a thin piece of wood similar to the shape of a straw. Henry George Farmer considers the similitude between al-ʿūd and al-ʿawda, research by Eckhard Neubauer suggests that oud may be an Arabic borrowing from the Persian word rōd or rūd, which meant string, stringed instrument, or lute. Another researcher, archaeomusicologist Richard J. Dumbrill, suggests that rud came from the Sanskrit rudrī, the modern hosogal, l, lasga Oud is a derived from the ancient Lute. The lute originates in the crescent at least 5000 years ago. The long-necked variety also was never called a lutebefore the twentieth century, musicologist Richard Dumbrill today uses the word to discuss instruments that existed millennia before the term lute was coined. Dumbrill documented more than 3000 years of evidence for the lutes in Mesopotamia
4.
Imam
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Imam is the name of an Islamic leadership position. It is most commonly used as the title of a leader of a mosque. In this context, imams may lead Islamic worship services, serve as community leaders, the Sunni branch of Islam does not have imams in the same sense as the Shia, an important distinction often overlooked by those outside of the Islamic faith. Friday sermon is most often given by an appointed imam, all mosques have an imam to lead the prayers, even though it may sometimes just be a member from the gathered congregation rather than an officially appointed salaried person. Women imams may only lead amongst female-only congregations, the person that should be chosen, according to Hadith, is one who has most knowledge of the Quran and Sunnah and is of good character, the age being irrelevant. The term is used for a recognized religious scholar or authority in Islam, often for the founding scholars of the four Sunni madhhabs. It may also refer to the Muslim scholars who created the analytical sciences related to Hadith or it may refer to the heads of the Prophet Muhammads family in their generational times, Imams have a meaning more central to belief, referring to leaders of the community. Twelver and Ismaili Shia believe that these imams are chosen by God to be perfect examples for the faithful and they also believe that all the imams chosen are free from committing any sin, impeccability which is called ismah. These leaders must be followed since they are appointed by God, here follows a list of the Twelvers imams, Fatimah, also Fatimah al-Zahraa, daughter of Muhammed, is also considered infallible but not an Imam. Shia believe that the last Imam will one day return, see Imamah and List of Ismaili imams for Ismaili imams. At times, imams have held both secular and religious authority and this was the case in Oman among the Kharijite or Ibadi sects. At times, the imams were elected, at other times the position was inherited, as with the Yaruba dynasty from 1624 and 1742. The Imamate of Futa Jallon was a Fulani state in West Africa where secular power alternated between two lines of hereditary Imams, or almami, in the Zaidi Shiite sect, imams were secular as well as spiritual leaders who held power in Yemen for more than a thousand years. In 897, a Zaidi ruler, al-Hadi ilal-Haqq Yahya, founded a line of such imams, ruhollah Khomeini and his successor Ali Khamenei are officially referred to as Imams in the Islamic Republic of Iran. Several Iranian places and institutions are named Imam Khomeini, including a city, an airport, a hospital. Women as imams Mufti Encyclopædia Britannica Online, center for Iranian Studies, Columbia University. Encyclopaedia of Islam and the Muslim world, vol.1, encyclopedia of the Modern Middle East and North Africa. Translated by Sherrard, Liadain, Sherrard, Philip, london, Kegan Paul International in association with Islamic Publications for The Institute of Ismaili Studies
5.
Al-Masjid an-Nabawi
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Al-Masjid an-Nabawī is a mosque established and originally built by the Islamic prophet Muhammad, situated in the city of Medina in Saudi Arabia. Al-Masjid an-Nabawi was the mosque built in the history of Islam and is now one of the largest mosques in the world. It is the second-holiest site in Islam, after Masjid al-Haram in Mecca and it is always open, regardless of date or time. The site was adjacent to Muhammads house, he settled there after his Hijra to Medina in 622 CE. He shared in the work of construction. The original mosque was an open-air building, the mosque served as a community center, a court, and a religious school. There was a platform for the people who taught the Quran. Subsequent Islamic rulers greatly expanded and decorated it, in 1909, it became the first place in the Arabian Peninsula to be provided with electrical lights. The mosque is under the control of the Custodian of the Two Holy Mosques, the mosque is located in what was traditionally the center of Medina, with many hotels and old markets nearby. It is a pilgrimage site. Many pilgrims who perform the Hajj go on to Medina to visit the mosque due to its connections to the life of Muhammad. After an expansion during the reign of the Umayyad caliph al-Walid I, it now incorporates the final resting place of Muhammad and the first two Rashidun caliphs Abu Bakr and Umar. One of the most notable features of the site is the Green Dome in the south-east corner of the mosque, originally Aishas house, where the tomb of Muhammad is located. In 1279, a cupola was built over the tomb which was later rebuilt and renovated multiple times in late 15th century. The current dome was added in 1818 by the Ottoman sultan Mahmud II, the mosque was built by Muhammad in 622 after his arrival in the city of Medina. After the Battle of Khaybar, the mosque was enlarged, the mosque extended for 47.32 metres on each side and three rows of columns were built beside the west wall, which became the place of praying. The mosque remained unaltered during the reign of the first Rashidun caliph Abu Bakr, the second caliph Umar demolished all the houses around the mosque except that of Muhammads wives to expand it. The new mosques dimensions became 57.49 metres ×66.14 metres, sun-dried mud bricks were used to construct the walls of the enclosure
6.
Arabic music
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Arabic music or Arab music is the music of the Arab world. Arab music, while independent and flourishing in the 2010s, has a history of interaction with many other regional musical styles and genres. It is an amalgam of the music of the Arab people in the Arabian Peninsula, as was the case in other artistic and scientific fields, Arabs translated Greek texts and works of music and developed the musical theory of the Greeks. Pre-Islamic Arab music was similar to that of Ancient Middle Eastern music, most historians agree that there existed distinct forms of music in the Arabian peninsula in the pre-Islamic period between the 5th and 7th century AD. Arab poets of that time—called shuara al-Jahiliyah or Jahili poets, meaning the poets of the period of ignorance—used to recite poems with a high notes and it was believed that Jinns revealed poems to poets and music to musicians. The choir at the served as a pedagogic facility where the educated poets would recite their poems. The compositions were simple and every singer would sing in a single maqam, among the notable songs of the period were the huda, the nasb, sanad, and rukbani. Both compositions and improvisations in traditional Arabic music are based on the maqam system, maqams can be realized with either vocal or instrumental music, and do not include a rhythmic component. Al-Kindi was the first great theoretician of Arabic music and he proposed adding a fifth string to the oud and discussed the cosmological connotations of music. He built upon the achievements of the Greek musicians in using the alphabetical annotation for one eighth and he published fifteen treatises on music theory, but only five have survived. In one of his treatises the word musiqa was used for the first time in Arabic, abulfaraj wrote a book about music. Kitab al-Aghani is a collection of poems and songs that runs to over 20 volumes in modern editions. Al-Farabi wrote a book on music titled Kitab al-Musiqi al-Kabir. His pure Arabian tone system is used in Arabic music. Al-Ghazali wrote a treatise on music in Persia which declared, Ecstasy means the state comes from listening to music. In 1252, Safi al-Din developed a form of musical notation. A similar geometric representation would not appear in the Western world until 1987, by the 11th century, Islamic Iberia had become a center for the manufacture of instruments. These goods spread gradually throughout France, influencing French troubadours, the English words lute, rebec, and naker are derived from Arabic oud, rabab, and naqareh
7.
Folk music
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Folk music includes both traditional music and the genre that evolved from it during the 20th century folk revival. The term originated in the 19th century, but is applied to music older than that. Some types of music are also called world music. Traditional folk music has been defined in several ways, as music transmitted orally, music with unknown composers and it has been contrasted with commercial and classical styles. Starting in the century, a new form of popular folk music evolved from traditional folk music. This process and period is called the revival and reached a zenith in the 1960s. This form of music is called contemporary folk music or folk revival music to distinguish it from earlier folk forms. Smaller, similar revivals have occurred elsewhere in the world at other times and this type of folk music also includes fusion genres such as folk rock, folk metal, electric folk, and others. Even individual songs may be a blend of the two, a consistent definition of traditional folk music is elusive. The terms folk music, folk song, and folk dance are comparatively recent expressions and they are extensions of the term folklore, which was coined in 1846 by the English antiquarian William Thoms to describe the traditions, customs, and superstitions of the uncultured classes. Traditional folk music also includes most indigenous music, however, despite the assembly of an enormous body of work over some two centuries, there is still no certain definition of what folk music is. Some do not even agree that the term Folk Music should be used, Folk music may tend to have certain characteristics but it cannot clearly be differentiated in purely musical terms. One meaning often given is that of old songs, with no known composers, the fashioning and re-fashioning of the music by the community that give it its folk character. Such definitions depend upon processes rather than abstract musical types, one widely used definition is simply Folk music is what the people sing. For Scholes, as well as for Cecil Sharp and Béla Bartók, Folk music was already. seen as the authentic expression of a way of life now past or about to disappear, particularly in a community uninfluenced by art music and by commercial and printed song. In these terms folk music may be seen as part of a schema comprising four types, primitive or tribal, elite or art, folk. Music in this genre is often called traditional music. Although the term is only descriptive, in some cases people use it as the name of a genre
8.
Israeli hip hop
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Israeli hip hop refers to hip hop and rap music in Israel. Although Native Hebrew hip hop gained popularity only during the 1990s, Yair Nitzani, then a member of the Israeli rock group, Tislam, released an old school hip hop parody album under the name Hashem Tamid. Nitzani was mainly influenced from New York old school Hip Hop. In 1993, Nigel Haadmor and Yossi Fine, influenced by Eric B & Rakim and Flame-3 of the TPA Crew and other late 1980s Hip Hop, produced the album Humus Metamtem, which was released by Yair Nitzani. Yossi Fine later immigrated to New York, where he played as a bassist with artists such as David Bowie, Naughty by Nature and Lou Reed. Nigel Haadmor is the pseudonym of Yehoshua Sofer, a Jewish-Jamaican Broslov Hasidic Jew who was born in Jamaica and raised in Jamaica, the U. S. and Israel. Influenced by his mother, who listened to Jamaican ska at home, in 1995, the Beastie Boys toured Israel and were interviewed by Quami de la Fox on Galgalatz, the Israeli Army’s radio station and most popular radio station of that time. After the interview, Quami de la Fox created a Hebrew parody of their song “So What’cha Want” to promote their tour in Israel. Playing a mix of Hebrew, Arabic and English hip hop, by 2000 Esek Shachor “was the most popular program on Galgalatz and today remains a leader in Israel’s hip-hop world. ”Just as Kool Herc is credited in America as being a father of hip hop. His major role in the process of making Israeli hip hop the popular genre it is in Israel today was the transformation of the lyrics to the tongue of Hebrew. Kids would come on his show on the radio station in order to showcase their rapping skills. Because rappers began to rap in English, it was seen as an American export which was not authentic to the music of Israel, popular rock band Shabak Samech began rapping in Hebrew in 1995. Influenced by the Beastie Boys, their lyrics did not have any political or social message and were mostly party lyrics. Israeli listeners initially rejected their music, the band is credited with not only being the first Israeli hip hop group, but also being the most responsible for the progression of Israeli hip hop. Although these teenagers from Yavne were initially marginalized due to the belief of Israeli DJs that their audiences would be lost, Shabak Samech persevered, Israeli rappers talk about more personal issues such as the struggles of growing up in Israel. Most Jewish Rappers tends to disregard the political situation between Arabs and Jews, yet they refer frequently to the situations in the country. Since 2001, with the rising of new Hip Hop acts, most issues are dealing with creation, essence of Hip Hop, street culture, drugs, hedonism, some of the songs also gear towards more religious themes since many of the rappers are Jewish or Muslim. Israeli hip hop has such a theme behind it that local governments support the Hip Hop movement that has exploded among Israeli youth
9.
Persian traditional music
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Persian traditional music or Iranian traditional music, also known as Persian classical music is the traditional and indigenous music of Iran. Persian traditional music is appreciated and enjoyed by all different ethnic groups across Greater Iran, the history of musical development in Iran dates back to the prehistoric era. King Jamshid of Persia, a figure of Shahnameh, is credited with the invention of music. Fragmentary documents from various periods of the countrys history establish that the ancient Iranians possessed a musical culture. Archeological evidence reveals musical instruments that were used in Persia during the Elamit era around 800 BC, little is known about the Persian music of the ancient world, least of all about the music of the Achaemenid Empire. Alexander the Great is said to have witnessed many melodies and instruments upon his invasion, Music played an important role in the courts of the kings of the much later Sassanid Empire. Of this period, we know the names of court musicians like Barbad. Under Sassanid rule, modal music was developed by a significant court musician, Barbad. Under the later Qajar Empire, the system was restructured into its present form mostly through the efforts of two legendary musicians of that time, Agha Hossein-Ghoul and Mara Abdullah. Persian traditional music relies on both improvisation and composition, and is based on a series of scales and tunes which must be memorized. Apprentices and masters, ostad, have a relationship which has declined during the 20th century as music education moved to universities and conservatories. The common repertoire consists of more than two hundred short melodic movements called gusheh, which are classified into seven dastgāh or modes, two of these modes have secondary modes branching from them called āvāz. Each gusheh and dastgah has an individual name and this whole body is called the Radif of which there are several versions, each in accordance to the teachings of a particular master or ostad. A typical performance consists of the following elements pīshdarāmad, darāmad, āvāz, taṣnīf, Chahārmeżrāb, a performance forms a sort of suite. Unconventionally, these parts may be varied or omitted, towards the end of the Safavid Empire, more complex movements in 10,14, and 16 beats stopped being performed. Today, rhythmic pieces are performed in beats of 2 to 7 with some exceptions, rengs are always in a 6/8 time frame. Many melodies and modes are related to the maqāmāt of the Turkish classical repertoire and Arabic music belonging to various Arab countries and this similarity is because of the exchange of musical science that took place in the early Islamic world between Persia and her neighboring countries. The vocalist plays a role, he or she decides what mood to express
10.
Popular music
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Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training and it stands in contrast to both art music and traditional or folk music. Art music was historically disseminated through the performances of music, although since the beginning of the recording industry. Traditional music forms such as blues songs or hymns were passed along orally, or to smaller. The original application of the term is to music of the 1880s Tin Pan Alley period in the United States, although popular music sometimes is known as pop music, the two terms are not interchangeable. Popular music songs and pieces typically have easily singable melodies, in the 2000s, with songs and pieces available as digital sound files, it has become easier for music to spread from one country or region to another. Some popular music forms have become global, while others have an appeal within the culture of their origin. Through the mixture of genres, new popular music forms are created to reflect the ideals of a global culture. The examples of Africa, Indonesia and the Middle East show how Western pop music styles can blend with local traditions to create new hybrid styles. Sales of recordings or sheet music are one measure, middleton and Manuel note that this definition has problems because multiple listens or plays of the same song or piece are not counted. Manuel states that one criticism of music is that it is produced by large media conglomerates and passively consumed by the public. He claims that the listeners in the scenario would not have been able to make the choice of their favorite music, moreover, understandings of popular music have changed with time. A societys popular music reflects the ideals that are prevalent at the time it is performed or published, david Riesman states that the youth audiences of popular music fit into either a majority group or a subculture. The majority group listens to the commercially produced styles while the subcultures find a minority style to transmit their own values and this allows youth to choose what music they identify with, which gives them power as consumers to control the market of popular music. Form in popular music is most often sectional, the most common sections being verse, chorus or refrain, other common forms include thirty-two-bar form, chorus form *, and twelve-bar blues. Popular music songs are rarely composed using different music for each stanza of the lyrics, the verse and chorus are considered the primary elements. Each verse usually has the melody, but the lyrics change for most verses. The chorus usually has a phrase and a key lyrical line which is repeated
