1.
Pschent
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The Pschent was the name of the Double Crown worn by rulers in Ancient Egypt. The Ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones and it combined the Red Deshret Crown of Lower Egypt and the White Hedjet Crown of Upper Egypt. The Pschent represented the power over all of unified Egypt. These were fastened to the front of the Pschent and referred to as the Two Ladies, later, the vulture head sometimes was replaced by a second cobra. The Cairo fragment, on the hand, shows these prehistoric rulers wearing the Pschent. As is the case with the Deshret and the Hedjet Crowns and it is known only from statuary, depictions, inscriptions, and ancient tales. Among the deities sometimes depicted wearing the Double Crown are Horus and Atum or Ra both representing the pharaoh or having a special relationship to the pharaoh
2.
Nekhbet
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Nekhbet was an early predynastic local goddess in Egyptian mythology, who was the patron of the city of Nekheb. Ultimately, she became the patron of Upper Egypt and one of the two patron deities for all of Ancient Egypt when it was unified, egypt’s oldest oracle was the shrine of Nekhbet at Nekheb, the original necropolis or city of the dead. It was the city to Nekhen, the religious and political capital of Upper Egypt at the end of the Predynastic period and probably. The original settlement on the Nekhen site dates from Naqada I or the late Badarian cultures, at its height, from about 3400 BC, Nekhen had at least 5,000 and possibly as many as 10,000 inhabitants. The priestesses of Nekhbet were called muu and wore robes of Egyptian vulture feathers, Nekhbet was the tutelary deity of Upper Egypt. Nekhbet and her Lower Egyptian counterpart Wadjet often appeared together as the Two Ladies, one of the titles of each ruler was the Nebty name, which began with the hieroglyphs for of the Two Ladies. In art, Nekhbet was depicted as a vulture, alan Gardiner identified the species that was used in divine iconography as a griffon vulture. Arielle P. Kozloff, however, argues that the vultures in New Kingdom art, with their beaks and loose skin. In New Kingdom times, the vulture appeared alongside the uraeus on the headdresses with which kings were buried, Nekhbet usually was depicted hovering, with her wings spread above the royal image, clutching a shen symbol, frequently in her claws. As patron of the pharaoh, she was seen to be the mother of the divine aspect of the pharaoh, and it was in this capacity that she was Mother of Mothers. In some late texts of the Book of the Dead, Nekhbet is referred to as Father of Fathers, Mother of Mothers, who existed from the Beginning. Nekhbet is a monster in Final Fantasy 12. Nekhbet appears in Rick Riordans The Throne of Fire as a minor antagonist, Nekhbet is the name of a pet vulture in the anime Tenshi ni Narumon. Nikol, Hamburg 2000, ISBN 3-937872-08-6, S. 507f, harrassowitz, Wiesbaden 1999, ISBN 3-447-04027-0, S.199. Alexandra von Lieven, Grundriss des Laufes der Sterne – Das sogenannte Nutbuch, the Carsten Niebuhr Institute of Ancient Eastern Studies, Kopenhagen 2007, ISBN 978-87-635-0406-5. Alexandra von Lieven, Der Himmel über Esna – Eine Fallstudie zur religiösen Astronomie in Ägypten am Beispiel der kosmologischen Decken- und Architravinschriften im Tempel von Esna, marcelle Werbrouck, Fouilles de El Kab II
3.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
4.
Thebes, Egypt
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Thebes, known to the ancient Egyptians as Waset, was an ancient Egyptian city located east of the Nile about 800 kilometers south of the Mediterranean. Its ruins lie within the modern Egyptian city of Luxor, Thebes was the main city of the fourth Upper Egyptian nome. It was close to Nubia and the desert, with their valuable mineral resources. It was a center and the wealthiest city of ancient Egypt at its heyday. The Ancient Egyptians originally knew Thebes as Wose or Wase A was was the scepter of the pharaohs, a staff with an animals head. Thebes is the Latinized form of the Greek Thebai, the form of the Demotic Egyptian Ta-pe. This was the name not for the city itself but for the Karnak temple complex on the northern east bank of the city. As early as Homers Iliad, the Greeks distinguished the Egyptian Thebes as Thebes of the Hundred Gates, as opposed to the Thebes of the Seven Gates in Boeotia, from the end of the New Kingdom, Thebes was known in Egyptian as Niwt-Imn, the City of Amun. Amun was the chief of the Theban Triad of gods whose other members were Mut and this name appears in the Bible as the Nōʼ ʼĀmôn of the Book of Nahum and probably also as the No mentioned in Ezekiel and Jeremiah. In the interpretatio graeca, Amun was seen as a form of Zeus, the name was therefore translated into Greek as Diospolis, the City of Zeus. To distinguish it from the other cities by this name. The Greek names came into use after the conquest of Egypt by Alexander the Great. Thebes was located along the banks of the Nile River in the part of Upper Egypt about 800 km from the Delta. It was built largely on the plains of the Nile Valley which follows a great bend of the Nile. As a natural consequence, the city was laid in a northeast-southwest axis parallel to the river channel. Thebes had an area of 93 km2 which included parts of the Theban Hills in the west that culminates at the sacred 420-meter al-Qurn, in the east lies the mountainous Eastern Desert with its wadis draining into the valley. Significant of these wadis is Wadi Hammamat near Thebes and it was used as an overland trade route going to the Red Sea coast. In the fourth Upper Egyptian nome, Thebes was found to have neighboring towns such as Per-Hathor, Madu, Djerty, Iuny, Sumenu, according to George Modelski, Thebes had about 40,000 inhabitants in 2000 BC
5.
Transliteration of Ancient Egyptian
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The Ancient Egyptian Vulture hieroglyph is Gardiner sign listed no. The vulture hieroglyph is used in the Ancient Egyptian language hieroglyphs for the consonant 3, the hieroglyph represents the Egyptian vulture, Neophron percnopterus. The following table shows the Egyptian uniliteral signs, illustrated Hieroglyphics Handbook, Ruth Schumann-Antelme, and Stéphane Rossini
6.
Amun
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Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
7.
Khonsu
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Khonsu is the Ancient Egyptian god of the moon. His name means traveller, and this may relate to the travel of the moon across the sky. Along with Thoth he marked the passage of time, Khonsu was instrumental in the creation of new life in all living creatures. At Thebes he formed part of a triad with Mut as his mother. As the god of light in the night, Khonsu was invoked to protect against wild animals and it was said that when Khonsu caused the crescent moon to shine, women conceived, cattle became fertile, and all nostrils and every throat was filled with fresh air. This bloodthirsty aspect leads him to be referred to, in such as the Pyramid texts and he also became associated with more literal placentas, becoming seen as a deification of the royal placenta, and so a god involved with childbirth. Khonsu is typically depicted as a mummy with the symbol of childhood and he has close links to other divine children such as Horus and Shu. He is sometimes shown wearing a head like Horus, with whom he is associated as a protector and healer, adorned with the sun disk. Most of the construction of the complex at Karnak was centered on Khonsu during the Ramesside period. Khonsus reputation as a healer spread outside Egypt, a stele records how a princess of Bekhten was instantly cured of an illness upon the arrival of an image of Khonsu. King Ptolemy IV, after he was cured of an illness, called himself Beloved of Khonsu Who Protects His Majesty, locations of Khonsus cult were Memphis, Hibis and Edfu. Khonsu gradually replaced the war-god Monthu as the son of Mut in Theban thought during the Middle Kingdom, because the pool at the temple of Mut was in the shape of a crescent moon. The father who had adopted Khonsu was thought to be Amun, who had already been changed into a more significant god by the rise of Thebes, as these two were both considered extremely benign deities, Menthu gradually lost his more aggressive aspects. In art, Khonsu was depicted as a man with the head of a hawk and his head was shaven except for the sidelock worn by Egyptian children, signifying his role as Khonsu the Child. Occasionally he was depicted as a holding the flail of the pharaoh. He was sometimes pictured on the back of a goose, ram and his sacred animal was the baboon, considered a lunar animal by the ancient Egyptians. In the Egyptian Myth-based trilogy, The Kane Chronicles, Khonsu is allowed by Osiris to visit the characters, Sadie and Carter. He would give one hour for every piece they got off the board
8.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
9.
Sekhmet
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In Egyptian mythology, Sekhmet (/ˈsɛkˌmɛt/ or Sachmis is a warrior goddess as well as goddess of healing. She is depicted as a lioness, the fiercest hunter known to the Egyptians and it was said that her breath formed the desert. She was seen as the protector of the pharaohs and led them in warfare. Her cult was so dominant in the culture that when the first pharaoh of the dynasty, Amenemhat I, moved the capital of Egypt to Itjtawy. Religion, the lineage, and the authority to govern were intrinsically interwoven in ancient Egypt during its approximately three millennia of existence. Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and she bears the Solar disk and the uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being an arbiter of the goddess Maat in the Judgment Hall of Osiris, associating her with the Wadjet. Sekhmets name comes from the Ancient Egyptian word sekhem which means power or might, Sekhmets name suits her function and means the powerful. She also was given such as the Before Whom Evil Trembles, Mistress of Dread, Lady of Slaughter. In order to placate Sekhmets wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year and this practice resulted in many images of the goddess being preserved. It is estimated more than seven hundred statues of Sekhmet once stood in one funerary temple alone. She was envisioned as a lioness, and in art, was depicted as such, or as a woman with the head of a lioness, who was dressed in red. Sometimes the dress she wears exhibits a pattern over each breast, an ancient leonine motif. Occasionally, Sekhmet was also portrayed in her statuettes and engravings with minimal clothing or naked, tame lions were kept in temples dedicated to Sekhmet at Leontopolis. To pacify Sekhmet, festivals were celebrated at the end of battle, participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist and these findings were made in the temple of Mut because when Thebes rose to greater prominence, Mut absorbed some characteristics of Sekhmet. These temple excavations at Luxor discovered a porch of drunkenness built onto the temple by the Pharaoh Hatshepsut, in a myth about the end of Ras rule on the earth, Ra sends Hathor or Sekhmet to destroy mortals who conspired against him. Mistaking the beer for blood, she became so drunk that she gave up the slaughter, Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period
10.
Hathor
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Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
11.
Maat
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Maat or Maat was the ancient Egyptian concept of truth, balance, order, harmony, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, cuneiform texts indicate that the word mˤ3t was pronounced /múʕʔa/ during the New Kingdom period, having lost the feminine ending t. Sound shifts from u to e later produced the cognate Coptic word ⲙⲉⲉ/ⲙⲉ truth, later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth, as their attributes are similar. In other accounts, Thoth was paired off with Seshat, goddess of writing and measure and her feather was the measure that determined whether the souls of the departed would reach the paradise of afterlife successfully. Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator, Maat represents the ethical and moral principle that every Egyptian citizen was expected to follow throughout their daily lives. They were expected to act with honor and truth in manners that involve family, the community, the nation, the environment, Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests. The development of such rules sought to avert chaos and it became the basis of Egyptian law, from an early period the King would describe himself as the Lord of Maat who decreed with his mouth the Maat he conceived in his heart. The ancient Egyptians had a conviction of an underlying holiness. Cosmic harmony was achieved by public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state, an impious King could bring about famine or blasphemy blindness to an individual. In opposition to the order expressed in the concept of Maat is the concept of Isfet, chaos, lies. In one Middle Kingdom text the Creator declares I made every man like his fellow, a passage in the Instruction of Ptahhotep presents Maat as follows, Maat is good and its worth is lasting. It has not been disturbed since the day of its creator and it lies as a path in front even of him who knows nothing. Wrongdoing has never yet brought its venture to port and it is true that evil may gain wealth but the strength of truth is that it lasts, a man can say, It was the property of my father. There is little surviving literature that describes the practice of ancient Egyptian law, Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules. Maat represented the normal and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty onwards the Vizier responsible for justice was called the Priest of Maat, later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt. These spiritual texts dealt with social or professional situations and how each was best to be resolved or addressed in the spirit of Maat
12.
Bastet
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Bastet was a goddess in ancient Egyptian religion, worshiped as early as the 2nd Dynasty. As Bast, she was the goddess of warfare in Lower Egypt and her name is also translated as Baast, Ubaste, and Baset. In Greek mythology, she is known as Ailuros. The uniting Egyptian cultures had deities that shared similar roles and usually the same imagery, in Upper Egypt, Sekhmet was the parallel warrior lioness deity. Often similar deities merged into one with the unification, but that did not occur with these deities having such strong roots in their cultures, instead, these goddesses began to diverge. During the 22nd Dynasty, Bast had transformed from a lioness deity into a major protector deity represented as a cat. Bastet, the associated with this later identity, is the name commonly used by scholars today to refer to this deity. Bastet, the form of the name which is most commonly adopted by Egyptologists today because of its use in later dynasties, is a modern convention offering one possible reconstruction, in early Egyptian, her name appears to have been bꜣstt. In Egyptian writing, the second t marks a feminine ending, but was not usually pronounced, by the first millennium, then, bꜣstt would have been something like *Ubaste in Egyptian speech, later becoming Coptic Oubaste. During later dynasties, the deity remained, but was assigned a role in the pantheon by bearing the name Bastet. This happened after Thebes became the capital of Ancient Egypt during the 18th Dynasty, diminishing her status, they began referring to the deity with the added suffix, as Bastet, and their use of the new name was well-documented, becoming very familiar to researchers. By the 22nd Dynasty the transition had occurred in all regions, what the name of the goddess means remains uncertain. One recent suggestion by Stephen Quirke explains it as meaning She of the ointment jar and this ties in with the observation that her name was written with the hieroglyph for ointment jar and that she was associated with protective ointments, among other things. The name of the known as alabaster might, through Greek. Bastet was originally a warrior goddess of the sun throughout most of ancient Egyptian history. Greeks occupying ancient Egypt toward the end of its civilization changed her into a goddess of the moon, as protector of Lower Egypt, she was seen as defender of the pharaoh, and consequently of the later chief male deity, Ra. Along with the lioness goddesses, she would occasionally be depicted as the embodiment of the Eye of Ra. She has been depicted as fighting the evil snake named Apep, images of Bastet were often created from alabaster
13.
Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
14.
Ancient Egypt
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Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
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Mother goddess
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A mother goddess is a goddess who represents, or is a personification of nature, motherhood, fertility, creation, destruction or who embodies the bounty of the Earth. When equated with the Earth or the world, such goddesses are sometimes referred to as Mother Earth or as the Earth Mother. Many different goddesses have represented motherhood in one way or another, others have represented the fertility of the earth. Several small, voluptuous figures have been found during excavations of the Upper Paleolithic. This sculpture is estimated to have been carved 35,000 years ago, some archaeologists believe they were intended to represent goddesses, while others believe that they could have served some other purpose. The Paleolithic period extends from 2.5 million years ago to the introduction of agriculture around 10,000 BCE, archaeological evidence indicates that humans migrated to the Western Hemisphere before the end of the Paleolithic, so cultures around the world share its characteristics. It is the prehistoric era distinguished by the development of stone tools, regional differences in the development of this stage of tool development are quite varied. During this time, native cultures appear in the Western Hemisphere, regular seasonal occupation or permanent settlements begin to be seen in excavations. Herding and keeping of cattle, goats, sheep, and pigs is evidenced along with the presence of dogs, almost without exception, images of what Marija Gimbutas interpreted as mother goddesses have been discovered in all of these cultures. Numerous female figurines from Neolithic Çatalhöyük in Anatolia have been interpreted as evidence of a mother-goddess cult, james Mellaart, who led excavation at the site in the 1960s, suggests that the figures represent a Great goddess, who headed the pantheon of an essentially matriarchal culture. A seated female figure, flanked by what Mellaart describes as lionesses, was found in a grain-bin, she may have intended to protect the harvest and grain. The seated or enthroned goddess-like figure flanked by lionesses, has suggested as a prototype Cybele. They also left behind many ceramic remains of pottery and clay figurines, some of these figurines appear to represent the mother goddess. Malta has some of the oldest buildings in the world, and has many fertility figures or pieces of fertility figures throughout the temples, the most famous is the Sleeping Lady, recovered from the Hypogeum of Ħal-Saflieni, and held in the National Museum of Archaeology, Malta. Similarly, mother goddess figurines are found in the contemporaneous Ozieri culture of Sardinia. James Frazer and others advance the idea that worship in ancient Europe. According to Gimbutas Kurgan Hypothesis, Old European cultures were disrupted by expansion of Indo-European speakers from modern-day Ukraine, in 1968 the archaeologist Peter Ucko proposed that the many images found in graves and archaeological sites of Neolithic cultures were toys. The graves he was describing dated from Predynastic Egypt and Neolithic Crete, Mother goddesses are present in the earliest images discovered among the archaeological finds in Ancient Egypt
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Parthenogenesis
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Parthenogenesis is a natural form of asexual reproduction in which growth and development of embryos occur without fertilization. In animals, parthenogenesis means development of an embryo from an egg cell. In plants parthenogenesis is a component process of apomixis, gynogenesis and pseudogamy are closely related phenomena in which a sperm or pollen triggers the development of the egg cell into an embryo but makes no genetic contribution to the embryo. The rest of the cytology and genetics of these phenomena are identical to that of parthenogenesis. However, these species still use fertilization, parthenogenesis occurs naturally in many plants, some invertebrate animal species and a few vertebrates. This type of reproduction has been induced artificially in a few species including fish, normal egg cells form after meiosis and are haploid, with half as many chromosomes as their mothers body cells. Haploid individuals, however, are usually non-viable, and parthenogenetic offspring usually have the diploid chromosome number, depending on the mechanism involved in restoring the diploid number of chromosomes, parthenogenetic offspring may have anywhere between all and half of the mothers alleles. The offspring having all of the genetic material are called full clones. Full clones are usually formed without meiosis, if meiosis occurs, the offspring will get only a fraction of the mothers alleles. Parthenogenetic offspring in species that use either the XY or the X0 sex-determination system have two X chromosomes and are female. In species that use the ZW sex-determination system, they have either two Z chromosomes or two W chromosomes, or they could have one Z and one W chromosome, some species reproduce exclusively by parthenogenesis, while others can switch between sexual reproduction and parthenogenesis. The switch between sexuality and parthenogenesis in such species may be triggered by the season, or by a lack of males or by conditions that favour rapid population growth, in these species asexual reproduction occurs either in summer or as long as conditions are favourable. This is because in asexual reproduction a successful genotype can spread quickly without being modified by sex or wasting resources on male offspring who wont give birth, in times of stress, offspring produced by sexual reproduction may be fitter as they have new, possibly beneficial gene combinations. Many taxa with heterogony have within them species that have lost the sexual phase and are now completely asexual, many other cases of obligate parthenogenesis are found among polyploids and hybrids where the chromosomes cannot pair for meiosis. The production of offspring by parthenogenesis is referred to as thelytoky while the production of males by parthenogenesis is referred to as arrhenotoky. When unfertilized eggs develop into males and females, the phenomenon is called deuterotoky. Parthenogenesis can occur without meiosis through mitotic oogenesis, mature egg cells are produced by mitotic divisions, and these cells directly develop into embryos. In flowering plants, cells of the gametophyte can undergo this process, the offspring produced by apomictic parthenogenesis are full clones of their mother
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Eye of Ra
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The Eye of Ra or Eye of Re is a being in ancient Egyptian mythology that functions as a feminine counterpart to the sun god Ra and a violent force that subdues his enemies. The Eye goddess acts as mother, sibling, consort, and she is his partner in the creative cycle in which he begets the renewed form of himself that is born at dawn. The Eyes violent aspect defends Ra against the agents of disorder that threaten his rule and this dangerous aspect of the Eye goddess is often represented by a lioness or by the uraeus, or cobra, a symbol of protection and royal authority. The Eye of Ra is similar to the Eye of Horus, which belongs to a different god, Horus, but represents many of the same concepts. The disastrous effects when the Eye goddess rampages out of control, the Eye of Ra was involved in many areas of ancient Egyptian religion, including in the cults of the many goddesses who are equated with it. Its life-giving power was celebrated in temple rituals, and its dangerous aspect was invoked in the protection of the pharaoh, of sacred places, the Egyptians often referred to the sun and the moon as the eyes of particular gods. The right eye of the god Horus, for instance, was equated with the sun, however, in Egyptian belief, many terms and concepts are fluid, so the sun could also be called the Eye of Horus. The yellow or red disk-like sun emblem in Egyptian art represents the Eye of Ra, because of the great importance of the sun in Egyptian religion, this emblem is among the most common religious symbols in all of Egyptian art. Although Egyptologists usually call this emblem the sun disk, its shape in Egyptian relief sculpture suggests that the Egyptians may have envisioned it as a sphere. The emblem often appears atop the heads of solar-associated deities, including Ra himself, the disk could even be regarded as Ras physical form. At other times, the sun god, in forms, is depicted inside the disk shape as if enclosed within it. The disk is often called Ras daughter in Egyptian texts, as the sun, the Eye of Ra is a source of heat and light, and it is associated with fire and flames. It is also equated with the red light that appears before sunrise, the presence of the feminine suffix -t in jrt may explain why these independent eyes were thought of as female. The Eye of Ra, in particular, is involved in the sun gods creative actions. In Egyptian mythology, the emergence from the horizon each morning is likened to Ras birth, an event that revitalizes him. Ra emerges from the body of a goddess who represents the sky—usually Nut, depictions of the rising sun often show Ra as a child contained within the solar disk. In this context, the Egyptologist Lana Troy suggests, the disk may represent the womb from which he is born or the placenta that emerges with him. The Eye of Ra can also take the form of a goddess, Ra was sometimes said to enter the body of the sky goddess at sunset, impregnating her and setting the stage for his rebirth at sunrise
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Middle Kingdom of Egypt
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Some scholars also include the Thirteenth Dynasty of Egypt wholly into this period as well, in which case the Middle Kingdom would finish c. 1650, while others only include it until Merneferre Ay c.1700 BC, during the Middle Kingdom period, Osiris became the most important deity in popular religion. The period comprises two phases, the 11th Dynasty, which ruled from Thebes and the 12th Dynasty onwards which was centered on el-Lisht, after the collapse of the Old Kingdom, Egypt entered a period of weak Pharaonic power and decentralization called the First Intermediate Period. Towards the end of period, two rival dynasties, known in Egyptology as the Tenth and Eleventh, fought for power over the entire country. The Theban 11th Dynasty only ruled southern Egypt from the first cataract to the Tenth Nome of Upper Egypt, to the north, Lower Egypt was ruled by the rival 10th Dynasty from Herakleopolis. The struggle was to be concluded by Mentuhotep II, who ascended the Theban throne in 2055 B. C, during Mentuhotep IIs fourteenth regnal year, he took advantage of a revolt in the Thinite Nome to launch an attack on Herakleopolis, which met little resistance. After toppling the last rulers of the 10th Dynasty, Mentuhotep began consolidating his power over all Egypt, for this reason, Mentuhotep II is regarded as the founder of the Middle Kingdom. Mentuhotep II commanded military campaigns south as far as the Second Cataract in Nubia and he also restored Egyptian hegemony over the Sinai region, which had been lost to Egypt since the end of the Old Kingdom. He also sent the first expedition to Punt during the Middle Kingdom, by means of ships constructed at the end of Wadi Hammamat, Mentuhotep III was succeeded by Mentuhotep IV, whose name significantly is omitted from all ancient Egyptian king lists. The Turin Papyrus claims that after Mentuhotep III came seven kingless years, despite this absence, his reign is attested from a few inscriptions in Wadi Hammamat that record expeditions to the Red Sea coast and to quarry stone for the royal monuments. The leader of expedition was his vizier Amenemhat, who is widely assumed to be the future pharaoh Amenemhet I. Mentuhotep IVs absence from the king lists has prompted the theory that Amenemhet I usurped his throne, while there are no contemporary accounts of this struggle, certain circumstantial evidence may point to the existence of a civil war at the end of the 11th dynasty. Inscriptions left by one Nehry, the Haty-a of Hermopolis, suggest that he was attacked at a place called Shedyet-sha by the forces of the reigning king, but his forces prevailed. Khnumhotep I, an official under Amenemhet I, claims to have participated in a flotilla of 20 ships to pacify Upper Egypt, donald Redford has suggested these events should be interpreted as evidence of open war between two dynastic claimants. What is certain is that, however he came to power, from the 12th dynasty onwards, pharaohs often kept well-trained standing armies, which included Nubian contingents. These formed the basis of larger forces which were raised for defence against invasion, however, the Middle Kingdom was basically defensive in its military strategy, with fortifications built at the First Cataract of the Nile, in the Delta and across the Sinai Isthmus. Early in his reign, Amenemhet I was compelled to campaign in the Delta region, in addition, he strengthened defenses between Egypt and Asia, building the Walls of the Ruler in the East Delta region. Perhaps in response to this perpetual unrest, Amenemhat I built a new capital for Egypt in the north, known as Amenemhet Itj Tawy, or Amenemhet, the location of this capital is unknown, but is presumably near the citys necropolis, the present-day el-Lisht
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New Kingdom of Egypt
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
20.
Amunet
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Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
21.
Wosret
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Wosret, Wasret, or Wosyet meaning the powerful was an Egyptian goddess with a cult centre at Thebes in Upper Egypt. She was rarely depicted, and no temples to her have been identified, one example of a depiction of Wosret is on the stela shown to the right where she is the figure farthest to the right. When she was depicted, it was wearing a crown with the Was sceptre. Wosret was later superseded by Mut and became an aspect of Hathor and she was also identified with the protection of the deity Horus, Isis son, when he was young. She was Amuns first wife, and was replaced by Mut, on the stela above Amun is depicted to the left
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Upper Egypt
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Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
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Art
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In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The oldest documented forms of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Music, theatre, film, dance, and other performing arts, as well as literature, until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. Art may be characterized in terms of mimesis, expression, communication of emotion, during the Romantic period, art came to be seen as a special faculty of the human mind to be classified with religion and science. Though the definition of what art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency. The nature of art, and related such as creativity. One early sense of the definition of art is related to the older Latin meaning. English words derived from this meaning include artifact, artificial, artifice, medical arts, however, there are many other colloquial uses of the word, all with some relation to its etymology. Several dialogues in Plato tackle questions about art, Socrates says that poetry is inspired by the muses, and is not rational. He speaks approvingly of this, and other forms of divine madness in the Phaedrus, and yet in the Republic wants to outlaw Homers great poetic art, in Ion, Socrates gives no hint of the disapproval of Homer that he expresses in the Republic. For example, music imitates with the media of rhythm and harmony, whereas dance imitates with rhythm alone, the forms also differ in their object of imitation. Comedy, for instance, is an imitation of men worse than average. Lastly, the forms differ in their manner of imitation—through narrative or character, through change or no change, Aristotle believed that imitation is natural to mankind and constitutes one of mankinds advantages over animals. The second, and more recent, sense of the art as an abbreviation for creative art or fine art emerged in the early 17th century. The creative arts are a collection of disciplines which produce artworks that are compelled by a drive and convey a message, mood. Art is something that stimulates an individuals thoughts, emotions, beliefs, works of art can be explicitly made for this purpose or interpreted on the basis of images or objects. Often, if the skill is being used in a common or practical way, likewise, if the skill is being used in a commercial or industrial way, it may be considered commercial art instead of fine art. On the other hand, crafts and design are considered applied art
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Ankh
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The ankh, also known as crux ansata is an ancient Egyptian hieroglyphic ideograph with the meaning life. The Egyptian gods are often portrayed carrying it by its loop, or bearing one in each hand, the ankh appears in hand or in proximity of almost every deity in the Egyptian pantheon. The ankh symbol was so prevalent that it has found in digs as far as Mesopotamia and Persia. The symbol became popular in New Age mysticism in the 1960s, unicode has two characters encoding the symbol, U+2625 ☥ in the Miscellaneous Symbols block and U+132F9
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Crown (headgear)
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In art, the crown may be shown being offered to those on Earth by angels. In religious art, a crown of stars is used similarly to a halo, crowns worn by rulers often contain jewels. A crown is often an emblem of the monarchy, a monarchs government, the word itself is used, particularly in Commonwealth countries, as an abstract name for the monarchy itself, as distinct from the individual who inhabits it. A specific type of crown is employed in heraldry under strict rules, costume headgear imitating a monarchs crown is also called a crown. Such costume crowns may be worn by actors portraying a monarch, people at parties, or ritual monarchs such as the king of a Carnival krewe. The nuptial crown, sometimes called a coronal, worn by a bride, in the present day, it is most common in Eastern Orthodox cultures. The Eastern Orthodox marriage service has a section called the crowning, wherein the bride and groom are crowned as king, in Greek weddings, the crowns are diadems usually made of white flowers, synthetic or real, often adorned with silver or mother of pearl. They are placed on the heads of the newlyweds and are held together by a ribbon of white silk and they are then kept by the couple as a reminder of their special day. In Slavic weddings, the crowns are made of ornate metal, designed to resemble an imperial crown. A parish usually owns one set to use for all the couples that are married there since these are more expensive than Greek-style crowns. This was common in Catholic countries in the past, a Crown of thorns according to the Bible, was placed on the head of Jesus before his crucifixion and has become a common symbol of martyrdom. According to Roman Catholic tradition, the Blessed Virgin Mary was crowned as Queen of Heaven after her assumption into heaven and she is often depicted wearing a crown, and statues of her in churches and shrines are ceremonially crowned during May. The Crown of Immortality is also common in historical symbolism, dancers of certain traditional Thai dances often wear crowns on their head. These are inspired in the worn by deities and by kings. Three distinct categories of crowns exist in those monarchies that use crowns or state regalia, coronation, worn by monarchs when being crowned. State, worn by monarchs on other state occasions, consort crowns, worn by queens consort, signifying rank granted as a constitutional courtesy protocol. In Classical antiquity, the crown that was awarded to people other than rulers, such as triumphal military generals or athletes, was actually a wreath or chaplet. Numerous crowns of various forms were used in antiquity, such as the Hedjet, Deshret, the Pschent double crown and it was referred to as the chaplet studded with sunbeams” by Lucian, about 180 AD
26.
Feather
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Feathers are epidermal growths that form the distinctive outer covering, or plumage, on birds. They are considered the most complex integumentary structures found in vertebrates and they are among the characteristics that distinguish the extant birds from other living groups. Although feathers cover most parts of the body of birds, they arise only from certain well-defined tracts on the skin and they aid in flight, thermal insulation, and waterproofing. In addition, coloration helps in communication and protection, plumology is the name for the science that is associated with the study of feathers. Feathers are among the most complex integumentary appendages found in vertebrates and are formed in tiny follicles in the epidermis, or outer skin layer, that produce keratin proteins. There are two types of feather, vaned feathers which cover the exterior of the body. The pennaceous feathers are vaned feathers, also called contour feathers, pennaceous feathers arise from tracts and cover the entire body. In some passerines, filoplumes arise exposed beyond the contour feathers on the neck, the remiges, or flight feathers of the wing, and rectrices, the flight feathers of the tail are the most important feathers for flight. A typical vaned feather features a main shaft, called the rachis, fused to the rachis are a series of branches, or barbs, the barbs themselves are also branched and form the barbules. These barbules have minute hooks called barbicels for cross-attachment, down feathers are fluffy because they lack barbicels, so the barbules float free of each other, allowing the down to trap air and provide excellent thermal insulation. At the base of the feather, the rachis expands to form the hollow tubular calamus which inserts into a follicle in the skin, the basal part of the calamus is without vanes. This part is embedded within the follicle and has an opening at the base. Hatchling birds of species have a special kind of natal down feathers which are pushed out when the normal feathers emerge. Flight feathers are stiffened so as to work against the air in the downstroke, feathers insulate birds from water and cold temperatures. They may also be plucked to line the nest and provide insulation to the eggs, the individual feathers in the wings and tail play important roles in controlling flight. Some species have a crest of feathers on their heads, although feathers are light, a birds plumage weighs two or three times more than its skeleton, since many bones are hollow and contain air sacs. Color patterns serve as camouflage against predators for birds in their habitats, as with fish, the top and bottom colors may be different, in order to provide camouflage during flight. Striking differences in patterns and colors are part of the sexual dimorphism of many bird species and are particularly important in selection of mating pairs
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Cat
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The domestic cat is a small, typically furry, carnivorous mammal. They are often called house cats when kept as pets or simply cats when there is no need to distinguish them from other felids. Cats are often valued by humans for companionship and for their ability to hunt vermin, there are more than 70 cat breeds, though different associations proclaim different numbers according to their standards. Cats are similar in anatomy to the felids, with a strong flexible body, quick reflexes, sharp retractable claws. Cat senses fit a crepuscular and predatory ecological niche, cats can hear sounds too faint or too high in frequency for human ears, such as those made by mice and other small animals. They can see in near darkness, like most other mammals, cats have poorer color vision and a better sense of smell than humans. Cats, despite being solitary hunters, are a species and cat communication includes the use of a variety of vocalizations. Cats have a high breeding rate, under controlled breeding, they can be bred and shown as registered pedigree pets, a hobby known as cat fancy. Failure to control the breeding of pet cats by neutering, as well as the abandonment of former household pets, has resulted in numbers of feral cats worldwide. In certain areas outside cats native range, this has contributed, along with destruction and other factors. Cats have been known to extirpate a bird species within specific regions, a genetic study in 2007 concluded that domestic cats are descended from Near Eastern wildcats, having diverged around 8,000 BC in the Middle East. As of a 2007 study, cats are the second most popular pet in the US by number of pets owned, in a 2010 study they were ranked the third most popular pet in the UK, after fish and dogs, with around 8 million being owned. The domestic cat is believed to have evolved from the Near Eastern wildcat, the felids are a rapidly evolving family of mammals that share a common ancestor only 10–15 million years ago and include lions, tigers, cougars and many others. Within this family, domestic cats are part of the genus Felis, members of the genus are found worldwide and include the jungle cat of southeast Asia, European wildcat, African wildcat, the Chinese mountain cat, and the Arabian sand cat, among others. The domestic cat was first classified as Felis catus by Carl Linnaeus in the 10th edition of his Systema Naturae published in 1758, because of modern phylogenetics, domestic cats are usually regarded as another subspecies of the wildcat, F. silvestris. This has resulted in mixed usage of the terms, as the cat can be called by its subspecies name. Wildcats have also referred to as various subspecies of F. catus, but in 2003. The most common name in use for the cat remains F. catus
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Cattle
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Cattle—colloquially cows—are the most common type of large domesticated ungulates. They are a prominent modern member of the subfamily Bovinae, are the most widespread species of the genus Bos, cattle are raised as livestock for meat, as dairy animals for milk and other dairy products, and as draft animals. Other products include leather and dung for manure or fuel, in some regions, such as parts of India, cattle have significant religious meaning. From as few as 80 progenitors domesticated in southeast Turkey about 10,500 years ago, according to an estimate from 2011, in 2009, cattle became one of the first livestock animals to have a fully mapped genome. Some consider cattle the oldest form of wealth, and cattle raiding consequently one of the earliest forms of theft. Cattle were originally identified as three species, Bos taurus, the European or taurine cattle, Bos indicus, the zebu, and the extinct Bos primigenius. The aurochs is ancestral to both zebu and taurine cattle and these have been reclassified as one species, Bos taurus, with three subspecies, Bos taurus primigenius, Bos taurus indicus, and Bos taurus taurus. Complicating the matter is the ability of cattle to interbreed with other related species. Hybrid individuals and even breeds exist, not only between taurine cattle and zebu, but also one or both of these and some other members of the genus Bos – yaks, banteng. Hybrids such as the breed can even occur between taurine cattle and either species of bison, leading some authors to consider them part of the genus Bos. However, cattle cannot successfully be hybridized with more distantly related bovines such as water buffalo or African buffalo, the aurochs originally ranged throughout Europe, North Africa, and much of Asia. In historical times, its range became restricted to Europe, breeders have attempted to recreate cattle of similar appearance to aurochs by crossing traditional types of domesticated cattle, creating the Heck cattle breed. Cattle did not originate as the term for bovine animals and it was borrowed from Anglo-Norman catel, itself from medieval Latin capitale principal sum of money, capital, itself derived in turn from Latin caput head. Cattle originally meant movable personal property, especially livestock of any kind, the word is a variant of chattel and closely related to capital in the economic sense. The term replaced earlier Old English feoh cattle, property, which today as fee. The word cow came via Anglo-Saxon cū, from Common Indo-European gʷōus = a bovine animal, compare Persian gâv, Sanskrit go-, Welsh buwch. The plural cȳ became ki or kie in Middle English, and a plural ending was often added, giving kine, kien. This is the origin of the now archaic English plural, kine, the Scots language singular is coo or cou, and the plural is kye
29.
Lion
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The lion is one of the big cats in the genus Panthera and a member of the family Felidae. The commonly used term African lion collectively denotes the several subspecies in Africa, with some males exceeding 250 kg in weight, it is the second-largest living cat after the tiger. Wild lions currently exist in sub-Saharan Africa and in India, in ancient historic times, their range was in most of Africa, including North Africa, and across Eurasia from Greece and southeastern Europe to India. Lion populations are untenable outside designated reserves and national parks, although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes of concern. Within Africa, the West African lion population is particularly endangered, in the wild, males seldom live longer than 10 to 14 years, as injuries sustained from continual fighting with rival males greatly reduce their longevity. In captivity they can more than 20 years. They typically inhabit savanna and grassland, although they may take to bush, Lions are unusually social compared to other cats. A pride of lions consists of related females and offspring and a number of adult males. Groups of female lions typically hunt together, preying mostly on large ungulates, Lions are apex and keystone predators, although they are also expert scavengers obtaining over 50 percent of their food by scavenging as opportunity allows. While lions do not typically hunt humans, some have, sleeping mainly during the day, lions are active primarily at night, although sometimes at twilight. Highly distinctive, the lion is easily recognised by its mane. It has been depicted in sculptures, in paintings, on national flags. Lions have been kept in menageries since the time of the Roman Empire, Zoos are cooperating worldwide in breeding programs for the endangered Asiatic subspecies. The lions name, similar in many Romance languages, is derived from the Latin leo, the Hebrew word לָבִיא may also be related. It was one of the originally described by Linnaeus, who gave it the name Felis leo, in his eighteenth-century work. The lions closest relatives are the species of the genus Panthera, the tiger, the snow leopard, the jaguar. P. leo evolved in Africa between 1 million and 800,000 years ago, before spreading throughout the Holarctic region and it appeared in the fossil record in Europe for the first time 700,000 years ago with the subspecies Panthera leo fossilis at Isernia in Italy. From this lion derived the later cave lion, which appeared about 300,000 years ago, Lions died out in northern Eurasia at the end of the last glaciation, about 10,000 years ago, this may have been secondary to the extinction of Pleistocene megafauna
30.
Brooklyn Museum
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The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is represented, starting at the Colonial period. Artists represented in the collection include Mark Rothko, Edward Hopper, Norman Rockwell, Winslow Homer, Edgar Degas, Georgia OKeeffe, the museum also has a Memorial Sculpture Garden which features salvaged architectural elements from throughout New York City. The roots of the Brooklyn Museum extend back to the 1823 founding by Augustus Graham of the Brooklyn Apprentices’ Library in Brooklyn Heights, in 1890, under its director Franklin Hooper, Institute leaders reorganized as the Brooklyn Institute of Arts and Sciences and began planning the Brooklyn Museum. The initial design for the Brooklyn Museum was four times as large as the actualized version, Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the principal designer of the pediment sculptures and the monolithic 12. 5-foot figures along the cornice. The figures were created by 11 sculptors and carved by the Piccirilli Brothers, by 1920, the New York City Subway reached the museum with a subway station, this greatly improved access to the once-isolated museum from Manhattan and other outer boroughs. The Brooklyn Institutes director Franklin Hooper was the museums first director and he was followed by Philip Newell Youtz, Laurance Page Roberts, Isabel Spaulding Roberts, Charles Nagel, Jr. and Edgar Craig Schenck. Thomas S. Buechner became the director in 1960, making him one of the youngest directors in the country. Buechner oversaw a major transformation in the way the museum displayed art and brought some one thousand works that had languished in the museums archives and put them on display. Buechner played a role in rescuing the Daniel Chester French sculptures from destruction due to an expansion project at the Manhattan Bridge in the 1960s. The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997, on March 12,2004, the museum announced that it would revert to its previous name. In April 2004, the museum opened the James Polshek-designed entrance pavilion on the Eastern Parkway façade, in September 2014, Lehman announced that he was planning to retire around June 2015. In May 2015, Creative Time president and artistic director Anne Pasternak was named the Museums next director, member institutions occupy land or buildings owned by the City of New York and derive part of their yearly funding from the City. The Brooklyn Museum also supplements its earned income with funding from Federal and State governments, as well as donations by individuals. Major benefactors include Frank Lusk Babbott, the museum is the site of the annual Brooklyn Artists Ball which has included celebrity hosts such as Sarah Jessica Parker and Liv Tyler. The Brooklyn Museum exhibits collections that seek to embody the rich heritage of world cultures
31.
Karnak
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The Karnak Temple Complex, commonly known as Karnak, comprises a vast mix of decayed temples, chapels, pylons, and other buildings. Building at the complex began during the reign of Senusret I in the Middle Kingdom and continued into the Ptolemaic period, the area around Karnak was the ancient Egyptian Ipet-isut and the main place of worship of the eighteenth dynasty Theban Triad with the god Amun as its head. It is part of the city of Thebes. The Karnak complex gives its name to the nearby, and partly surrounded, the complex is a vast open-air museum, and the second largest ancient religious site in the world, after the Angkor Wat Temple of Cambodia. It is believed to be the second most visited site in Egypt. It consists of four parts, of which only the largest is currently open to the general public. The term Karnak often is understood as being the Precinct of Amun-Ra only, the three other parts, the Precinct of Mut, the Precinct of Montu, and the dismantled Temple of Amenhotep IV, are closed to the public. There also are a few temples and sanctuaries connecting the Precinct of Mut, the Precinct of Amun-Re. The Precinct of Mut is very ancient, being dedicated to an Earth and creation deity, the original temple was destroyed and partially restored by Hatshepsut, although another pharaoh built around it in order to change the focus or orientation of the sacred area. Many portions of it may have carried away for use in other buildings. The key difference between Karnak and most of the temples and sites in Egypt is the length of time over which it was developed and used. Construction of temples started in the Middle Kingdom and continued through to Ptolemaic times, approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the features of Karnak are unique, but the size. The deities represented range from some of the earliest worshiped to those worshiped much later in the history of the Ancient Egyptian culture and it also contains evidence of adaptations, using buildings of the Ancient Egyptians by later cultures for their own religious purposes. One famous aspect of Karnak is the Hypostyle Hall in the Precinct of Amun-Re,122 of these columns are 10 meters tall, and the other 12 are 21 meters tall with a diameter of over three meters. The architraves on top of columns are estimated to weigh 70 tons. These architraves may have been lifted to these heights using levers and this would be an extremely time-consuming process and also would require great balance to get to such great heights. A common alternative theory regarding how they were moved is that large ramps were constructed of sand, mud, brick or stone, if stone had been used for the ramps, they would have been able to use much less material
32.
Ancient Egyptian concept of the soul
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The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
33.
Pharaoh
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The word pharaoh ultimately derive from the Egyptian compound pr-ˤ3 great house, written with the two biliteral hieroglyphs pr house and ˤ3 column, here meaning great or high. It was used only in larger phrases such as smr pr-ˤ3 Courtier of the High House, with specific reference to the buildings of the court or palace. From the twelfth dynasty onward, the word appears in a wish formula Great House, may it live, prosper, and be in health, but again only with reference to the royal palace and not the person. During the reign of Thutmose III in the New Kingdom, after the rule of the Hyksos during the Second Intermediate Period. During the eighteenth dynasty the title pharaoh was employed as a designation of the ruler. From the nineteenth dynasty onward pr-ˤ3 on its own was used as regularly as hm. f, the term, therefore, evolved from a word specifically referring to a building to a respectful designation for the ruler, particularly by the twenty-second dynasty and twenty-third dynasty. For instance, the first dated appearance of the pharaoh being attached to a rulers name occurs in Year 17 of Siamun on a fragment from the Karnak Priestly Annals. Here, an induction of an individual to the Amun priesthood is dated specifically to the reign of Pharaoh Siamun and this new practice was continued under his successor Psusennes II and the twenty-second dynasty kings. Shoshenq I was the successor of Siamun. Meanwhile, the old custom of referring to the sovereign simply as pr-ˤ3 continued in traditional Egyptian narratives, by this time, the Late Egyptian word is reconstructed to have been pronounced *par-ʕoʔ whence Herodotus derived the name of one of the Egyptian kings, Φερων. In the Bible, the title also occurs as פרעה, from that, Septuagint φαραώ pharaō and then Late Latin pharaō, both -n stem nouns. The Quran likewise spells it فرعون firawn with n, interestingly, the Arabic combines the original pharyngeal ayin sound from Egyptian, along with the -n ending from Greek. English at first spelt it Pharao, but the King James Bible revived Pharaoh with h from the Hebrew, meanwhile in Egypt itself, *par-ʕoʔ evolved into Sahidic Coptic ⲡⲣ̅ⲣⲟ prro and then rro. Scepters and staves were a sign of authority in ancient Egypt. One of the earliest royal scepters was discovered in the tomb of Khasekhemwy in Abydos, kings were also known to carry a staff, and Pharaoh Anedjib is shown on stone vessels carrying a so-called mks-staff. The scepter with the longest history seems to be the heqa-scepter, the earliest examples of this piece of regalia dates to pre-dynastic times. A scepter was found in a tomb at Abydos that dates to the late Naqada period, another scepter associated with the king is the was-scepter. This is a long staff mounted with an animal head, the earliest known depictions of the was-scepter date to the first dynasty
34.
Priest
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A priest or priestess, is a person authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites, in particular, rites of sacrifice to, and propitiation of and their office or position is the priesthood, a term which also may apply to such persons collectively. The necessity to read sacred texts and keep temple or church records helped foster literacy in early societies. Priests exist in many religions today, such as all or some branches of Judaism, Christianity, the question of which religions have a priest depends on how the titles of leaders are used or translated into English. In some cases, leaders are more like those that other believers will often turn to for advice on spiritual matters, for example, clergy in Roman Catholicism and Eastern Orthodoxy are priests, but in Protestant Christianity they are typically minister and pastor. The terms priest and priestess are sufficiently generic that they may be used in a sense to describe the religious mediators of an unknown or otherwise unspecified religion. In many religions, being a priest or priestess is a full-time position, many Christian priests and pastors choose or are mandated to dedicate themselves to their churches and receive their living directly from their churches. In other cases it is a part-time role, for example, in the early history of Iceland the chieftains were titled goði, a word meaning priest. In some religions, being a priest or priestess is by election or human choice. In Judaism the priesthood is inherited in familial lines, in a theocracy, a society is governed by its priesthood. The word priest, is derived from Greek, via Latin presbyter. Old High German also has the disyllabic priester, priestar, apparently derived from Latin independently via Old French presbtre, the Latin presbyter ultimately represents Greek presbyteros, the regular Latin word for priest being sacerdos, corresponding to Greek hiereus. That English should have only the term priest to translate presbyter. The feminine English noun, priestess, was coined in the 17th century, in the 20th century, the word was used in controversies surrounding the ordination of women. In the case of the ordination of women in the Anglican communion, it is common to speak of priests. In historical polytheism, a priest administers the sacrifice to a deity, in the Ancient Near East, the priesthood also acted on behalf of the deities in managing their property. Priestesses in antiquity often performed sacred prostitution, and in Ancient Greece, some such as Pythia, priestess at Delphi. Sumerian and Akkadian Entu or EN were top-ranking priestesses who were distinguished with special ceremonial attire and they owned property, transacted business, and initiated the hieros gamos ceremony with priests and kings
35.
Hatshepsut
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Hatshepsut was the fifth pharaoh of the Eighteenth Dynasty of Egypt. She was the second historically confirmed female pharaoh, the first being Sobekneferu, Hatshepsut came to the throne of Egypt in 1478 BC. Officially, she ruled jointly with Thutmose III, who had ascended to the throne the year as a child of about two years old. Hatshepsut was the wife of Thutmose II, Thutmose III’s father. She is generally regarded by Egyptologists as one of the most successful pharaohs, according to Egyptologist James Henry Breasted she is also known as the first great woman in history of whom we are informed. Hatshepsut was the daughter and only child of Thutmose I and his primary wife Ahmose and her husband Thutmose II was the son of Thutmose I and a secondary wife named Mutnofret, who carried the title Kings daughter and was probably a child of Ahmose I. Hatshepsut and Thutmose II had a daughter named Neferure, Thutmose II fathered Thutmose III with Iset, a secondary wife. Today Egyptologists generally agree that Hatshepsut assumed the position of pharaoh, Hatshepsut was described as having a reign of about 22 years by ancient authors. Josephus and Julius Africanus both quote Manethos king list, mentioning a woman called Amessis or Amensis who has identified as Hatshepsut. In Josephus work, her reign is described as lasting 21 years and nine months, dating the beginning of her reign is more difficult, however. Her fathers reign began in either 1526 or 1506 BC according to the high and low estimates of her reign, the length of the reigns of Tuthmosis I and Tuthmosis II, however, cannot be determined with absolute certainty. With short reigns, Hatshepsut would have ascended the throne 14 years after the coronation of Tuthmosis I, longer reigns would put her ascension 25 years after Tuthmosis Is coronation. Thus, Hatshepsut could have assumed power as early as 1512 BC, or, Hatshepsut established the trade networks that had been disrupted during the Hyksos occupation of Egypt during the Second Intermediate Period, thereby building the wealth of the eighteenth dynasty. She oversaw the preparations and funding for a mission to the Land of Punt and this trading expedition to Punt was roughly during Hatshepsuts ninth year of reign. It set out in her name with five ships, each measuring 70 feet long bearing several sails, many trade goods were bought in Punt, notably frankincense and myrrh. Hatshepsuts delegation returned from Punt bearing 31 live myrrh trees, the roots of which were kept in baskets for the duration of the voyage. This was the first recorded attempt to transplant foreign trees and it is reported that Hatshepsut had these trees planted in the courts of her mortuary temple complex. Egyptians also returned with a number of gifts from Punt
36.
Precinct of Mut
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The Precinct of Mut is an Ancient Egyptian temple compound located in the present city of Luxor, on the east bank of the Nile in South Karnak. The compound is one of the four key ancient temples that creates the Karnak Temple Complex and it is approximately 325 meters south of the precinct of the god Amun. The precinct itself encompasses approximately 90,000 square meters of the entire area, the Mut Precinct contains at least six temples, the Mut Temple, the Contra Temple, and Temples A, B, C, and D. Surrounding the Mut Temple proper, on three sides, is a lake called the Isheru. To the south of the lake is a vast amount of land currently being excavated by Dr. Betsy Bryan and her team from the Johns Hopkins University in Baltimore. Today, most of the compound is destroyed, but it is currently being renovated. Surrounding the Mut Temple, the Contra Temple, and Temples A, B, C, the Mut Temple proper was made of mediocre sandstone and it is positioned north and south and is directly aligned with the Precinct of Amun. The purpose of the Contra Temple is still unclear, however, within the temple are two stelae, one referring to Ramsses II’s work on Temple A and the other telling of his marriage to Hittite princess. To the east of the Mut Temple is a building referred to as, Temple B, due to the amount of damage of Temple B. The sacred lake, Isheru, was man made and held religious importance to the cult of the goddess Mut, the goddess Mut is the wife and consort of the god Amun-Ra. She was also known as the Mother Goddess, Queen of the Goddesses, Mut was the Egyptian sky goddess and her symbols were the vulture, lioness and the crown of Uraeus. She was the mother of Khonsu, the god of the moon, Amun-Ra, Mut, and Khonsu made up the Theban Triad. Amenhotep III was originally thought to have been the first to build the Mut Temple, the earliest dated cartouches are of Thutmose II and III of the 18th Dynasty. During the 20th Dynasty, Ramsses III built Temple C, it was used until the 25th Dynasty when it became a quarry for renovations for Temple A. During his reign, Kushite ruler Taharqa in the 25th Dynasty made major changes to the Mut Precinct and he built a new sandstone gateway in the northwest of the site that leads to Temple A. He also renovated parts of the Mut Temple proper, erecting a columned porch facing the south, ptolemy VI during the Ptolemaic period erected a small chapel inside the Mut Temple proper. Several stelae found on the site, mention construction on the site by Roman emperors Augustus and Tiberius from the 1st century BC to the 1st century AD, many travelers, like Napoleon and Sir John Gardiner Wilkinson visited the Precinct of Mut between AD1799 and 1845. The photographs, journals and maps that dated to the excavations have added an exceptional insight as to how the Mut Precinct could have looked at the time of each exploration
37.
Eighteenth Dynasty of Egypt
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The eighteenth dynasty of ancient Egypt is the best known ancient Egyptian dynasty. It boasts several of Egypts most famous pharaohs, including Tutankhamun, the dynasty is also known as the Thutmosid Dynasty for the four pharaohs named Thutmosis. Famous pharaohs of Dynasty XVIII include Hatshepsut, longest-reigning woman-pharaoh of a dynasty, and Akhenaten. Dynasty XVIII is the first of the three dynasties of the Egyptian New Kingdom, the period in which ancient Egypt reached the peak of its power, radiocarbon dating suggests that Dynasty XVIII may have started a few years earlier than the conventional date of 1550 BC. The radiocarbon date range for its beginning is 1570–1544 BC, the point of which is 1557 BC. The pharaohs of Dynasty XVIII ruled for two hundred and fifty years. The dates and names in the table are taken from Dodson and Hilton, many of the pharaohs were buried in the Valley of the Kings in Thebes. More information can be found on the Theban Mapping Project website, several diplomatic marriages are known for the New Kingdom. These daughters of kings are often only mentioned in cuneiform texts and are not known from other sources. The marriages were likely a way to confirm good relations between these states, Dynasty XVIII was founded by Ahmose I, the brother or son of Kamose, the last ruler of the Dynasty XVII. Ahmose finished the campaign to expel the Hyksos rulers and his reign is seen as the end of the Second Intermediate Period and the start of the New Kingdom. Ahmose was succeeded by his son, Amenhotep I, whose reign was relatively uneventful, Amenhotep I probably left no male heir and the next pharaoh, Thutmose I, seems to have been related to the royal family through marriage. During his reign the borders of Egypts empire reached their greatest expanse, extending in the north to Carchemish on the Euphrates, Thutmose I was succeeded by Thutmose II and his queen, Hatshepsut. Thutmose III who later became known as the greatest military pharaoh ever and he had a second co-regency in his old age with his son Amenhotep II. Amenhotep II was succeeded by Thutmose IV, who in his turn was followed by his son Amenhotep III, the reign of Amenhotep III is seen as a high point in this dynasty. Amenhotep III undertook large scale building programmes, the extent of which can only be compared with those of the much longer reign of Ramesses II during Dynasty XIX. Amenhotep III may have shared the throne for up to twelve years with his son Amenhotep IV, there is much debate about this proposed co-regency. Some experts believe there was a lengthy co-regency, while others prefer to see a short one, there are also many experts who believe no such co-regency existed at all
38.
Amenhotep III
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Amenhotep III, also known as Amenhotep the Magnificent, was the ninth pharaoh of the Eighteenth Dynasty. According to different authors, he ruled Egypt from June 1386 to 1349 BC, or from June 1388 BC to December 1351 BC/1350 BC, Amenhotep III was Thutmoses son by a minor wife, Mutemwiya. His reign was a period of unprecedented prosperity and artistic splendour, when he died in the 38th or 39th year of his reign, his son initially ruled as Amenhotep IV, but then changed his own royal name to Akhenaten. The son of the future Thutmose IV and a minor wife Mutemwiya and he was a member of the Thutmosid family that had ruled Egypt for almost 150 years since the reign of Thutmose I. Amenhotep III was the father of two sons with his Great Royal Wife Tiye and their first son, Crown Prince Thutmose, predeceased his father and their second son, Amenhotep IV, later known as Akhenaten, ultimately succeeded Amenhotep III to the throne. Amenhotep III also may have been the father of a third child—called Smenkhkare, Amenhotep III and Tiye may also have had four daughters, Sitamun, Henuttaneb, Isis or Iset, and Nebetah. They appear frequently on statues and reliefs during the reign of their father, Nebetah is attested only once in the known historical records on a colossal limestone group of statues from Medinet Habu. Amenhotep III elevated two of his four daughters—Sitamun and Isis—to the office of royal wife during the last decade of his reign. Evidence that Sitamun already was promoted to office by Year 30 of his reign, is known from jar-label inscriptions uncovered from the royal palace at Malkata. The goddess Hathor herself was related to Ra as first the mother and later wife, hence, Amenhotep IIIs marriage to his two daughters should not be considered unlikely based on contemporary views of marriage. Amenhotep III is known to have married several women, Gilukhepa. Tadukhepa, the daughter of his ally Tushratta of Mitanni, Around Year 36 of his reign, a daughter of Kurigalzu, king of Babylon. A daughter of Kadashman-Enlil, king of Babylon, a daughter of Tarhundaradu, ruler of Arzawa. A daughter of the ruler of Ammia, Amenhotep III has the distinction of having the most surviving statues of any Egyptian pharaoh, with over 250 of his statues having been discovered and identified. Since these statues span his life, they provide a series of portraits covering the entire length of his reign. Their lengthy inscribed texts extol the accomplishments of the pharaoh, for instance,123 of these commemorative scarabs record the large number of lions that Amenhotep III killed with his own arrows from his first regnal year up to his tenth year. Similarly, five other state that the foreign princess who would become a wife to him, Gilukhepa. She was the first of many such princesses who would enter the pharaohs household, another eleven scarabs record the excavation of an artificial lake he had built for his Great Royal Wife, Queen Tiye, in his eleventh regnal year, Regnal Year 11 under the Majesty of
39.
Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
40.
Warrior
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A warrior is a person specializing in combat or warfare, especially within the context of a tribal or clan-based warrior culture society that recognizes a separate warrior class or caste. In tribal societies engaging in warfare, warriors often form a caste or class of their own. In feudalism, the vassals essentially form a military or warrior class, even if in actual warfare, in some societies, warfare may be so central that the entire people may be considered warriors, for example in the Iron Age Germanic tribes and Indian clans like the Rajputs. While the warrior class in tribal societies is typically all-male, there are some exceptions on record where women formed part of the warrior class, a purported group of fighting women is the legendary Amazons, recorded in Classical Greek mythology. Similarly, the Valkyrie are depicted in Norse mythology, particularly the Icelandic Etta, many women not only fought on the field but led entire hosts of men within Pictish, Briton, and Irish Tribes in Pre Christian culture. Boudicca of the Iceni is an example of a female leader of warriors. Tomoe Gozen is celebrated in Japanese history as a woman samurai General in the 12th Century, joan of Arc, nicknamed The Maid of Orléans is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years War. The military caste in a society is evolved from—but not identical with—the warrior class in a tribal society. Many pre-modern states had castes, estates or social groups dedicated to warfare, common features include valuing honor in the forms of faith, loyalty and courage. Examples include the following, Ethical codes of the early Germanic Peoples, chhetris of Nepal, warrior and Kings caste of Nepal, original true Gurkhas. Xiá in China, French Foreign Legion Code dHonneur, still in use today, Spanish Legion Credo legionario, still in use today, Warriors honor is dependent on following the code. Common virtues in warrior codes are mercy, courage, and loyalty, with the end of the Middle Ages and the professional standing armies of Early Modern warfare, the concept of a warrior class or military caste became an anachronism. The term warrior is sometimes used, anachronistically, to refer to professional soldiers or mercenaries. Due to the connotations of the term warrior, this metaphor is especially popular in publications advocating or recruiting for a countrys military. The warrior metaphor in sports is particularly popular in sport, as evident from brand names such as Warrior-1 MMA, Cage Warriors, Supreme Warrior Championship. A spiritual warrior is a person who battles with the enemy, self-ignorance. The term is applied in religious and metaphysical writing, the spiritual warrior can be described as an archetype character on a journey for self-discovery. Deadliest Warrior Head-Hunting Roman Cavalry Roman centurions Roman Warrior Culture Late Roman warrior culture Warrior culture in the Scottish Highlands
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Akhenaten
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Akhenaten known before the fifth year of his reign as Amenhotep IV, was an Ancient Egyptian pharaoh of the 18th Dynasty who ruled for 17 years and died perhaps in 1336 BC or 1334 BC. An early inscription likens the Aten to the sun as compared to stars, Akhenaten tried to bring about a departure from traditional religion, yet in the end it would not be accepted. After his death, his monuments were dismantled and hidden, his statues were terminated and he was all but lost from history until the discovery during the 19th century of the site of Akhetaten, the city he built and designed for the worship of Aten, at Amarna. DNA analysis has determined that the man buried in KV55 is the father of King Tutankhamun, the future Akhenaten was a younger son of Amenhotep III and Chief Queen Tiye. The eldest son Crown Prince Thutmose was recognized as the heir of Amenhotep III but he died relatively young, there is much controversy around whether Amenhotep IV succeeded to the throne on the death of his father Amenhotep III or whether there was a coregency. Other literature by Donald Redford, William Murnane, Alan Gardiner, in February 2014, the Egyptian Ministry for Antiquities announced what it called conclusive evidence that Akhenaten shared power with his father for at least 8 years. The evidence came from the found in the Luxor tomb of Vizier Amenhotep-Huy. A team of Spanish archeologists have been working at this tomb, Amenhotep IV was crowned in Thebes and there he started a building program. He decorated the entrance to the precincts of the temple of Amun-Re with scenes of his worshiping Re-Harakhti. He soon decreed the construction of a dedicated to the Aten in Eastern Karnak. This Temple of Amenhotep IV was called the Gempaaten, the Gempaaten consisted of a series of buildings, including a palace and a structure called the Hwt Benben which was dedicated to Queen Nefertiti. Other Aten temples constructed at Karnak during this time include the Rud-menu, during this time he did not repress the worship of Amun, and the High Priest of Amun was still active in the fourth year of his reign. The king appears as Amenhotep IV in the tombs of some of the nobles in Thebes, Kheruef, Ramose, in the tomb of Ramose, Amenhotep IV appears on the west wall in the traditional style, seated on a throne with Ramose appearing before the king. On the other side of the doorway, Amenhotep IV and Nefertiti are shown in the window of appearance with the Aten depicted as the sun disc. In the Theban tomb of Parennefer, Amenhotep IV and Nefertiti are seated on a throne with the sun disk depicted over the king, among the latter-known documents referring to Amenhotep IV are two copies of a letter from the Steward Of Memphis Apy to the pharaoh. The documents were found in Gurob and are dated to regnal year 5, third month of the Growing Season, on day 13, Month 8, in the fifth year of his reign, the king arrived at the site of the new city Akhetaten. A month before that Amenhotep IV had officially changed his name to Akhenaten, Amenhotep IV changed most of his 5 fold titulary in year 5 of his reign. The only name he kept was his prenomen or throne name of Neferkheperure, some recent debate has focused on the extent to which Akhenaten forced his religious reforms on his people
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Aten
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Aten is the disk of the sun in ancient Egyptian mythology, and originally an aspect of the god Ra. The deified Aten is the focus of the religion of Atenism established by Amenhotep IV, in his poem Great Hymn to the Aten, Akhenaten praises Aten as the creator, giver of life, and nurturing spirit of the world. Aten does not have a Creation Myth or family, but is mentioned in the Book of the Dead, the worship of Aten was eradicated by Horemheb. By analogy, the term silver aten was sometimes used to refer to the moon, the solar Aten was extensively worshipped as a god in the reign of Amenhotep III, when it was depicted as a falcon-headed man much like Ra. The full title of Akhenatens god was Ra-Horakhty who rejoices in the horizon, the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god, in particular, the god was not depicted in anthropomorphic form, but as rays of light extending from the suns disk. Furthermore, the name came to be written within a cartouche, along with the titles normally given to a Pharaoh. Ra-Horus, more usually referred to as Ra-Horakhty, is a synthesis of two gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the source of energy of the sun god, of which the visible manifestation was the Aten. Thus Ra-Horus-Aten was a development of old ideas which came gradually, the real change, as some see it, was the apparent abandonment of all other gods, especially Amun-Ra, prohibition of idolatry, and the debatable introduction of quasi-monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu, others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods, he simply refrained from worshipping any but the Aten. Other scholars call the religion henotheistic, principles of Atens religion were recorded on the rock tomb walls of Akhetaten. In the religion of Aten, night is a time to fear, work is done best when the sun, Aten, is present. Aten cares for every creature, and created a Nile river in the sky for the Syrians, Aten created all countries and people. The rays of the sun disk only holds out life to the family, everyone else receives life from Akhenaten. When a good person dies, he/she continues to live in the City of Light for the dead in Akhetaten, the conditions are the same after death. Akhenaten judged whether someone should be granted an afterlife, and operated the scale of justice, the explanation as to why Aten could not be fully represented was that the god has gone beyond creation. The cult centre of Aten was at the new city Akhetaten, some other cities include Thebes
43.
Ramesses II
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Ramesses II, also known as Ramesses the Great and Ozymandias, was the third pharaoh of the Nineteenth Dynasty of Egypt. He often is regarded as the greatest, most celebrated, and his successors and later Egyptians called him the Great Ancestor. Ramesses II led several expeditions into the Levant, reasserting Egyptian control over Canaan. He also led expeditions to the south, into Nubia, commemorated in inscriptions at Beit el-Wali, at age fourteen, Ramesses was appointed Prince Regent by his father Seti I. He is believed to have taken the throne in his teens and is known to have ruled Egypt from 1279 BC to 1213 BC. Manetho attributes Ramesses II a reign of 66 years and 2 months, most Egyptologists today believe he assumed the throne on May 31,1279 BC, estimates of his age at death vary,90 or 91 is considered most likely. Ramesses II celebrated an unprecedented 14 sed festivals during his reign—more than any other pharaoh. On his death, he was buried in a tomb in the Valley of the Kings, his later was moved to a royal cache where it was discovered in 1881. The early part of his reign was focused on building cities, temples and he established the city of Pi-Ramesses in the Nile Delta as his new capital and used it as the main base for his campaigns in Syria. He is known as Ozymandias in the Greek sources, from a transliteration into Greek of a part of Ramesses throne name, Usermaatre Setepenre, The justice of Rê is powerful – chosen of Rê. Early in his life, Ramesses II embarked on campaigns to restore possession of previously held territories lost to the Nubians and Hittites. He also was responsible for suppressing some Nubian revolts and carrying out a campaign in Libya, during Ramesses IIs reign, the Egyptian army is estimated to have totaled about 100,000 men, a formidable force that he used to strengthen Egyptian influence. The Sherden people probably came from the coast of Ionia, from southwest Anatolia or perhaps, a stele from Tanis speaks of their having come in their war-ships from the midst of the sea, and none were able to stand before them. In that sea battle, together with the Sherden, the pharaoh also defeated the Lukka, the immediate antecedents to the Battle of Kadesh were the early campaigns of Ramesses II into Canaan. The inscription is almost totally illegible, due to weathering, additional records tell us that he was forced to fight a Canaanite prince who was mortally wounded by an Egyptian archer, and whose army subsequently, was routed. Ramesses carried off the princes of Canaan as live prisoners to Egypt, Ramesses then plundered the chiefs of the Asiatics in their own lands, returning every year to his headquarters at Riblah to exact tribute. In the fourth year of his reign, he captured the Hittite vassal state of Amurru during his campaign in Syria, the Battle of Kadesh in his fifth regnal year was the climactic engagement in a campaign that Ramesses fought in Syria, against the resurgent Hittite forces of Muwatallis. The pharaoh wanted a victory at Kadesh both to expand Egypts frontiers into Syria, and to emulate his father Seti Is triumphal entry into the city just a decade or so earlier and he also constructed his new capital, Pi-Ramesses
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Nineteenth Dynasty of Egypt
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The Nineteenth Dynasty of ancient Egypt was one of the periods of the Egyptian New Kingdom. Founded by Vizier Ramesses I, whom Pharaoh Horemheb chose as his successor to the throne, the warrior kings of the early 18th Dynasty had encountered only little resistance from neighbouring kingdoms, allowing them to expand their realm of influence easily. The situation had changed radically towards the end of the 18th Dynasty, the Hittites gradually extended their influence into Syria and Canaan to become a major power in international politics, a power that both Seti I and his son Ramesses II would need to deal with. The Pharaohs of the 19th dynasty ruled for one hundred and ten years. Seti Is reign is considered to be 11 years and not 15 years by both J. von Beckerath and Peter Brand, who wrote a biography on this pharaohs reign. Consequently, it will be amended to 11 years or 1290-1279 BC, therefore, Setis father and predecessor would have ruled Egypt between 1292-1290 BC. Many of the pharaohs were buried in the Valley of the Kings in Thebes, more information can be found on the Theban Mapping Project website. New Kingdom Egypt reached the zenith of its power under Seti I and Ramesses II, who campaigned vigorously against the Libyans and the Hittites. The city of Kadesh was first captured by Seti I, who decided to concede it to Muwatalli of Hatti in a peace treaty between Egypt and Hatti. He ultimately accepted that a campaign against the Hittites was a drain on Egypts treasury and military. In his 21st regnal year, Ramesses signed the first recorded peace treaty with Urhi-Teshubs successor, Hattusili III, Ramesses II even married two Hittite princesses, the first after his second Sed Festival. At least as early as Josephus, it was believed that Moses lived during the reign of Ramesses II and this dynasty declined as internal fighting between the heirs of Merneptah for the throne increased. Amenmesse apparently usurped the throne from Merneptahs son and successor, Seti II, after his death, Seti regained power and destroyed most of Amenmesses monuments. Both Bay and Setis chief wife Twosret had a reputation in Ancient Egyptian folklore. After Siptahs death, Twosret ruled Egypt for two years, but she proved unable to maintain her hold on power amid the conspiracies. She was likely ousted in a revolt led by Setnakhte, founder of the Twentieth Dynasty, Nineteenth dynasty of Egypt Family Tree
45.
Kingdom of Kush
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The Kingdom of Kush or Kush was an ancient Nubian kingdom situated on the confluences of the Blue Nile, White Nile and River Atbara in what is now Sudan and South Sudan. The Kushite era of rule in Nubia was established after the Bronze Age collapse and the disintegration of the New Kingdom of Egypt, during Classical antiquity, the Kushite imperial capital was at Meroe. In early Greek geography, the Meroitic kingdom was known as Aethiopia, by the 1st century AD, the Kushite capital had been captured by the Beja Dynasty, who tried to revive the empire. The Kushite kingdom with its capital at Meroe persisted until the 4th century AD, the Kushite capital was eventually captured and burnt to the ground by the Kingdom of Axum. It is also a term for the native population who initiated the kingdom of Kush. The term is also displayed in the names of Kushite persons, geographically, Kush referred to the region south of the first cataract in general. Kush also was the home of the rulers of the 25th dynasty, the name Kush, since at least the time of Josephus, has been connected with the biblical character Cush, in the Hebrew Bible, son of Ham. Ham had four sons named, Cush, Put, Canaan, according to the Bible, Nimrod, a son of Cush, was the founder and king of Babylon, Erech, Akkad and Calneh, in Shinar. The Bible also makes reference to someone named Cush who is a Benjamite, some modern scholars, such as Friedrich Delitzsch, have suggested that the biblical Cush might be linked to the Kassites of the Zagros Mountains. Mentuhotep II is recorded to have undertaken campaigns against Kush in the 29th and this is the earliest Egyptian reference to Kush, the Nubian region had gone by other names in the Old Kingdom. During the New Kingdom of Egypt, Nubia was an Egyptian colony, with the disintegration of the New Kingdom around 1070 BC, Kush became an independent kingdom centered at Napata in modern northern Sudan. The Kushites buried their monarchs along with all their courtiers in mass graves, archaeologists refer to these practices as the Pan-grave culture. This was given its due to the way in which the remains are buried. They would dig a pit and put stones around them in a circle, Kushites also built burial mounds and pyramids, and shared some of the same gods worshiped in Egypt, especially Ammon and Isis. With the worshiping of these gods the Kushites began to some of the names of the gods as their throne names. The Kush rulers were regarded as guardians of the religion and were responsible for maintaining the houses of the gods. Some scholars believe the economy in the Kingdom of Kush was a redistributive system, the state would collect taxes in the form of surplus produce and would redistribute to the people. Others believe that most of the society worked on the land and required nothing from the state, northern Kush seemed to be more productive and wealthier than the Southern area
46.
Ptolemaic dynasty
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Their rule lasted for 275 years, from 305 to 30 BC. They were the last dynasty of ancient Egypt, Ptolemy, one of the seven somatophylakes who served as Alexander the Greats generals and deputies, was appointed satrap of Egypt after Alexanders death in 323 BC. In 305 BC, he declared himself Ptolemy I, later known as Sōter Saviour, the Egyptians soon accepted the Ptolemies as the successors to the pharaohs of independent Egypt. Ptolemys family ruled Egypt until the Roman conquest of 30 BC, all the male rulers of the dynasty took the name Ptolemy. Ptolemaic queens regnant, some of whom were the sisters of their husbands, were usually called Cleopatra, Arsinoe or Berenice. The most famous member of the line was the last queen, Cleopatra VII and her apparent suicide at the conquest by Rome marked the end of Ptolemaic rule in Egypt. Dates in brackets represent the dates of the Ptolemaic pharaohs. They frequently ruled jointly with their wives, who were also their sisters. Of these, one of the last and most famous was Cleopatra, several systems exist for numbering the later rulers, the one used here is the one most widely used by modern scholars. Arsinoe IV, in opposition to Cleopatra Ptolemy Keraunos - eldest son of Ptolemy I Soter, Ptolemy Apion - son of Ptolemy VIII Physcon. Ptolemy Philadelphus - son of Mark Antony and Cleopatra VII, Ptolemy of Mauretania - son of King Juba II of Numidia and Mauretania and Cleopatra Selene II, daughter of Cleopatra VII and Mark Antony. Contemporaries describe a number of the Ptolemaic dynasty members as extremely obese, whilst sculptures and coins reveal prominent eyes, familial Graves disease could explain the swollen necks and eye prominence, although this is unlikely to occur in the presence of morbid obesity. A. Lampela, Rome and the Ptolemies of Egypt, the development of their political relations 273-80 B. C. J. G. Manning, The Last Pharaohs, Egypt Under the Ptolemies, 305-30 BC. Livius. org, Ptolemies — by Jona Lendering
47.
Tiberius
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Tiberius was a Roman Emperor from 14 AD to 37 AD. Born Tiberius Claudius Nero, a Claudian, Tiberius was the son of Tiberius Claudius Nero and his mother divorced Nero and married Octavian, later known as Augustus, in 39 BC, making him a step-son of Octavian. Tiberius would later marry Augustus daughter, Julia the Elder, and even later be adopted by Augustus, by which act he officially became a Julian, bearing the name Tiberius Julius Caesar. The subsequent emperors after Tiberius would continue this blended dynasty of both families for the thirty years, historians have named it the Julio-Claudian dynasty. In relations to the emperors of this dynasty, Tiberius was the stepson of Augustus, grand-uncle of Caligula, paternal uncle of Claudius. Tiberius was one of Romes greatest generals, his conquest of Pannonia, Dalmatia, Raetia, and temporarily, parts of Germania, laid the foundations for the northern frontier. But he came to be remembered as a dark, reclusive, and sombre ruler who never really desired to be emperor, Pliny the Elder called him tristissimus hominum, after the death of Tiberius’ son Drusus Julius Caesar in 23 AD, he became more reclusive and aloof. In 26 AD Tiberius removed himself from Rome and left largely in the hands of his unscrupulous Praetorian Prefects Lucius Aelius Sejanus and Quintus Naevius Sutorius Macro. Caligula, Tiberius grand-nephew and adopted grandson, succeeded Tiberius upon his death, Tiberius was born in Rome on 16 November 42 BC to Tiberius Claudius Nero and Livia Drusilla. In 39 BC his mother divorced his father and remarried Gaius Julius Caesar Octavianus shortly thereafter. In 38 BC his brother, Nero Claudius Drusus, was born, little is recorded of Tiberiuss early life. In 32 BC Tiberius at the age of nine, delivered the eulogy for his father at the rostra. In 29 BC, both he rode in the chariot along with their adoptive father Octavian in celebration of the defeat of Antony. In 23 BC Emperor Augustus became gravely ill and his possible death threatened to plunge the Roman world into chaos again, in response, a series of potential heirs seem to have been selected, among them Tiberius and his brother Drusus. Similar provisions were made for Drusus, shortly thereafter Tiberius began appearing in court as an advocate, and it is presumably here that his interest in Greek rhetoric began. In 20 BC, Tiberius was sent East under Marcus Agrippa, the Parthians had captured the standards of the legions under the command of Marcus Licinius Crassus, Decidius Saxa, and Marc Antony. Augustus was able to reach a compromise whereby the standards were returned, Tiberius married Vipsania Agrippina, the daughter of Augustus’s close friend and greatest general, Marcus Vipsanius Agrippa. He was appointed to the position of praetor, and sent with his legions to assist his brother Drusus in campaigns in the west
