1.
Deshret
–
Deshret, from ancient Egyptian, was the formal name for the Red Crown of Lower Egypt and for the desert Red Land on either side of Kemet, the fertile Nile river basin. When combined with the Hedjet of Upper Egypt, it forms the Pschent, the Red Crown in Egyptian language hieroglyphs eventually was used as the vertical letter n. The original n hieroglyph from the Predynastic Period, and the Old Kingdom was the sign depicting ripples of water, in mythology, the earth deity Geb, original ruler of Egypt, invested Horus with the rule over Lower Egypt. The Egyptian pharaohs, who saw themselves as successors of Horus, other deities wore the deshret too, or were identified with it, such as the protective serpent goddess Wadjet and the creator-goddess of Sais, Neith, who often is shown wearing the Red Crown. The Red Crown would later be combined with the White Crown of Upper Egypt to form the Double Crown, symbolizing the rule over the whole country, as concerns deshret, the Red Land which comprised the deserts and foreign lands surrounding Egypt, Seth was its lord. It was considered a region of chaos, without law and full of dangers, none of the red crowns have survived, and it is unknown how it was constructed and what materials were used. Copper, reeds, cloth, and leather have been suggested, the Red Crown frequently is mentioned in texts and depicted in reliefs and statues. An early example is the depiction of the victorious pharaoh wearing the deshret on the Narmer Palette, a label from the reign of Djer records a royal visit to the shrine of the Deshret which may have been located at Buto in the Nile delta. The ancient Egyptian Red Crown, the Deshret crown, is one of the oldest Egyptian hieroglyphs, as an iconographic element, it is used on the famous Narmer Palette of Pharaoh Narmer as the Red Crown of the Delta, the Delta being Lower Egypt. The first usage of the Red Crown was in iconography as the symbol for Lower Egypt with the Nile Delta, later it came to be used in the Egyptian language – as an alphabetic uniliteral, vertical form for letter n as a phoneme or preposition. It became functional in running hieroglyphic texts, where either the horizontal or vertical form preposition satisfied space requirements, the Red Crown is also used as a determinative, most notably in the word for deshret. It is also used in words or names of gods. One older use of the red crown hieroglyph is to make the word, Egyptian in is used at the beginning of a text and translates as, Behold. or Lo. and is an emphatic. In the 198 BC Rosetta Stone, the Red Crown as hieroglyph has the usage mostly of the form of the preposition n. Visually it is also a hieroglyph that takes up more space-, so it may have a purpose of a less compact text. The Red Crown hieroglyph is used 35 times in the Rosetta Stone and it averages once per line usage in the 36 line Decree of Memphis -. Deshret, the Red Crown of the Pharaoh Gardiners Sign List#S. Crowns, Dress, Staves, Gardiners Sign List Deshret in hieroglyphic writing Budge. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, the Rosetta Stone, E. A. Wallace Budge, c 1929, Dover edition,1989
Deshret
–
Narmer Palette, front
Deshret
–
Deshret, the Red Crown of Lower Egypt
Deshret
Deshret
2.
Egyptian hieroglyphs
–
Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
–
A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
–
Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
–
The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
–
Hieroglyphs typical of the Graeco-Roman period
3.
Sais, Egypt
–
Sais or Sa El Hagar was an ancient Egyptian town in the Western Nile Delta on the Canopic branch of the Nile. Its Ancient Egyptian name was Zau, Herodotus wrote that Sais is where the grave of Osiris was located and that the sufferings of the god were displayed as a mystery by night on an adjacent lake. The citys patron goddess was Neith, whose cult is attested as early as the 1st Dynasty, the Greeks, such as Herodotus, Plato and Diodorus Siculus, identified her with Athena and hence postulated a primordial link to Athens. Diodorus recounts that Athena built Sais before the deluge that supposedly destroyed Athens, while all Greek cities were destroyed during that cataclysm, the Egyptian cities including Sais survived. Plato also notes the city as the birthplace of the pharaoh Amasis II. Plutarch said that the shrine of Athena, which he identifies with Isis, in Sais carried the inscription I am all that hath been, and is, and shall be, and my veil no mortal has hitherto raised. There are today no surviving traces of town prior to the Late New Kingdom due to the extensive destruction of the city by the Sebakhin leaving only a few relief blocks in situ. The Temple of Sais had a school associated with it. The medical school at Sais had many students and apparently women faculty as well, mainly in gynecology. Sonchis of Sais Archeological description of Sais Official site at the University of Durham
Sais, Egypt
–
Map of Sais ruins drawn by
Jean-François Champollion during his expedition in 1828.
4.
Khnum
–
Khnum was one of the earliest Egyptian deities, originally the god of the source of the Nile River. He later was described as having moulded the other deities, and he had the titles Divine Potter, Khnum was the god of rebirth, creation and the evening sun, although this is usually the function of Atum. The worship of Khnum centered on two principal sites, Elephantine Island and Esna, which were regarded as sacred sites. At Elephantine, he was worshipped alongside Anuket and Satet as the guardian of the source of the Nile River. His significance led to early theophoric names of him, for children, such as Khnum-Khufwy – Khnum is my Protector, Khnum has also been related to the deity Min. The temple at Elephantine was dedicated to Khnum, his consort Satet, the temple dates back to at least the Middle Kingdom. By the 11th dynasty Khnum, Satet and Anuket are all attested at Elephantine, during the New Kingdom finds from the time of Ramesses II show Khnum was still worshipped there. Opposite Elephantine, on the east bank at Aswan, Khnum, in Esna, known as Iunyt or Ta-senet to the Ancient Egyptians, a temple was dedicated to Khnum, Neith and Heka, and other deities. The temple dates to the Ptolemaic period, Khnum is sometimes depicted as a crocodile-headed god. Nebt-uu and Menhit are Khnums principal consorts and Heka is his eldest son, both Khnum and Neith are referred to as creator deities in the texts at Esna. Khnum is sometimes referred to as the father of the fathers and they later become the parents of Re, who is also referred to as Khnum-Re. The Beit el-Wali temple of Ramesses II contained statues of Khnum, Satis and Anukis, along with statues of Isis and Horus
Khnum
–
Cnouphis-Nilus (Jupiter-Nilus, Dieu Nil), N372.2,
Brooklyn Museum
Khnum
–
Khnum, accompanied by the goddess
Heket, moulds
Ihy in a relief from the
mammisi (birth temple) at
Dendera Temple complex,
Dendara,
Egypt
5.
Sobek
–
Sobek, in Greek, Suchos and from Latin Suchus, was an ancient Egyptian deity with a complex and fluid nature. He is associated with the Nile crocodile and is represented in its form or as a human with a crocodile head. Sobek enjoyed a longstanding presence in the ancient Egyptian pantheon, from the Old Kingdom through the Roman period and he is first known from several different Pyramid Texts of the Old Kingdom, particularly from spell PT317. Unis has appeared as Sobek, Neiths son, Unis will eat with his mouth, Unis will urinate and Unis will copulate with his penis. Unis is lord of semen, who takes women from their husbands to the place Unis likes according to his hearts fancy. The origin of his name, Sbk in ancient Egyptian, is debated among scholars, though Sobek was worshipped in the Old Kingdom, he truly gained prominence in the Middle Kingdom, most notably under the Twelfth Dynasty king, Amenemhat III. Amenemhat III had taken a particular interest in the Faiyum region of Egypt, Amenemhat and many of his dynastic contemporaries engaged in building projects to promote Sobek – projects that were often executed in the Faiyum. In this period, Sobek also underwent an important change, he was fused with the falcon-headed god of divine kingship. This brought Sobek even closer with the kings of Egypt, thereby giving him a place of prominence in the Egyptian pantheon. The fusion added a level of complexity to the god’s nature, as he was adopted into the divine triad of Horus. Sobek-Horus persisted as a figure in the New Kingdom, but it was not until the last dynasties of Egypt that Sobek-Ra gained prominence and this understanding of the god was maintained after the fall of Egypts last native dynasty in Ptolemaic and Roman Egypt. The entire Faiyum region – the Land of the Lake in Egyptian – served as a center of Sobek. Most Faiyum towns developed their own localized versions of the god, such as Soknebtunis at Tebtunis, Sokonnokonni at Bacchias, at Karanis, two forms of the god were worshipped, Pnepheros and Petsuchos. There, mummified crocodiles were employed as cult images of Petsuchos, Sobek Shedety, the patron of the Faiyums centrally located capital, Crocodilopolis, was the most prominent form of the god. Extensive building programs honoring Sobek were realized in Shedet, as it was the capital of the entire Arsinoite nome and it is thought that the effort to expand Sobeks main temple was initially driven by Ptolemy II. Outside the Faiyum, Kom Ombo, in southern Egypt, was the biggest cultic center of Sobek, particularly during the Ptolemaic, located about 30 miles north of Aswan and was built during the Graeco-Roman period. The temple at this site was called the Per-Sobek, meaning the house of Sobek, Sobek is, above all else, an aggressive and animalistic deity who lives up to the vicious reputation of his patron animal, the large and violent Nile crocodile. Some of his common epithets betray this nature succinctly, the most notable of which being, he who loves robbery, he who eats while he also mates, however, he also displays grand benevolence in more than one celebrated myth
Sobek
–
This statue of Sobek was found at
Amenemhat III 's mortuary temple (which was connected to his
pyramid at
Hawara in the
Faiyum), serving as a testament to this king's devotion to Sobek.
Ashmolean Museum,
Oxford.
Sobek
–
This
Late Period (c. 400–250 BCE) statue shows Sobek bearing the falcon head of Re-Harakhti, illustrating the fusion of Sobek and
Re into Sobek-Re.
Walters Art Museum,
Baltimore.
Sobek
–
This relief from the
Temple of Kom Ombo shows Sobek with typical attributes of kingship, including a
was sceptre and royal kilt. The
ankh in his hand represents his role as an Osirian healer and his crown is a solar crown associated with one of the many forms of
Re.
Sobek
–
This Roman period box shows a king making an offering to a solar form of Sobek. It is thought that this box could have been used in such offering rituals.
Walters Art Museum,
Baltimore.
6.
Apep
–
Apep or Apophis was the ancient Egyptian deity who embodied chaos and was thus the opponent of light and Maat. He appears in art as a giant serpent and his name is reconstructed by Egyptologists as *ʻAʼpāpī, as it was written ꜥꜣpp and survived in later Coptic as Ⲁⲫⲱⲫ Aphōph. Apep was first mentioned in the Eighth Dynasty, and he was honored in the names of the Fourteenth Dynasty king Apepi, Ra was the solar deity, bringer of light, and thus the upholder of Maat. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra, as the personification of all that was evil, Apep was seen as a giant snake or serpent leading to such titles as Serpent from the Nile and Evil Lizard. Some elaborations said that he stretched 16 yards in length and had a made of flint. Also, comparable hostile snakes as enemies of the sun god existed under other names already before the name Apep occurred, the etymology of his name is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning to slither existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian, Apeps name much later came to be falsely connected etymologically in Egyptian with a different root meaning spat out, the Romans referred to Apep by this translation of his name. Apophis was a golden snake known to be miles long. He was so large that he attempted to swallow the sun every day, tales of Apeps battles against Ra were elaborated during the New Kingdom. Storytellers said that every day Apep must lie just below the horizon and this appropriately made him a part of the underworld. In some stories Apep waited for Ra in a mountain called Bakhu, where the sun set. The wide range of Apeps possible location gained him the title World Encircler and it was thought that his terrifying roar would cause the underworld to rumble. Myths sometimes say that Apep was trapped there, because he had been the chief god overthrown by Ra. The Coffin Texts imply that Apep used a magical gaze to overwhelm Ra, Ra was assisted by a number of defenders who travelled with him, including Set and possibly the Eye of Ra. Apeps movements were thought to cause earthquakes, and his battles with Set may have meant to explain the origin of thunderstorms. In some accounts, Ra himself defeats Apep in the form of a cat, Ra was worshipped, and Apep worshipped against. Ras victory each night was thought to be ensured by the prayers of the Egyptian priests, the Egyptians practiced a number of rituals and superstitions that were thought to ward off Apep, and aid Ra to continue his journey across the sky. The Egyptian priests had a guide to fighting Apep, referred to as The Books of Overthrowing Apep
Apep
–
Atum and snake Apep
Apep
–
Set speared Apep
7.
Thoth
–
Thoth or Djehuti was one of the deities of the Egyptian pantheon. In art, he was depicted as a man with the head of an ibis or a baboon. His feminine counterpart was Seshat, and his wife was Maat, Thoths chief temple was located in the city of Khmun, later called Hermopolis Magna during the Greco-Roman era and Shmounein in the Coptic rendering, and was partially destroyed in 1826 CE. In that city, he led the Ogdoad pantheon of eight principal deities and he also had numerous shrines within the cities of Abydos, Hesert, Urit, Per-Ab, Rekhui, Ta-ur, Sep, Hat, Pselket, Talmsis, Antcha-Mutet, Bah, Amen-heri-ab, and Ta-kens. Thoth played many vital and prominent roles in Egyptian mythology, such as maintaining the universe, the final -y may even have been pronounced as a consonant, not a vowel. According to Theodor Hopfner, Thoths Egyptian name written as ḏḥwty originated from ḏḥw, the addition of -ty denotes that he possessed the attributes of the ibis. Hence his name means He who is like the ibis, Djehuty is sometimes alternatively rendered as Jehuti, Jehuty, Tahuti, Tehuti, Zehuti, Techu, or Tetu. Greek versions Thot, Thout and Thoth are derived from the letters ḏḥwty, not counting differences in spelling, Thoth had many names and titles, like other goddesses and gods. Among the names used are A, Sheps, Lord of Khemennu, Asten, Khenti, Mehi, Hab, in addition, Thoth was also known by specific aspects of himself, for instance the moon god Iah-Djehuty, representing the Moon for the entire month. The Greeks related Thoth to their god Hermes due to his similar attributes, One of Thoths titles, Thrice great was translated to the Greek τρισμέγιστος, making Hermes Trismegistus. Thoth has been depicted in many ways depending on the era, usually, he is depicted in his human form with the head of an ibis. In this form, he can be represented as the reckoner of times, when depicted as a form of Shu or Ankher, he was depicted to be wearing the respective gods headdress. Sometimes he was seen in art to be wearing the Atef crown or the United Crowns of Upper and Lower Egypt. When not depicted in this form, he sometimes takes the form of the ibis directly. He also appears as a baboon or a man with the head of a baboon when he is Aan. In the form of Aah-Djehuty he took a more human-looking form and these forms are all symbolic and are metaphors for Thoths attributes. The Egyptians did not believe these gods actually looked like humans with animal heads, for example, Maat is often depicted with an ostrich feather, the feather of truth, on her head, or with a feather for a head. Thoths roles in Egyptian mythology were many and he served as a mediating power, especially between good and evil, making sure neither had a decisive victory over the other
Thoth
–
Thoout, Thoth Deux fois Grand, le Second Hermés, N372.2A,
Brooklyn Museum
Thoth
–
Depiction of Thoth as a baboon (c. 1400 BC), in the
British Museum
Thoth
–
Lee Lawrie, Thoth (1939). Library of Congress
John Adams Building, Washington, D.C.
Thoth
–
Thoth, sitting on his throne
8.
Serqet
–
Serqet /ˈsɜːrˌkɛt/ is the goddess of fertility, nature, animals, medicine, magic, and healing venomous stings and bites in Egyptian mythology, originally the deification of the scorpion. In the art of ancient Egypt, Serqet was shown as a scorpion or as a woman with a scorpion on her head, although Serqet does not appear to have had any temples, she had a sizable number of priests in many communities. Her close association with the early rulers implies that she was their protector, notably Scorpion I and Scorpion II. As the protector against venom and snakebite, Serqet often was said to protect the deities from Apep, as many of the venomous creatures of Egypt could prove fatal, Serqet also was considered a protector of the dead, particularly being associated with venoms and fluids causing stiffening. As the guard of one of the jars and a protector, Serqet gained a strong association with Isis, Nephthys, and Neith. According to this hypothesis, Serket is referred to as She who gives breath because of the way waterscorpions seem to breath underwater, les prêtres-ouâb de Sekhmet et les conjurateurs de Serket
Serqet
–
the Egyptian goddess Serket. She is often depicted as a woman with a scorpion gracing her crown. She holds the ankh, the symbol of life, in one hand and a staff, representing power, in the other.
9.
Egyptian pantheon
–
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Egyptian pantheon
–
The gods
Osiris,
Anubis, and
Horus
Egyptian pantheon
–
Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Egyptian pantheon
–
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Egyptian pantheon
–
Deities personifying
provinces of Egypt
10.
Deities
–
A deity is a concept conceived in diverse ways in various cultures, typically as a natural or supernatural being considered divine or sacred. A male deity is a god, while a female deity is a goddess, the Oxford reference defines deity as a god or goddess, or anything revered as divine. Various cultures have conceptualized a deity differently than a monotheistic God, a plain deity need not be omnipotent, omnipresent, omniscient, omnibenevolent, or eternal, however an almighty monotheistic God generally does have these attributes. Monotheistic religions typically refer to God in masculine terms, while other religions refer to their deities in a variety of ways – masculine, feminine, androgynous, some Avestan and Vedic deities were viewed as ethical concepts. In Indian religions, deities have been envisioned as manifesting within the temple of every living beings body, as sensory organs, but in Indian religions, all deities are also subject to death when their merit runs out. The English language word deity derives from Old French deité, the Latin deitatem or divine nature, deus is related through a common Proto-Indo-European language origin to *deiwos. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, in Old Persian, daiva- means demon, evil god, while in Sanskrit it means the opposite, referring to the heavenly, divine, terrestrial things of high excellence, exalted, shining ones. The closely linked term god refers to supreme being, deity, which states Douglas Harper, is derived from Proto-Germanic *guthan, from PIE *ghut-, guth in the Irish language means voice. The term *ghut- is also the source of Old Church Slavonic zovo, Sanskrit huta-, from the root *gheu- An alternate etymology for the term god traces it to the PIE root *ghu-to-, the term *gheu- is also the source of the Greek khein to pour. Originally the German root was a noun, but the gender of the monotheistic God shifted to masculine under the influence of Christianity. In contrast, all ancient Indo-European cultures and mythologies recognized both masculine and feminine deities, the term deity often connotes the concept of sacred or divine, as a god or goddess, in a polytheistic religion. However, there is no accepted consensus concept of deity across religions and cultures. Huw Owen states that the deity or god or its equivalent in other languages has a bewildering range of meanings. Some engravings or sketches show animals, hunters or rituals, the Venus of Willendorf, a female figurine found in Europe and dated to about 25,000 BCE has been interpreted as an exemplar of a prehistoric divine feminine. In Buddhist mythology, devas are beings inhabiting certain happily placed worlds of Buddhist cosmology and these beings are mortal and numerous. It is also common for iṣṭadevatās to be called deities, although the nature of Yidams is distinct from what is meant by the term. Buddhism does not believe in a creator deity, however, deities are an essential part of Buddhist cosmology, rebirth and Saṃsāra doctrines
Deities
–
Zeus, the chief
Greek god
Deities
–
Searching the Seas with the
Tenkei (ca. 1885) by Kobayashi Eitaku, with the god
Izanagi (right) and
Izanami, a goddess of creation and death in
Japanese mythology
Deities
–
Panel from an
ancient Roman sarcophagus depicting the creation of humans by
Prometheus, with deities including
Minerva (Roman
Athena) and
Mercury (
Hermes) looking on
Deities
–
Buddhist temple image of Damun Cheonwang (
Vaiśravaṇa), one of the
Four Heavenly Kings (
Ssangbongsa,
South Korea)
11.
Nile Delta
–
The Nile Delta is the delta formed in Northern Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the worlds largest river deltas—from Alexandria in the west to Port Said in the east, from north to south the delta is approximately 160 kilometres in length. The Delta begins slightly down-river from Cairo, from north to south, the delta is approximately 160 kilometres in length. From west-to-east, it covers some 240 kilometres of coastline, the delta is sometimes divided into sections, with the Nile dividing into two main distributaries, the Damietta and the Rosetta, flowing into the Mediterranean at port cities with the same name. In the past, the delta had several distributaries, but these have been lost due to flood control, one such defunct distributary is Wadi Tumilat. The Suez Canal runs to the east of the delta, entering the coastal Lake Manzala in the north-east of the delta, to the north-west are three other coastal lakes or lagoons, Lake Burullus, Lake Idku and Lake Maryut. The Nile is considered to be a delta, as it resembles a triangle or flower when seen from above. The outer edges of the delta are eroding, and some coastal lagoons have seen increasing salinity levels as their connection to the Mediterranean Sea increases, topsoil in the delta can be as much as 70 feet in depth. People have lived in the Delta region for thousands of years, the Delta River used to flood on an annual basis, but this ended with the construction of the Aswan Dam. The Rosetta Stone was found in the Nile Delta in 1799 in the city of Rosetta. The delta was a constituent of Lower Egypt. The Biblical Land of Goshen was located in an area on the west bank of the Pelusiac distributary. There are many sites in and around the Nile Delta. About 39 million people live in the Delta region, outside of major cities, population density in the delta averages 1,000 persons/km² or more. Alexandria is the largest city in the delta with a population of more than 4.5 million. Other large cities in the delta include Shubra al Khaymah, Port Said, El-Mahalla El-Kubra, El Mansura, Tanta, during autumn, parts of the Nile River are red with lotus flowers. The Lower Nile and the Upper Nile have plants that grow in abundance, the Upper Nile plant is the Egyptian lotus, and the Lower Nile plant is the Papyrus Sedge, although it is not nearly as plentiful as it once was, and is becoming quite rare. Several hundred thousand birds winter in the delta, including the world’s largest concentrations of little gulls
Nile Delta
–
NASA satellite photograph of the Nile Delta (shown in false color)
Nile Delta
–
The Nile Delta at night
Nile Delta
–
Nile River and Delta
Nile Delta
–
Ancient branches of the Nile, showing Wadi Tumilat, and the lakes east of the Delta
12.
Egypt
–
Egypt, officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia by a land bridge formed by the Sinai Peninsula. Egypt is a Mediterranean country bordered by the Gaza Strip and Israel to the northeast, the Gulf of Aqaba to the east, the Red Sea to the east and south, Sudan to the south, and Libya to the west. Across the Gulf of Aqaba lies Jordan, and across from the Sinai Peninsula lies Saudi Arabia, although Jordan and it is the worlds only contiguous Afrasian nation. Egypt has among the longest histories of any country, emerging as one of the worlds first nation states in the tenth millennium BC. Considered a cradle of civilisation, Ancient Egypt experienced some of the earliest developments of writing, agriculture, urbanisation, organised religion and central government. One of the earliest centres of Christianity, Egypt was Islamised in the century and remains a predominantly Muslim country. With over 92 million inhabitants, Egypt is the most populous country in North Africa and the Arab world, the third-most populous in Africa, and the fifteenth-most populous in the world. The great majority of its people live near the banks of the Nile River, an area of about 40,000 square kilometres, the large regions of the Sahara desert, which constitute most of Egypts territory, are sparsely inhabited. About half of Egypts residents live in areas, with most spread across the densely populated centres of greater Cairo, Alexandria. Modern Egypt is considered to be a regional and middle power, with significant cultural, political, and military influence in North Africa, the Middle East and the Muslim world. Egypts economy is one of the largest and most diversified in the Middle East, Egypt is a member of the United Nations, Non-Aligned Movement, Arab League, African Union, and Organisation of Islamic Cooperation. Miṣr is the Classical Quranic Arabic and modern name of Egypt. The name is of Semitic origin, directly cognate with other Semitic words for Egypt such as the Hebrew מִצְרַיִם, the oldest attestation of this name for Egypt is the Akkadian
Egypt
–
The
Giza Necropolis is the oldest of the
ancient Wonders and the only one still in existence.
Egypt
–
Flag
Egypt
–
The Greek Ptolemaic queen
Cleopatra VII and her son by Julius Caesar,
Caesarion at the
Temple of Dendera.
Egypt
–
The 1803
Cedid Atlas, showing
Ottoman Egypt.
13.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
14.
Ta-senet
–
Esna, known to the ancient Egyptians as Egyptian, Iunyt or Ta-senet, Coptic, ⲥⲛⲏ, which derives from Ta-senet, Greek, Λατόπολις or πόλις Λάτων or Λάττων, Latin, Lato, is a city in Egypt. It is located on the west bank of the River Nile, the town was formerly part of the modern Qena Governorate, but as of 9/12/2009, has been incorporated into the new Luxor Governorate. This city of Latopolis in the Thebaid region of Upper Egypt should not be confused with the more northerly city of Letopolis, ancient Khem, modern Ausim, held sacred, the Lates niloticus was buried in a cemetery west of the town. The tutelary deities of Latopolis seem to have been the triad – Khnum and Neith, the temple of Esna, dedicated to this triad, was remarkable for the beauty of its site and the magnificence of its architecture. It was built of red sandstone, and its portico consisted of six rows of four each, with lotus-leaf capitals. Another temple of the period has been identified at Kom Mer, about 12 km to the south. There was a temple, dedicated to the triad of Latopolis. Here, too, is a small Zodiac of the age of Ptolemy III Euergetes and this latter building was destroyed in the 19th century, as it stood in the way of a new canal. The temple of Esna was cleared of the soil and rubbish which filled its area when Denon visited it, and served as a cotton warehouse in the mid-19th century. With the exception of the jamb of a gateway – now converted into a door-sill – of the reign of Thutmose II, the name of Ptolemy V Epiphanes is found also inscribed upon a doorway. Although the scale of the ruins are impressive, their sculptures, the west wall features reliefs of Ptolemy VI Philometor and Ptolemy VIII Physcon. On the ceiling of the pronaos is the larger Latopolitan Zodiac, the name of the emperor Geta, the last ruler that can be read in hieroglyphics, although partially erased by his brother and murderer Caracalla, is still legible on the walls of Latopolis. Before raising their own edifice, the Romans seem to have destroyed even the basements of the earlier Egyptian temple, the ceremonial way, which probably linked the quay to the temple, has disappeared. The quay bears cartouches of Marcus Aurelius, the cemetery west of the town, where the Lates niloticus was buried, also contains human burials dating of the Middle Kingdom to the Late Period. The Temple of Esna conveys a sense of the importance which the Ancient Egyptians placed upon their places of worship, all Egyptians who entered the confines of an Egyptian temple were required to comply with the strict rules regarding ritual purity. Two barrage bridges straddle the Nile at this point, one built by the British in 1906, navigation, particularly, Nile cruisers ferrying tourists from Luxor to Aswan 155 km further upstream, can be held up for hours while vessels negotiate their way through the lock system. The two main points of interest in Esna are its lively tourist-oriented market, which fills a couple of streets leading inland from the corniche, the other is the temple of Esna. The temple, which has only partially excavated, is about 200 meters from the river
Ta-senet
–
Esna Tourist bazaar at night
Ta-senet
–
The Temple of
Khnum at Esna
Ta-senet
–
Reliefs showing Khnum with his consort Neith in her Lion Headed form from the Temple of Esna
Ta-senet
–
Wall reliefs from the Temple of Esna
15.
Iunyt
–
Esna, known to the ancient Egyptians as Egyptian, Iunyt or Ta-senet, Coptic, ⲥⲛⲏ, which derives from Ta-senet, Greek, Λατόπολις or πόλις Λάτων or Λάττων, Latin, Lato, is a city in Egypt. It is located on the west bank of the River Nile, the town was formerly part of the modern Qena Governorate, but as of 9/12/2009, has been incorporated into the new Luxor Governorate. This city of Latopolis in the Thebaid region of Upper Egypt should not be confused with the more northerly city of Letopolis, ancient Khem, modern Ausim, held sacred, the Lates niloticus was buried in a cemetery west of the town. The tutelary deities of Latopolis seem to have been the triad – Khnum and Neith, the temple of Esna, dedicated to this triad, was remarkable for the beauty of its site and the magnificence of its architecture. It was built of red sandstone, and its portico consisted of six rows of four each, with lotus-leaf capitals. Another temple of the period has been identified at Kom Mer, about 12 km to the south. There was a temple, dedicated to the triad of Latopolis. Here, too, is a small Zodiac of the age of Ptolemy III Euergetes and this latter building was destroyed in the 19th century, as it stood in the way of a new canal. The temple of Esna was cleared of the soil and rubbish which filled its area when Denon visited it, and served as a cotton warehouse in the mid-19th century. With the exception of the jamb of a gateway – now converted into a door-sill – of the reign of Thutmose II, the name of Ptolemy V Epiphanes is found also inscribed upon a doorway. Although the scale of the ruins are impressive, their sculptures, the west wall features reliefs of Ptolemy VI Philometor and Ptolemy VIII Physcon. On the ceiling of the pronaos is the larger Latopolitan Zodiac, the name of the emperor Geta, the last ruler that can be read in hieroglyphics, although partially erased by his brother and murderer Caracalla, is still legible on the walls of Latopolis. Before raising their own edifice, the Romans seem to have destroyed even the basements of the earlier Egyptian temple, the ceremonial way, which probably linked the quay to the temple, has disappeared. The quay bears cartouches of Marcus Aurelius, the cemetery west of the town, where the Lates niloticus was buried, also contains human burials dating of the Middle Kingdom to the Late Period. The Temple of Esna conveys a sense of the importance which the Ancient Egyptians placed upon their places of worship, all Egyptians who entered the confines of an Egyptian temple were required to comply with the strict rules regarding ritual purity. Two barrage bridges straddle the Nile at this point, one built by the British in 1906, navigation, particularly, Nile cruisers ferrying tourists from Luxor to Aswan 155 km further upstream, can be held up for hours while vessels negotiate their way through the lock system. The two main points of interest in Esna are its lively tourist-oriented market, which fills a couple of streets leading inland from the corniche, the other is the temple of Esna. The temple, which has only partially excavated, is about 200 meters from the river
Iunyt
–
Esna Tourist bazaar at night
Iunyt
–
The Temple of
Khnum at Esna
Iunyt
–
Reliefs showing Khnum with his consort Neith in her Lion Headed form from the Temple of Esna
Iunyt
–
Wall reliefs from the Temple of Esna
16.
Esna
–
Esna, known to the ancient Egyptians as Egyptian, Iunyt or Ta-senet, Coptic, ⲥⲛⲏ, which derives from Ta-senet, Greek, Λατόπολις or πόλις Λάτων or Λάττων, Latin, Lato, is a city in Egypt. It is located on the west bank of the River Nile, the town was formerly part of the modern Qena Governorate, but as of 9/12/2009, has been incorporated into the new Luxor Governorate. This city of Latopolis in the Thebaid region of Upper Egypt should not be confused with the more northerly city of Letopolis, ancient Khem, modern Ausim, held sacred, the Lates niloticus was buried in a cemetery west of the town. The tutelary deities of Latopolis seem to have been the triad – Khnum and Neith, the temple of Esna, dedicated to this triad, was remarkable for the beauty of its site and the magnificence of its architecture. It was built of red sandstone, and its portico consisted of six rows of four each, with lotus-leaf capitals. Another temple of the period has been identified at Kom Mer, about 12 km to the south. There was a temple, dedicated to the triad of Latopolis. Here, too, is a small Zodiac of the age of Ptolemy III Euergetes and this latter building was destroyed in the 19th century, as it stood in the way of a new canal. The temple of Esna was cleared of the soil and rubbish which filled its area when Denon visited it, and served as a cotton warehouse in the mid-19th century. With the exception of the jamb of a gateway – now converted into a door-sill – of the reign of Thutmose II, the name of Ptolemy V Epiphanes is found also inscribed upon a doorway. Although the scale of the ruins are impressive, their sculptures, the west wall features reliefs of Ptolemy VI Philometor and Ptolemy VIII Physcon. On the ceiling of the pronaos is the larger Latopolitan Zodiac, the name of the emperor Geta, the last ruler that can be read in hieroglyphics, although partially erased by his brother and murderer Caracalla, is still legible on the walls of Latopolis. Before raising their own edifice, the Romans seem to have destroyed even the basements of the earlier Egyptian temple, the ceremonial way, which probably linked the quay to the temple, has disappeared. The quay bears cartouches of Marcus Aurelius, the cemetery west of the town, where the Lates niloticus was buried, also contains human burials dating of the Middle Kingdom to the Late Period. The Temple of Esna conveys a sense of the importance which the Ancient Egyptians placed upon their places of worship, all Egyptians who entered the confines of an Egyptian temple were required to comply with the strict rules regarding ritual purity. Two barrage bridges straddle the Nile at this point, one built by the British in 1906, navigation, particularly, Nile cruisers ferrying tourists from Luxor to Aswan 155 km further upstream, can be held up for hours while vessels negotiate their way through the lock system. The two main points of interest in Esna are its lively tourist-oriented market, which fills a couple of streets leading inland from the corniche, the other is the temple of Esna. The temple, which has only partially excavated, is about 200 meters from the river
Esna
–
Esna Tourist bazaar at night
Esna
–
The Temple of
Khnum at Esna
Esna
–
Reliefs showing Khnum with his consort Neith in her Lion Headed form from the Temple of Esna
Esna
–
Wall reliefs from the Temple of Esna
17.
Qena Governorate
–
Qena Governorate is one of the governorates of Egypt. Located in the part of the country, it covers a stretch of the Nile valley. Its capital is the city of Qena, according to population estimates from 2015 the majority of residents in the governorate live in rural areas, with an urbanization rate of only 19. 7%. Out of an estimated 3,045,504 people residing in the governorate,2,445,051 people live in areas as opposed to only 600,453 in urban areas. Contra Latopolis Djerty El Qala Hefat Hut-Sekhem Khenoboskion Madu Per-Hathor Shanhur Tantere Tukh Qena Governorate Official Qena Governorate website
Qena Governorate
–
Flag
18.
Ankh
–
The ankh, also known as crux ansata is an ancient Egyptian hieroglyphic ideograph with the meaning life. The Egyptian gods are often portrayed carrying it by its loop, or bearing one in each hand, the ankh appears in hand or in proximity of almost every deity in the Egyptian pantheon. The ankh symbol was so prevalent that it has found in digs as far as Mesopotamia and Persia. The symbol became popular in New Age mysticism in the 1960s, unicode has two characters encoding the symbol, U+2625 ☥ in the Miscellaneous Symbols block and U+132F9
Ankh
–
Merenptah offering an ankh,
djed, and
was to
Ptah
Ankh
–
The ankh, during the reign of
Hatshepsut (1508–1458 BC), from the
Royal Ontario Museum
Ankh
–
Crux ansata in
Codex Glazier
19.
Mehet-Weret
–
Mehet-Weret is a goddess of the sky in Ancient Egyptian religion. She was mentioned in the Pyramid Texts, in Ancient Egyptian creation myths, she gives birth to the sun at the beginning of time, and in art she is portrayed as a cow with a sun disk between her horns. She is associated with the goddesses Neith, Hathor, and Isis, all of whom have similar characteristics, Mehet-Weret is primarily known as being the “Celestial Cow” or “Cow Goddess” because of her physical characteristics, but she contributes to the world in more ways than that. She is also the Goddess of Water, Creation, and Rebirth, in Egyptian mythology, Mehet-Weret is one of the components in the making. Mehet-Weret was responsible for raising the sun into the sky every day, not only did this goddess produce the light for the crops of those who worshipped her, she was also what caused the annual Nile River flood that fertilized each of the crops with her plentiful water. In Egyptian mythology, Mehet-Weret was known as the Goddess of Water and Creation and she is referenced as being the river of stars known as the Milky Way, because of her physical traits of being the responsible for the annual flood of the Nile River. Mehet-Weret is described as being the mother of Ra, the ancient Egyptian solar deity, as the Goddess of Creation, she gives birth to the sun every day and is the reason the world isn’t in the dark. In her physical description, she is described as having a sun disk between her horns, in typical fashion, she protects her son Ra and keeps him close to her. Mehet-Weret is described as having a body with a cow’s head. A sun disk lies between the horns on her head, which connects her to the creation of the sun, Mehet-Weret is featured on the sarcophagus of Khonsu. The hieroglyphics painted on the outside of the sarcophagus are yet another way to protect the deceased, even in hieroglyphics, Mehet-Weret is dressed in many ritual artifacts as a way to keep her goddess-like standing. The picture features a human bowing and adoring her, this was meant as a way to signify her importance as a divine being, in this picture, Mehet-Weret signifies that after his death, the pharaoh will be reborn into the afterlife. “Myth of the Heavenly Cow” by Nadine Guilhou tells the story of a goddess that is related to Mehet-Weret who is named Hathor. Hathor is seen as more troublesome than Mehet-Weret, because she creates chaos in the human world, while Hathor is the bloodthirsty warrior cow, focused on the destruction of humankind, Mehet-Weret is responsible for creating some of the most basic needs for humankind, sun and water. The goddess Mehet-Weret was featured in a number of spells in The Book of the Dead, in this spell she was credited for the birth of Re, also known as the Sun God Ra. But she is also the one who protects Re, because it was believed by the ancient people of Egypt that the sun died every day and was reborn by Mehet-Weret. She was responsible for taking him into the underworld, or night because of the darkness, the people of Egypt believed that Mehet-Weret was the Goddess of Creation and Rebirth, so she was featured in one of the spells to help the humans make their way into the afterlife. The Book of the Dead is an important text in the Egyptian culture because it allows the audience to understand the different journeys that the ancient Egyptians believed in to get to the afterlife
Mehet-Weret
–
Mehetweret in Tutankhamun's tomb
Mehet-Weret
–
v
20.
Uraeus
–
The Uraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. The Uraeus is a symbol for the goddess Wadjet and she was one of the earliest Egyptian deities and who often was depicted as a cobra. The center of her cult was in Per-Wadjet, later called Buto by the Greeks and she became the patroness of the Nile Delta and the protector of all of Lower Egypt. In whatever manner that the Uraeus was displayed upon the head, it was, in effect. The pharaoh was recognized only by wearing the Uraeus, which conveyed legitimacy to the ruler, there is evidence for this tradition even in the Old Kingdom during the third millennium BCE. Several goddesses associated with or being considered aspects of Wadjet are depicted wearing the Uraeus also, the importance of their separate cults kept them from becoming merged as with so many Egyptian deities. Together, they were known as The Two Ladies, who became the joint protectors and patrons of the unified Egypt. Later, the pharaohs were seen as a manifestation of the sun god Ra, in some mythological works, the eyes of Ra are said to be uraei. As the Uraeus was seen as a symbol, the deities Horus. In early ancient Egyptian mythology, Horus would have been the given to any king as part of the many titles taken. According to the mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris, Isis is associated with and may be considered an aspect of Wadjet. In 1919, after only a half-hour of excavation, the Qufti worker Hosni Ibrahim held in his hands the solid-gold Golden Uraeus of Senusret II and it had been decided to make a complete clearance of the El-Lahun Pyramids rooms at Saqqara. The start in the offering chamber, leading from the tomb, on the south, immediately revealed in the turnover of the six inches of debris. Prior to the 1922 find of Tutankhamuns tomb, this Golden Uraeus was the only ornament ever known to be worn by an entombed pharaoh, and it was thought that it was passed to the next pharaoh. The Golden Uraeus is of gold,6.7 cm, black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays. For mounting on the crown, two loops in the rear-supporting tail of the cobra provide the attachment points. Besides the Uraeus being used as an ornament for statuary or as an adornment on the pharaoh, it also was used for jewellery, however, another important use is as the hieroglyph
Uraeus
–
Mask of
Tutankhamun 's mummy featuring a uraeus, from the
eighteenth dynasty. The
cobra image of
Wadjet with the
vulture image of
Nekhbet representing of the unification of Lower and Upper Egypt
Uraeus
–
Uraeus with Solar Disk, 305-30 B.C.E.,51.147.2,
Brooklyn Museum
Uraeus
–
Green glazed cobra amulet in the form of a Uraeus
21.
Personification
–
Anthropomorphism is the attribution of human traits, emotions, and intentions to non-human entities and is considered to be an innate tendency of human psychology. Personification is the attribution of human form and characteristics to abstract concepts such as nations, emotions and natural forces like seasons. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters, people have also routinely attributed human emotions and behavioural traits to wild as well as domestic animals. Anthropomorphism derives from its verb form anthropomorphize, itself derived from the Greek ánthrōpos and it is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God. One of the oldest known is a sculpture, the Löwenmensch figurine, Germany. It is not possible to say what these prehistoric artworks represent, in either case there is an element of anthropomorphism. This anthropomorphic art has been linked by archaeologist Steven Mithen with the emergence of more systematic hunting practices in the Upper Palaeolithic. In religion and mythology, anthropomorphism refers to the perception of a divine being or beings in human form, ancient mythologies frequently represented the divine as deities with human forms and qualities. They resemble human beings not only in appearance and personality, they exhibited many human behaviors that were used to explain phenomena, creation. The deities fell in love, married, had children, fought battles, wielded weapons and they feasted on special foods, and sometimes required sacrifices of food, beverage, and sacred objects to be made by human beings. Some anthropomorphic deities represented specific concepts, such as love, war, fertility, beauty. Anthropomorphic deities exhibited human qualities such as beauty, wisdom, and power, and sometimes human weaknesses such as greed, hatred, jealousy, Greek deities such as Zeus and Apollo often were depicted in human form exhibiting both commendable and despicable human traits. Anthropomorphism in this case is referred to as anthropotheism, from the perspective of adherents to religions in which humans were created in the form of the divine, the phenomenon may be considered theomorphism, or the giving of divine qualities to humans. Anthropomorphism has cropped up as a Christian heresy, particularly prominently with the Audians in third century Syria, but also in fourth century Egypt and tenth century Italy. This often was based on an interpretation of Genesis 1,27, So God created man in His own image, in the image of God created He him. Some religions, scholars, and philosophers objected to anthropomorphic deities. Ethiopians say that their gods are snub–nosed and blackThracians that they are pale and he said that the greatest god resembles man neither in form nor in mind. Both Judaism and Islam reject an anthropomorphic deity, believing that God is beyond human comprehension, judaisms rejection of an anthropomorphic deity grew during the Hasmonean period, when Jewish belief incorporated some Greek philosophy. Judaisms rejection grew further after the Islamic Golden Age in the tenth century, hindus do not reject the concept of a deity in the abstract unmanifested, but note practical problems
Personification
–
In this illustration by
Milo Winter of
Aesop 's fable, "
The North Wind and the Sun ", an anthropomorphic North Wind tries to strip the cloak off of a traveler
Personification
–
The 40,000-year-old
Löwenmensch figurine
Personification
–
From the
Panchatantra: Rabbit fools Elephant by showing the reflection of the moon
Personification
–
Anthropomorphic
pareidolia by
Giuseppe Arcimboldo
22.
Primordial sea
–
Abiogenesis, biopoiesis, \by-o-po-ee-sis\ or informally, the origin of life, is the natural process by which life arises from non-living matter, such as simple organic compounds. The study of abiogenesis can be geophysical, chemical, or biological, Life itself is dependent upon the specialized chemistry of carbon and water and is largely based upon five different families of chemicals. Carbohydrates are sugars, and as monomer units can be assembled into polymers called polysaccharides, such as cellulose, nitrogenous bases are organic molecules in which the amine group of nitrogen, combined with two hydrogen atoms, plays an important part. Chlorophyll is based upon a porphyrin ring derived from amine monomer units, nucleic acid monomers are made from a carbohydrate monosaccharide a nitrogenous base and one or more high energy phosphate groups. When joined together they form either the unit of inheritance, the gene, made from DNA or RNA, the monomer unit of a protein is always one of 20 amino acids, comprising an amine group, a hydrocarbon and a carboxylic acid. Through a condensation reaction, in which the acid of one amino acid is linked to the amine of another with removal of a water molecule. Polymers of amino acids are termed proteins and these molecules provide many catalytic metabolic functions for living processes, any successful theory of abiogenesis must explain the origins and interactions of these five classes of molecules. Many approaches to investigate how self-replicating molecules, or their components. It is generally thought that current life on Earth is descended from an RNA world, various external sources of energy that may have triggered these reactions have been proposed, including lightning and radiation. Other approaches focus on understanding how catalysis in chemical systems on the early Earth might have provided the precursor molecules necessary for self-replication. Complex organic molecules have found in the Solar System and in interstellar space. It is speculated that the biochemistry of life may have begun shortly after the Big Bang,13.8 billion years ago, the panspermia hypothesis proposes that life originated outside the Earth, not how life came to be. Nonetheless, Earth remains the place in the Universe known to harbour life. In recent years, there have been a number of discoveries that suggested the earliest appearance of life on Earth was even earlier in time, according to biologist Stephen Blair Hedges, If life arose relatively quickly on Earth … then it could be common in the universe. The Hadean Earth is thought to have had a secondary atmosphere, during its formation, the Earth lost a significant part of its initial mass, with a nucleus of the heavier rocky elements of the protoplanetary disk remaining. As Earth lacked the gravity to hold any molecular hydrogen, this component of the atmosphere would have been rapidly lost during the Hadean period, along with the bulk of the original inert gases. The solution of carbon dioxide in water is thought to have made the slightly acidic. The atmosphere at the time has been characterized as a gigantic and it may have been similar to the mixture of gases released today by volcanoes, which still support some abiotic chemistry
Primordial sea
Primordial sea
–
Charles Darwin in 1879
Primordial sea
–
Alexander Oparin (right) at the laboratory
Primordial sea
–
Deep-sea hydrothermal vent or '
black smoker '
23.
Creation myth
–
A creation myth is a symbolic narrative of how the world began and how people first came to inhabit it. While in popular usage the term often refers to false or fanciful stories, formally. Cultures generally regard their creation myths as true, in the society in which it is told, a creation myth is usually regarded as conveying profound truths, metaphorically, symbolically and sometimes in a historical or literal sense. They are commonly, although not always, considered cosmogonical myths – that is, Creation myths often share a number of features. They often are considered sacred accounts and can be found in all known religious traditions. They are all stories with a plot and characters who are either deities, human-like figures, or animals and they are often set in a dim and nonspecific past that historian of religion Mircea Eliade termed in illo tempore. Creation myths develop in oral traditions and therefore typically have multiple versions, found throughout human culture, Creation myth definitions from modern references, A symbolic narrative of the beginning of the world as understood in a particular tradition and community. Creation myths are of importance for the valuation of the world, for the orientation of humans in the universe. Creation myths tell us how things began, all cultures have creation myths, they are our primary myths, the first stage in what might be called the psychic life of the species. As cultures, we identify ourselves through the collective dreams we call creation myths, … Creation myths explain in metaphorical terms our sense of who we are in the context of the world, and in so doing they reveal our real priorities, as well as our real prejudices. Our images of creation say a deal about who we are. A philosophical and theological elaboration of the myth of creation within a religious community. Religion professor Mircea Eliade defined the word myth in terms of creation, Myth narrates a history, it relates an event that took place in primordial Time. All creation myths are in one sense etiological because they attempt to explain how the world was formed, in the past historians of religion and other students of myth thought of them as forms of primitive or early-stage science or religion and analyzed them in a literal or logical sense. However they are seen as symbolic narratives which must be understood in terms of their own cultural context. Charles Long writes, The beings referred to in the myth – gods, animals, the myths should not be understood as attempts to work out a rational explanation of deity. While creation myths are not literal explications they do serve to define an orientation of humanity in the world in terms of a birth story. They are the basis of a worldview that reaffirms and guides how people relate to the world, to any assumed spiritual world
Creation myth
–
The Creation (c. 1896–1902) by
James Tissot
Creation myth
–
In
Maya religion, the
dwarf was an embodiment of the
Maize God 's
helpers at
creation.
Creation myth
–
Brahmā, the
Hindu deva of creation, emerges from a
lotus risen from the navel of
Viṣņu, who lies with
Lakshmi on the serpent
Ananta Shesha.
Creation myth
–
Creation on the exterior shutters of
Hieronymus Bosch 's
triptych The Garden of Earthly Delights (1480–90)
24.
Ptah
–
Phosphotungstic acid haematoxylin is a mix of haematoxylin with phosphotungstic acid, used in histology for staining. It stains some tissue in contrasting colors in a way similar to haematoxylin and eosin stain and it is used to show gliosis in the central nervous system, tumours of skeletal muscles, and fibrin deposits in lesions. PTAH is ideal for demonstrating striated muscle fibers and mitochondria, often without a counterstain, as such, it is used to identify contraction bands, as seen in contraction band necrosis. PTAH stains ependymomas while it does not stain choroid plexus papillomas and this technique has been largely replaced by immunohistochemistry techniques. There is much more phosphotungstic acid in the solution than hematein, the phosphotungstic acid binds all of the available hematein to form a blue lake pigment. This lake stains the muscle cross striations, fibrin, nuclei, the rest of the phosphotungstic acid stains the red-brown components, such as collagen. Zenker fixative is preferred, although formalin fixed tissue can be used, PTAH solution, Gram Iodine, 5% sodium thiosulfate,0. 25% Potassium Permanganate, and 5% Oxalic Acid solution are needed. After staining, slides should be dehydrated quickly because the red-brown components lose their color when exposed to water or alcohol
Ptah
–
Phosphotungstic acid-haematoxylin staining demonstrating
contraction band necrosis in an individual that had a
myocardial infarction (heart attack).
Ptah
25.
Hieroglyph
–
A hieroglyph is a character of the ancient Egyptian writing system. Logographic scripts that are pictographic in form in a way reminiscent of ancient Egyptian are also sometimes called hieroglyphs, in Neoplatonism, especially during the Renaissance, a hieroglyph was an artistic representation of an esoteric idea, which Neoplatonists believed actual Egyptian hieroglyphs to be. The word hieroglyphics refer to a hieroglyphic script, middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs. Ancient Egyptian Hieroglyphs, A Practical Guide, the Story of Writing, Alphabets, Hieroglyphs & Pictograms
Hieroglyph
–
Egyptian hieroglyphs typical of the Graeco-Roman period, sculpted in
Relief. Glyphs:
viper,
owl,
'bread bun',
folded cloth
26.
Loom
–
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads, the precise shape of the loom and its mechanics may vary, but the basic function is the same. The word loom is derived from the Old English geloma formed from ge- and loma, a root of unknown origin, in 1404 it was used to mean a machine to enable weaving thread into cloth. By 1838 it had gained the meaning of a machine for interlacing thread. Weaving is done by intersecting the longitudinal threads, the warp, i. e. that which is thrown across, with the transverse threads, the major components of the loom are the warp beam, heddles, harnesses or shafts, shuttle, reed and takeup roll. In the loom, yarn processing includes shedding, picking, battening, shedding is the raising of part of the warp yarn to form a shed, through which the filling yarn, carried by the shuttle, can be inserted. On the modern loom, simple and intricate shedding operations are performed automatically by the heddle or heald frame and this is a rectangular frame to which a series of wires, called heddles or healds, are attached. The yarns are passed through the eye holes of the heddles, the weave pattern determines which harness controls which warp yarns, and the number of harnesses used depends on the complexity of the weave. Two common methods of controlling the heddles are dobbies and a Jacquard Head, as the harnesses raise the heddles or healds, which raise the warp yarns, the shed is created. The filling yarn is inserted through the shed by a carrier device called a shuttle. The shuttle is normally pointed at each end to allow passage through the shed, in a traditional shuttle loom, the filling yarn is wound onto a quill, which in turn is mounted in the shuttle. The filling yarn emerges through a hole in the shuttle as it moves across the loom, a single crossing of the shuttle from one side of the loom to the other is known as a pick. As the shuttle back and forth across the shed, it weaves an edge, or selvage. Between the heddles and the roll, the warp threads pass through another frame called the reed. The portion of the fabric that has already been formed but not yet rolled up on the roll is called the fell. After the shuttle moves across the loom laying down the fill yarn, conventional shuttle looms can operate at speeds of about 150 to 160 picks per minute. There are two motions, because with each weaving operation the newly constructed fabric must be wound on a cloth beam. This process is called taking up, at the same time, the warp yarns must be let off or released from the warp beams
Loom
–
A foot-treadle operated
Hattersley & Sons, Domestic Loom, built under license in 1893, in
Keighley, Yorkshire.
Loom
–
A woman in
Konya,
Turkey, works at a vertical loom
Loom
–
Shuttles
Loom
–
A back strap loom with a shed-rod.
27.
Athena
–
Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain
Athena
–
Mattei Athena at
Louvre. Roman copy from the 1st century BC/AD after a Greek original of the 4th century BC, attributed to Cephisodotos or Euphranor.
Athena
–
Athenian
tetradrachm representing the goddess Athena.
Athena
–
A new
peplos was woven for Athena and ceremonially brought to dress her
cult image (
British Museum).
Athena
–
Marble Greek copy signed “Antiokhos”, a 1st-century BC variant of
Phidias ’ 5th-century
Athena Promachos that stood on the
Acropolis.
28.
Breastfeeding
–
Breastfeeding, also known as nursing, is the feeding of babies and young children with milk from a womans breast. Health professionals recommend that breastfeeding begin within the first hour of a life and continue as often. During the first few weeks of life babies may nurse roughly every two to three hours, the duration of a feeding is usually ten to fifteen minutes on each breast. Mothers may pump milk so that it can be used later when breastfeeding is not possible, Breastfeeding has a number of benefits to both mother and baby, which infant formula lacks. Deaths of an estimated 820,000 children under the age of five could be prevented every year with increased breastfeeding. Breastfeeding decreases the risk of respiratory infections and diarrhea, both in developing and developed countries. Other benefits include lower risks of asthma, food allergies, celiac disease, type 1 diabetes, Breastfeeding may also improve cognitive development and decrease the risk of obesity in adulthood. Mothers may feel pressure to breastfeed, however in the developed world children generally grow up normally when bottle fed, benefits for the mother include less blood loss following delivery, better uterus shrinkage, weight loss, and less postpartum depression. Breastfeeding delays the return of menstruation and fertility, a known as lactational amenorrhea. Long term benefits for the mother include decreased risk of breast cancer, cardiovascular disease, Breastfeeding is less expensive than infant formula. Health organizations, including the World Health Organization, recommend breastfeeding exclusively for six months and this means that no other foods or drinks other than possibly vitamin D are typically given. After the introduction of foods at six months of age, recommendations include continued breastfeeding until at least one to two years of age, globally about 38% of infants are only breastfed during their first six months of life. In the United States, about 75% of women begin breastfeeding, Medical conditions that do not allow breastfeeding are rare. Mothers who take certain drugs and medications should not breastfeed. Smoking, limited intake of alcohol, and coffee are not reasons to avoid breastfeeding, the endocrine system drives milk production during pregnancy and the first few days after the birth. From the twenty-fourth week of pregnancy, a body produces hormones that stimulate the growth of the breasts milk duct system. After birth, the hormone oxytocin contracts the muscle layer of cells surrounding the alveoli to squeeze milk into the duct system. Oxytocin is also necessary for the milk ejection reflex, or let-down to occur, let-down occurs in response to the babys suckling, though it also may be a conditioned response, e. g. to the cry of the baby
Breastfeeding
–
A baby breastfeeding
Breastfeeding
–
Himba woman and child
Breastfeeding
–
Newborn rests as caregiver checks breath sounds
Breastfeeding
–
Rooming-in bassinet
29.
Aegis
–
The aegis or aigis, as stated in the Iliad, is carried by Athena and Zeus, but its nature is uncertain. It had been interpreted as a skin or a shield. There may be a connection with a deity named Aex or Aix, a daughter of Helios, the aegis of Athena is referred to in several places in the Iliad. It produced a sound as from a myriad roaring dragons and was borne by Athena in battle, the modern concept of doing something under someones aegis means doing something under the protection of a powerful, knowledgeable, or benevolent source. The word aegis is identified with protection by a force with its roots in Greek mythology and adopted by the Romans, there are parallels in Norse mythology. Where the Greek word aegis is applied by extension, some of the Attic vase-painters retained an archaic tradition that the tassels had originally been serpents in their representations of the aegis. When the Olympian deities overtook the older deities of Greece and she was born of Metis and re-born through the head of Zeus fully clothed, when the Olympian shakes the aegis, Mount Ida is wrapped in clouds, the thunder rolls and men are struck down with fear. Aegis-bearing Zeus, as he is in the Iliad, sometimes lends the fearsome aegis to Athena. In the Iliad when Zeus sends Apollo to revive the wounded Hector, Apollo, holding the aegis, charges the Achaeans, according to Edith Hamiltons Mythology, Timeless Tales of Gods and Heroes, the Aegis is the breastplate of Zeus, and was awful to behold. However, Zeus is normally portrayed in sculpture holding a thunderbolt or lightning, bearing neither a shield nor a breastplate. Classical Greece interpreted the Homeric aegis usually as a cover of some kind borne by Athena, the Douris cup shows that the aegis was represented exactly as the skin of the great serpent, with its scales clearly delineated. John Tzetzes says that aegis was the skin of the monstrous giant Pallas whom Athena overcame and whose name she attached to her own. The aegis appears in works of art sometimes as an animals skin thrown over Athenas shoulders and arms, occasionally with a border of snakes, usually bearing the Gorgon head. In some pottery it appears as a cover over Athenas dress. It is sometimes represented on the statues of Roman emperors, heroes, and warriors, herodotus thought he had identified the source of the ægis in ancient Libya, which was always a distant territory of ancient magic for the Greeks. Athenes garments and ægis were borrowed by the Greeks from the Libyan women, in this context, Graves identifies the aegis as clearly belonging first to Athena. The Greek αἰγίς aigis, has many meanings including, violent windstorm, the shield of a deity as described above. Goatskin coat, from treating the word as meaning something grammatically feminine pertaining to goat, Greek αἴξ aix = goat, + suffix -ίς -is
Aegis
–
The aegis on the Lemnian Athena of
Phidias, represented by a cast at the
Pushkin Museum
Aegis
–
Athena's aegis, bearing the Gorgon, here resembles closely the skin of the great serpent who guards the golden fleece (regurgitating Jason); cup by Douris, Classical Greece, early fifth century BC—
Vatican Museum
Aegis
–
First century BC
mosaic of Alexander the Great wearing the aegis on a
mosaic from Pompeii (
Naples National Archaeological Museum)
Aegis
–
Augustus is shown with an aegis thrown over his shoulder as a divine attribute in the
Blacas Cameo; the hole for the head appears at the point of his shoulder.
