1.
Aleppo
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Aleppo is a city in Syria, serving as the capital of the Aleppo Governorate, the most populous Syrian governorate. With an official population of 2,132,100, Aleppo was the largest Syrian city before the Syrian Civil War, however, now Aleppo is likely the second-largest city in Syria after the capital Damascus. Aleppo is an ancient city, and one of the oldest continuously inhabited cities in the world, such a long history is attributed to its strategic location as a trading center midway between the Mediterranean Sea and Mesopotamia. For centuries, Aleppo was the largest city in the Syrian region, and it was also one of the largest cities in the Levant before the advent of the Syrian Civil War. The citys significance in history has been its location at one end of the Silk Road, when the Suez Canal was inaugurated in 1869, trade was diverted to sea and Aleppo began its slow decline. At the fall of the Ottoman Empire after World War I, Aleppo ceded its northern hinterland to modern Turkey, in the 1940s, it lost its main access to the sea, Antakya and İskenderun, also to Turkey. Finally, the isolation of Syria in the past few decades further exacerbated the situation and this decline may have helped to preserve the old city of Aleppo, its medieval architecture and traditional heritage. It won the title of the Islamic Capital of Culture 2006, during the Battle of Aleppo the city suffered massive destruction, and has been the worst-hit city in the Syrian Civil War. In December 2016, the Syrian government achieved full control of Aleppo following a successful offensive, modern-day English-speakers commonly refer to the city as Aleppo. It was known in antiquity as Khalpe, Khalibon, and to the Greeks, during the Crusades, and again during the French Mandate for Syria and the Lebanon of 1923–1946, the name Alep was used. Aleppo represents the Italianised version of this, the original ancient name, Halab, has survived as the current Arabic name of the city. Some have proposed that halab means iron or copper in Amorite languages, the modern-day Arabic nickname of the city, ash-Shahbaa, which means the white-colored, also allegedly derives from the famous white marble of Aleppo. From the 11th century it was common usage to apply the term Aram-Zobah to the area of Aleppo. Aleppo has scarcely been touched by archaeologists, since the city occupies its ancient site. The site has been occupied from around 5000 BC, as shown by excavations in Tallet Alsauda, Aleppo appears in historical records as an important city much earlier than Damascus. The first record of Aleppo comes from the third millennium BC, some historians, such as Wayne Horowitz, identify Aleppo with the capital of an independent kingdom closely related to Ebla, known as Armi, although this identification is contested. The main temple of the storm god Hadad was located on the hill in the center of the city. In the Old Babylonian and Old Assyrian Empire period, Aleppos name appears in its form as Ḥalab for the first time
2.
Syria
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Syrias capital and largest city is Damascus. Religious groups include Sunnis, Christians, Alawites, Druze, Mandeans, Shiites, Salafis, Sunni Arabs make up the largest religious group in Syria. Its capital Damascus and largest city Aleppo are among the oldest continuously inhabited cities in the world, in the Islamic era, Damascus was the seat of the Umayyad Caliphate and a provincial capital of the Mamluk Sultanate in Egypt. The post-independence period was tumultuous, and a number of military coups. In 1958, Syria entered a union with Egypt called the United Arab Republic. Syria was under Emergency Law from 1963 to 2011, effectively suspending most constitutional protections for citizens, Bashar al-Assad has been president since 2000 and was preceded by his father Hafez al-Assad, who was in office from 1970 to 2000. Mainstream modern academic opinion strongly favours the argument that the Greek word is related to the cognate Ἀσσυρία, Assyria, in the past, others believed that it was derived from Siryon, the name that the Sidonians gave to Mount Hermon. However, the discovery of the inscription in 2000 seems to support the theory that the term Syria derives from Assyria. The area designated by the word has changed over time, since approximately 10,000 BC, Syria was one of centers of Neolithic culture where agriculture and cattle breeding appeared for the first time in the world. The following Neolithic period is represented by houses of Mureybet culture. At the time of the pre-pottery Neolithic, people used vessels made of stone, gyps, finds of obsidian tools from Anatolia are evidences of early trade relations. Cities of Hamoukar and Emar played an important role during the late Neolithic, archaeologists have demonstrated that civilization in Syria was one of the most ancient on earth, perhaps preceded by only those of Mesopotamia. The earliest recorded indigenous civilisation in the region was the Kingdom of Ebla near present-day Idlib, gifts from Pharaohs, found during excavations, confirm Eblas contact with Egypt. One of the earliest written texts from Syria is an agreement between Vizier Ibrium of Ebla and an ambiguous kingdom called Abarsal c.2300 BC. The Northwest Semitic language of the Amorites is the earliest attested of the Canaanite languages, Mari reemerged during this period, and saw renewed prosperity until conquered by Hammurabi of Babylon. Ugarit also arose during this time, circa 1800 BC, close to modern Latakia, Ugaritic was a Semitic language loosely related to the Canaanite languages, and developed the Ugaritic alphabet. The Ugarites kingdom survived until its destruction at the hands of the marauding Indo-European Sea Peoples in the 12th century BC, Yamhad was described in the tablets of Mari as the mightiest state in the near east and as having more vassals than Hammurabi of Babylon. Yamhad imposed its authority over Alalakh, Qatna, the Hurrians states, the army of Yamhad campaigned as far away as Dēr on the border of Elam
3.
Arab world
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The Arab world, also known as the Arab nation or the Arab states, consists of the 22 Arabic-speaking countries of the Arab League. The contemporary Arab world has a population of around 422 million inhabitants. In the Middle Ages, the Arab world was synonymous with the historic Arab empires and caliphates, Arab nationalism arose in the second half of the 19th century along with other nationalist movements within the Ottoman Empire. The Arab League was formed in 1945 to represent the interests of Arab people and especially to pursue the political unification of the Arab countries, the linguistic and political denotation inherent in the term Arab is generally dominant over genealogical considerations. In Arab states, Modern Standard Arabic is the language used by the government. The language of a nation is called Darija, which means everyday/colloquial language. Although no globally accepted definition of the Arab world exists, all countries that are members of the Arab League are generally acknowledged as being part of the Arab world. This standard territorial definition is seen to be inappropriate or problematic. These parameters may be applied to the states and territories of the Arab League, typical parameters that may be applied include, whether Arabic is widely spoken, whether Arabic is an official or national language, or whether an Arabic cognate language is widely spoken. While Arabic dialects are spoken in a number of Arab League states, several states have declared Arabic to be an official or national language, although Arabic is today not as widely spoken there. As members of the Arab League, however, they are considered part of the Arab world under the territorial definition. Somalia has two official languages today, Arabic and Somali, both of which belong to the larger Afro-Asiatic language family, although Arabic is widely spoken by many people in the north, Somali is the most widely used language, and contains many Arabic loan words. Similarly, Djibouti has two languages, Arabic and French. It also has several formally recognized national languages, besides Somali, many people speak Afar, the majority of the population speaks Somali and Afar, although Arabic is also widely used for trade and other activities. Comoros has three languages, Arabic, Comorian and French. Comorian is the most widely spoken language, with Arabic having a religious significance, Israel is not part of the Arab world. By some definitions, Arab citizens of Israel may concurrently be considered a constituent part of the Arab world, Iran has about 1.5 million Arabic speakers. Iranian Arabs are mainly found in Ahvaz, a region in the Khuzestan Province, others inhabit the Bushehr Qushasha and Hipi-Lipi Hormozgan provinces
4.
Arabic music
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Arabic music or Arab music is the music of the Arab world. Arab music, while independent and flourishing in the 2010s, has a history of interaction with many other regional musical styles and genres. It is an amalgam of the music of the Arab people in the Arabian Peninsula, as was the case in other artistic and scientific fields, Arabs translated Greek texts and works of music and developed the musical theory of the Greeks. Pre-Islamic Arab music was similar to that of Ancient Middle Eastern music, most historians agree that there existed distinct forms of music in the Arabian peninsula in the pre-Islamic period between the 5th and 7th century AD. Arab poets of that time—called shuara al-Jahiliyah or Jahili poets, meaning the poets of the period of ignorance—used to recite poems with a high notes and it was believed that Jinns revealed poems to poets and music to musicians. The choir at the served as a pedagogic facility where the educated poets would recite their poems. The compositions were simple and every singer would sing in a single maqam, among the notable songs of the period were the huda, the nasb, sanad, and rukbani. Both compositions and improvisations in traditional Arabic music are based on the maqam system, maqams can be realized with either vocal or instrumental music, and do not include a rhythmic component. Al-Kindi was the first great theoretician of Arabic music and he proposed adding a fifth string to the oud and discussed the cosmological connotations of music. He built upon the achievements of the Greek musicians in using the alphabetical annotation for one eighth and he published fifteen treatises on music theory, but only five have survived. In one of his treatises the word musiqa was used for the first time in Arabic, abulfaraj wrote a book about music. Kitab al-Aghani is a collection of poems and songs that runs to over 20 volumes in modern editions. Al-Farabi wrote a book on music titled Kitab al-Musiqi al-Kabir. His pure Arabian tone system is used in Arabic music. Al-Ghazali wrote a treatise on music in Persia which declared, Ecstasy means the state comes from listening to music. In 1252, Safi al-Din developed a form of musical notation. A similar geometric representation would not appear in the Western world until 1987, by the 11th century, Islamic Iberia had become a center for the manufacture of instruments. These goods spread gradually throughout France, influencing French troubadours, the English words lute, rebec, and naker are derived from Arabic oud, rabab, and naqareh
5.
Al-Andalus
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Al-Andalus, also known as Muslim Spain or Islamic Iberia, was a medieval Muslim territory and cultural domain occupying at its peak most of what are today Spain and Portugal. At its greatest geographical extent in the century, southern France—Septimania—was briefly under its control. Rule under these kingdoms led to a rise in cultural exchange, a number of achievements that advanced Islamic and Western science came from al-Andalus including major advances in trigonometry, astronomy, surgery, pharmacology, and other fields. Al-Andalus became an educational center for Europe and the lands around the Mediterranean Sea as well as a conduit for culture. For much of its history, al-Andalus existed in conflict with Christian kingdoms to the north, after the fall of the Umayyad caliphate, al-Andalus was fragmented into a number of minor states and principalities. Attacks from the Christians intensified, led by the Castilians under Alfonso VI, the Almoravid empire intervened and repelled the Christian attacks on the region, deposing the weak Andalusi Muslim princes and included al-Andalus under direct Berber rule. In the next century and a half, al-Andalus became a province of the Berber Muslim empires of the Almoravids and Almohads, ultimately, the Christian kingdoms in the north of the Iberian Peninsula overpowered the Muslim states to the south. In 1085, Alfonso VI captured Toledo, starting a gradual decline of Muslim power, with the fall of Córdoba in 1236, most of the south quickly fell under Christian rule and the Emirate of Granada became a tributary state of the Kingdom of Castile two years later. In 1249, the Portuguese Reconquista culminated with the conquest of the Algarve by Afonso III, finally, on January 2,1492, Emir Muhammad XII surrendered the Emirate of Granada to Queen Isabella I of Castile, completing the Christian Reconquista of the peninsula. The toponym al-Andalus is first attested to by inscriptions on coins minted by the new Muslim government in Iberia, the etymology of the name has traditionally been derived from the name of the Vandals. A number of proposals since the 1980s have contested this, Vallvé proposed a corruption of the name Atlantis, halm derives the name from a Gothic term *landahlauts. Bossong suggests derivation from a pre-Roman substrate and they crossed the Pyrenees and occupied Visigothic Septimania in southern France. Most of the Iberian peninsula became part of the expanding Umayyad Empire and it was organized as a province subordinate to Ifriqiya, so, for the first few decades, the governors of al-Andalus were appointed by the emir of Kairouan, rather than the Caliph in Damascus. Visigothic lords who agreed to recognize Muslim suzerainty were allowed to retain their fiefs, resistant Visigoths took refuge in the Cantabrian highlands, where they carved out a rump state, the Kingdom of Asturias. In the 720s, the al-Andalus governors launched several raids into Aquitaine. At the Battle of Poitiers in 732, the al-Andalus raiding army was defeated by Charles Martel, in 734, the Andalusi launched raids to the east, capturing Avignon and Arles and overran much of Provence. In 737, they climbed up the Rhône valley, reached as far as Burgundy, Charles Martel of the Franks, with the assistance of Liutprand of the Lombards, invaded Burgundy and Provence and expelled the raiders by 739. Relations between Arabs and Berbers in al-Andalus had been tense in the years after the conquest
6.
Oud
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In the first centuries of Arabian civilisation, the oud had 4 courses only, tuned in successive fourths. These were called the Bamm, then came the Mathnā, the Mathlath, a fifth string, called ḥād, was sometimes added for theoretical purposes, generally to complement the double octave. The Modern tuning preserves the ancient succession of fourths, with adjunctions which may be tuned differently following regional or personal preferences. The first known description of the ‛ūd and its construction is found in the epistle Risāla fī-l-Luḥūn wa-n-Nagham by 9th-century Philosopher of the Arabs YaꜤqūb ibn Isḥāq al-Kindī. Kindīs description stands thus, length will be, thirty-six joint fingers - with good thick fingers -, and its depth seven and a half fingers. And the measurement of the width of the bridge with the remainder behind, remains the length of the strings, thirty fingers and on these strings take place the division and the partition, because it is the sounding length. This is why the width must be fifteen fingers as it is the half of this length, similarly for the depth, seven fingers and a half and this is the half of the width and the quarter of the length. And the neck must be one third of the length and it is, remains the vibrating body, twenty fingers. And that the back be well rounded and its thinning towards the neck, the first description of the modern oud is by ibn a-ṭ-Ṭaḥḥān. It is very similar to the construction of modern lutes, the modern oud stems most probably from the barbat which, in turn, stems from the Indian lute-type vīnā. The oud, as a difference with the western lute, has no frets. It is the ancestor of the European lute. The oldest surviving oud is thought to be in Brussels, at the Museum of Musical Instruments, the Arabic, العود literally denotes a thin piece of wood similar to the shape of a straw. Henry George Farmer considers the similitude between al-ʿūd and al-ʿawda, research by Eckhard Neubauer suggests that oud may be an Arabic borrowing from the Persian word rōd or rūd, which meant string, stringed instrument, or lute. Another researcher, archaeomusicologist Richard J. Dumbrill, suggests that rud came from the Sanskrit rudrī, the modern hosogal, l, lasga Oud is a derived from the ancient Lute. The lute originates in the crescent at least 5000 years ago. The long-necked variety also was never called a lutebefore the twentieth century, musicologist Richard Dumbrill today uses the word to discuss instruments that existed millennia before the term lute was coined. Dumbrill documented more than 3000 years of evidence for the lutes in Mesopotamia
7.
Flute
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The flute is a family of musical instruments in the woodwind group. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening, according to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute can be referred to as a player, flautist, flutist or, less commonly. Flutes are the earliest extant musical instruments, as paleolithic instruments with hand-bored holes have been found, a number of flutes dating to about 43,000 to 35,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a musical tradition existed from the earliest period of modern human presence in Europe. Flutes, including the famous Bansuri, have been a part of Indian classical music since 1500 BC. A major deity of Hinduism, Krishna, has been associated with the flute, the English verb flout has the same linguistic root, and the modern Dutch verb fluiten still shares the two meanings. Attempts to trace the word back to the Latin flare have been pronounced phonologically impossible or inadmissable, the first known use of the word flute was in the 14th century. According to the Oxford English Dictionary, this was in Geoffrey Chaucers The Hous of Fame, today, a musician who plays any instrument in the flute family can be called a flutist, or flautist, or simply a flute player. Flutist dates back to at least 1603, the earliest quote cited by the Oxford English Dictionary, flautist was used in 1860 by Nathaniel Hawthorne in The Marble Faun, after being adopted during the 18th century from Italy, like many musical terms in England since the Italian Renaissance. Other English terms, now obsolete, are fluter and flutenist. The oldest flute ever discovered may be a fragment of the femur of a cave bear. In 2008 another flute dated back to at least 35,000 years ago was discovered in Hohle Fels cave near Ulm, the five-holed flute has a V-shaped mouthpiece and is made from a vulture wing bone. The researchers involved in the officially published their findings in the journal Nature. The flute, one of several found, was found in the Hohle Fels cavern next to the Venus of Hohle Fels, on announcing the discovery, scientists suggested that the finds demonstrate the presence of a well-established musical tradition at the time when modern humans colonized Europe. Scientists have also suggested that the discovery of the flute may help to explain the probable behavioural and cognitive gulf between Neanderthals and early modern human. A three-holed flute,18.7 cm long, made from a mammoth tusk was discovered in 2004, the earliest extant Chinese transverse flute is a chi flute discovered in the Tomb of Marquis Yi of Zeng at the Suizhou site, Hubei province, China. It dates from 433 BC, of the later Zhou Dynasty and it is fashioned of lacquered bamboo with closed ends and has five stops that are at the flutes side instead of the top
8.
Drum
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The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone, Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the players hands, or with a drum stick, to produce sound. There is usually a head on the underside of the drum. Other techniques have been used to cause drums to make sound, Drums are the worlds oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the using a single drum. Others are normally played in a set of two or more, all played by the one player, such as drums and timpani. A number of different drums together with form the basic modern drum kit. Drums are usually played by striking with the hand, or with one or two sticks, in many traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in therapy, especially hand drums, because of their tactile nature. In popular music and jazz, drums usually refers to a kit or a set of drums. Drums acquired even divine status in places such as Burundi, where the karyenda was a symbol of the power of the king, the shell almost invariably has a circular opening over which the drumhead is stretched, but the shape of the remainder of the shell varies widely. In the western tradition, the most usual shape is a cylinder, although timpani, for example. Other shapes include a design, truncated cones, goblet shaped. Drums with cylindrical shells can be open at one end, or can have two drum heads, single-headed drums typically consist of a skin stretched over an enclosed space, or over one of the ends of a hollow vessel. Drums with two heads covering both ends of a shell often have a small hole somewhat halfway between the two heads, the shell forms a resonating chamber for the resulting sound. Exceptions include the African slit drum, also known as a log drum as it is made from a tree trunk. Drums with two heads can also have a set of wires, called snares, held across the head, top head. The heads tension can be adjusted by loosening or tightening the rods, many such drums have six to ten tension rods
9.
Bedouin
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The term contrasts against Hathar which refers to the city or town dwellers in the Arabic language. Bedouin means Badiyah dwellers in the Arabic language, as Badyah means literally the visible land, the Bedouins identify themselves as Arabs or by the names of their tribes. City dwellers in Arabia who descended from known tribes refer to themselves as Bedouins to recognize their origin to Arabia. Bedouin territory stretches from the vast deserts of North Africa to the sands of the Middle East. They are traditionally divided into tribes, or clans and share a culture of herding camels. The Bedouin form a part of, but are not synonymous with, Bedouins have been referred to by various names throughout history, including Qedarites in the Old Testament and Arabaa by the Assyrians. They are referred to as the Araab in the Koran, traditions like camel riding and camping in the deserts are also popular leisure activities for urbanised Bedouins who live within close proximity to deserts or other wilderness areas. The term Bedouin derives from a form of the Arabic word badu. The Arabic term badu literally translates in Arabic as Badiyah dwellers, the word bādiyah means visible land such as plain or desert. The term Bedouin therefore means those in bādiyah or those in the desert, in English usage, however, the form Bedouin is commonly used for the singular term, the plural being Bedouins, as indicated by the Oxford English Dictionary, second edition. The term Bedouin also uses the root word as the Arabic noun for the beginning, بداية. The Arabs believe the Bedouins to be the predecessors to the settled Arabs, disputes are settled, interests are pursued, and justice and order are maintained by means of this frame, according to an ethic of self-help and collective responsibility. The individual family unit typically consisted of three or four adults and any number of children, when resources were plentiful, several tents would travel together as a goum. These groups were linked by patriarchal lineage, but were just as likely linked by marriage, acquaintance, or no clearly defined relation. The next scale of interaction within groups was the ibn ʿamm or descent group, whilst the phrase descent group suggests purely a lineage-based arrangement, in reality these groups were fluid and adapted their genealogies to take in new members. The largest scale of tribal interactions is the tribe as a whole, the tribe often claims descent from one common ancestor—as mentioned above. The tribal level is the level that mediated between the Bedouin and the governments and organizations. Distinct structure of the Bedouin society leads to lasting rivalries between different clans
10.
Rebab
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The bowed variety often has a spike at the bottom to rest on the ground, and is thus called a spike fiddle in certain areas, but plucked versions like the kabuli rebab also exist. Besides the spike fiddle variant, there exists a variant with a pear-shaped body, quite similar to the Byzantine lyra. This latter variant travelled to western Europe in the 11th century, there is a long thin neck with a pegbox at the end and there are one, two or three strings. The instrument is held upright, either resting on the lap or on the floor, the bow is usually more curved than that of the violin. The rebab, though valued for its tone, has a very limited range. The Iraqi version of the instrument has four strings, the rebab is used in a wide variety of musical ensembles and genres, corresponding with its wide distribution, and is built and played somewhat differently in different areas. The body varies from being carved, as in Java. They may have a made of half a coconut shell, while the more sophisticated versions have a metal soundbox, and the front may be half-covered with beaten copper. The rebab was heavily used, and continues to be used, in Arabic Bedouin music as well traditional Iraqi music under the name joza, there is also a bowed instrument in Persian music named Kamanche which has similar shape and structure. The Rebab is also played in Afghanistan and Pakistan, however they are unrelated in terms of origin, for a famous Iranian singer and rebab player see Hassaan Egzaar Chenani. These are generally used in playing traditional folk tunes, but have become popular in arrangements of contemporary music, including such genres as classical, jazz. In the Indonesian gamelan the rebab is an essential elaborating instrument, a two-string bowed lute consisting of a wooden body, traditionally though now rarely a single coconut shell, covered with very fine stretched skin. Two brass strings are tuned a fifth apart and the hair bow is tied loosely with the proper tension controlled by the players bow hand. There are typically two per ensemble, one for pelog and one for slendro, never played together. The rebab does not have to exactly to the scale of the other gamelan instruments and can be played in relatively free time. The rebab also frequently plays the buka when it is part of the ensemble, in the eastern Malaysian states of Kelantan and Terengganu, the Rebab is used in a healing ritual called Main Puteri. The musician healer is sometimes taken to hospitals in cases where doctors are unable to heal ailing patients, margaret J. Kartomi, On Concepts and Classifications of Musical Instruments. liuteriaetnica. it FERNWOOD, an American music group that uses a Rebab
11.
Orchestra
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The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of a stage in ancient Greek theatre reserved for the Greek chorus. A full-size orchestra may sometimes be called an orchestra or philharmonic orchestra. The actual number of employed in a given performance may vary from seventy to over one hundred musicians, depending on the work being played. The term chamber orchestra usually refers to smaller-sized ensembles of about fifty musicians or fewer, the typical orchestra grew in size throughout the 18th and 19th centuries, reaching a peak with the large orchestras called for in the works of Richard Wagner, and later, Gustav Mahler. Orchestras are usually led by a conductor who directs the performance with movements of the hands and arms, the conductor unifies the orchestra, sets the tempo and shapes the sound of the ensemble. The first violin, commonly called the concertmaster, also plays an important role in leading the musicians, the typical symphony orchestra consists of four groups of related musical instruments called the woodwinds, brass, percussion, and strings. The orchestra, depending on the size, contains almost all of the instruments in each group. Chamber orchestra usually refers to smaller-sized ensembles, a chamber orchestra might employ as many as fifty musicians. The term concert orchestra may also be used, as in the BBC Concert Orchestra, the so-called standard complement of doubled winds and brass in the orchestra from the first half of the 19th century is generally attributed to the forces called for by Beethoven. The composers instrumentation almost always included paired flutes, oboes, clarinets, bassoons, horns, the exceptions to this are his Symphony No. 4, Violin Concerto, and Piano Concerto No,4, which each specify a single flute. Beethoven carefully calculated the expansion of this particular timbral palette in Symphonies 3,5,6, the third horn in the Eroica Symphony arrives to provide not only some harmonic flexibility, but also the effect of choral brass in the Trio movement. Piccolo, contrabassoon, and trombones add to the finale of his Symphony No.5. A piccolo and a pair of trombones help deliver the effect of storm and sunshine in the Sixth, for several decades after his death, symphonic instrumentation was faithful to Beethovens well-established model, with few exceptions. Apart from the core orchestral complement, various instruments are called for occasionally. These include the guitar, heckelphone, flugelhorn, cornet, harpsichord. Saxophones, for example, appear in some 19th- through 21st-century scores.6 and 9 and William Waltons Belshazzars Feast, and many other works as a member of the orchestral ensemble. The euphonium is featured in a few late Romantic and 20th-century works, usually playing parts marked tenor tuba, including Gustav Holsts The Planets, cornets appear in Pyotr Ilyich Tchaikovskys ballet Swan Lake, Claude Debussys La Mer, and several orchestral works by Hector Berlioz
12.
Farid al-Atrash
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Farid al-Atrash, also written Farid Elattrache, was an Egyptian composer, singer, virtuoso oud player, and actor of Syrian origins. Sometimes referred to as King of the Oud, he is one of the most important figures of 20th century Arab music, Al-Atrash was born in al-Suwayda, in southern Syria to the Druze al-Atrash family who fought the French colonial army. His father was Syrian and his mother was Lebanese, as a child, al-Atrash emigrated with his mother and siblings to Egypt, escaping the French occupation. Later, they were naturalized by the Egyptian government as citizens, farids mother sang and played the Oud, which spurred his musical interest at an early age. As a child and young adult, al-Atrash sang in school events and he studied in a music conservatory and became an apprentice of the renowned composer Riyad as-Sunbaty. In the 1930s, al-Atrash began his singing career by working for privately owned Egyptian radio stations. Eventually, he was hired as an oud player for the radio station. His sister, Asmahan, was also a singer. In 1941, they starred in their first successful movie Intisar a l-Shabab and he died in December 26,1974, at the age of 64. Farid and his sister Amal, along with their brother Fouad, belonged to the religious minority clan of their parents, Princess Alia and Prince Fahd al-Atrash. His younger sister, Asmahan, evidenced similar musical talent in her teens, becoming one of the most popular female vocalists and cinema stars in the late 1930s, Farid is better known than Asmahan because her career was interrupted by her death in an accident in 1944. Yet he was overshadowed by his sisters talent and popularity. With maturity and the forging of a successful formula, Farid became famous in his own right. Even today, reference to the given name Farid in the context of Arabic music or popular culture is understood to denote al-Atrash himself. Al-Atrash had a long and colorful music career lasting four decades and he composed musically diverse songs, and was a highly regarded composer, singer and instrumentalist. Al-Atrash maintained that some of his music had western musical influence. Although the majority of his compositions were romantic love songs, he composed several patriotic. One of al-Atrashs most unusual and distinguishable traits was his voice, high and mellow at the start of his career, it evolved into a wider, deeper sound
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