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The allegorical personification of Italy (Italia turrita; lit. 'Turreted Italy'), goes back to ancient Rome. The woman is linked to Cybele, an Anatolian fertility goddess.
The allegorical personification of Italy (Italia turrita; lit. 'Turreted Italy'), goes back to ancient Rome. The woman is linked to Cybele, an Anatoli
Saint Michael at right, gesturing to, from left: an unspecified figure, Britannia, Italia, Austria, Mother Russia, Germania, and Marianne of France
Saint Michael at right, gesturing to, from left: an unspecified figure, Britannia, Italia, Austria, Mother Russia, Germania, and Marianne of France
An early example of national personification in the Gospels of Otto III dated 990: Sclavinia, Germania, Gallia, and Roma, bringing offerings to Empero
An early example of national personification in the Gospels of Otto III dated 990: Sclavinia, Germania, Gallia, and Roma, bringing offerings to Emperor Otto III.
Britannia arm-in-arm with Uncle Sam symbolizes the British-American alliance in World War I. The two animals, the Bald eagle and the Barbary lion, are
Britannia arm-in-arm with Uncle Sam symbolizes the British-American alliance in World War I. The two animals, the Bald eagle and the Barbary lion, are also national personifications of the two countries.
Paul Stahr's personified Columbia in an American flag gown and Phrygian cap, from a World War I patriotic poster (c. 1917)
Paul Stahr's personified Columbia in an American flag gown and Phrygian cap, from a World War I patriotic poster (c. 1917)
Personification of the Americas in Meissen porcelain, c. 1760, from a set of the Four Continents
Personification of the Americas in Meissen porcelain, c. 1760, from a set of the Four Continents
Columbia and an early rendition of Uncle Sam in an 1869 Thomas Nast cartoon having Thanksgiving dinner with a diverse group of immigrants
Columbia and an early rendition of Uncle Sam in an 1869 Thomas Nast cartoon having Thanksgiving dinner with a diverse group of immigrants
John Gast's 1872 painting American Progress depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fu
John Gast's 1872 painting American Progress depicts Columbia as the Spirit of the Frontier, carrying telegraph lines across the Western frontier to fulfill manifest destiny.