Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister Joseph Goebbels used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters.
Adolf Hitler, Joseph Goebbels, and others watch filming at Ufa, 1935.
The Totenehrung (honouring of dead) at the 1934 Nuremberg Rally. SS leader Heinrich Himmler, Adolf Hitler and SA leader Viktor Lutze (from L to R) on the stone terrace; from Triumph of the Will, directed by Leni Riefenstahl.
Marika Rökk with fan mail, c. 1940
Reich Ministry of Public Enlightenment and Propaganda
The Reich Ministry for Public Enlightenment and Propaganda, also known simply as the Ministry of Propaganda, controlled the content of the press, literature, visual arts, film, theater, music and radio in Nazi Germany.
Propaganda Minister Joseph Goebbels in 1942
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937)
Leni Riefenstahl, 1940