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Neo-Assyrian Empire
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The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history. Beginning with the accession of Adad-nirari II in 911 BCE, the Neo-Assyrian Empire grew to dominate the ancien
Early Neo-Assyrian borders and campaigns under Ashur-dan II (r. 934–912 BCEE), Adad-nirari II (r. 911–891 BCEE) and Tukulti-Ninurta II (r. 890–884 BCE
Early Neo-Assyrian borders and campaigns under Ashur-dan II (r. 934–912 BCEE), Adad-nirari II (r. 911–891 BCEE) and Tukulti-Ninurta II (r. 890–884 BCEE)
Annals of Tukulti-Ninurta II (r. 890–884 BCEE), recounting one of his campaigns
Annals of Tukulti-Ninurta II (r. 890–884 BCEE), recounting one of his campaigns
Stele of Ashurnasirpal II (r. 883–859 BCE)
Stele of Ashurnasirpal II (r. 883–859 BCE)
Assyrian borders and campaigns under Ashurnasirpal II (r. 883–859 BCE)
Assyrian borders and campaigns under Ashurnasirpal II (r. 883–859 BCE)
Esarhaddon
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Esarhaddon, also spelled Essarhaddon, Assarhaddon and Ashurhaddon was the king of the Neo-Assyrian Empire from 681 to 669 BC. The third king of the Sargonid dynasty, Esarhaddon is most famous for his
Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
Esarhaddon, closeup from his victory stele, now housed in the Pergamon Museum
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
The Recognition of Esarhaddon as King in Nineveh, illustration by A. C. Weatherstone for Hutchinson's History of the Nations (1915).
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women
Relief in the Louvre depicting Esarhaddon (right) and his mother Naqiʾa (left). Possibly as a result of his distrust of his male relatives, the women of the royal family were allowed greater political influence and power during Esarhaddon's reign than in any previous period of Assyrian history.
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the B
Black basalt monument of Esarhaddon in traditional Sumero-Akkadian cuneiform, which narrates his restoration of Babylon. c. 670 BC. Exhibited at the British Museum, BM 91027.