1.
Siltstone
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Siltstone is a sedimentary rock which has a grain size in the silt range, finer than sandstone and coarser than claystones. Siltstone is a sedimentary rock. As its name implies, it is composed of silt sized particles. Siltstones differ significantly from sandstones due to their smaller pores and higher propensity for containing a significant clay fraction, although often mistaken as a shale, siltstone lacks the fissility and laminations which are typical of shale. Unless the siltstone is fairly shaly, stratification is likely to be obscure, mudstone or shale are rocks that contain mud, which is material that has a range of silt and clay. Siltstone is differentiated by having a majority silt, not clay, folk, R. L.1965, Petrology of sedimentary rocks PDF version. 2nd ed.1981, ISBN 0-914696-14-9 Williams, Howel, Francis J. Turner and Charles M. Gilbert,1954, Petrography, W. H. Freeman
2.
Egyptian Museum
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The Museum of Egyptian Antiquities, known commonly as the Egyptian Museum or Museum of Cairo, in Cairo, Egypt, is home to an extensive collection of ancient Egyptian antiquities. It has 120,000 items, with an amount on display. The edifice is one of the largest museums in the region, as of February 2017, the museum is open to the public. The Egyptian Museum of Antiquities contains many important pieces of ancient Egyptian history and it houses the world’s largest collection of Pharaonic antiquities. The Egyptian government established the museum, built in 1835 near the Ezbekeyah Garden, in 1855 Archduke Maximilian of Austria was given all of the artifacts by the Egyptian government, these are now in the Kunsthistorisches Museum, Vienna. A new museum was established at Boulaq in 1858 in a former warehouse, the building lay on the bank of the Nile River, and in 1878 it suffered significant damage in a flood of the Nile River. In 1891, the collections were moved to a royal palace. They remained there until 1902 when they were moved, for the last time, during the Egyptian Revolution of 2011, the museum was broken into, and two mummies were destroyed. Several artifacts were shown to have been damaged. Since then 25 objects have been found and those that were restored were put on display in September 2013 in an exhibition entitled Damaged and Restored. There are two floors in the museum, the ground floor and the first floor. On the ground there is an extensive collection of papyrus. The numerous pieces of papyrus are generally small fragments, due to their decay over the past two millennia, several languages are found on these pieces, including Greek, Latin, Arabic, and ancient Egyptian. The coins found on floor are made of many different metals, including gold, silver. The coins are not only Egyptian, but also Greek, Roman and this has helped historians research the history of Ancient Egyptian trade. Also on the floor are artifacts from the New Kingdom. These artifacts are generally larger than items created in earlier centuries, two special rooms contain a number of mummies of kings and other royal family members of the New Kingdom. In the garden adjacent to the building of the museum a memorial to famous egyptologists of the world is located, the Murder of Tutankhamen, A True Story
3.
Cairo
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Cairo is the capital and largest city of Egypt. Cairo has long been a center of the political and cultural life. Cairo has the oldest and largest film and music industries in the Arab world, as well as the worlds second-oldest institution of higher learning, Al-Azhar University. Many international media, businesses, and organizations have regional headquarters in the city, with a population of 6.76 million spread over 453 square kilometers, Cairo is by far the largest city in Egypt. An additional 9.5 million inhabitants live in proximity to the city. Cairo, like many other mega-cities, suffers from high levels of pollution, Cairos metro, one of only two in Africa, ranks among the fifteen busiest in the world, with over 1 billion annual passenger rides. The economy of Cairo was ranked first in the Middle East in 2005, Egyptians often refer to Cairo as Maṣr, the Egyptian Arabic name for Egypt itself, emphasizing the citys importance for the country. In Coptic the city is known as Kahire, meaning Place of the Sun, possibly referring to the ancient city of Heliopolis, the location of the ancient city is the suburb of Ain Shams. The ancient Egyptian name for the area is thought to be Khere-Ohe, The Place of Combat, sometimes the city is informally referred to as Kayro. The area around present-day Cairo, especially Memphis, had long been a point of Ancient Egypt due to its strategic location just upstream from the Nile Delta. However, the origins of the city are generally traced back to a series of settlements in the first millennium. Around the turn of the 4th century, as Memphis was continuing to decline in importance and this fortress, known as Babylon, remained the nucleus of the Roman, and, later, the Byzantine, city and is the oldest structure in the city today. It is also situated at the nucleus of the Coptic Orthodox community, many of Cairos oldest Coptic churches, including the Hanging Church, are located along the fortress walls in a section of the city known as Coptic Cairo. Following the Muslim conquest in 640 AD the conqueror Amr ibn As settled to the north of the Babylon in an area became known as al-Fustat. Originally a tented camp Fustat became a permanent settlement and the first capital of Islamic Egypt, in 750, following the overthrow of the Ummayad caliphate by the Abbasids, the new rulers created their own settlement to the northeast of Fustat which became their capital. This was known as al-Askar as it was laid out like a military camp, a rebellion in 869 by Ahmad ibn Tulun led to the abandonment of Al Askar and the building of another settlement, which became the seat of government. This was al-Qattai, to the north of Fustat and closer to the river, Al Qattai was centred around a palace and ceremonial mosque, now known as the Mosque of ibn Tulun. In 905 the Abbasids re-asserted control of the country and their returned to Fustat
4.
Egypt
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Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
5.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
6.
Upper Egypt
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Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
7.
Narmer
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Narmer was an ancient Egyptian king of the Early Dynastic Period. Probably the successor to the Protodynastic kings Scorpion and/or Ka, some consider him the unifier of Egypt and founder of the First Dynasty, and in turn the first king of a unified Egypt. This conclusion is based on the Narmer Palette and the two seals from the necropolis of Abydos that show him as the first king of the First Dynasty. The date commonly given for the beginning of his reign is c.3100 BC, other mainstream estimates using both the historical method and Radiocarbon dating are in the range 3273–2987 BC. Although highly inter-related, the question of “who was Menes. ”, while Menes is traditionally considered the first king of Ancient Egypt, Narmer has been identified by the majority of Egyptologists as the same person as Menes. Although vigorously debated, the predominant opinion is that Narmer was Menes, the issue is confusing because “Narmer” is a Horus Name, while “Menes” is a personal name. The difficulty is aligning the contemporary archaeological evidence which lists Horus Names with the King Lists that list personal names, two documents have been put forward as proof either that Narmer was Menes or alternatively Hor-Aha was Menes. The first is the “Naqada Label” which shows a serekh of Hor-Aha next to an enclosure inside of which are symbols that have been interpreted by scholars as the name “Menes”. The second is the impression from Abydos that alternates between a serekh of Narmer and the chessboard symbol, “mn”, which is interpreted as an abbreviation of Menes. Arguments have been made with regard to each of these documents in favour of Narmer or Hor-Aha being Menes, but in neither case, are the arguments conclusive. Two necropolis sealings, found in 1985 and 1991 in Abydos, in or near the tombs of Den and Qa’a, show Narmer as the founder of the First Dynasty, followed by Hor-Aha. The Qa’a sealing lists all eight of the kings of the First Dynasty in the correct order starting with Narmer and these necropolis sealings are strong evidence that Narmer was the first king of the First Dynasty – hence is the same person as Menes. The famous Narmer Palette, discovered by James E, since its discovery, however, it has been debated whether the Narmer Palette represents an actual historic event or is purely symbolic. Of course, the Narmer Palette could represent an historical event while at the same time having a symbolic significance. In 1993, Günter Dreyer discovered in Abydos, a “year label” of Narmer depicting the event that is depicted on the Narmer Palette. This year label shows that the Narmer Palette depicts an historical event. Archaeological evidence suggests that Egypt was at least partially unified during the reigns of Ka and Iry-Hor, but there is a substantial difference in the quantity and distribution of inscriptions with the names of those earlier kings in Lower Egypt and Canaan, compared to the inscriptions of Narmer. The archaeological evidence suggest that the unification began before Narmer, but was completed by him through the conquest of a polity in the North-West Delta as depicted on the Narmer Palette
8.
Hedjet
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Hedjet is the formal name for the White Crown of pharaonic Upper Egypt. The crown was white and, after the unification of Egypt, it was combined with the Deshret, the Red Crown of Lower Egypt, to form the Pschent, the Double Crown of Egypt. The symbol sometimes used for the Hedjet was the vulture goddess Nekhbet shown next to the head of the cobra goddess Wadjet, the earliest image of the Hedjet was thought to have been in the Qustul in Nubia. According to Jane Roy, New evidence from Abydos, however, particularly the excavation of Cemetery U, Nekhbet, the tutelary goddess of Nekhebet near Hierakonpolis, was depicted as a woman, sometimes with the head of a vulture, wearing the White Crown. The falcon god Horus of Hierakonpolis was generally shown wearing a White Crown, a famous depiction of the White Crown is on the Narmer Palette found at Hierakonpolis in which the king of the South wearing the hedjet is shown triumphing over his northern enemies. The kings of the united Egypt saw themselves as successors of Horus, vases from the reign of Khasekhemwy show the king as Horus wearing the White Crown. As with the Deshret, no example of the White Crown has survived and it is unknown how it was constructed and what materials were used. Felt or leather have been suggested, but this is purely speculative, the fact that no crown has ever been found, even in relatively intact tombs might suggest that the crown was passed from one regent to the next, much as in present day monarchies. Atef - Hedjet Crown with feathers identified with Osiris Khepresh - Blue or War Crown also called Royal Crown Uraeus - Rearing Cobra N-red crown N-water ripple
9.
Deshret
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Deshret, from ancient Egyptian, was the formal name for the Red Crown of Lower Egypt and for the desert Red Land on either side of Kemet, the fertile Nile river basin. When combined with the Hedjet of Upper Egypt, it forms the Pschent, the Red Crown in Egyptian language hieroglyphs eventually was used as the vertical letter n. The original n hieroglyph from the Predynastic Period, and the Old Kingdom was the sign depicting ripples of water, in mythology, the earth deity Geb, original ruler of Egypt, invested Horus with the rule over Lower Egypt. The Egyptian pharaohs, who saw themselves as successors of Horus, other deities wore the deshret too, or were identified with it, such as the protective serpent goddess Wadjet and the creator-goddess of Sais, Neith, who often is shown wearing the Red Crown. The Red Crown would later be combined with the White Crown of Upper Egypt to form the Double Crown, symbolizing the rule over the whole country, as concerns deshret, the Red Land which comprised the deserts and foreign lands surrounding Egypt, Seth was its lord. It was considered a region of chaos, without law and full of dangers, none of the red crowns have survived, and it is unknown how it was constructed and what materials were used. Copper, reeds, cloth, and leather have been suggested, the Red Crown frequently is mentioned in texts and depicted in reliefs and statues. An early example is the depiction of the victorious pharaoh wearing the deshret on the Narmer Palette, a label from the reign of Djer records a royal visit to the shrine of the Deshret which may have been located at Buto in the Nile delta. The ancient Egyptian Red Crown, the Deshret crown, is one of the oldest Egyptian hieroglyphs, as an iconographic element, it is used on the famous Narmer Palette of Pharaoh Narmer as the Red Crown of the Delta, the Delta being Lower Egypt. The first usage of the Red Crown was in iconography as the symbol for Lower Egypt with the Nile Delta, later it came to be used in the Egyptian language – as an alphabetic uniliteral, vertical form for letter n as a phoneme or preposition. It became functional in running hieroglyphic texts, where either the horizontal or vertical form preposition satisfied space requirements, the Red Crown is also used as a determinative, most notably in the word for deshret. It is also used in words or names of gods. One older use of the red crown hieroglyph is to make the word, Egyptian in is used at the beginning of a text and translates as, Behold. or Lo. and is an emphatic. In the 198 BC Rosetta Stone, the Red Crown as hieroglyph has the usage mostly of the form of the preposition n. Visually it is also a hieroglyph that takes up more space-, so it may have a purpose of a less compact text. The Red Crown hieroglyph is used 35 times in the Rosetta Stone and it averages once per line usage in the 36 line Decree of Memphis -. Deshret, the Red Crown of the Pharaoh Gardiners Sign List#S. Crowns, Dress, Staves, Gardiners Sign List Deshret in hieroglyphic writing Budge. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, the Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
10.
Scorpion Macehead
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It is made of limestone, is pear-shaped, and is attributed to the pharaoh Scorpion due to the glyph of a scorpion engraved close to the image of a king wearing the White Crown of Upper Egypt. A second, smaller macehead fragment showing Scorpion wearing the Red Crown of Lower Egypt is referred to as the Minor Scorpion macehead, ancient Egyptian depiction obeyed a number of conventions. Perspective being unknown, depth was often hinted at by depicting a more remote scene above a closer one, peoples lower body, their legs, arms, and head were almost always shown in profile, while their torso was depicted in frontal view, as was the eye. Size was often dependent on status, kings being depicted larger than their inferiors, on the macehead the king sporting a bulls tail is standing by a body of water, probably a canal, holding a hoe. He is wearing the White Crown of Upper Egypt and is followed by two fan bearers, a scorpion and a rosette are depicted close to his head. He is facing a man holding a basket and men holding standards, a number of men are busy along the banks of the canal. In the rear of the kings retinue are some plants, a group of women clapping their hands, in the top register there is a row of nome standards. A bird is dangling from each of them, strung up by its neck, little is left of this macehead and its imagery, A king wearing the Red Crown of Lower Egypt, sitting on a throne below a canopy, holding a flail. Beside his head images of a scorpion and a rosette, facing him is a falcon who may be holding an end of a rope in one of its claws - a motif also present on the Narmer Palette. The Narmer macehead and related objects, journal of the American Research Center in Egypt. The archaeology of early Egypt, Social transformations in North-East Africa,10000 to 2650 BC, yurco, F. J. Narmer, First king of Upper and Lower Egypt. A Reconsideration of his palette and macehead, journal of the Society for the Study of Egyptian Antiquities
11.
Narmer Macehead
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The Narmer macehead is an ancient Egyptian decorative stone mace head. It was found during a dig at Kom al Akhmar, the site of Hierakonpolis and it is dated to the Early Dynastic Period reign of king Narmer whose serekh is engraved on it. The macehead is now kept at the Ashmolean Museum, Oxford, the Narmer macehead is better preserved than the Scorpion Macehead and has had various interpretations. On the left side of this macehead we see a king wearing the Red Crown sitting under a canopy on a dais, covered in a long cloth or cloak. He is holding the flail and above the canopy a vulture hovers with spread wings, possibly Nekhbet, the goddess of Nekhen. Directly in front of him is another dais or possibly litter on which sits facing him a cloaked figure and this figure has been interpreted as a princess being presented to the king for marriage, kings child or a deity. The dais is covered by a structure and behind it are three registers. In the center register attendants are walking or running behind the dais, behind the enclosure four standard-bearers approach the throne. In the bottom register, in front of the fan-bearers, are seen what looks like a collection of offerings and he is followed by a man carrying a long pole. Above him three men are walking, two of them likewise carrying long poles, the serekh displaying the signs for Narmer can be seen above these. The top field to the right of the field shows a building, perhaps a shrine. Below this, an enclosure shows three animals, probably antelopes and this has been suggested as signifying the ancient town of Buto, the place where the events described on the macehead might have taken place
12.
Main deposit (Nekhen)
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Nekhen /ˈnɛkən/ or Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period. Some authors suggest occupation dates that should begin thousands of years earlier, Nekhen was the center of the cult of a hawk deity, Horus of Nekhen, which raised in this city one of the most ancient Egyptian temples. It retained its importance as the center for this divine patron of the kings long after the site had otherwise declined. The first settlement at Nekhen dates from either the predynastic Amratian culture or perhaps during the late Badari culture, at its height from about 3400 BC, Nekhen had at least 5000 and possibly as many as 10,000 inhabitants. The ruins of the city originally were excavated toward the end of the century by the English archaeologists James Quibell. Quibell and Green discovered the Main Deposit, a foundation deposit beneath the temple, Quibell was originally trained under Flinders Petrie, the father of modern Egyptology. However, he failed to follow Petries methods and the temple was a site to excavate to begin with, so his excavation was poorly conducted. Specifically, the context of the items therein is poorly recorded and often the reports of Quibell. The most famous artifact commonly associated with the deposit, the Narmer Palette, is now thought to have probably not been in the main deposit at all. Quibells report made in 1900 put the palette in the deposit, Greens version is substantiated by earlier field notes, so it is now the accepted record of events. The main deposit dates to the early Old Kingdom, but the style of the objects in the deposit indicate that they were from Naqada III and were moved into the deposit at a later date. The other important item in the deposit clearly dates to the late prehistoric and this object, the Scorpion Macehead, depicts a king known only by the ideogram for scorpion, now called Scorpion II, participating in what seems to be a ritual irrigation ceremony. Renee Friedman representing the University of California, Berkeley and the British Museum until Barbara Adamss death in 2001, the structure at Nekhen with the misnomer fort is a massive mud-brick enclosure built by Pharaoh Khasekhemwy of the Second Dynasty. It appears to be similar in structure and purpose as the constructed at Abydos. The true function of these structures is unknown, but they seem to be related to the rituals of kingship, the ritual structure was built on a prehistoric cemetery. The excavations there, as well as the work of later brick robbers, have undermined the walls. For two years, during 2005 and 2006, the led by Friedman was attempting to stabilize the existing structure. Other discoveries at Nekhen include Tomb 100, the oldest tomb with painted decoration on its plaster walls, the sepulchre is thought to date to the Gerzeh culture
13.
Nekhen
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Nekhen /ˈnɛkən/ or Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period. Some authors suggest occupation dates that should begin thousands of years earlier, Nekhen was the center of the cult of a hawk deity, Horus of Nekhen, which raised in this city one of the most ancient Egyptian temples. It retained its importance as the center for this divine patron of the kings long after the site had otherwise declined. The first settlement at Nekhen dates from either the predynastic Amratian culture or perhaps during the late Badari culture, at its height from about 3400 BC, Nekhen had at least 5000 and possibly as many as 10,000 inhabitants. The ruins of the city originally were excavated toward the end of the century by the English archaeologists James Quibell. Quibell and Green discovered the Main Deposit, a foundation deposit beneath the temple, Quibell was originally trained under Flinders Petrie, the father of modern Egyptology. However, he failed to follow Petries methods and the temple was a site to excavate to begin with, so his excavation was poorly conducted. Specifically, the context of the items therein is poorly recorded and often the reports of Quibell. The most famous artifact commonly associated with the deposit, the Narmer Palette, is now thought to have probably not been in the main deposit at all. Quibells report made in 1900 put the palette in the deposit, Greens version is substantiated by earlier field notes, so it is now the accepted record of events. The main deposit dates to the early Old Kingdom, but the style of the objects in the deposit indicate that they were from Naqada III and were moved into the deposit at a later date. The other important item in the deposit clearly dates to the late prehistoric and this object, the Scorpion Macehead, depicts a king known only by the ideogram for scorpion, now called Scorpion II, participating in what seems to be a ritual irrigation ceremony. Renee Friedman representing the University of California, Berkeley and the British Museum until Barbara Adamss death in 2001, the structure at Nekhen with the misnomer fort is a massive mud-brick enclosure built by Pharaoh Khasekhemwy of the Second Dynasty. It appears to be similar in structure and purpose as the constructed at Abydos. The true function of these structures is unknown, but they seem to be related to the rituals of kingship, the ritual structure was built on a prehistoric cemetery. The excavations there, as well as the work of later brick robbers, have undermined the walls. For two years, during 2005 and 2006, the led by Friedman was attempting to stabilize the existing structure. Other discoveries at Nekhen include Tomb 100, the oldest tomb with painted decoration on its plaster walls, the sepulchre is thought to date to the Gerzeh culture
14.
Ancient Egyptian art
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Ancient Egyptian art is the painting, sculpture, architecture and other arts produced by the civilization of ancient Egypt in the lower Nile Valley from about 3000 BC to 30 AD. Ancient Egyptian art reached a level in painting and sculpture. It was famously conservative, and Egyptian styles changed remarkably little over more than three thousand years, much of the surviving art comes from tombs and monuments and thus there is an emphasis on life after death and the preservation of knowledge of the past. Ancient Egyptian art included paintings, sculpture in wood, stone and ceramics, drawings on papyrus, faience, jewelry, ivories and it displays an extraordinarily vivid representation of the ancient Egyptians socioeconomic status and belief systems. This appears as early as the Narmer Palette from Dynasty I, other conventions make statues of males darker than females ones. Egyptian art uses hierarchical proportion, where the size of figures indicates their relative importance, symbolism can be observed throughout Egyptian art and played an important role in establishing a sense of order. The pharaohs regalia, for example, represented his power to maintain order, animals were also highly symbolic figures in Egyptian art. Not all Egyptian reliefs were painted, and less prestigious works in tombs, Stone surfaces were prepared by whitewash, or if rough, a layer of coarse mud plaster, with a smoother gesso layer above, some finer limestones could take paint directly. Pigments were mostly mineral, chosen to withstand sunlight without fading. The binding medium used in painting remains unclear, egg tempera and various gums and it is clear that true fresco, painted into a thin layer of wet plaster, was not used. Instead the paint was applied to dried plaster, in what is called fresco a secco in Italian, small objects including wooden statuettes were often painted using similar techniques. Many ancient Egyptian paintings have survived in tombs, and sometimes temples, the paintings were often made with the intent of making a pleasant afterlife for the deceased. The themes included journey through the afterworld or protective deities introducing the deceased to the gods of the underworld, some tomb paintings show activities that the deceased were involved in when they were alive and wished to carry on doing for eternity. In the New Kingdom and later, the Book of the Dead was buried with the entombed person and it was considered important for an introduction to the afterlife. Egyptian paintings are painted in such a way to show a profile view, for example, the painting to the right shows the head from a profile view and the body from a frontal view. Their main colors were red, blue, green, gold, black, the monumental sculpture of ancient Egypts temples and tombs is world-famous, but refined and delicate small works exist in much greater numbers. The Egyptians used the technique of sunk relief, which is well suited to very bright sunlight. The distinctive pose of standing statues facing forward with one foot in front of the other was helpful for the balance and it was adopted very early and remained unchanged until the arrival of the Greeks
15.
United Kingdom
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The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom or Britain, is a sovereign country in western Europe. Lying off the north-western coast of the European mainland, the United Kingdom includes the island of Great Britain, Northern Ireland is the only part of the United Kingdom that shares a land border with another sovereign state—the Republic of Ireland. The Irish Sea lies between Great Britain and Ireland, with an area of 242,500 square kilometres, the United Kingdom is the 78th-largest sovereign state in the world and the 11th-largest in Europe. It is also the 21st-most populous country, with an estimated 65.1 million inhabitants, together, this makes it the fourth-most densely populated country in the European Union. The United Kingdom is a monarchy with a parliamentary system of governance. The monarch is Queen Elizabeth II, who has reigned since 6 February 1952, other major urban areas in the United Kingdom include the regions of Birmingham, Leeds, Glasgow, Liverpool and Manchester. The United Kingdom consists of four countries—England, Scotland, Wales, the last three have devolved administrations, each with varying powers, based in their capitals, Edinburgh, Cardiff and Belfast, respectively. The relationships among the countries of the UK have changed over time, Wales was annexed by the Kingdom of England under the Laws in Wales Acts 1535 and 1542. A treaty between England and Scotland resulted in 1707 in a unified Kingdom of Great Britain, which merged in 1801 with the Kingdom of Ireland to form the United Kingdom of Great Britain and Ireland. Five-sixths of Ireland seceded from the UK in 1922, leaving the present formulation of the United Kingdom of Great Britain, there are fourteen British Overseas Territories. These are the remnants of the British Empire which, at its height in the 1920s, British influence can be observed in the language, culture and legal systems of many of its former colonies. The United Kingdom is a country and has the worlds fifth-largest economy by nominal GDP. The UK is considered to have an economy and is categorised as very high in the Human Development Index. It was the worlds first industrialised country and the worlds foremost power during the 19th, the UK remains a great power with considerable economic, cultural, military, scientific and political influence internationally. It is a nuclear weapons state and its military expenditure ranks fourth or fifth in the world. The UK has been a permanent member of the United Nations Security Council since its first session in 1946 and it has been a leading member state of the EU and its predecessor, the European Economic Community, since 1973. However, on 23 June 2016, a referendum on the UKs membership of the EU resulted in a decision to leave. The Acts of Union 1800 united the Kingdom of Great Britain, Scotland, Wales and Northern Ireland have devolved self-government
16.
Archeologist
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Archaeology, or archeology, is the study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, Archaeology can be considered both a social science and a branch of the humanities. In North America, archaeology is considered a sub-field of anthropology, archaeologists study human prehistory and history, from the development of the first stone tools at Lomekwi in East Africa 3.3 million years ago up until recent decades. Archaeology as a field is distinct from the discipline of palaeontology, Archaeology is particularly important for learning about prehistoric societies, for whom there may be no written records to study. Prehistory includes over 99% of the human past, from the Paleolithic until the advent of literacy in societies across the world, Archaeology has various goals, which range from understanding culture history to reconstructing past lifeways to documenting and explaining changes in human societies through time. The discipline involves surveying, excavation and eventually analysis of data collected to learn more about the past, in broad scope, archaeology relies on cross-disciplinary research. Archaeology developed out of antiquarianism in Europe during the 19th century, Archaeology has been used by nation-states to create particular visions of the past. Nonetheless, today, archaeologists face many problems, such as dealing with pseudoarchaeology, the looting of artifacts, a lack of public interest, the science of archaeology grew out of the older multi-disciplinary study known as antiquarianism. Antiquarians studied history with attention to ancient artifacts and manuscripts. Tentative steps towards the systematization of archaeology as a science took place during the Enlightenment era in Europe in the 17th and 18th centuries, in Europe, philosophical interest in the remains of Greco-Roman civilization and the rediscovery of classical culture began in the late Middle Age. Antiquarians, including John Leland and William Camden, conducted surveys of the English countryside, one of the first sites to undergo archaeological excavation was Stonehenge and other megalithic monuments in England. John Aubrey was a pioneer archaeologist who recorded numerous megalithic and other monuments in southern England. He was also ahead of his time in the analysis of his findings and he attempted to chart the chronological stylistic evolution of handwriting, medieval architecture, costume, and shield-shapes. Excavations were also carried out in the ancient towns of Pompeii and Herculaneum and these excavations began in 1748 in Pompeii, while in Herculaneum they began in 1738. The discovery of entire towns, complete with utensils and even human shapes, however, prior to the development of modern techniques, excavations tended to be haphazard, the importance of concepts such as stratification and context were overlooked. The father of archaeological excavation was William Cunnington and he undertook excavations in Wiltshire from around 1798, funded by Sir Richard Colt Hoare. Cunnington made meticulous recordings of neolithic and Bronze Age barrows, one of the major achievements of 19th century archaeology was the development of stratigraphy. The idea of overlapping strata tracing back to successive periods was borrowed from the new geological and paleontological work of scholars like William Smith, James Hutton, the application of stratigraphy to archaeology first took place with the excavations of prehistorical and Bronze Age sites
17.
Cosmetic palette
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The cosmetic palettes are archaeological artefacts, originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental and they were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat, many of the palettes were found at Hierakonpolis, a centre of power in pre-dynastic Upper Egypt. After the unification of the country, the palettes ceased to be included in tomb assemblages, the fish zoomorphic palette often had an upper-centrally formed hole, presumably for suspension, and thus display. The Near East stone palettes are from Canaan, Bactria, siltstone was first utilized for cosmetic palettes by the Badarian culture. The first palettes used in the Badarian Period and in Naqada I were usually plain, rhomboidal or rectangular in shape and it is in the Naqada II period in which the zoomorphic palette is most common. On these examples there is focus on symbolism and display. The Narmer Palette is in the Egyptian Museum, Cairo, not in the Louvre
18.
Slate
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Slate is a fine-grained, foliated, homogeneous metamorphic rock derived from an original shale-type sedimentary rock composed of clay or volcanic ash through low-grade regional metamorphism. It is the finest grained foliated metamorphic rock, foliation may not correspond to the original sedimentary layering, but instead is in planes perpendicular to the direction of metamorphic compression. The foliation in slate is called slaty cleavage and it is caused by strong compression causing fine grained clay flakes to regrow in planes perpendicular to the compression. Slate is frequently grey in color, especially when seen, en masse, Slate is not to be confused with shale, from which it may be formed, or schist. The word slate is used for certain types of object made from slate rock. It may mean a single roofing tile made of slate, or a writing slate and this was traditionally a small smooth piece of the rock, often framed in wood, used with chalk as a notepad or noticeboard, and especially for recording charges in pubs and inns. The phrases clean slate and blank slate come from this usage, before the mid-19th century, the terms slate, shale and schist were not sharply distinguished. In the context of underground mining in the United States. For example, roof slate referred to shale above a coal seam, occasionally, as in the purple slates of North Wales, ferrous reduction spheres form around iron nuclei, leaving a light green spotted texture. These spheres are sometimes deformed by a subsequent applied stress field to ovoids, Slate can be made into roofing slates, a type of roof shingle, or more specifically a type of roof tile, which are installed by a slater. Slate has two lines of breakability – cleavage and grain – which make it possible to split the stone into thin sheets, when broken, slate retains a natural appearance while remaining relatively flat and easy to stack. Slate is particularly suitable as a material as it has an extremely low water absorption index of less than 0. 4%. In fact, this natural slate, which requires only minimal processing, has the lowest embodied energy of all roofing materials, natural slate is used by building professionals as a result of its beauty and durability. Slate is incredibly durable and can last several hundred years, often little or no maintenance. Its low water makes it very resistant to frost damage and breakage due to freezing. Natural slate is also fire resistant and energy efficient, Slate roof tiles are usually fixed either with nails, or with hooks as is common with Spanish slate. In the UK, fixing is typically with double nails onto timber battens or nailed directly onto timber sarking boards, nails were traditionally of copper, although there are modern alloy and stainless steel alternatives. Both these methods, if used properly, provide a long-lasting weathertight roof with a lifespan of around 80–100 years, Slate roofs are still used today
19.
Schist
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Schist is a medium-grade metamorphic rock with medium to large, flat, sheet-like grains in a preferred orientation. It is defined by having more than 50% platy and elongated minerals, often finely interleaved with quartz and these lamellar minerals include micas, chlorite, talc, hornblende, graphite, and others. Quartz often occurs in drawn-out grains to such an extent that a form called quartz schist is produced. Schist forms at a temperature and has larger grains than phyllite. Geological foliation with medium to large grained flakes in a preferred orientation is called schistosity. The names of various schists are derived from their mineral constituents, for example, schists rich in mica are called mica schists and include biotite or muscovite. Most schists are mica schists, but graphite and chlorite schists are also common, Schists are also named for their prominent or perhaps unusual mineral constituents, as in the case of garnet schist, tourmaline schist, and glaucophane schist. The individual mineral grains in schist, drawn out into flaky scales by heat and pressure, Schist is characteristically foliated, meaning that the individual mineral grains split off easily into flakes or slabs. Most schists are derived from clays and muds that have passed through a series of processes involving the production of shales, slates and phyllites as intermediate steps. Certain schists are derived from fine-grained igneous rocks such as basalts, before the mid-18th century, the terms slate, shale and schist were not sharply differentiated by those involved with mining. In the context of underground mining, shale was frequently referred to as slate well into the 20th century. During metamorphism, rocks which were originally sedimentary, igneous or metamorphic are converted into schists, if the composition of the rocks was originally similar, they may be very difficult to distinguish from one another if the metamorphism has been great. A quartz-porphyry, for example, and a fine grained feldspathic sandstone, usually, however, it is possible to distinguish between sedimentary and igneous schists and gneisses. If, for example, the district occupied by these rocks has traces of bedding, clastic structure, or unconformability. In other cases intrusive junctions, chilled edges, contact alteration or porphyritic structure may prove that in its original condition a metamorphic gneiss was an igneous rock. Such rocks as limestones, dolomites, quartzites and aluminous shales have very definite chemical characteristics which distinguish them even when completely recrystallized, the schists are classified principally according to the minerals they consist of and on their chemical composition. For example, many metamorphic limestones, marbles, and calc-schists, with crystalline dolomites, contain silicate minerals such as mica, tremolite, diopside, scapolite, quartz and they are derived from calcareous sediments of different degrees of purity. Another group is rich in quartz, with amounts of white and black mica, garnet, feldspar, zoisite
20.
Metamorphic rock
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Metamorphic rocks arise from the transformation of existing rock types, in a process called metamorphism, which means change in form. The original rock is subjected to heat and pressure, causing profound physical and/or chemical change, the protolith may be a sedimentary, an igneous, or even an existing type of metamorphic rock. Metamorphic rocks make up a part of the Earths crust. They are classified by texture and by chemical and mineral assemblage and they may be formed simply by being deep beneath the Earths surface, subjected to high temperatures and the great pressure of the rock layers above it. They can form from tectonic processes such as continental collisions, which cause horizontal pressure and they are also formed when rock is heated up by the intrusion of hot molten rock called magma from the Earths interior. The study of rocks provides information about the temperatures and pressures that occur at great depths within the Earths crust. Some examples of rocks are gneiss, slate, marble, schist. Metamorphic minerals are those that only at the high temperatures and pressures associated with the process of metamorphism. These minerals, known as index minerals, include sillimanite, kyanite, staurolite, andalusite, and some garnet. Other minerals, such as olivines, pyroxenes, amphiboles, micas, feldspars, and quartz, may be found in metamorphic rocks and these minerals formed during the crystallization of igneous rocks. They are stable at temperatures and pressures and may remain chemically unchanged during the metamorphic process. However, all minerals are only within certain limits. The change in the size of the rock during the process of metamorphism is called recrystallization. Both high temperatures and pressures contribute to recrystallization, high temperatures allow the atoms and ions in solid crystals to migrate, thus reorganizing the crystals, while high pressures cause solution of the crystals within the rock at their point of contact. The layering within metamorphic rocks is called foliation, and it occurs when a rock is being shortened along one axis during recrystallization. This causes the platy or elongated crystals of minerals, such as mica and chlorite and this results in a banded, or foliated rock, with the bands showing the colors of the minerals that formed them. Textures are separated into foliated and non-foliated categories, foliated rock is a product of differential stress that deforms the rock in one plane, sometimes creating a plane of cleavage. For example, slate is a metamorphic rock, originating from shale
21.
Wadi Hammamat
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Wadi Hammamat is a dry river bed in Egypts Eastern Desert, about halfway between Al-Qusayr and Qena. It was a mining region and trade route east from the Nile Valley in ancient times. Hammamat became the route from Thebes to the Red Sea and then to the Silk Road that led to Asia, or to Arabia. This 200 km journey was the most direct route from the Nile to the Red Sea, the Hammamat route ran from Qift, located just north of Luxor, to Al-Qusayr on the coast of the Red Sea. Qift was an important center for administration, religion, and commerce, the cities at both ends of the route were established by the First Dynasty, although evidence of predynastic occupation also has been found along the route. In Ancient Egypt Hammamat was a major quarrying area for the Nile Valley, quarrying expeditions to the Eastern Desert are recorded from the second millennia BCE, where the wadi has exposed Precambrian rocks of the Arabian-Nubian Shield. These include Basalts, schists, bekhen-stone and gold-containing quartz, pharaoh Seti I is recorded as having the first well dug to provide water in the wadi, and Senusret I sent mining expeditions there. The site is described in the ancient geological map, the Turin Papyrus Map. Today Hammamat is famous mostly for its ancient Egyptian graffiti, as well as that in ancient times it was a quarry that lay on the Silk Road to Asia, and is a common destination for modern tourists. The Romans built a series of eight watering stages, one of which, the Qasr el Banat, the Pogues wrote a song about it, titled Girl From The Wadi Hammamat. The Duke Databank of Documentary Papyri
22.
Predynastic Egypt
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This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
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Old Kingdom
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The term itself was coined by eighteenth-century historians and the distinction between the Old Kingdom and the Early Dynastic Period is not one which would have been recognized by Ancient Egyptians. The Old Kingdom is most commonly regarded as the period from the Third Dynasty through to the Sixth Dynasty, many Egyptologists also include the Memphite Seventh and Eighth Dynasties in the Old Kingdom as a continuation of the administration centralized at Memphis. During the Old Kingdom, the king of Egypt became a god who ruled absolutely and could demand the services. Under King Djoser, the first king of the Third Dynasty of the Old Kingdom, the capital of Egypt was moved to Memphis. A new era of building was initiated at Saqqara under his reign, King Djosers architect, Imhotep is credited with the development of building with stone and with the conception of the new architectural form—the Step Pyramid. Indeed, the Old Kingdom is perhaps best known for the number of pyramids constructed at this time as burial places for Egypts kings. For this reason, the Old Kingdom is frequently referred to as the Age of the Pyramids, the first king of the Old Kingdom was Djoser of the third dynasty, who ordered the construction of a pyramid in Memphis necropolis, Saqqara. An important person during the reign of Djoser was his vizier and it was in this era that formerly independent ancient Egyptian states became known as nomes, under the rule of the king. The former rulers were forced to assume the role of governors or otherwise work in tax collection, Egyptians in this era worshipped their king as a god, believing that he ensured the annual flooding of the Nile that was necessary for their crops. Egyptian views on the nature of time during this period held that the worked in cycles. They also perceived themselves as a specially selected people, the Old Kingdom and its royal power reached a zenith under the Fourth Dynasty, which began with Sneferu. Using more stones than any king, he built three pyramids, a now collapsed pyramid in Meidum, the Bent Pyramid at Dahshur. However, the development of the pyramid style of building was reached not at Saqqara. Sneferu was succeeded by his son, Khufu who built the Great Pyramid of Giza, after Khufus death, his sons Djedefra and Khafra may have quarrelled. The latter built the pyramid and the Sphinx in Giza. Recent reexamination of evidence has led Egyptologist Vassil Dobrev to propose that the Sphinx had been built by Djedefra as a monument to his father Khufu, alternatively, the Sphinx has been proposed to be the work of Khafra and Khufu himself. There were military expeditions into Canaan and Nubia, with Egyptian influence reaching up the Nile into what is today the Sudan, the later kings of the Fourth Dynasty were king Menkaure, who built the smallest pyramid in Giza, Shepseskaf and, perhaps, Djedefptah. The Fifth Dynasty began with Userkaf and was marked by the importance of the cult of sun god Ra
24.
Khasekhemwy
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Khasekhemwy was the final king of the Second dynasty of Egypt. Little is known of Khasekhemwy, other than that he led several significant military campaigns and built monuments, still extant. His name means The Two Powerful Ones Appear, according to Toby Wilkinsons study of the Palermo Stone in Royal Annals of Ancient Egypt, this near contemporary 5th dynasty document assigns Khasekhemwy a reign of 17.5 or nearly 18 full years. Since the cattle count is shown to be regularly biennial during the dynasty from the Palermo Stone. Khasekhemwy is normally placed as the successor of Seth-Peribsen, though some Egyptologists believe that another Pharaoh, Khasekhem, most scholars, however, believe Khasekhem and Khasekhemwy are, in fact, the same person. Khasekhem may have changed his name to Khasekhemwy after he reunited Upper and Lower Egypt after a war between the followers of the gods Horus and Set. Others believe he defeated the king, Seth-Peribsen, after returning to Egypt from putting down a revolt in Nubia. Either way he ended the infighting of the Second dynasty and reunited Egypt, Khasekhemwy is unique in Egyptian history as having both the symbols of Horus and Set on his serekh. Some Egyptologists believe that this was an attempt to unify the two factions, but after his death, Set was dropped from the serekh permanently and he was the earliest Egyptian king known to have built statues of himself. Khasekhemwy apparently undertook considerable building projects upon the reunification of Egypt and he built in stone at el-Kab, Hierakonpolis, and Abydos. He apparently built a unique, as well as huge, tomb at Abydos, the trapezoidal tomb measures some 70 meters in length and is 17 meters wide at its northern end, and 10 meters wide at its southern end. This area was divided into 58 rooms, prior to some recent discoveries from the 1st dynasty, its central burial chamber was considered the oldest masonry structure in the world, being built of quarried limestone. Here, the excavators discovered the kings scepter of gold and sard, as well as beautifully made small stone pots with gold leaf lid coverings. In fact, Petrie detailed a number of items removed during the excavations of Amélineau, other items included flint tools, as well as a variety of copper tools and vessels, stone vessels and pottery vessels filled with grain and fruit. There were also small, glazed objects, carnelian beads, model tools, basketwork, Khasekhemwy built a fort at Nekhen, and at Abydos and was buried there in the necropolis at Umm el-Qaab. He may also have built the Gisr el-Mudir at Saqqara, Khasekhemwys wife was Queen Nimaethap, mother of the Kings Children. They were the parents of Djoser and Djosers wife Hetephernebti and its also possible that Khasekhemwys son was Sanakhte. Toby Wilkinson, Royal Annals of Ancient Egypt, The Palermo Stone, Egypt, Khasekhem/Khasekhemwy of Egypts 2nd dynasty
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Serekh
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A serekh was a specific important type of heraldic crest used in ancient Egypt. Like the later cartouche, it contained a royal name, a serekh was an ornamental vignette combining a view of a palace facade and a plan of the royal courtyard. The word serekh derives from the Egyptian word for facade, different serekhs on different types of object display countless variations of the facade decor in its complexity and detail. It seems that no strict rules for the design of the serekh itself existed. A serekh was normally used as a royal crest, accentuating and honouring the name of the pharaoh and its use can be dated back as early as the Gerzeh culture. The hieroglyphs forming the name were placed inside a rectangular extension atop the serekh. Additionally, the falcon of the god Horus, or in a few cases the Set animal, topped the serekh, if the word serekh was written in full letters, sometimes accompanied by a miniature of the serekh, it could also be used in text. As already mentioned, the serekh first appears as an ornamental miniature during the late Gerzeh culture, from the Old Kingdom period onward, the first uses of the full written word appear in old papyri
26.
Rebus
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A rebus is an allusional device that uses pictures to represent words or parts of words. It was a form of heraldic expression used in the Middle Ages to denote surnames. For example, in its form, three salmon are used to denote the surname Salmon. A more sophisticated example was the rebus of Bishop Walter Lyhart of Norwich, Rebuses are used extensively as a form of heraldic expression as a hint to the name of the bearer, they are not synonymous with canting arms. A man might have a rebus as an identification device entirely separate from his armorials. An example of canting arms proper are those of the Borough of Congleton in Cheshire consisting of an eel, a lion. This word sequence conger-leo-tun enunciates the towns name, similarly, the coat of arms of St. Ignatius Loyola contains wolves and a kettle, said by some to be a rebus for Loyola. The arms of Elizabeth Bowes-Lyon feature bows and lions, a modern example of the rebus used as a form of word play is, H + = Hear, or Here. By extension, it uses the positioning of words or parts of words in relation to each other to convey a hidden meaning, for example, p walk ark. A rebus made up solely of letters is known as a gramogram, grammagram, the term rebus also refers to the use of a pictogram to represent a syllabic sound. A precursor to the development of the alphabet, this process one of the most important developments of writing. Fully developed hieroglyphs read in rebus fashion were in use at Abydos in Egypt as early as 3400 BCE, the writing of correspondence in rebus form became popular in the 18th century and continued into the 19th century. Lewis Carroll wrote the children he befriended picture-puzzle rebus letters, nonsense letters, and looking-glass letters, Rebus letters served either as a sort of code or simply as a pastime. In linguistics, the principle is the use of existing symbols, such as pictograms, purely for their sounds regardless of their meaning. Many ancient writing systems used the principle to represent abstract words. An example that illustrates the Rebus principle is the representation of the sentence I can see you by using the pictographs of eye—can—sea—ewe, some linguists believe that the Chinese developed their writing system according to the rebus principle, and Egyptian hieroglyphs sometimes used a similar system. A famous rebus statue of Ramses II uses three hieroglyphs to compose his name, Horus, for Ra, the child, mes, and the plant, su. Canada 1980s childrens game show Kidstreet featured a rebus during the bonus round, united Kingdom Catchphrase was a long-running game show which required contestants to decipher a rebus
27.
Bat (goddess)
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Bat was a cow goddess in Egyptian mythology depicted as a human face with cow ears and horns. By the time of the Middle Kingdom, her identity and attributes were subsumed within the goddess Hathor, the worship of Bat dates to earliest times and may have its origins in Late Paleolithic cattle herding. Bat was the goddess of Seshesh, otherwise known as Hu or Diospolis Parva. The epithet Bat may be linked to the word ba with the suffix t. A persons ba roughly equates to his or her personality or emanation and is translated as soul. Although it was rare for Bat to be depicted in painting or sculpture. In other instances she was pictured as a bovine creature surrounded by stars or as a human woman. More commonly, Bat was depicted on amulets, with a face, but with bovine features, such as the ears of a cow. Bat became strongly associated with the sistrum, and the center of her cult was known as the Mansion of the Sistrum, the sistrum is a musical instrument, shaped like an ankh, that was one of the most frequently used sacred instruments in ancient Egyptian temples. Some instruments would include depictions of Bat, with her head and neck as the handle and base, the imagery is repeated on each side, having two faces, as mentioned in the Pyramid Texts. I am Praise, I am Majesty, I am Bat with Her Two Faces, I am the One Who Is Saved, the imagery of Bat as a divine cow was remarkably similar to that of Hathor, a parallel goddess from Lower Egypt. In two dimensional images, both goddesses often are depicted straight on, facing the onlooker and not in profile in accordance with the usual Egyptian convention, the significant difference in their depictions is that Bats horns curve inward and Hathors curve outward slightly. It is possible that this could be based in the different breeds of cattle herded at different times. Hathors cult center was in the 6th Nome of Upper Egypt, adjacent to the 7th where Bat was the cow goddess, by the Middle Kingdom, the cult of Hathor had again absorbed that of Bat in a manner similar to other mergers in the Egyptian pantheon. The goddess Bat - discussion on Philae The goddess Bat - discussion on Egyptian Myths
28.
Relief
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Relief, formerly known as Panorama, is a public affairs newsmagazine series in Canada, airing nightly in Ontario on TFO, the Franco-Ontarian public television network. The series is hosted by Gisèle Quenneville, reporters associated with the series include Melanie Routhier-Boudreau, Isabelle Brunet, Marie Duchesneau, Luce Gauthier, Frédéric Projean and Chantal Racine. Longtime host Pierre Granger retired from the series in 2009, the series was renamed RelieF in fall 2010. The show airs seven nights a week at 7 p. m, from Monday to Thursday, it airs news and public affairs. On Fridays, the program airs documentary programming, on Saturdays, it airs a week in review edition, and on Sundays it airs an arts and culture magazine
29.
Body proportion
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While there is significant variation in anatomical proportions between people, there are many references to body proportions that are intended to be canonical, either in art, measurement, or medicine. In measurement, body proportions are used to relate two or more measurements based on the body. A cubit, for instance, is supposed to be six palms, a span is taken to be 9 inches and was previously considered as half a cubit. While convenient, these ratios may not reflect the variation of the individuals using them. Similarly, in art, body proportions are the study of relation of human or animal parts to each other. These ratios are used in depictions of the figure. It is important in drawing to draw the human figure in proportion. In modern figure drawing, the unit of measurement is the head. This unit of measurement is reasonably standard, and has long used by artists to establish the proportions of the human figure. Ancient Egyptian art used a canon of proportion based on the fist, measured across the knuckles, with 18 fists from the ground to the hairline on the forehead. This was already established by the Narmer Palette from about the 31st century BC, the proportions used in figure drawing are, An average person, is generally 7-and-a-half heads tall. An ideal figure, used when aiming for an impression of nobility or grace, is drawn at 8 heads tall, a heroic figure, used in the heroic for the depiction of gods and superheroes, is eight-and-a-half heads tall. Most of the length comes from a bigger chest and longer legs. A study using Polish participants by Sorokowski found 5% longer legs than a used as a reference was considered most attractive. The study concluded this preference might stem from the influence of leggy runway models, the Sorokowski study was criticized for using a picture of the same person with digitally altered leg lengths which Marco Bertamini felt were unrealistic. Another study using British and American participants, found mid-ranging leg-to-body ratios to be most ideal, the Swami et al. study was criticized for using a picture of the same person with digitally altered leg lengths which Marco Bertamini felt were unrealistic. Bertamini also criticized the Swami study for only changing the leg length while keeping the arm length constant, bertaminis own study which used stick figures mirrored Swamis study, however, by finding a preference for leggier women. Another common measurement of related to leg-to-body ratio is sitting-height ratio, sitting height ratio is the ratio of the head plus spine length to total height which is highly correlated to leg-to-body ratio
30.
Alexander the Great
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Alexander III of Macedon, commonly known as Alexander the Great, was a king of the Ancient Greek kingdom of Macedon and a member of the Argead dynasty. He was born in Pella in 356 BC and succeeded his father Philip II to the throne at the age of twenty and he was undefeated in battle and is widely considered one of historys most successful military commanders. During his youth, Alexander was tutored by Aristotle until the age of 16, after Philips assassination in 336 BC, he succeeded his father to the throne and inherited a strong kingdom and an experienced army. Alexander was awarded the generalship of Greece and used this authority to launch his fathers Panhellenic project to lead the Greeks in the conquest of Persia, in 334 BC, he invaded the Achaemenid Empire and began a series of campaigns that lasted ten years. Following the conquest of Anatolia, Alexander broke the power of Persia in a series of battles, most notably the battles of Issus. He subsequently overthrew Persian King Darius III and conquered the Achaemenid Empire in its entirety, at that point, his empire stretched from the Adriatic Sea to the Indus River. He sought to reach the ends of the world and the Great Outer Sea and invaded India in 326 BC and he eventually turned back at the demand of his homesick troops. Alexander died in Babylon in 323 BC, the city that he planned to establish as his capital, without executing a series of planned campaigns that would have begun with an invasion of Arabia. In the years following his death, a series of civil wars tore his empire apart, resulting in the establishment of several states ruled by the Diadochi, Alexanders surviving generals, Alexanders legacy includes the cultural diffusion which his conquests engendered, such as Greco-Buddhism. He founded some twenty cities that bore his name, most notably Alexandria in Egypt, Alexander became legendary as a classical hero in the mold of Achilles, and he features prominently in the history and mythic traditions of both Greek and non-Greek cultures. He became the measure against which military leaders compared themselves, and he is often ranked among the most influential people in human history. He was the son of the king of Macedon, Philip II, and his wife, Olympias. Although Philip had seven or eight wives, Olympias was his wife for some time. Several legends surround Alexanders birth and childhood, sometime after the wedding, Philip is said to have seen himself, in a dream, securing his wifes womb with a seal engraved with a lions image. Plutarch offered a variety of interpretations of dreams, that Olympias was pregnant before her marriage, indicated by the sealing of her womb. On the day Alexander was born, Philip was preparing a siege on the city of Potidea on the peninsula of Chalcidice. That same day, Philip received news that his general Parmenion had defeated the combined Illyrian and Paeonian armies, and it was also said that on this day, the Temple of Artemis in Ephesus, one of the Seven Wonders of the World, burnt down. This led Hegesias of Magnesia to say that it had burnt down because Artemis was away, such legends may have emerged when Alexander was king, and possibly at his own instigation, to show that he was superhuman and destined for greatness from conception
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Serpopard
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Serpopard is a modern term for a mythical animal known from Ancient Egyptian and Mesopotamian art. However, they have also interpreted as serpent-necked lions. There is no name for the creature in any ancient texts. Examples include the Narmer Palette and the Small Palette of Nekhen, the cylinder seal displayed to the right displays the motif very clearly. Typically, two creatures are depicted, with their necks intertwined, the image generally is classified as a feline, and with close inspection resembles an unusually long-necked lioness. It has been suggested that in Ancient Egyptian art the serpopard represents a symbol of the chaos that reigned beyond Egypts borders and they are normally shown conquered or restrained, as in the Narmer Palette, or attacking other animals. But in Mesopotamian art they are shown in pairs, with intertwined necks, similarly to other ancient peoples, the Egyptians are known for their very accurate depictions of the creatures they observed. Their composite creatures have very recognizable features of the animals originally representing those deities merged, lionesses played an important role in the religious concepts of both Upper and Lower Egypt, and are likely to have been designated as animals associated with protection and royalty. Depictions of fantastic animals also are known from Elam and Mesopotamia, the Serpopards appear in The Kane Chronicles book The Red Pyramid. Two Serpopards were sent by Set to attack Philip of Macedonia, Sadie Kane, Carter Kane, a serpopard has appeared in the card game Magic, The Gathering in the Egyptian-themed world of Amonkhet. Its creature type is cat snake and it has outright serpentine traits not seen in ancient depictions, questing Beast Qilin O’Connor, David 2002. Context, function and program, understanding ceremonial slate palettes, journal of the American Research Center in Egypt 39, 5–25. Good images of Narmer Palette by Francesco Rafaele
32.
Hathor
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Hathor is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular throughout the history of Ancient Egypt. Hathor was worshipped by royalty and common people alike, in tomb paintings, she is often depicted as Mistress of the West, welcoming the dead into the next life. In other roles, she was a goddess of music, dance, foreign lands and she was believed to assist women in childbirth. She was also believed to be the goddess of miners. Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus, twin feathers are also sometimes shown in later periods as well as a menat necklace. The Ancient Egyptians viewed reality as multi-layered in which deities who merge for various reasons, while retaining divergent attributes and myths, were not seen as contradictory but complementary. In a complicated relationship Hathor is at times the mother, daughter and wife of Ra and, like Isis, is at times described as the mother of Horus, the cult of Osiris promised eternal life to those deemed morally worthy. Originally the justified dead, male or female, became an Osiris but by early Roman times females became identified with Hathor, the Ancient Greeks sometimes identified Hathor with the goddess Aphrodite. Hathor is ambiguously depicted until the fourth dynasty, in the historical era Hathor is shown using the imagery of a cow deity. At times they are regarded as one and the goddess, though likely having separate origins. The evidence pointing to the deity being Hathor in particular is based on a passage from the Pyramid texts which states that the Kings apron comes from Hathor, from the Old Kingdom she was also called Lady of the Sycamore in her capacity as a tree deity. Hathor had a relationship with Ra. At times she is the eye of Ra and considered his daughter and she absorbed this role from another cow goddess Mehet-Weret who was the mother of Ra in a creation myth and carried him between her horns. As a mother she gave birth to Ra each morning on the eastern horizon, the Milky Way was seen as a waterway in the heavens, sailed upon by both the sun deity and the moon, leading the ancient Egyptians to describe it as The Nile in the Sky. Hathor also was favoured as a protector in desert regions, as Serabit el-Khadim was where turquoise was mined, Hathors titles included Lady of Turquoise, Mistress of Turquoise, and Lady of Turquoise Country. Hathors identity as a cow, perhaps depicted as such on the Narmer Palette, meant that she identified with another ancient cow-goddess of fertility. The assimilation of Bat, who was associated with the sistrum, in this later form, Hathors cult became centred in Dendera in Upper Egypt and it was led by priestesses and priests who also were dancers, singers and other entertainers
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Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
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Knot (hieroglyph)
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The ancient Egyptian knot hieroglyph, or girdle knot, Gardiner sign listed no. Besides its use as a hieroglyph, it has usage in statuary, the knot hieroglyph is also an amulet, typically made of worked stone, or as jewellery elements. The knot hieroglyph is used in the Egyptian language as the verb, s, ss, for to knot, to tie, to tie together and it is used as the phonogram for s, as well as the determinative. For the noun, it is Egyptian language s, s. t, for meanings of, knot, tie, ligature, backbone, vertebrae, spine, the knot used as an article of jewellery was especially known in the Middle Kingdom. It can be found in necklaces, and as a small brooch, in Amulets of Ancient Egypt, a two-part, hollow gold piece is shown, with a detailed rope-detailed fiber, it is made with a tongue and groove closure for the parts. Gardiners Sign List#S. Crowns, Dress, Staves, etc, square knot Girdle of Isis Andrews, Carol,1994. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978
35.
Sandal-bearer
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A sandal-bearer is a person who bears the sandals of his superior. The role existed in various cultures and epochs, being first documented in Egypts Early Dynastic Period, in Ancient Egypt the role of sandal-bearer was documented for the first time in history. A sandal-bearer is depicted on the Narmer Macehead, as well as on both sides of the Narmer Palette, in which he is identified by a rosette and a club as the servant of the king. Based on interpretations of these depictions, the sandal-bearer was possibly a high-ranking official, the sandal-bearer would also take on the role of feet washer, a common task in ancient times. Sandal-bearers also existed in Feudal Japan, being a position of high status. Probably the most famous person to take on this role in Japan was Toyotomi Hideyoshi, being of humble origins, around 1557 he joined the Oda clan, then headed by Oda Nobunaga, as a lowly servant. After the death of Nobunaga, he secured a succession of imperial court titles including
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Confronted-animals
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The anti-confronted animals is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork, a related motif in ancient art is known as the Mistress of Animals. The column is thought to represent a goddess, abstracted to avoid tabooed direct representation, the motif called the Tree of Life, where two confronted animals graze on a shrub or tree, is also very ancient. The reverse side of the Gebel el-Arak Knife handle, displayed at the top of the article, shows two powerful confronted lions, separated by a figure who is grasping them. Of note, the knob on the shows the top end of the hole for a cord or rope, on the suspension lug. Examples of confronted animals exist on Cylinder seals from Mesopotamia, deities, or heroes grasping lionesses, cattle, griffins, or other imaginary creatures are sometimes found. Many cylinder seals involving confronted goats surrounding a central Tree of life on a cone or mountain platform share one common theme, others may be thought of as deities holding the animals under their control. Because cylinder seals are numerous and also come from pre-historical periods, back to the fourth or fifth millenniums, confronted snakes are frequent images in many cultures from ancient times to historical periods. A chlorite vessel from the area of contemporary Baghdad, Iraq is displayed at this link and it depicts three pairs of confronted animals. Two confronted snakes are being held in the hands of the figure, below the snake-pair are a pair of anti-confronted-lionesses. The third similar pair of animals on this item are two anti-confronted bovines with a human or deity between also, two tumbling lions and other animals are depicted to the right. The Narmer Palette, used to mix cosmetics in the receptacle on one side, has two confronted felines, sometimes called serpopards forming the receptacle, close examination of the animals with the exaggerated, long necks supports identification as lionesses. The entire theme of the Narmer Palette, is about the pharaoh of the newly unified Ancient Egypt represented in two scenes, on one side the pharaoh wears the crown of Upper Egypt and on the other, the pharaoh wears the crown of Lower Egypt. Thus, it is thought that the lionesses with their necks are representing two kingdoms, once separate, but now unified under one pharaoh. The lioness Bast had been the deity of one kingdom. Respectively, they were the protectors of the pharaoh in each kingdom. Eventually their roles diverged, however, with one becoming less of the protector and warrior deity, typically, many similar deities in the two kingdoms soon were merged, so the retention of both is thought to be the result of the long and strong tradition of each. Examples of other confronted animals exist on many cosmetic palettes of Ancient Egypt that have been discovered, one palette has confronted-hippopotamuses, others include giraffes, geese, and other animals familiar to the Egyptians
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Portmanteau
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In linguistics, a portmanteau is defined as a single morph that represents two or more morphemes. A portmanteau also differs from a compound, which not involve the truncation of parts of the stems of the blended words. For instance, starfish is a compound, not a portmanteau, of star and fish, whereas a hypothetical portmanteau of star and fish might be stish. Humpty Dumpty explains the practice of combining words in various ways by telling Alice, for instance, take the two words fuming and furious. Make up your mind that you will say both words, but leave it unsettled which you will say first … if you have the rarest of gifts, in then-contemporary English, a portmanteau was a suitcase that opened into two equal sections. The etymology of the word is the French porte-manteau, from porter, to carry, in modern French, a porte-manteau is a clothes valet, a coat-tree or similar article of furniture for hanging up jackets, hats, umbrellas and the like. It has also used especially in Europe as a formal description for hat racks from the French words porter. An occasional synonym for portmanteau word is frankenword, an autological word exemplifying the phenomenon it describes, blending Frankenstein, many neologisms are examples of blends, but many blends have become part of the lexicon. In Punch in 1896, the word brunch was introduced as a portmanteau word, in 1964, the newly independent African republic of Tanganyika and Zanzibar chose the portmanteau word Tanzania as its name. Similarly Eurasia is a portmanteau of Europe and Asia, a scientific example is a liger, which is a cross between a male lion and a female tiger. Jeoportmanteau. is a category on the American television quiz show Jeopardy. The categorys name is itself a portmanteau of the words Jeopardy, responses in the category are portmanteaus constructed by fitting two words together. The term gerrymander has itself contributed to portmanteau terms bjelkemander and playmander, oxbridge is a common portmanteau for the UKs two oldest universities, those of Oxford and Cambridge. Many portmanteau words receive some use but do not appear in all dictionaries, for example, a spork is an eating utensil that is a combination of a spoon and a fork, and a skort is an item of clothing that is part skirt, part shorts. On the other hand, turducken, a made by inserting a chicken into a duck. Similarly, the word refudiate was first used by Sarah Palin when she misspoke, though initially a gaffe, the word was recognized as the New Oxford American Dictionarys Word of the Year in 2010. The business lexicon is replete with newly coined portmanteau words like permalance, advertainment, advertorial, infotainment, a company name may also be portmanteau as well as a product name. By contrast, the public, including the media, use portmanteaux to refer to their favorite pairings as a way to. giv people an essence of who they are within the same name and this is particularly seen in cases of fictional and real-life supercouples
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Mesopotamia
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In the Iron Age, it was controlled by the Neo-Assyrian and Neo-Babylonian Empires. The Sumerians and Akkadians dominated Mesopotamia from the beginning of history to the fall of Babylon in 539 BC. It fell to Alexander the Great in 332 BC, and after his death, around 150 BC, Mesopotamia was under the control of the Parthian Empire. Mesopotamia became a battleground between the Romans and Parthians, with parts of Mesopotamia coming under ephemeral Roman control. In AD226, eastern part of it fell to the Sassanid Persians, division of Mesopotamia between Roman and Sassanid Empires lasted until the 7th century Muslim conquest of Persia of the Sasanian Empire and Muslim conquest of the Levant from Byzantines. A number of primarily neo-Assyrian and Christian native Mesopotamian states existed between the 1st century BC and 3rd century AD, including Adiabene, Osroene, and Hatra, Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. The regional toponym Mesopotamia comes from the ancient Greek root words μέσος middle and ποταμός river and it is used throughout the Greek Septuagint to translate the Hebrew equivalent Naharaim. In the Anabasis, Mesopotamia was used to designate the land east of the Euphrates in north Syria, the Aramaic term biritum/birit narim corresponded to a similar geographical concept. The neighbouring steppes to the west of the Euphrates and the part of the Zagros Mountains are also often included under the wider term Mesopotamia. A further distinction is made between Northern or Upper Mesopotamia and Southern or Lower Mesopotamia. Upper Mesopotamia, also known as the Jazira, is the area between the Euphrates and the Tigris from their sources down to Baghdad, Lower Mesopotamia is the area from Baghdad to the Persian Gulf and includes Kuwait and parts of western Iran. In modern academic usage, the term Mesopotamia often also has a chronological connotation and it is usually used to designate the area until the Muslim conquests, with names like Syria, Jazirah, and Iraq being used to describe the region after that date. It has been argued that these later euphemisms are Eurocentric terms attributed to the region in the midst of various 19th-century Western encroachments, Mesopotamia encompasses the land between the Euphrates and Tigris rivers, both of which have their headwaters in the Armenian Highlands. Both rivers are fed by tributaries, and the entire river system drains a vast mountainous region. Overland routes in Mesopotamia usually follow the Euphrates because the banks of the Tigris are frequently steep and difficult. The climate of the region is semi-arid with a vast desert expanse in the north which gives way to a 15,000 square kilometres region of marshes, lagoons, mud flats, in the extreme south, the Euphrates and the Tigris unite and empty into the Persian Gulf. In the marshlands to the south of the area, a complex water-borne fishing culture has existed since prehistoric times, periodic breakdowns in the cultural system have occurred for a number of reasons. Alternatively, military vulnerability to invasion from marginal hill tribes or nomadic pastoralists has led to periods of trade collapse and these trends have continued to the present day in Iraq
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Iconography
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The word iconography comes from the Greek εἰκών and γράφειν. A secondary meaning is the production of images, called icons, in the Byzantine and Orthodox Christian tradition. In art history, an iconography may also mean a depiction of a subject in terms of the content of the image, such as the number of figures used, their placing. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies, when referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessings study of the classical figure Amor with a torch was an early attempt to use a study of a type of image to explain the culture it originated in. These early contributions paved the way for encyclopedias, manuals, mâles lArt religieux du XIIIe siècle en France translated into English as The Gothic Image, Religious Art in France of the Thirteenth Century has remained continuously in print. In the United States, to which Panofsky immigrated in 1931, students such as Frederick Hartt, the period from 1940 can be seen as one where iconography was especially prominent in art history. These are now being digitised and made online, usually on a restricted basis. For example, the Iconclass code 71H7131 is for the subject of Bathsheba with Davids letter, whereas 71 is the whole Old Testament and 71H the story of David. A number of collections of different types have been classified using Iconclass, notably types of old master print, the collections of the Gemäldegalerie, Berlin. These are available, usually on-line or on DVD, the system can also be used outside pure art history, for example on sites like Flickr. Central to the iconography and hagiography of Indian religions are mudra or gestures with specific meanings, the symbolic use of colour to denote the Classical Elements or Mahabhuta and letters and bija syllables from sacred alphabetic scripts are other features. Under the influence of art developed esoteric meanings, accessible only to initiates. The art of Indian Religions esp, for example, Narasimha an incarnation of Vishnu though considered a wrathful deity but in few contexts is depicted in pacified mood. Conversely, in Hindu art, narrative scenes have become more common in recent centuries, especially in miniature paintings of the lives of Krishna. Having Veena in hands to denote necessity of resonating with what you going to learn, holding pear garland to indicate concentration is required to learn about some thing. A book on other hand to indicate one should relay on authentic source of learning, dressed in white colour cloth to indicate a learner should not having any own colour but inclusive to all colours
40.
Watchmen (film)
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Watchmen is a 2009 American superhero film directed by Zack Snyder, based on the 1986–87 DC Comics limited series of the same name by Alan Moore and Dave Gibbons. It stars an ensemble cast of Malin Åkerman, Billy Crudup, Matthew Goode, Carla Gugino, Jackie Earle Haley, Jeffrey Dean Morgan, and Patrick Wilson. The parent company of Watchmen publisher DC Comics, with producer Joel Silver and director Terry Gilliam, where Snyder was hired to direct, Paramount remained as its international distributor whereas Warner Bros. would distribute the film in the United States. However, Fox sued Warner Bros. for copyright violation arising from Gordons failure to pay a buy-out in 1991, Fox and Warner Bros. settled this before the films release, with Fox receiving a portion of the gross. Principal photography began in Vancouver, September 2007, as with his previous film 300, Snyder closely modelled his storyboards on the comic, but chose not to shoot all of Watchmen using green screens and opted for real sets instead. The films reception has been mixed between positive and negative reactions, although critical standing has been positive in subsequent years. A directors cut with 24 minutes of footage was released in July 2009. The Minutemen, a team of costumed crime fighters, was formed in 1939 in response to a rise in costumed gangs and criminals, growing anti-vigilante sentiment leads to masked crime-fighters being outlawed. While many of the heroes retire, Dr Manhattan and The Comedian operate as government-sanctioned agents, while investigating the murder of government agent Edward Blake, Rorschach discovers that Blake was the Comedian, and theorizes that someone may be attempting to eliminate former costumed heroes. He warns his retired comrades— Daniel Dreiberg, Dr Manhattan, Dr Manhattan ignores Rorschach, and Dreiberg is skeptical, but relays this information to vigilante-turned-billionaire Adrian Veidt, who also dismisses it. Following a backlash, Dr Manhattan exiles himself to Mars, giving the Soviet Union the confidence to invade Afghanistan, Rorschachs theory appears to be justified when Veidt narrowly avoids an assassination attempt, and Rorschach finds himself framed for the murder of a former villain named Moloch. When Rorschach is arrested, his identity is revealed to be Walter Kovacs, Jupiter goes to stay with Dreiberg after breaking up with Manhattan. The two become lovers and decide to out of retirement. After helping Rorschach break out of prison, Jupiter is confronted by Manhattan, as he probes her memories, he discovers that she is Blakes daughter, and realizes the miracle of her life, created in spite of her parents turbulent relationship. He then returns to Earth with her, investigating the conspiracy, Rorschach and Dreiberg discover that Veidt is behind everything. Rorschach records his suspicions in his journal, which he drops off at the office of the New Frontiersman. Rorschach and Dreiberg confront Veidt at his Antarctic retreat, Veidt admits to being responsible for Blakes murder, Manhattans exile, Rorschachs framing, and his own assassination attempt, which he staged to divert suspicion. He explains that his plan is to unify the United States, Jupiter and Manhattan arrive in a destroyed New York City and determine that Veidt is responsible
41.
Narmer macehead
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The Narmer macehead is an ancient Egyptian decorative stone mace head. It was found during a dig at Kom al Akhmar, the site of Hierakonpolis and it is dated to the Early Dynastic Period reign of king Narmer whose serekh is engraved on it. The macehead is now kept at the Ashmolean Museum, Oxford, the Narmer macehead is better preserved than the Scorpion Macehead and has had various interpretations. On the left side of this macehead we see a king wearing the Red Crown sitting under a canopy on a dais, covered in a long cloth or cloak. He is holding the flail and above the canopy a vulture hovers with spread wings, possibly Nekhbet, the goddess of Nekhen. Directly in front of him is another dais or possibly litter on which sits facing him a cloaked figure and this figure has been interpreted as a princess being presented to the king for marriage, kings child or a deity. The dais is covered by a structure and behind it are three registers. In the center register attendants are walking or running behind the dais, behind the enclosure four standard-bearers approach the throne. In the bottom register, in front of the fan-bearers, are seen what looks like a collection of offerings and he is followed by a man carrying a long pole. Above him three men are walking, two of them likewise carrying long poles, the serekh displaying the signs for Narmer can be seen above these. The top field to the right of the field shows a building, perhaps a shrine. Below this, an enclosure shows three animals, probably antelopes and this has been suggested as signifying the ancient town of Buto, the place where the events described on the macehead might have taken place
