1.
Shen ring
–
A shen ring is a circle with a line at a tangent to it, which was represented in hieroglyphs as a stylised loop of a rope. The word shen itself means, in ancient Egyptian, encircle, while the shen ring represented eternal protection, in its elongated form the shen ring became the cartouche which enclosed and protected a royal name. The Shen ring is most often carried by the falcon god Horus. It was used as early as the dynasty where it can be seen in the reliefs from Djosers Step Pyramid complex. The symbol could be stretched to contain other objects, which were understood as being eternally protected by the shen ring. When it contained the name of the pharaoh the symbol became the cartouche, the word shen itself means, in Egyptian, encircle. The Shen ring is the shenu, the Goddess Heqet, is often seated on a shenu. For Eternity, the renpit, papyrus stalk is usually based on top of a Shen ring, the Shen ring is often attached to various types of staffs, the staff of authority, or power, symbolizing the Eternal authority of that power. The Goddess Isis, and the Goddess Nekhbet are often shown kneeling, the Hawk, and the Vulture have the shenu in their talons, wings outstretched, over the scene portrayed. The Horus with Outstretched Wings, shenus in its talons, is an example from the Louvre of a Pectoral Brooch, possibly for royalty
Shen ring
–
Horus,
(Louvre Museum), 'Shen rings' in his grasp.
Shen ring
–
Kom Ombo, Goddess
Nekhbet, staff, with Shen ring.
Shen ring
–
Artifact at the
Louvre Museum, France
Shen ring
–
Detail of pillar at the
Temple of Kom Ombo
2.
Egyptian hieroglyphs
–
Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
–
A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
–
Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
–
The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
–
Hieroglyphs typical of the Graeco-Roman period
3.
Predynastic
–
This Predynastic era is traditionally equivalent to the final part of the Neolithic period beginning c.6000 BC and corresponds to the Naqada III period. The Predynastic period is divided into cultural periods, each named after the place where a certain type of Egyptian settlement was first discovered. The Late Paleolithic in Egypt started around 30,000 BC, the Nazlet Khater skeleton was found in 1980 and dated in 1982 from nine samples ranging between 35,100 and 30,360 years. This specimen is the only complete human skeleton from the earliest Late Stone Age in Africa. Excavation of the Nile has exposed early stone tools, the earliest of these lithic industries were located within the 100-foot terrace, and were Chellean, primitive Acheulean and an Egyptian form of the Clactonian. Within the 50-foot terrace was developed Acheulean, originally reported as Early Mousterian but since changed to Levalloisean, other implements were located in the 30-foot terrace. The 15- and 10-foot terraces saw a more developed version of the Levalloisean, finally, tools of the Egyptian Sebilian technology and an Egyptian version of the Aterian technology were also located. Some of the oldest known buildings were discovered in Egypt by archaeologist Waldemar Chmielewski along the border near Wadi Halfa. They were mobile structures—easily disassembled, moved, and reassembled—providing hunter-gatherers with semi-permanent habitation, Aterian tool-making reached Egypt c.40,000 BC. The Khormusan industry in Egypt began between 40,000 and 30,000 BC, khormusans developed advanced tools not only from stone but also from animal bones and hematite. They also developed small arrow heads resembling those of Native Americans, the end of the Khormusan industry came around 16,000 B. C. with the appearance of other cultures in the region, including the Gemaian. The Halfan culture flourished along the Nile Valley of Egypt and Nubia between 18,000 and 15,000 BC, though one Halfan site dates to before 24,000 BC, people survived on a diet of large herd animals and the Khormusan tradition of fishing. Greater concentrations of artifacts indicate that they were not bound to seasonal wandering and they are viewed as the parent culture of the Ibero-Maurusian industry, which spread across the Sahara and into Spain. The Halfan culture was derived in turn from the Khormusan, which depended on specialized hunting, fishing, the primary material remains of this culture are stone tools, flakes, and a multitude of rock paintings. Qadan peoples developed sickles and grinding stones to aid in the collecting and processing of plant foods prior to consumption. However, there are no indications of the use of these tools after around 10,000 BC, in Egypt, analyses of pollen found at archaeological sites indicate that the Sebilian culture were gathering wheat and barley. It has been hypothesized that the sedentary lifestyle used by farmers led to increased warfare, continued expansion of the desert forced the early ancestors of the Egyptians to settle around the Nile more permanently and adopt a more sedentary lifestyle. The period from 9000 to 6000 BC has left little in the way of archaeological evidence
Predynastic
–
Predynastic artifacts: clockwise from top left: a
Bat figurine, a Naqada jar, an ivory figurine, cosmetic palette, a
flint knife, and a
diorite vase.
Predynastic
–
Female Figure, ca. 3500-3400 B.C.E. Terracotta, painted, 11 1/2 x 5 1/2 x 2 1/4 in. (29.2 x 14 x 5.7 cm).
Brooklyn Museum
Predynastic
–
A typical Naqada II pot with ship theme
4.
Goddess
–
A goddess is a female deity in polytheistic religions. Goddesses most often have characteristics that are apotheosize in their pure form. However, in some cases goddesses may embody neutral forms personifying both male and female characteristics, or they may even exhibit traits that are associated with the male gender. In some faiths, a female figure holds a central place in religious prayer. For example, Shaktism, the worship of the force that animates the world, is one of the three major sects of Hinduism. Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods and these deities may be part of a pantheon, or different regions may have tutelary deities. The reconstructionists, like their ancient forebears, honour the deities particular to their country of origin, the noun goddess is a secondary formation, combining the Germanic god with the Latinate -ess suffix. It first appeared in Middle English, from about 1350, the English word follows the linguistic precedent of a number of languages—including Egyptian, Classical Greek, and several Semitic languages—that add a feminine ending to the languages word for god. Joseph Campbell in The Power of Myth, a 1988 interview with Bill Moyers, links the image of the Earth or Mother Goddess to symbols of fertility and reproduction. For example, Campbell states that, There have been systems of religion where the mother is the prime parent, and in Egypt you have the Mother Heavens, the Goddess Nut, who is represented as the whole heavenly sphere. Joseph Campbell, Well that was associated primarily with agriculture and the agricultural societies and it has to do with the earth. The human woman gives birth just as the earth gives birth to the plants. so woman magic, and the personification of the energy that gives birth to forms and nourishes forms is properly female. It is in the world of ancient Mesopotamia, the Egyptian Nile. Campbell also argues that the image of the Virgin Mary was derived from the image of Isis and her child Horus, other Mesopotamian goddesses include Ninhursag, Ninlil, Antu, Gaga Goddesses of the Canaanite religion, Baalat Gebal, Astarte, Anat. Cybele, Her Hittite name was Kubaba, but her name changed to Cybele in Phrygian and Roman culture and her effect can be also seen on Artemis as the Lady of Ephesus. Hebat, Mother Goddess of the Hittite pantheon and wife of the sky god. She was the origin of the Hurrian cult, arinniti, Hittite Goddess of the sun. She became patron of the Hittite Empire and monarchy, leto, A mother Goddess figure in Lykia
Goddess
–
Aphrodite is the Ancient Greek goddess of beauty and love.
Goddess
–
The head of an
Egyptian goddess. The gender is suggested by the lack of a beard, and the simple hairstyle points to the divine status of the subject.
Goddess
–
A statue of the Egyptian war goddess
Neith wearing the
Deshret crown of northern (lower) Egypt, which bears the
cobra of
Wadjet.
Goddess
–
Statue of
Ceres, the
Roman goddess of
agriculture
5.
Egyptian mythology
–
Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion, Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain an account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat, events from the present that might be regarded as myths include Ras daily journey through the world and its otherworldly counterpart, the Duat. The details of these sacred events differ greatly from one text to another, Egyptian myths are primarily metaphorical, translating the essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians understanding of the gods and it inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, in literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that the Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace, Egyptologists must make educated guesses about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians natural surroundings, thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption, unusually low floods resulted in famine, the hospitable Nile valley was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an place of stability, or maat. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought, another possible source for mythology is ritual. Many rituals make reference to myths and are based directly on them. But it is difficult to determine whether a cultures myths developed before rituals or vice versa, questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths, rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, but because the early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called magical, the myth, many of the myth-like stories that appear in the rituals texts are not found in other sources
Egyptian mythology
–
Nun, the embodiment of the primordial waters, lifts the
barque of the sun god
Ra into the sky at the moment of creation.
Egyptian mythology
–
The sky depicted as a cow goddess supported by other deities. This image combines several coexisting visions of the sky: as a roof, as the surface of a sea, as a cow, and as a goddess in human form.
Egyptian mythology
–
Temple decoration at
Dendera, depicting the goddesses Isis and
Nephthys watching over the corpse of their brother
Osiris
Egyptian mythology
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
6.
Nekheb
–
El Kab is an Upper Egyptian site on the east bank of the Nile at the mouth of the Wadi Hillal about 80 kilometres south of Luxor. El Kab was called Nekheb in the Egyptian language, a name that refers to Nekhbet, however, Belgian archaeologists took over the project in 1937, and it has remained in their hands since then. Much of the research done at this site took place within the enclosure of El-Kab. However, since the 1980s the work has shifted more to the north and north east of the town. El-Kab is in Upper Egypt, located on the east side of the Nile River, almost to the opposite of Hierakonpolis, during Quibells first excavation, most of the work was done in the cemetery east of the town. There Quibell found many buried skeletons, all with their heads pointing towards the north and this being the earliest cemetery at the site, pots, bead, paint slabs and mirrors were found in these burials, but no papyrus or text were found anywhere. Its massive mudbrick walls, dating to the Late Period and thought to have built by Nectanebo II as a defensive measure, are still largely preserved. They enclose an area of about 25,000 square metres, the necropolis has some important tombs, showing the early history of the Eighteenth Dynasty and the reunification of Egypt. The style of the early Eighteenth Dynasty wallpaintings anticipates that of the first New Kingdom nobles tombs at Thebes. All that remains of the buildings are the lower parts of the walls of the houses. Coins from the first to fourth century were recovered along with Demotic Greek, one of the discoveries at the site that Quibell questioned the most during his dig was the walls that surrounded the Serdab. In 1921, an article titled El-Kab and the Great Wall was published in The Journal of Egyptian Archaeology and this last wall mentioned surrounds a plot of land that had never actually been inhabited. After some time, because the movement of the Nile River towards the city had threatened to destroy the construction, the original wall around the city could no longer be useful. The Egyptians had to construct a new wall, farther from the Nile, so that the people could continue to build their houses, James Breasted also mentions these walls in an account he wrote of the site in 1897. In his article he states with admiration that, it is the city of remote antiquity the walls of which still stand almost intact. He then goes on to describe these walls as sun baked brick that are laid thirty-eight feet thick, in 1967 Pierre Vermeersch discovered a series of well-stratified Epipaleolithic campsites. Since the 1980s, even more discoveries have been made, the surrounding hills are inscribed with petroglyphs that range in time period, from Predynastic to Islamic times, not to mention hieroglyphics that also vary in date. At first, many thought these inscriptions to be similar to modern day graffiti – random phrases written by passerby, however, once further studied, it was realized that these phrases are actually short texts that mention the inhabitants of the town
Nekheb
–
Temple of Amenhotep III at El Kab
Nekheb
–
Eileithuia / el-Kab
7.
Upper Egypt
–
Upper Egypt is the strip of land on both sides of the Nile that extends between Nubia and downriver to Lower Egypt. Upper Egypt is between the Cataracts of the Nile above modern-day Aswan, downriver to the area between Dahshur and El-Ayait, which is south of modern-day Cairo, the northern part of Upper Egypt, between Sohag and El-Ayait, is also known as Middle Egypt. In Arabic, inhabitants of Upper Egypt are known as Saidis, in ancient Egypt, Upper Egypt was known as tꜣ šmꜣw, literally the Land of Reeds or the Sedgeland It was divided into twenty-two districts called nomes. The first nome was roughly where modern-day Aswan is and the twenty-second was at modern Atfih just to the south of Cairo, the main city of prehistoric Upper Egypt was Nekhen, whose patron deity was the vulture goddess Nekhbet. By about 3600 BC, Neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC, Egyptian society began to grow and increase in complexity. A new and distinctive pottery, which was related to the Levantine ceramics, extensive use of copper became common during this time. The Mesopotamian process of sun-drying adobe and architectural principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, for most of pharaonic Egypts history, Thebes was the administrative center of Upper Egypt. After its devastation by the Assyrians, its importance declined, under the Ptolemies, Ptolemais Hermiou took over the role of Upper Egypts capital city. Upper Egypt was represented by the tall White Crown Hedjet, and its symbols were the flowering lotus, in the 11th century, large numbers of pastoralists, known as Hilalians, fled Upper Egypt and moved westward into Libya and as far as Tunis. It is believed that degraded grazing conditions in Upper Egypt, associated with the beginning of the Medieval Warm Period, were the cause of the migration. In the 20th-century Egypt, the title Prince of the Said was used by the apparent to the Egyptian throne. Although the Kingdom of Egypt was abolished after the Egyptian revolution of 1952, media related to Upper Egypt at Wikimedia Commons
Upper Egypt
–
Iry-Hor
Upper Egypt
–
Ka
Upper Egypt
–
King Scorpion
8.
Ancient Egypt
–
Ancient Egypt was a civilization of ancient Northeastern Africa, concentrated along the lower reaches of the Nile River in what is now the modern country of Egypt. It is one of six civilizations to arise independently, Egyptian civilization followed prehistoric Egypt and coalesced around 3150 BC with the political unification of Upper and Lower Egypt under the first pharaoh Narmer. In the aftermath of Alexander the Greats death, one of his generals, Ptolemy Soter and this Greek Ptolemaic Kingdom ruled Egypt until 30 BC, when, under Cleopatra, it fell to the Roman Empire and became a Roman province. The success of ancient Egyptian civilization came partly from its ability to adapt to the conditions of the Nile River valley for agriculture, the predictable flooding and controlled irrigation of the fertile valley produced surplus crops, which supported a more dense population, and social development and culture. Its art and architecture were widely copied, and its antiquities carried off to far corners of the world and its monumental ruins have inspired the imaginations of travelers and writers for centuries. The Nile has been the lifeline of its region for much of human history, nomadic modern human hunter-gatherers began living in the Nile valley through the end of the Middle Pleistocene some 120,000 years ago. By the late Paleolithic period, the climate of Northern Africa became increasingly hot and dry. In Predynastic and Early Dynastic times, the Egyptian climate was less arid than it is today. Large regions of Egypt were covered in treed savanna and traversed by herds of grazing ungulates, foliage and fauna were far more prolific in all environs and the Nile region supported large populations of waterfowl. Hunting would have been common for Egyptians, and this is also the period when many animals were first domesticated. The largest of these cultures in upper Egypt was the Badari, which probably originated in the Western Desert, it was known for its high quality ceramics, stone tools. The Badari was followed by the Amratian and Gerzeh cultures, which brought a number of technological improvements, as early as the Naqada I Period, predynastic Egyptians imported obsidian from Ethiopia, used to shape blades and other objects from flakes. In Naqada II times, early evidence exists of contact with the Near East, particularly Canaan, establishing a power center at Hierakonpolis, and later at Abydos, Naqada III leaders expanded their control of Egypt northwards along the Nile. They also traded with Nubia to the south, the oases of the desert to the west. Royal Nubian burials at Qustul produced artifacts bearing the oldest-known examples of Egyptian dynastic symbols, such as the crown of Egypt. They also developed a ceramic glaze known as faience, which was used well into the Roman Period to decorate cups, amulets, and figurines. During the last predynastic phase, the Naqada culture began using written symbols that eventually were developed into a system of hieroglyphs for writing the ancient Egyptian language. The Early Dynastic Period was approximately contemporary to the early Sumerian-Akkadian civilisation of Mesopotamia, the third-century BC Egyptian priest Manetho grouped the long line of pharaohs from Menes to his own time into 30 dynasties, a system still used today
Ancient Egypt
–
The
Great Sphinx and the
pyramids of Giza are among the most recognizable symbols of the civilization of ancient Egypt.
Ancient Egypt
–
A typical Naqada II jar decorated with gazelles. (Predynastic Period)
Ancient Egypt
–
The
Narmer Palette depicts the unification of the Two Lands.
9.
Oracle
–
In classical antiquity, an oracle was a person or agency considered to provide wise and insightful counsel or prophetic predictions or precognition of the future, inspired by the gods. As such it is a form of divination, the word oracle comes from the Latin verb ōrāre to speak and properly refers to the priest or priestess uttering the prediction. In extended use, oracle may also refer to the site of the oracle, Oracles were thought to be portals through which the gods spoke directly to people. In this sense they were different from seers who interpreted signs sent by the gods through bird signs, animal entrails, the most important oracles of Greek antiquity were Pythia, priestess to Apollo at Delphi, and the oracle of Dione and Zeus at Dodona in Epirus. Other temples of Apollo were located at Didyma on the coast of Asia Minor, at Corinth and Bassae in the Peloponnese, the Sibylline Oracles are a collection of oracular utterances written in Greek hexameters ascribed to the Sibyls, prophetesses who uttered divine revelations in frenzied states. Walter Burkert observes that Frenzied women from whose lips the god speaks are recorded in the Near East as in Mari in the second millennium BC, in Egypt the goddess Wadjet was depicted as a snake-headed woman or a woman with two snake-heads. Her oracle was in the temple in Per-Wadjet. The oracle of Wadjet may have been the source for the tradition which spread from Egypt to Greece. Evans linked Wadjet with the Minoan snake goddess, a chthonic deity, in Greece the old oracles were devoted to the Mother Goddess. At the oracle of Dodona she will be called Diōnē, who represents the earth-fertile soil, python, daughter of Gaia was the earth dragon of Delphi represented as a serpent and became the chthonic deity, enemy of Apollo, who slew her and possessed the oracle. The Pythia was the mouthpiece of the oracles of the god Apollo, the Pythia was not conceived to be infallible and in fact, according to Sourvinou-Inwood in What is Polis Religion. The ancient Greeks were aware of this and concluded the unknowability of the divine, in this way, the ‘revelations’ of the Oracles were not seen as ‘objective’ truth. Many wealthy individuals bypassed the hordes of people attempting a consultation by making additional animal sacrifices to please the oracle lest their request go unanswered, as a result, seers were the main source of everyday divination. It is from this institution that the English word, oracle, is derived, the Delphic Oracle exerted considerable influence throughout Hellenic culture. Distinctively, this female was essentially the highest authority both civilly and religiously in male-dominated ancient Greece and she responded to the questions of citizens, foreigners, kings, and philosophers on issues of political impact, war, duty, crime, laws—even personal issues. The semi-Hellenic countries around the Greek world, such as Lydia, Caria, Croesus, king of Lydia beginning in 560 B. C. tested the oracles of the world to discover which gave the most accurate prophecies. He sent out emissaries to seven sites who were all to ask the oracles on the day what the king was doing at that very moment. Croesus proclaimed the oracle at Delphi to be the most accurate, who reported that the king was making a lamb-and-tortoise stew
Oracle
–
Oracle bone of the
Shang Dynasty, ancient China
Oracle
–
Consulting the Oracle by
John William Waterhouse, showing eight priestesses in a temple of prophecy.
10.
Necropolis
–
A necropolis is a large, designed cemetery with elaborate tomb monuments. The name stems from the Ancient Greek νεκρόπολις nekropolis, literally meaning city of the dead, the term usually implies a separate burial site at a distance from a city, as opposed to tombs within cities, which were common in various places and periods of history. They are different from fields, which did not have remains above the ground. While the word is most commonly used for ancient sites, the name was revived in the early 19th century and applied to planned city cemeteries, such as the Glasgow Necropolis. Aside from the pyramids which were reserved for the burial of Pharaohs the Egyptian necropoleis included mastabas, naqsh-e Rustam is an ancient necropolis located about 12 km northwest of Persepolis, in Fars Province, Iran. The oldest relief at Naqsh-i Rustam dates to c.1000 BC, though it is severely damaged, it depicts a faint image of a man with unusual head-gear and is thought to be Elamite in origin. The depiction is part of an image, most of which was removed at the command of Bahram II. Four tombs belonging to Achaemenid kings are carved out of the face at a considerable height above the ground. The tombs are known locally as the Persian crosses, after the shape of the facades of the tombs, later, Sassanian kings added a series of rock reliefs below the tombs. In the Mycenean Greek period pre-dating ancient Greece burials could be performed inside the city, in Mycenae for example the royal tombs were located in a precinct within the city walls. This changed during the ancient Greek period when necropoleis usually lined the roads outside a city, there existed some degree of variation within the ancient Greek world however. Sparta was notable for continuing the practice of burial within the city, the Etruscans took the concept of a city of the dead quite literally. The typical tomb at the Banditaccia necropolis at Cerveteri consists of a tumulus which covers one or more rock-cut subterranean tombs and these tombs had multiple chambers and were elaborately decorated like contemporary houses. The arrangement of the tumuli in a grid of streets gave it a similar to the cities of the living. The art historian Nigel Spivey considers the name cemetery inadequate and argues that only the term necropolis can do justice to these burial sites. Etruscan necropoleis were located on hills or slopes of hills. In ancient Rome families originally buried deceased relatives in their own homes because of the Roman practice of ancestor worship, the enactment of the Twelve Tables in 449 BC forbade this, which made the Romans adopt the practice of burial in necropoleis. List of necropoleis Funerary art Catacombs
Necropolis
–
Mastabas in the
Giza Necropolis with the
Pyramid of Khafre in the background.
Necropolis
–
Naqsh-e Rustam. The order of the tombs in Naqshe-e Rustam, from left to right is:
Darius II,
Artaxerxes I,
Darius I,
Xerxes I.
Necropolis
–
Tumuli are placed along a street in the Banditaccia necropolis of
Cerveteri.
11.
Nekhen
–
Nekhen /ˈnɛkən/ or Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period. Some authors suggest occupation dates that should begin thousands of years earlier, Nekhen was the center of the cult of a hawk deity, Horus of Nekhen, which raised in this city one of the most ancient Egyptian temples. It retained its importance as the center for this divine patron of the kings long after the site had otherwise declined. The first settlement at Nekhen dates from either the predynastic Amratian culture or perhaps during the late Badari culture, at its height from about 3400 BC, Nekhen had at least 5000 and possibly as many as 10,000 inhabitants. The ruins of the city originally were excavated toward the end of the century by the English archaeologists James Quibell. Quibell and Green discovered the Main Deposit, a foundation deposit beneath the temple, Quibell was originally trained under Flinders Petrie, the father of modern Egyptology. However, he failed to follow Petries methods and the temple was a site to excavate to begin with, so his excavation was poorly conducted. Specifically, the context of the items therein is poorly recorded and often the reports of Quibell. The most famous artifact commonly associated with the deposit, the Narmer Palette, is now thought to have probably not been in the main deposit at all. Quibells report made in 1900 put the palette in the deposit, Greens version is substantiated by earlier field notes, so it is now the accepted record of events. The main deposit dates to the early Old Kingdom, but the style of the objects in the deposit indicate that they were from Naqada III and were moved into the deposit at a later date. The other important item in the deposit clearly dates to the late prehistoric and this object, the Scorpion Macehead, depicts a king known only by the ideogram for scorpion, now called Scorpion II, participating in what seems to be a ritual irrigation ceremony. Renee Friedman representing the University of California, Berkeley and the British Museum until Barbara Adamss death in 2001, the structure at Nekhen with the misnomer fort is a massive mud-brick enclosure built by Pharaoh Khasekhemwy of the Second Dynasty. It appears to be similar in structure and purpose as the constructed at Abydos. The true function of these structures is unknown, but they seem to be related to the rituals of kingship, the ritual structure was built on a prehistoric cemetery. The excavations there, as well as the work of later brick robbers, have undermined the walls. For two years, during 2005 and 2006, the led by Friedman was attempting to stabilize the existing structure. Other discoveries at Nekhen include Tomb 100, the oldest tomb with painted decoration on its plaster walls, the sepulchre is thought to date to the Gerzeh culture
Nekhen
–
The painted tomb of Nekhen.
12.
Early Dynastic Period of Egypt
–
The Archaic or Early Dynastic Period of Egypt is the era immediately following the unification of Upper and Lower Egypt c.3100 BC. It is generally taken to include the First and Second Dynasties, lasting from the end of the Naqada III archaeological period until about 2686 BC, with the First Dynasty, the capital moved from Thinis to Memphis with a unified Egypt ruled by an Egyptian god-king. Abydos remained the holy land in the south. The hallmarks of ancient Egyptian civilization, such as art, architecture and many aspects of religion, before the unification of Egypt, the land was settled with autonomous villages. With the early dynasties, and for much of Egypts history thereafter, the pharaohs established a national administration and appointed royal governors. The buildings of the government were typically open-air temples constructed of wood or sandstone. The earliest Egyptian hieroglyphs appear just before this period, though little is known of the language they represent. By about 3600 BC, neolithic Egyptian societies along the Nile had based their culture on the raising of crops, shortly after 3600 BC Egyptian society began to grow and advance rapidly toward refined civilization. A new and distinctive pottery, which was related to the pottery in the Southern Levant, extensive use of copper became common during this time. The Mesopotamian process of sun-dried bricks, and architectural building principles—including the use of the arch, concurrent with these cultural advances, a process of unification of the societies and towns of the upper Nile River, or Upper Egypt, occurred. At the same time the societies of the Nile Delta, or Lower Egypt also underwent a unification process, warfare between Upper and Lower Egypt occurred often. During his reign in Upper Egypt, King Narmer defeated his enemies on the Delta, in mythology, the unification of Egypt is portrayed as the falcon-god, called Horus and identified with Lower Egypt, as conquering and subduing the god Set, who was identified with Upper Egypt. Divine kingship, which would persist in Egypt for the next three millennia, was established as the basis of Egypts government. The unification of societies along the Nile has also linked to the drying of the Sahara. Funeral practices for the peasants would have been the same as in predynastic times, thus, the Egyptians began construction of the mastabas which became models for the later Old Kingdom constructions such as the Step pyramid. Cereal agriculture and centralization contributed to the success of the state for the next 800 years and this would last for many centuries. It was also during this period that the Egyptian writing system was further developed, initially Egyptian writing had been composed primarily of a few symbols denoting amounts of various substances. By the end of the 3rd dynasty it had expanded to include more than 200 symbols
Early Dynastic Period of Egypt
–
A plate created during the Early Dynastic period of Ancient Egypt. It depicts a man on a boat alongside a
Hippopotamus and a
Crocodile
Early Dynastic Period of Egypt
–
Flag
13.
Naqada
–
Naqada is a town on the west bank of the Nile in the Egyptian governorate of Qena. It was known in Ancient Egypt as Nbwt and in antiquity as Ombos /ˈɒmˌbɒs/. Its name derives from ancient Egyptian nbw, meaning gold, on account of the proximity of gold mines in the Eastern Desert, Naqada comprises some villages such as Tukh, Khatara, Danfiq and Zawayda. It stands near the site of a necropolis from the prehistoric, pre-dynastic period around 4400–3000 BC, Naqada has given its name to the widespread Naqada culture that existed at the time, here, and at other sites including el Badari, Gerzeh and Nekhen. The large quantity of remains from Naqada have enabled the dating of the culture, throughout Egypt. The town was the centre of the cult of Set, Naqada I Naqada II Naqada III
Naqada
–
Naqada I bone figure with
lapis lazuli inlays.
British Museum
Naqada
–
Sickle made of flint, Egypt, Naqada period, end of the fourth millennium BC, Dagon Museum,
Haifa
14.
Badarian
–
The Badarian culture provides the earliest direct evidence of agriculture in Upper Egypt during the Predynastic Era. It flourished between 4400 and 4000 BCE, and might have emerged by 5000 BCE. It was first identified in El-Badari, Asyut Governorate, about forty settlements and six hundred graves have been located. Social stratification has been inferred from the burying of more members of the community in a different part of the cemetery. The Badarian economy was based mostly on agriculture, fishing and animal husbandry, tools included end-scrapers, perforators, axes, bifacial sickles and concave-base arrowheads. Remains of cattle, dogs and sheep were found in the cemeteries, wheat, barley, lentils and tubers were consumed. The culture is known from cemeteries in the low desert. The deceased were placed on mats and buried in pits with their heads usually laid to the south and this seems contiguous with the later dynastic traditions regarding the west as the land of the dead. The pottery that was buried with them is the most characteristic element of the Badarian culture and it had been given a distinctive, decorative rippled surface. Badari culture is so named because of its discovery at El-Badari and it is located between Matmar and Qau, approximately 200 km northwest of present-day Luxor. El-Badari includes numerous Predynastic cemeteries, as well as at least one early Predynastic settlement at Hammamia, the area stretches for 30 km along the east bank of the Nile. It was first excavated by Guy Brunton and Gertrude Caton-Thompson between 1922 and 1931, most of the local cemeteries have yielded distinctive pottery vessels, as well as terracotta and ivory anthropomorphic figures, slate palettes, stone vases and flint tools. The contents of Predynastic cemeteries at el-Badari have been subjected to a number of analyses attempting to clarify the chronology, populations in the Badari culture planted wheat and barley, and kept cattle, sheep, and goats. They fished from the Nile and hunted gazelle, little is known of their buildings, although remains of wooden stumps have been found at one site and may have been associated with a hut or shelter of unknown construction. Pits that have been found may have served as granaries, some Badarian sites also show evidence of later predynastic use. Badarian grave goods were relatively simple and the deceased wrapped in reed matting or animal skins, green malachite ore, perhaps for personal decoration, has also been detected on stone palettes. Basalt vases found at Badari sites were most likely traded up the river from the Delta region or from the northwest, shells came in quantities from the Red Sea. Turquoise possibly came from Sinai, copper from the North, a Syrian connection is suggested for a four-handled pot of hard pink ware
Badarian
–
Ancient Badari figure of a woman with incised features (c. 4000 BC), carved out of
hippopotamus ivory, held at the British Museum. This type of figure is found in burials of both Badarian men and women, the earliest identifiable culture in Predynastic Egypt.
15.
Priest
–
A priest or priestess, is a person authorized to perform the sacred rituals of a religion, especially as a mediatory agent between humans and one or more deities. They also have the authority or power to administer religious rites, in particular, rites of sacrifice to, and propitiation of and their office or position is the priesthood, a term which also may apply to such persons collectively. The necessity to read sacred texts and keep temple or church records helped foster literacy in early societies. Priests exist in many religions today, such as all or some branches of Judaism, Christianity, the question of which religions have a priest depends on how the titles of leaders are used or translated into English. In some cases, leaders are more like those that other believers will often turn to for advice on spiritual matters, for example, clergy in Roman Catholicism and Eastern Orthodoxy are priests, but in Protestant Christianity they are typically minister and pastor. The terms priest and priestess are sufficiently generic that they may be used in a sense to describe the religious mediators of an unknown or otherwise unspecified religion. In many religions, being a priest or priestess is a full-time position, many Christian priests and pastors choose or are mandated to dedicate themselves to their churches and receive their living directly from their churches. In other cases it is a part-time role, for example, in the early history of Iceland the chieftains were titled goði, a word meaning priest. In some religions, being a priest or priestess is by election or human choice. In Judaism the priesthood is inherited in familial lines, in a theocracy, a society is governed by its priesthood. The word priest, is derived from Greek, via Latin presbyter. Old High German also has the disyllabic priester, priestar, apparently derived from Latin independently via Old French presbtre, the Latin presbyter ultimately represents Greek presbyteros, the regular Latin word for priest being sacerdos, corresponding to Greek hiereus. That English should have only the term priest to translate presbyter. The feminine English noun, priestess, was coined in the 17th century, in the 20th century, the word was used in controversies surrounding the ordination of women. In the case of the ordination of women in the Anglican communion, it is common to speak of priests. In historical polytheism, a priest administers the sacrifice to a deity, in the Ancient Near East, the priesthood also acted on behalf of the deities in managing their property. Priestesses in antiquity often performed sacred prostitution, and in Ancient Greece, some such as Pythia, priestess at Delphi. Sumerian and Akkadian Entu or EN were top-ranking priestesses who were distinguished with special ceremonial attire and they owned property, transacted business, and initiated the hieros gamos ceremony with priests and kings
Priest
–
A
vajracharya (thunderbolt-carrier), a
Newar Buddhist priest.
Priest
–
Modern
Maya priest performing a healing.
Priest
–
Vestal Virgin priestess of
Ancient Rome
Priest
–
Antonia Minor as a priestess of
Ceres (36 BCE–37 CE)
16.
Tutelary deity
–
A tutelary is a deity or spirit who is a guardian, patron or protector of a particular place, geographic feature, person, lineage, nation, culture or occupation. One type of deity is the genius, the personal deity or daimon of an individual from birth to death. Another form of personal tutelary spirit is the spirit of European folklore. Socrates spoke of hearing the voice of his spirit or daimonion. This sign I have had ever since I was a child, the Greeks also thought deities guarded specific places, for instance, Athena was the patron goddess of the city of Athens. Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion, the tutelary deity of a man was his Genius, or that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperial cult, an emperor might also adopt a major deity as his personal patron or tutelary, as Augustus did Apollo. Each town or city had one or more deities, whose protection was considered particularly vital in time of war. Rome itself was protected by a goddess whose name was to be kept secret on pain of death. The Capitoline Triad of Juno, Jupiter, and Minerva were also tutelaries of Rome, the Italic towns had their own tutelary deities. Juno often had this function, as at the Latin town of Lanuvium and the Etruscan city of Veii, the tutelary deity of Praeneste was Fortuna, whose oracle was renowned. The depiction of some such as the Magna Mater as tower-crowned represents their capacity to preserve the city. Tutelary deities were also attached to sites of a smaller scale, such as storerooms, crossroads. The poet Martial lists the tutelary deities who watch over various aspects of his farm, the Lares Compitales were the tutelary gods of a neighborhood, each of which had a compitum devoted to these. During the Republic, the cult of local or neighborhood tutelaries sometimes became rallying points for political and social unrest, chinese folk religion, both past and present, includes a myriad of tutelary deities. Exceptional individuals may become deified after death, guan Yu is a well-known tutelary. In Korean shamanism, jangseung and sotdae were placed at the edge of villages to frighten off demons and they were also worshiped as deities. In Shinto, the spirits, or kami, which life to human bodies come from nature
Tutelary deity
–
The
mural crown of
Cybele represents the walls of the city she protects
Tutelary deity
–
Lararium depicting tutelary deities of the house: the ancestral Genius (center) flanked by two Lares, with a guardian serpent below
Tutelary deity
–
Ready-made
spirit houses for the Chao Thi in
Thailand
17.
Wadjet
–
Wadjet, known to the Greek world as Uto among other names, was originally the ancient local goddess of the city of Dep. She was said to be the patron and protector of Lower Egypt and upon unification with Upper Egypt, the image of Wadjet with the sun disk is called the uraeus, and it was the emblem on the crown of the rulers of Lower Egypt. She was also the protector of kings and of women in childbirth and her oracle was in the renowned temple in Per-Wadjet that was dedicated to her worship and gave the city its name. This oracle may have been the source for the tradition that spread to Greece from Egypt. The Going Forth of Wadjet was celebrated on December 25 with chants, an annual festival held in the city celebrated Wadjet on April 21. Other important dates for special worship of her were June 21, the Summer Solstice and she also was assigned the fifth hour of the fifth day of the moon. Wadjet was closely associated in the Egyptian pantheon with the Eye of Ra, the hieroglyph for her eye is shown below, sometimes two are shown in the sky of religious images. Per-Wadjet also contained a sanctuary of Horus, the child of the sun deity who would be interpreted to represent the pharaoh, much later, Wadjet became associated with Isis as well as with many other deities. The name Wadjet is derived from the term for the symbol of her domain, Lower Egypt and her name means papyrus-colored one, as wadj is the Ancient Egyptian word for the color green and the et is an indication of her gender. Eventually, Wadjet was claimed as the goddess and protector of the whole of Lower Egypt and became associated with Nekhbet, depicted as a white vulture. After the unification the image of Nekhbet joined Wadjet on the crown, the Ancient Egyptian word Wadj signifies blue and green. It is also the name for the well-known Eye of the Moon, indeed, in later times, she was often depicted simply as a woman with a snakes head, or as a woman wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity, Wadjet was depicted as a cobra. As patron and protector, later Wadjet often was shown coiled upon the head of Ra, in order to act as his protection, this image of her became the uraeus symbol used on the royal crowns as well. This is an image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus. Her image also rears up from the staff of the poles that are used to indicate deities, as seen in the hieroglyph for uraeus above. An interpretation of the Milky Way was that it was the snake, Wadjet. In this interpretation she was associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut
Wadjet
–
Two images of Wadjet appear on this carved wall in the
Hatshepsut Temple at
Luxor
Wadjet
–
Blue-glazed Wadjet amulet
Wadjet
–
Wadjet as Wadjet-Bast, depicted as the body of a woman with a lioness head, wearing the uraeus
18.
Two Ladies
–
When the two parts of Egypt were joined together, there was no merger of these deities as often occurred with similar deities from various regions and cities. Both goddesses were retained because of the importance of their roles, after the unification, the image of Nekhbet joined Wadjet on the uraeus, thereafter, they were shown together as part of the crowns of Egypt. An example of one is shown in the photograph to the right, the two ladies were responsible for establishing the laws, protecting the rulers and the Egyptian country, and promoting peace. An example of the use of term in text references may be found in the following commemoration of a military campaign under pharaoh Amenhotep III recorded on three stelas carved from rock. In the text he is referred to as Nebmaatra and they are from his fifth year and were found near Aswan and Sai Island in Nubia. Regnal Year 5, third month of Inundation, day 2. appearing in truth, Two Ladies, Who laws and the Two Lands. King of Upper and Lower Egypt, Nebmaatra, heir of Ra, Son of Ra. came to tell, led on to victory, he completed it in his first campaign of victory. Reached them like the wing stroke of a falcon, ikheny, the boaster in the midst of the army, did not know the lion that was before him. She was depicted as a lioness and the pharaoh-as-warrior was said to be her son, therefore, Bast was her counterpart in one of the two lands, but after unification, Sekhmet remained as the fierce warrior and Bast was assigned other duties in the Egyptian pantheon. These three deities were the strongest patrons of Ancient Egypt, the use of the image of the patron goddesses on the uraeus was retained even during the rule of Akhenaten, who suppressed the worship of all deities except his own personally chosen favorite, Aten. In this way he differed from no other pharaoh and the importance of traditional deities persisted subtly throughout his reign. As soon as his reign ended, the ancient religious traditions were restored fully and even, on the central portion of the Menat necklace displayed above, the two ladies flank a statue of Sekhmet, who is being propitiated by the pharaoh in a temple ceremony. The placement of them alongside her in the temple of the goddess, demonstrates the authority with which she always was associated. The nebty name, literally meaning, two ladies, is one of the titles of an Egyptian pharaoh, following the naming convention used by the Ancient Egyptians. Typically, this name is not framed by a cartouche or serekh, but always begins with the hieroglyphs of a vulture and a cobra, each resting upon a basket, symbolizing the dual noun nebty. The rest of the title varies with each pharaoh, and would have read, he/she of the Two Ladies. Translation of the nebty name for a pharaoh often is abbreviated, omitting the phrase above that begins each nebty name, in the relief to the right the two goddesses are shown crowning a Ptolemaic pharaoh with the double crown derived from the combination of their separate crowns. The Two Ladies are represented as women, in the way as some other Ancient Egyptian goddesses
Two Ladies
–
Alabaster vase inscribed with the Nebty -name of Semerkhet, earliest known pharaoh to use this name.
Two Ladies
–
Image from a ritual
Menat necklace, depicting a ritual being performed before a statue of
Sekhmet on her throne where she is flanked by the goddess
Wadjet as the
cobra and the goddess
Nekhbet as the
griffon vulture, symbols of lower and upper Egypt respectively; the supplicant holds a complete
menat and a
sistrum for the ritual, circa 870 B.C. (Berlin, Altes Museum, catalogue number 23733)
Two Ladies
–
Royal titulary
19.
Ancient Egyptian royal titulary
–
The royal titulary or royal protocol of an Egyptian pharaoh is the standard naming convention taken by the kings of Ancient Egypt. It symbolises worldly power and holy might and also acts as a sort of mission statement for the reign of a monarch. The full titulary, consisting of five names, did not come into standard usage until the Middle Kingdom, the Horus name is the oldest form of the pharaohs name, originating in the Predynastic Period. Many of the oldest-known Egyptian pharaohs were known only by this title, the Horus name was usually written in a serekh, a representation of a palace façade. The name of the pharaoh was written in hieroglyphs inside this representation of a palace, typically an image of the falcon God Horus was perched on top of or beside it. At least one Egyptian ruler, the 2nd dynasty Seth-Peribsen, used an image of the god Seth instead of Horus and he was succeeded by Khasekhemwy, who placed the symbols of both Seth and Horus above his name. Thereafter, the image of Horus always appeared alongside the name of the pharaoh, by the time of the New Kingdom the Horus name was often written without the enclosing serekh. The name is first definitively used by the First Dynasty pharaoh Semerkhet and this particular name was not typically framed by a cartouche or serekh, but always begins with the hieroglyphs of a vulture and cobra resting upon two baskets, the dual noun nebty. Also known as the Golden Horus Name, this form of the name typically featured the image of a Horus falcon perched above or beside the hieroglyph for gold. The meaning of this title has been disputed. One belief is that it represents the triumph of Horus over his uncle Seth, Gold also was strongly associated in the ancient Egyptian mind with eternity, so this may have been intended to convey the pharaohs eternal Horus name. Similar to the Nebty name, this particular name typically was not framed by a cartouche or serekh, the pharaohs throne name, the first of the two names written inside a cartouche, and usually accompanied the title nsw-bity. The term nsw-bity It has been suggested that the Berber term for strong man, the epithet neb tawy, Lord of the Two Lands, referring to valley and delta regions of Egypt, often occurs as well. This was the name given at birth and it was first introduced to the set of royal titles in the Fourth Dynasty and emphasizes the kings role as a representative of the solar god Ra. For women who became pharaoh, the title was interpreted as daughter also. Modern historians typically refer to the ancient kings of Egypt by this name, Middle Egyptian, An Introduction to the Language and Culture of Hieroglyphs. The Complete Royal Families of Ancient Egypt, Cairo, London, and New York, The American University in Cairo Press and Thames and Hudson. The Great Name, Ancient Egyptian Royal Titulary, Egyptian Grammar, Being an Introduction to the Study of Hieroglyphs
Ancient Egyptian royal titulary
–
Serekh containing the name of
Djet and an association with
Wadjet, on display at the
Louvre
Ancient Egyptian royal titulary
–
Praenomen of the
Cartouche of
Thutmose II preceded by Sedge and Bee symbols, Temple of
Hatshepsut,
Luxor
Ancient Egyptian royal titulary
–
In the
Middle Kingdom, the full titulary was sometimes written in a single cartouche, as in this example from
Senusret I, from
Beni Hasan.
Ancient Egyptian royal titulary
–
Royal titulary
20.
Griffon vulture
–
The griffon vulture is a large Old World vulture in the bird of prey family Accipitridae. It is also known as the Eurasian griffon and it is not to be confused with a different species, Rüppells griffon vulture. The griffon vulture is 93–122 cm long with a 2. 3–2.8 m wingspan. In the nominate race the males weigh 6.2 to 10.5 kg and females typically weigh 6.5 to 11.3 kg, while in the Indian subspecies, the vultures average 7.1 kg. Extreme adult weights have been reported from 4.5 to 15 kg, hatched naked, it is a typical Old World vulture in appearance, with a very white head, very broad wings and short tail feathers. It has a neck ruff and yellow bill. The buff body and wing coverts contrast with the flight feathers. Like other vultures, it is a scavenger, feeding mostly from carcasses of animals which it finds by soaring over open areas. It establishes nesting colonies in cliffs that are undisturbed by humans while coverage of open areas and it grunts and hisses at roosts or when feeding on carrion. The maximum recorded lifespan of the griffon vulture is 41.4 years for an individual in captivity and it breeds on crags in mountains in southern Europe, north Africa, and Asia, laying one egg. Griffon vultures may form loose colonies, juveniles and immature individuals may migrate far or embark on long-distance movements. In Italy, the species survived only in Sardinia, but was reintroduced in a few areas of the peninsula. As a result, several specimens have been spotted again in August 2006 on the Gran Sasso massif, in Croatia, a colony of griffon vultures can be found near the town of Beli on the island of Cres. There they breed at lower elevations, with some nests just 10 m above sea level, therefore, contact with people is common. The population makes frequent incursions in the Slovenian territory, especially in the mountain Stol above Kobarid, in the United Kingdom, Griffon vultures were made extinct at some point before the 1600s. Occasional vagrants appear in the UK, and in 2000 a vulture took up residence on the Channel Island of Guernsey, in Cyprus, there is an unsustainable colony of less than 30 birds at Episkopi, in the south of the island. In Greece, there are nearly 1000 birds, on Crete they can be found in most mountainous areas, sometimes in groups of up to 20. Griffon vultures have been reintroduced successfully into the Massif Central in France, Griffon vultures are regularly spotted over the Millau bridge
Griffon vulture
–
Griffon vulture
Griffon vulture
–
Gyps fulvus eating the carcass of a red deer.
Griffon vulture
–
Gyps fulvus soaring against a summer sunset.
Griffon vulture
–
Egg
21.
New Kingdom of Egypt
–
Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
New Kingdom of Egypt
–
New Kingdom at its maximum territorial extent in the 15th century BC.
New Kingdom of Egypt
–
Relief of a Nobleman, ca. 1295-1070 B.C.E.
Brooklyn Museum
New Kingdom of Egypt
–
Queen Ahmose-Nefertari
22.
Lappet-faced vulture
–
The lappet-faced vulture or Nubian vulture is an Old World vulture belonging to the bird order Accipitriformes, which also includes eagles, kites, buzzards and hawks. It is the member of the genus Torgos. It is not closely related to the superficially similar New World vultures, the lappet-faced vulture was formerly considered monotypical, but now is separated into two subspecies. The nominate race lives throughout Africa, the subspecies T. t. negevensis, differing considerably in appearance from African vultures, occurs in the Sinai, the Negev desert, and probably north-west Saudi Arabia. This species is distributed through much of Africa, though it is absent from much of the central and western parts of the continent. Across the Red Sea, the nests in Arabia, Yemen, Oman. This vulture prefers to live in dry savannah, thornbush, arid plains, deserts with scattered trees in wadis and they are usually found in undisturbed open country with a scattering of trees and apparently prefer areas with minimal grass cover. While foraging, they can wander into denser habitats and even into human habitated areas and they may be found in elevation from sea-level to 4,500 m. This species measures around 95–115 cm in length, with a wingspan of 2. 5–2.9 m. Among the standard measurements, the chord is 71. 5–82.5 cm, the tail is 33–36 cm. Wild vultures, of the subspecies T. t. tracheliotus, range from 4.4 to 9.4 kg and, in East Africa, average only 6.2 kg. On the other hand, captive vultures of the larger T. t. negevensis subspecies, overall, the lappet-faced vulture is blackish above with a strongly contrasting white thigh feathers. The black feathers on the back of African vultures are lined with brown, the underside can range from pure white to buff-brown. Like many vultures, it has a bald head, the head coloration can range from reddish in southern Africa to dull pink in more northern Africa to pink on the back of the head and gray on the front in the Arabian Peninsula. The combination of the head and fleshy folds on the side of it are distinctive. The bald head of the lappet-faced vulture is advantageous, because a feathered head would become spattered with blood and other fluids, while flying, lappet-faced vultures have large, broad wings held with the front edges held parallel and slightly pointed, serrated-looking wingtips. Compared to the similarly marked hooded vulture, it is considerably larger with a more massive bill. The Gyps vultures are generally paler, with less white lining the wings
Lappet-faced vulture
–
Lappet-faced vulture
Lappet-faced vulture
–
Perching in a tree in
Masai Mara National Reserve, Kenya
23.
Uraeus
–
The Uraeus is the stylized, upright form of an Egyptian cobra, used as a symbol of sovereignty, royalty, deity and divine authority in ancient Egypt. The Uraeus is a symbol for the goddess Wadjet and she was one of the earliest Egyptian deities and who often was depicted as a cobra. The center of her cult was in Per-Wadjet, later called Buto by the Greeks and she became the patroness of the Nile Delta and the protector of all of Lower Egypt. In whatever manner that the Uraeus was displayed upon the head, it was, in effect. The pharaoh was recognized only by wearing the Uraeus, which conveyed legitimacy to the ruler, there is evidence for this tradition even in the Old Kingdom during the third millennium BCE. Several goddesses associated with or being considered aspects of Wadjet are depicted wearing the Uraeus also, the importance of their separate cults kept them from becoming merged as with so many Egyptian deities. Together, they were known as The Two Ladies, who became the joint protectors and patrons of the unified Egypt. Later, the pharaohs were seen as a manifestation of the sun god Ra, in some mythological works, the eyes of Ra are said to be uraei. As the Uraeus was seen as a symbol, the deities Horus. In early ancient Egyptian mythology, Horus would have been the given to any king as part of the many titles taken. According to the mythology of Re, the first Uraeus was said to have been created by the goddess Isis, who formed it from the dust of the earth. In this version of the mythology, the Uraeus was the instrument with which Isis gained the throne of Egypt for Osiris, Isis is associated with and may be considered an aspect of Wadjet. In 1919, after only a half-hour of excavation, the Qufti worker Hosni Ibrahim held in his hands the solid-gold Golden Uraeus of Senusret II and it had been decided to make a complete clearance of the El-Lahun Pyramids rooms at Saqqara. The start in the offering chamber, leading from the tomb, on the south, immediately revealed in the turnover of the six inches of debris. Prior to the 1922 find of Tutankhamuns tomb, this Golden Uraeus was the only ornament ever known to be worn by an entombed pharaoh, and it was thought that it was passed to the next pharaoh. The Golden Uraeus is of gold,6.7 cm, black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays. For mounting on the crown, two loops in the rear-supporting tail of the cobra provide the attachment points. Besides the Uraeus being used as an ornament for statuary or as an adornment on the pharaoh, it also was used for jewellery, however, another important use is as the hieroglyph
Uraeus
–
Mask of
Tutankhamun 's mummy featuring a uraeus, from the
eighteenth dynasty. The
cobra image of
Wadjet with the
vulture image of
Nekhbet representing of the unification of Lower and Upper Egypt
Uraeus
–
Uraeus with Solar Disk, 305-30 B.C.E.,51.147.2,
Brooklyn Museum
Uraeus
–
Green glazed cobra amulet in the form of a Uraeus
24.
Isis
–
Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
Isis
–
Isis depicted with outstretched wings (wall painting, c. 1360 BCE)
Isis
–
Isis nursing Horus (
Louvre)
Isis
–
Temple of Isis at Philae. The Court. 1893. Wilbour Library of Egyptology,
Brooklyn Museum
Isis
–
Philae, Egypt. Temple of Isis., n.d.
Brooklyn Museum Archives
25.
Nephthys
–
Nephthys or Nebthet or Neber-Het was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut, Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Nephthys is the Greek form of an epithet and this is a pervasive error repeated in many commentaries concerning this deity. Her name means specifically, Lady of the Enclosure which associates her with the role of priestess. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff and this entrance way symbolised the horizon or akhet. At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead and she is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a goddess who symbolizes the death experience. Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the Useful Goddess or the Excellent Goddess and these late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship. Nephthys is regarded as the mother of the funerary-deity Anubis in some myths, alternatively Anubis appears as the son of Bastet or Isis. As the primary nursing mother of the incarnate Pharaonic-god, Horus, though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a ferocious and dangerous divinity. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of noted scholars. Ascend and descend, descend with Nephthys, sink into darkness with the Night-bark, ascend and descend, ascend with Isis, rise with the Day-bark. Pyramid Text Utterance 222 line 210, in the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthyss association with the kite or the Egyptian hawk evidently reminded the ancients of the lamentations usually offered for the dead by wailing women, in this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. Nephthys was clearly viewed as a force of heavenly transition, i. e. the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis. The same divine power could be applied later to all of the dead and it should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality, eternal life in transition
Nephthys
–
Nephthys - Musée du Louvre, Paris, France
Nephthys
–
Triad of Isis, Nephthys, and
Harpocrates. Early Greco-Roman.
Walters Museum
26.
Book of the Dead
–
The Book of the Dead is an ancient Egyptian funerary text, used from the beginning of the New Kingdom to around 50 BCE. The original Egyptian name for the text, transliterated rw nw prt m hrw is translated as Book of Coming Forth by Day, another translation would be Book of Emerging Forth into the Light. The Book of the Dead was part of a tradition of texts which includes the earlier Pyramid Texts and Coffin Texts. Some of the spells included were drawn from older works. Other spells were composed later in Egyptian history, dating to the Third Intermediate Period, a number of the spells which made up the Book continued to be inscribed on tomb walls and sarcophagi, as had always been the spells from which they originated. The Book of the Dead was placed in the coffin or burial chamber of the deceased, there was no single or canonical Book of the Dead. The surviving papyri contain a selection of religious and magical texts. Some people seem to have commissioned their own copies of the Book of the Dead, the Book of the Dead developed from a tradition of funerary manuscripts dating back to the Egyptian Old Kingdom. The first funerary texts were the Pyramid Texts, first used in the Pyramid of King Unas of the 5th dynasty and these texts were written on the walls of the burial chambers within pyramids, and were exclusively for the use of the Pharaoh. Towards the end of the Old Kingdom, the Pyramid Texts ceased to be a royal privilege. In the Middle Kingdom, a new funerary text emerged, the Coffin Texts, the Coffin Texts used a newer version of the language, new spells, and included illustrations for the first time. The Coffin Texts were most commonly written on the surfaces of coffins. The Book of the Dead first developed in Thebes towards the beginning of the Second Intermediate Period, by the 17th dynasty, the Book of the Dead had become widespread not only for members of the royal family, but courtiers and other officials as well. At this stage, the spells were typically inscribed on linen shrouds wrapped around the dead, the New Kingdom saw the Book of the Dead develop and spread further. The famous Spell 125, the Weighing of the Heart, is first known from the reign of Hatshepsut and Thutmose III, from this period onward the Book of the Dead was typically written on a papyrus scroll, and the text illustrated with vignettes. During the 19th dynasty in particular, the vignettes tended to be lavish, in the Third Intermediate Period, the Book of the Dead started to appear in hieratic script, as well as in the traditional hieroglyphics. The hieratic scrolls were a version, lacking illustration apart from a single vignette at the beginning. At the same time, many burials used additional funerary texts, during the 25th and 26th dynasties, the Book of the Dead was updated, revised and standardised
Book of the Dead
Book of the Dead
–
Part of the
Pyramid Texts, a precursor of the Book of the Dead, inscribed on the tomb of
Teti
Book of the Dead
–
The mystical Spell 17, from the
Papyrus of Ani. The vignette at the top illustrates, from left to right, the god
Heh as a representation of the Sea; a gateway to the realm of Osiris; the
Eye of Horus; the celestial cow
Mehet-Weret; and a human head rising from a coffin, guarded by the four Sons of Horus.
Book of the Dead
–
Two 'gate spells'. On the top register, Ani and his wife face the 'seven gates of the House of Osiris'. Below, they encounter ten of the 21 'mysterious portals of the House of Osiris in the Field of Reeds'. All are guarded by unpleasant protectors.
27.
Final Fantasy 12
–
Final Fantasy XII is a fantasy role-playing video game developed and published by Square Enix for the PlayStation 2 home video console. Released in 2006, it is the title in the mainline Final Fantasy series. Final Fantasy XII also includes elements from games in the series, such as Chocobos. The game takes place in the land of Ivalice, where the empires of Archadia and Rozarria are waging an endless war. Dalmasca, a kingdom, is caught between the warring nations. When Dalmasca is annexed by Archadia, its princess, Ashe, during the struggle, she meets Vaan, a young adventurer who dreams of becoming a sky pirate in command of an airship. They are quickly joined by a band of allies, together, Final Fantasy XII received critical acclaim, earning numerous Game of the Year awards in various categories from noted video game publications. Selling more than two copies in Japan, it became the fourth best-selling PlayStation 2 game of 2006 worldwide. By November 2009, over 6 million copies of the game were sold worldwide, a sequel, Final Fantasy XII, Revenant Wings, was released for the Nintendo DS in 2007. A high-definition remaster of the International Zodiac Job System version, subtitled The Zodiac Age, throughout the game, the player directly controls the on-screen character from a third-person perspective to interact with people, objects, and enemies. Unlike previous games in the series, the player can control the camera with the right analog stick. While in towns and cities, the player may see from the perspective of Vaan. The player navigates the overworld on foot, Chocobo, or by airship, players may save their game to a memory card using save crystals or gate crystals, and may use the latter to teleport between gate crystals. An in-game bestiary provides incidental information about the world of Final Fantasy XII, Final Fantasy XII restructures the system of earning gil, the currency of the Final Fantasy games, instead of gil, most enemies drop loot which can be sold at shops. This ties into a new battle mechanic which rewards the player with improved loot for slaying a particular type of multiple times in a row. Selling different types of loot also unlocks an option in shops. Excluding the MMORPG Final Fantasy XI, Final Fantasy XII is the first entry in the main Final Fantasy series not to random encounters. Instead, enemies are visible in the overworld and the player may choose to fight or avoid them, battles unfold in real time using the Active Dimension Battle system
Final Fantasy 12
–
In Active Dimension Battle (ADB), characters move freely and attack as soon as they are ready. Blue lines depict the player's targets and red lines depict those of the enemies.
Final Fantasy 12
–
Final Fantasy XII
Final Fantasy 12
–
Akitoshi Kawazu (left) and
Hiroshi Minagawa at the Final Fantasy XII London HMV Launch Party in 2007
Final Fantasy 12
–
Promotion at
E3 2006
28.
Rick Riordan
–
Richard Russell Rick Riordan, Jr. is an American author. He is known for writing the Percy Jackson & the Olympians series and his books have been translated into 42 languages and sold more than 30 million copies in the US. Twentieth Century Fox has adapted the first two books of his Percy Jackson series as part of a series of films and his books have spawned related media, such as graphic novels and short story collections. Riordans first full-length novel was Big Red Tequila, which became the first in a series and his big breakthrough was The Lightning Thief, the first novel in the five-volume Percy Jackson series, which placed a group of adolescents in a Greco-Roman mythological setting. Since then, Riordan has written The Kane Chronicles trilogy and The Heroes of Olympus series, the Kane Chronicles focused on Egyptian mythology, The Heroes of Olympus was the sequel to the Percy Jackson series. Riordan also helped Scholastic Press develop The 39 Clues series and its spinoffs and his most recent publications are two books in the Magnus Chase and the Gods of Asgard series, based on Norse mythology. The first book of his The Trials of Apollo series based on Greek mythology, Riordan was born and raised in San Antonio, Texas. He graduated from Alamo Heights High School, and first attended the program at North Texas State. He transferred to the University of Texas in Austin and studied English and History and he taught English and Social Studies for eight years at Presidio Hill School in San Francisco. Rick married Becky Riordan, originally from the East Coast, on June 5,1985, both had been born on June 5, she thirty minutes earlier. They moved from San Antonio to Boston in June 2013 when their two sons were of college and high school age, in conjunction with older son Patrick starting college in Boston, Haley Riordan inspired the Percy Jackson series as a bedtime story. Riordan has created several successful book series, Tres Navarre, an adult mystery series about a Texan private eye, won the Shamus, Anthony, and Edgar Awards. He conceived the idea for the Percy Jackson series as bedtime stories about ancient Greek heroes for his son Haley, Haley had been diagnosed with ADHD and dyslexia, inspiring Riordan to make the titular protagonist ADHD/dyslexic. Riordan published the first novel in the series, The Lightning Thief in 2005, four sequels followed, the last, The Last Olympian in 2009. Prior to Percy Jackson, Riordan had written the Tres Navarres series and his Percy Jackson and the Olympians series features the titular twelve-year-old who discovers he is the modern-day son of the ancient Greek god Poseidon. Twentieth Century Fox purchased the rights and released a feature film in 2010. Following the success of Percy Jackson, Riordan created The Kane Chronicles, Riordan also created a sequel series to Percy Jackson, The Heroes of Olympus. He also wrote the introduction to the Puffin Classics edition of Roger Lancelyn Greens Tales of the Greek Heroes, edited by Nan Cuba and Riley Robinson
Rick Riordan
–
Riordan signing copies of
The Battle of the Labyrinth November 3, 2008
29.
The Throne of Fire
–
The Throne of Fire is a 2011 fantasy adventure novel written by Rick Riordan. It was released on May 3,2011, the book takes place roughly three months after the first book, The Red Pyramid. It is followed by the third and final book in the series, The Serpents Shadow, five days remain until the spring equinox when Apophis, the serpent of Chaos, will escape his prison, devour the sun, and destroy all of human civilization. Only Ra, the sun god, has the power to stop him. But first Ra must be woken by the teenage Kane siblings, Sadie and Carter and they begin a globe-trotting quest to find the three scrolls of the Book of Ra, which contain the spells needed to wake him from his sleep. The first scroll is hidden inside a statue in the Brooklyn Museum, the foursome sneaks past mortal alarm systems, magical wards and a late-night wedding to retrieve the scroll. Their cover is blown when the scroll bursts into flames, a griffin escapes from a frieze, Jaz imprisons the spirits in the Duat but uses too much magic and slips into a coma. One of the spirits tells Carter that his friend Zia will die if he continues the quest, Zia is a magician from the House of Life, which is an ancient society that dates to the time of the pharaohs. The griffin is friendly and pulls the four friends onto a boat to reach Brooklyn House. More trainees wait for them there and that night as she sleeps, Sadies ba leaves her body and travels through the Duat to the Hall of Ages, the House of Lifes headquarters located under the Cairo Airport. She sees Desjardins, the Chief Lector of the House of Life, Desjardins appears reluctant, as though he is under a spell. When Menshikov takes off his sunglasses, Sadie sees that his eyes are horribly scarred and she wakes up to find her Uncle Amos sitting at the foot of her bed. He is fully recovered from being possessed by Set, the god of chaos, Carters ba meets with the god Horus, who warns him that the gods might attack him if he tries to wake Ra. With only four days until the equinox, Bast, the cat goddess and its Sadies birthday, however, and she decides to go to London to visit her friends Liz and Emma. Her timing is unfortunate, as her grandparents have been possessed by the baboon god and they chase the three girls through London. Hoping for assistance, Sadie stops for a rendezvous with Anubis. He gives her a knife and tells her that Menshikov keeps the second scroll in the top drawer of his desk in St. Petersburg. However, Anubis is unable to manifest outside places of death, rescue finally comes in the unlikely form of Bes, a limousine-driving dwarf god
The Throne of Fire
–
The Throne of Fire (novel)
30.
Anime
–
Anime is Japanese hand-drawn or computer animation. The word is the pronunciation of animation in Japanese, where this term references all animation. Arguably, the abstract approach to the words meaning may open up the possibility of anime produced in countries other than Japan. For simplicity, many Westerners strictly view anime as a Japanese animation product, some scholars suggest defining anime as specifically or quintessentially Japanese may be related to a new form of orientalism. The earliest commercial Japanese animation dates to 1917, and Japanese anime production has continued to increase steadily. Anime is distributed theatrically, by way of television broadcasts, directly to home media and it is classified into numerous genres targeting diverse broad and niche audiences. Anime is an art form with distinctive production methods and techniques that have been adapted over time in response to emergent technologies. It consists of an ideal story-telling mechanism, combining art, characterization, cinematography. The production of anime focuses less on the animation of movement and more on the realism of settings as well as the use of effects, including panning, zooming. Being hand-drawn, anime is separated from reality by a gap of fiction that provides an ideal path for escapism that audiences can immerse themselves into with relative ease. Diverse art styles are used and character proportions and features can be quite varied, the anime industry consists of over 430 production studios, including major names like Studio Ghibli, Gainax, and Toei Animation. Despite comprising only a fraction of Japans domestic film market, anime makes up a majority of Japanese DVD sales and it has also seen international success after the rise of English-dubbed programming. This rise in popularity has resulted in non-Japanese productions using the anime art style. Anime is an art form, specifically animation, that all genres found in cinema. In Japanese, the term refers to all forms of animation from around the world. In English, anime is more used to denote a Japanese-style animated film or television entertainment or as a style of animation created in Japan. The etymology of the anime is disputed. The English term animation is written in Japanese katakana as アニメーション and is アニメ in its shortened form, in English, anime—when used as a common noun—normally functions as a mass noun
Anime
–
A cel from
Namakura Gatana, the earliest surviving Japanese animated short made for cinemas, produced in 1917
Anime
–
A frame from
Momotaro's Divine Sea Warriors (1944), the first
feature-length anime film
Anime
–
Anime artists employ many distinct visual styles
31.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
32.
Ancient Egyptian religion
–
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
Ancient Egyptian religion
–
The gods Osiris, Anubis, and Horus, in order from left to right
Ancient Egyptian religion
–
Amun-Ra kamutef, wearing the plumed headdress of Amun and the sun disk representing Ra
Ancient Egyptian religion
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
Ancient Egyptian religion
–
Colossal statue of the Pharaoh
Ramesses II
33.
Paganism
–
Paganism is a term that derives from Latin word pagan, which means nonparticipant, one excluded from a more distinguished, professional group. The term was used in the 4th century, by early Christian community, the term competed with polytheism already in use in Judaism, by Philo in the 1st century. Pagans and paganism was a pejorative for the same polytheistic group, Paganism has broadly connoted religion of the peasantry, and for much of its history a derogatory term. Alternate terms in Christian texts for the group was hellene. In and after the Middle Ages, paganism was a pejorative that was applied to any non-Abrahamic or unfamiliar religion, there has been much scholarly debate as to the origin of the term paganism, especially since no one before the 20th century self-identified as a pagan. In the 19th century, paganism was re-adopted as a self-descriptor by members of various artistic groups inspired by the ancient world. Forms of these religions, influenced by various historical pagan beliefs of pre-modern Europe, exist today and are known as contemporary or modern paganism, while most pagan religions express a worldview that is pantheistic, polytheistic, or animistic, there are some monotheistic pagans. It is crucial to stress right from the start that until the 20th century people did not call themselves pagans to describe the religion they practised, the notion of paganism, as it is generally understood today, was created by the early Christian Church. It was a label that Christians applied to others, one of the antitheses that were central to the process of Christian self-definition, as such, throughout history it was generally used in a derogatory sense. The term pagan is from Late Latin paganus, revived during the Renaissance and it is related to pangere and ultimately comes from Proto-Indo-European *pag-. The evolution occurred only in the Latin west, and in connection with the Latin church, elsewhere, Hellene or gentile remained the word for pagan, and paganos continued as a purely secular term, with overtones of the inferior and the commonplace. However, this idea has multiple problems, first, the words usage as a reference to non-Christians pre-dates that period in history. Second, paganism within the Roman Empire centered on cities, the concept of an urban Christianity as opposed to a rural paganism would not have occurred to Romans during Early Christianity. Third, unlike words such as rusticitas, paganus had not yet acquired the meanings used to explain why it would have been applied to pagans. Paganus more likely acquired its meaning in Christian nomenclature via Roman military jargon, Early Christians adopted military motifs and saw themselves as Milites Christi. As early as the 5th century, paganos was metaphorically used to persons outside the bounds of the Christian community. In response, Augustine of Hippo wrote De Civitate Dei Contra Paganos, in it, he contrasted the fallen city of Man to the city of God of which all Christians were ultimately citizens. Hence, the invaders were not of the city or rural
Paganism
–
The
Venus of Arles, depicting the goddess
Venus holding the apple of
Hesperides.
Paganism
–
Reconstruction of the
Parthenon, on the
Acropolis of Athens,
Greece.
Paganism
–
Some
megaliths are believed to have religious significance.
Paganism
–
Children standing with The Lady of Cornwall in a neopagan ceremony in England.
34.
Pantheism
–
Pantheism is the belief that all reality is identical with divinity, or that everything composes an all-encompassing, immanent god. Pantheists thus do not believe in a personal or anthropomorphic god. The term pantheism was not coined until after Spinozas death, and his work, Ethics, was the major source from which Western pantheism spread. Pantheistic concepts may date back thousands of years, and some religions in the East continue to contain pantheistic elements, Pantheism derives from the Greek πᾶν pan and θεός theos. There are a variety of definitions of pantheism, some consider it a theological and philosophical position concerning God. As a religious position, some describe pantheism as the polar opposite of atheism, from this standpoint, pantheism is the view that everything is part of an all-encompassing, immanent God. All forms of reality may then be considered either modes of that Being, some hold that pantheism is a non-religious philosophical position. To them, pantheism is the view that the Universe and God are identical, pantheistic tendencies existed in a number of early Gnostic groups, with pantheistic thought appearing throughout the Middle Ages. These included a section of Johannes Scotus Eriugenas 9th-century work De divisione naturae, the Roman Catholic Church has long regarded pantheistic ideas as heresy. Giordano Bruno, an Italian monk who evangelized about an immanent and he has since become known as a celebrated pantheist and martyr of science. Bruno influenced many later thinkers including Baruch Spinoza, in the West, pantheism was formalized as a separate theology and philosophy based on the work of the 17th-century philosopher Baruch Spinoza. Spinoza was a Dutch philosopher of Sephardi Portuguese origin, whose book Ethics was an answer to Descartes famous dualist theory that the body, Spinoza held the monist view that the two are the same, and monism is a fundamental part of his philosophy. He was described as a God-intoxicated man, and used the word God to describe the unity of all substance, although the term pantheism was not coined until after his death, Spinoza is regarded as its most celebrated advocate. His work, Ethics, was the source from which Western pantheism spread. The breadth and importance of Spinozas work was not fully realized until years after his death. Spinozas magnum opus, the posthumous Ethics, in which he opposed Descartes mind–body dualism, has earned him recognition as one of Western philosophys most important thinkers, Hegel said, You are either a Spinozist or not a philosopher at all. His philosophical accomplishments and moral character prompted 20th-century philosopher Gilles Deleuze to name him the prince of philosophers, Spinoza was raised in the Portuguese Jewish community in Amsterdam. He developed highly controversial ideas regarding the authenticity of the Hebrew Bible, the Jewish religious authorities issued a cherem against him, effectively excluding him from Jewish society at age 23
Pantheism
–
The philosophy of
Baruch Spinoza is often regarded as pantheism, although he did not use that term.
Pantheism
–
Albert Einstein is considered to be a pantheist by some commentators.
Pantheism
–
Levi Ponce 's "Luminaries of Pantheism" in Venice, California for The Paradise Project, "dedicated to celebrating and spreading awareness about pantheism."
35.
Polytheism
–
Polytheism is the worship of or belief in multiple deities, which are usually assembled into a pantheon of gods and goddesses, along with their own religions and rituals. Polytheism is a type of theism, within theism, it contrasts with monotheism, the belief in a singular God, in most cases transcendent. Polytheists do not always worship all the gods equally, but they can be henotheists, other polytheists can be kathenotheists, worshiping different deities at different times. Polytheism was the form of religion during the Bronze Age and Iron Age up to the Axial Age and the development of Abrahamic religions. Important polytheistic religions practiced today include Chinese traditional religion, Hinduism, Japanese Shinto, the term comes from the Greek πολύ poly and θεός theos and was first invented by the Jewish writer Philo of Alexandria to argue with the Greeks. When Christianity spread throughout Europe and the Mediterranean, non-Christians were just called Gentiles or pagans or by the pejorative term idolaters. The modern usage of the term is first revived in French through Jean Bodin in 1580, a central, main division in polytheism is between soft polytheism and hard polytheism. Hard polytheism is the belief that gods are distinct, separate, real divine beings, hard polytheists reject the idea that all gods are one god. Hard polytheists do not necessarily consider the gods of all cultures as being equally real, Polytheism cannot be cleanly separated from the animist beliefs prevalent in most folk religions. The gods of polytheism are in cases the highest order of a continuum of supernatural beings or spirits. In some cases these spirits are divided into celestial or chthonic classes, since divinity is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of divinity. Myths may be regarded physically when they express the activities of gods in the world, the psychological way is to regard the activities of the soul itself and or the souls acts of thought. The material is to regard material objects to actually be gods, for example, to call the earth Gaia, ocean Okeanos, Some well-known historical polytheistic pantheons include the Sumerian gods and the Egyptian gods, and the classical-attested pantheon which includes the ancient Greek religion and Roman religion. Post-classical polytheistic religions include Norse Æsir and Vanir, the Yoruba Orisha, the Aztec gods, an example of a religious notion from this shared past is the concept of *dyēus, which is attested in several distinct religious systems. In many civilizations, pantheons tended to grow over time, deities first worshipped as the patrons of cities or places came to be collected together as empires extended over larger territories. Conquests could lead to the subordination of the elder cultures pantheon to a one, as in the Greek Titanomachia. Most ancient belief systems held that gods influenced human lives, epicurus believed that these gods were material, human-like, and that they inhabited the empty spaces between worlds. Though it is suggested that Hestia stepped down when Dionysus was invited to Mount Olympus, robert Graves The Greek Myths cites two sources that obviously do not suggest Hestia surrendered her seat, though he suggests she did
Polytheism
–
Egyptian gods in the
Carnegie Museum of Natural History
36.
Ancient Egyptian concept of the soul
–
The ancient Egyptians believed that a human soul was made up of five parts, the Ren, the Ba, the Ka, the Sheut, and the Ib. In addition to these components of the soul there was the human body, the other souls were aakhu, khaibut, and khat. An important part of the Egyptian soul was thought to be the jb, the heart was believed to be formed from one drop of blood from the childs mothers heart, taken at conception. To ancient Egyptians, the heart was the seat of emotion, thought, will and this is evidenced by the many expressions in the Egyptian language which incorporate the word jb. This word was transcribed by E. A. Wallis Budge as Ab, in Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the world, where it gave evidence for, or against. It was thought that the heart was examined by Anubis and the deities during the Weighing of the Heart ceremony, if the heart weighed more than the feather of Maat, it was immediately consumed by the monster Ammit. A persons shadow or silhouette, Sheut, is always present, because of this, Egyptians surmised that a shadow contains something of the person it represents. Through this association, statues of people and deities were sometimes referred to as shadows, the shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Sometimes people had a box in which part of their Sheut was stored. For example, part of the Book of Breathings, a derivative of the Book of the Dead, was a means to ensure the survival of the name, a cartouche often was used to surround the name and protect it. Conversely, the names of deceased enemies of the state, such as Akhenaten, were hacked out of monuments in a form of damnatio memoriae. Sometimes, however, they were removed in order to make room for the insertion of the name of a successor. The greater the number of places a name was used, the greater the possibility it would survive to be read, the Bâ was everything that makes an individual unique, similar to the notion of personality. In the Coffin Texts one form of the Bâ that comes into existence after death is corporeal, louis Žabkar argued that the Bâ is not part of the person but is the person himself, unlike the soul in Greek, or late Judaic, Christian or Muslim thought. The word bau, plural of the ba, meant something similar to impressiveness, power. When a deity intervened in human affairs, it was said that the Bau of the deity were at work. The Ka was the Egyptian concept of essence, which distinguishes the difference between a living and a dead person, with death occurring when the ka left the body
Ancient Egyptian concept of the soul
–
This golden Ba amulet from the
Ptolemaic period would have been worn as an
apotropaic device.
Walters Art Museum,
Baltimore.
Ancient Egyptian concept of the soul
–
Ba takes the form of a bird with a human head.
37.
Aaru
–
For the natural habitat, see Reed bed. For the use of reeds to filter wastewater, see Constructed wetland, for the Tamil film, see Aaru. It has been described as the ka of the Nile Delta and those souls which balance the scales are allowed to start a long and perilous journey to Aaru, where they will exist in pleasure for all eternity. Hearts heavy with evil tip and fall into the jaws of the demon Ammit. After this second death, the soul is doomed to restlessness in Duat, the souls who qualify undergo a long journey and face many perils before reaching Aaru. Once they arrive, they enter through a series of gates, the exact number of gates varies according to sources, some say 15, some 21. They are uniformly described as guarded by evil demons armed with knives, Aaru is also known as the home of Osiris. Aaru usually was placed in the east, where the Sun rises and this ideal hunting and farming ground allowed the souls here to live for eternity. More precisely, Aaru was envisaged as a series of islands, covered in fields of rushes, the part where Osiris later dwelt is sometimes known as the field of offerings, Sekhet Hetepet in Egyptian. Heaven Elysium The Summerland Budge, Ernest Alfred Wallis, london, Kegan Paul, Trench, Trübner & Co. Ltd. p.37. Dictionary of Mythology, Folklore, and Stymbols, Part 1, Egyptian Field of Reeds and Christian Heaven
Aaru
–
v
38.
Duat
–
Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
Duat
–
A section of the Egyptian
Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where
Anubis can be seen on the far right, the scales are shown with the feather balance, and
Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth.
Duat
–
Mictlan
Duat
39.
Ancient Egyptian deities
–
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Ancient Egyptian deities
–
The gods
Osiris,
Anubis, and
Horus
Ancient Egyptian deities
–
Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Ancient Egyptian deities
–
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Ancient Egyptian deities
–
Deities personifying
provinces of Egypt
40.
Aker (deity)
–
Aker was an Ancient Egyptian earth and death deity. Aker was first depicted as the torso of a recumbent lion with a widely opened mouth, later, he was depicted as two recumbent lion torsos merged with each other and still looking away from each other. From Middle Kingdom onwards Aker appears as a pair of lions, one named Duaj. Aker was thus often titled He whos looking forward and behind, when depicted as a lion pair, a hieroglyphic sign for horizon and a sun disc was put between the lions, the lions were sitting back-on-back. In later times, Aker can also appear as two merged torsos of recumbent sphinxes with human heads, Aker appears first time during the 1st dynasty under the kings Hor Aha and Djer. An unfinished decorative palette from the tomb of Djer at Abydos shows Aker devouring three hearts, the location of Akers main cult center is unknown, though. His mythological role is first time described in the famous Pyramid Texts of king Teti. Aker was first described as one of the earth gods guarding the gate to the yonder site and he protected the deceased king against the three demonic snakes Hemtet, Iqeru and Jagw. By encircling the deceased king, Aker sealed the deceased away from the breath of the snake demons. Another earth deity, who joined and promoted Akers work, was Geb, thus, Aker was connected with Geb. In other spells and prayers, Aker is connected with Seth and this is interesting, because Seth is described as a wind deity, not as an earth deity. In the famous Coffin Texts of Middle Kingdom period, Aker replaces the god Kherty, Aker protects the sun god during his nocturnal travelling through the underworld caverns. In other underworld scenes, Aker carries the nocturnal bark of Ra, during his journey, in which Aker is asked to hide the body of the dead Osiris beneath his womb, Aker is protected by the god Geb
Aker (deity)
–
Aker
41.
Ammit
–
Ammit was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest man-eating animals known to ancient Egyptians. A funerary deity, her titles included Devourer of the Dead, Eater of Hearts, Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Maat, the goddess of truth, which was depicted as an ostrich feather. If the heart was judged to be not pure, Ammit would devour it, once Ammit swallowed the heart, the soul was believed to become restless forever, this was called to die a second time. Ammit was also said to stand by a lake of fire. In some traditions, the hearts were cast into the fiery lake to be destroyed. Some scholars believe Ammit and the lake represent the concept of destruction. Ammit was not worshipped, instead she embodied all that the Egyptians feared, Ammit has been linked with the goddess Tawaret, who has a similar physical appearance and, as a companion of Bes, also protected others from evil. Other authors have noted that Ammits lion characteristics, and the lake of fire, the relation to afterlife punishment and lake of fire location are also shared with the baboon deity Babi. Ammit was made male as a character in the Palladium RPG, a monster of the same name is also a card in Yu-Gi-Oh. In addition, Ammit also intermittenly appears in The Kane Chronicles, in the book series, Ammit follows suit as the original myths, being the servant and companion of Anubis. Ammit is also featured in the Lara Croft and the Temple of Osiris video game, Ammit Cryearth is a Grimoire in form of a hand mirror that reflects the true form of the holder, it appears in BlazBlue, Remix Heart manga. Book of the Dead Media related to Ammit at Wikimedia Commons
Ammit
Ammit
42.
Amun
–
Amun was a major Ancient Egyptian deity. He was attested since the Old Kingdom together with his wife Amaunet, with the 11th dynasty, he rose to the position of patron deity of Thebes by replacing Monthu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom. Amun-Ra in this period held the position of transcendental, self-created creator deity par excellence, he was the champion of the poor or troubled and his position as King of Gods developed to the point of virtual monotheism where other gods became manifestations of him. With Osiris, Amun-Ra is the most widely recorded of the Egyptian gods, as the chief deity of the Egyptian Empire, Amun-Ra also came to be worshipped outside of Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. As Zeus Ammon he came to be identified with Zeus in Greece, Amun and Amaunet are mentioned in the Old Egyptian Pyramid Texts. The name Amun meant something like the one or invisible. Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, as the patron of Thebes, his spouse was Mut. In Thebes, Amun as father, Mut as mother and the Moon god Khonsu formed a family or Theban Triad. The history of Amun as the god of Thebes begins in the 20th century BC. The city of Thebes does not appear to have been of great significance before the 11th dynasty, major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified ancient Egypt. Construction of the Hypostyle Hall may have begun during the 18th dynasty, though most building was undertaken under Seti I. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court and this Great Inscription shows the kings campaigns and eventual return with booty and prisoners. Next to this inscription is the Victory Stela, which is largely a copy of the more famous Israel Stela found in the complex of Merenptah on the west bank of the Nile in Thebes. Merenptahs son Seti II added 2 small obelisks in front of the Second Pylon, and this was constructed of sandstone, with a chapel to Amun flanked by those of Mut and Khonsu. The last major change to the Precinct of Amun-Res layout was the addition of the first pylon, the local patron deity of Thebes, Amun, therefore became nationally important. The pharaohs of that new dynasty attributed all their enterprises to Amun. The victory accomplished by pharaohs who worshipped Amun against the rulers, brought him to be seen as a champion of the less fortunate
Amun
–
Amon-Ra (l'esprit des quatre elements, lame du monde matérial),N372.2.,
Brooklyn Museum
Amun
–
Bas-relief depicting Amun as
pharaoh
Amun
–
Amun-Min as Amun-Ra ka-Mut-ef from the temple at Deir el Medina.
Amun
–
The
sarcophagus of a priestess of Amon-Ra, c. 1000 BC –
Smithsonian 's
National Museum of Natural History
43.
Amunet
–
Amunet was a primordial goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun and her name, meaning the female hidden one, was simply the feminine form of Amuns own name. It is possible that she was never an independent deity, as the first mention of either of them is in a pair, at Karnak, Amuns cult center, priests were dedicated to Amunets service. The goddess also played a part in ceremonies such as the Sed festival. Amunet was depicted as a woman wearing the Red Crown and carrying a staff of papyrus, in late texts from Karnak she was syncretized with Neith, although she remained a distinct deity as late as the Ptolemaic period. In the TV series Penny Dreadful, the character of Vanessa Ives is implied to be an incarnation of Amunet, in the TV series Stargate SG-1, Amaunet is a recurring Goauld character and consort of Apophis. Amunet will appear portrayed by Sofia Boutella in a fictionalized characterization, the film will serve as the first official installment in the Universal Monsters Cinematic Universe
Amunet
–
Bas relief of Amunet in Luxor.
44.
Andjety
–
Andjety is an Ancient Egyptian deity whose name is associated with the city of Andjet, which in the Greek language was called Busiris. This deity is known by the alternative names Anezti or Anedjti. Andjety is considered one of the earliest Egyptian gods, possibly with roots in Predynastic Egypt, Andjety is thought to have been a precursor of Osiris. Like Osiris he is depicted holding the crook and flail and has a similar to Osiriss Atef crown. King Sneferu of the 4th dynasty, builder of the first true pyramid, is wearing the crown of Andjety. In the Pyramid texts the power is associated with Andjety. In the temple of Seti I the king is offering incense to Osiris-Andjety who is accompanied by Isis. I immerse the waterways as Osiris, Lord of corruption, as Adjety, horus has revived you in this your name of Andjety
Andjety
–
v
45.
Anhur
–
In early Egyptian mythology, Anhur was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. Myths told that he had brought his wife, Mehit, who was his counterpart, from Nubia. One of his titles was Slayer of Enemies, Anhur was depicted as a bearded man wearing a robe and a headdress with four feathers, holding a spear or lance, or occasionally as a lion-headed god. In some depictions, the robe was more similar to a kilt, due to his position as a war god, he was patron of the ancient Egyptian army, and the personification of royal warriors. Indeed, at festivals honoring him, mock battles were staged, during the Roman era the Emperor Tiberius was depicted on the walls of Egyptian temples wearing the distinctive four-plumed crown of Anhur. The Greeks equated Anhur to their god of war, Ares, in the legend of Olympian gods fleeing from Typhon and taking animal form in Egypt, Ares was said to have taken the form of a fish as Lepidotus or Onuris. Anhurs name also could mean Sky Bearer and, due to the headdress, Anhur was later identified with Shu. He is the son of Ra and brother of Bastet if identified as Shu, amenhotep, from the time of Thutmose IV. Amenhoteps wife Henut was a songstress of Anhur and their sons Hat and Kenna were Chariot Warriors of His Majesty. Known from a now in the British Museum. Nebwenenef High Priest of Anhur during the reign of Sety I, was appointed High Priest of Amun in the beginning of the reign of Ramesses II. Hori Minmose, son of the High Priest of Anhur Hori, from the reign of Ramesses II. Anhurmose, from the time of Merenptah, sishepset, from the time of Ramesses III Harsiese, mentioned on an ostracon in Abydos Anhur is a playable character in the multiplayer online battle arena, SMITE. Anhur is a hunter and bears title the Slayer of Enemies and is shown in his lion form maintaining his beard, robe, Anhur is also a chaotic god in the computer game NetHack/SlashEM. Onuris has a role in the 2012 fantasy novel The Serpents Shadow as a presumed dead god who is revived in order to destroy the Lord of Chaos
Anhur
–
Amulet of Anhur
Anhur
–
Anhur was depicted wearing a headdress of two or four tall feathers.
46.
Anput
–
Anput is a goddess in ancient Egyptian religion. Her name is also rendered Input, Inpewt and Yineput and her name is written in hieroglyphs as inpwt. Her name is the version of the name of her husband. She was the goddess of funerals and mummification, the mother of Kebechet and she was depicted as a woman wearing a standard topped by a jackal, or as a large black dog or jackal. Probably the most notable example is that of the triad of Menkaure, Hathor and she was occasionally depicted as a woman with the head of a jackal, but this is very rare. Anput is a counterpart of the god Anubis. She is also a goddess of the nome of Upper Egypt
Anput
–
Hathor, Pharaoh
Menkaura, and Anput
47.
Anubis
–
Anubis or Anpu is the Greek name of a god associated with mummification and the afterlife in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts, depicted as a protector of graves as early as the First Dynasty, Anubis was also an embalmer. By the Middle Kingdom he was replaced by Osiris in his role as lord of the underworld, one of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the Weighing of the Heart, despite being one of the most ancient and one of the most frequently depicted and mentioned gods in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. Anubis was depicted in black, a color that symbolized both rebirth and the discoloration of the corpse after embalming, Anubis is associated with Wepwawet, another Egyptian god portrayed with a dogs head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined and his daughter is the serpent goddess Kebechet. Anubis is a Greek rendering of this gods Egyptian name, in Egypts Early Dynastic period, Anubis was portrayed in full animal form, with a jackal head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, the oldest known textual mention of Anubis is in the Pyramid Texts of the Old Kingdom, where he is associated with the burial of the pharaoh. In the Old Kingdom, Anubis was the most important god of the dead and he was replaced in that role by Osiris during the Middle Kingdom. In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to them to Osiris. The parentage of Anubis varied between myths, times and sources, in early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period, another tradition depicted him as the son of his father Ra and mother Nephthys. George Hart sees this story as an attempt to incorporate the independent deity Anubis into the Osirian pantheon, an Egyptian papyrus from the Roman period simply called Anubis the son of Isis. In the Ptolemaic period, when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, the two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means city of dogs, in Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages, in contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role, the Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard, Anubis stopped and subdued Set, however, and he branded Sets skin with a hot iron rod
Anubis
–
Anubis attending the
mummy of the deceased.
Anubis
–
Statue of
Hermanubis, a hybrid of Anubis and the Greek god
Hermes (
Vatican Museums)
Anubis
–
The "weighing of the heart," from the book of the dead of
Hunefer. Anubis is portrayed as both guiding the deceased forward and manipulating the scales, under the scrutiny of the ibis-headed
Thoth.
Anubis
–
A crouching or "recumbent"
statue of Anubis as a black-coated wolf (from the
Tomb of Tutankhamun)
