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Neo-Impressionism
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Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat's most renowned masterpiece, A Sunday Afternoon on the Island
Georges Seurat A Sunday on La Grande Jatte 1884 Google Art Project
Georges Seurat A Sunday on La Grande Jatte 1884 Google Art Project
Paul Signac, 1890, Portrait of Félix Fénéon (in front of an enamel of a rhythmic background of measures and angles, shades and colors), oil on canvas,
Paul Signac, 1890, Portrait of Félix Fénéon (in front of an enamel of a rhythmic background of measures and angles, shades and colors), oil on canvas, 73.7 cm × 92.5 cm (29.0 in × 36.4 in), Museum of Modern Art, New York
Henri-Edmond Cross, The Evening Air (l'Air du soir), c. 1893, oil on canvas, 116 × 164 cm, Musée d'Orsay, Paris
Henri-Edmond Cross, The Evening Air (l'Air du soir), c. 1893, oil on canvas, 116 × 164 cm, Musée d'Orsay, Paris
Georges Seurat, Le Cirque, 1891, oil on canvas, 185 x 152 cm, Musée d'Orsay, Paris
Georges Seurat, Le Cirque, 1891, oil on canvas, 185 x 152 cm, Musée d'Orsay, Paris
Pointillism
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Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Neo-Impressionism
…and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because they were the dominant techniques in the beginning of the Neo-Impressionist…
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism
Vincent van Gogh, Self Portrait, 1887, using pointillist technique.
Vincent van Gogh, Self Portrait, 1887, using pointillist technique.
Maximilien Luce, Morning, Interior, 1890, using pointillist technique.
Maximilien Luce, Morning, Interior, 1890, using pointillist technique.
Georges Seurat, 1884, Bathers at Asnières, oil on canvas, 201 × 301 cm, National Gallery, London
Georges Seurat, 1884, Bathers at Asnières, oil on canvas, 201 × 301 cm, National Gallery, London