Nazi zombies are a horror trope found in films, video games, and comic books. Nazi zombie narratives usually feature undead Nazi soldiers resurrected to fight for the Third Reich. The book Nazisploitation!: The Nazi Image in Low-Brow Cinema and Culture described the genre as a small theme of horror films.
Nazi zombies are common in art and popular culture. Here they can be seen in an art exhibition by Jake and Dinos Chapman.
Nazi exploitation is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and that of Salon Kitty and The Night Porter led European filmmakers, mostly in Italy, to produce similar films, with just over a dozen being released over the next few years. Globally exported to both cinema and VHS, the films were critically attacked and heavily censored, and the sub-genre all but vanished by the end of the seventies.
Ilsa, She Wolf of the SS is considered the quintessential Nazisploitation film
