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A demonstration of the effect of a neutral density filter. Note that the photograph was exposed for the view through the filter, and thus the remainde
A demonstration of the effect of a neutral density filter. Note that the photograph was exposed for the view through the filter, and thus the remainder of the scene is overexposed. If the exposure had instead been set for the unfiltered background, it would appear properly exposed while the view through the filter would be dark.
A set of ND filters
A set of ND filters
Comparison of two pictures showing the result of using an ND filter at a landscape. The first one uses only a polarizer, and the second one a polarize
Comparison of two pictures showing the result of using an ND filter at a landscape. The first one uses only a polarizer, and the second one a polarizer and a 1000× ND filter (ND3.0), which allowed the second shot to have a much longer exposure, smoothing any motion.
Neutral-density filters are often used to achieve motion-blur effects with slow shutter speeds.
Neutral-density filters are often used to achieve motion-blur effects with slow shutter speeds.
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Four photographic filters (clockwise from top-left): an infrared hot mirror filter, a polarizing filter, and a UV filter. The larger filter is a polar
Four photographic filters (clockwise from top-left): an infrared hot mirror filter, a polarizing filter, and a UV filter. The larger filter is a polarizer for Cokin-style filter mounts.
An extreme case: a Nikon D700 with a smashed filter which may have saved the Nikkor lens beneath. Usually, all that can reasonably be expected is prot
An extreme case: a Nikon D700 with a smashed filter which may have saved the Nikkor lens beneath. Usually, all that can reasonably be expected is protection from scratches, nicks and airborne contaminants.
The 80A filter, mainly used to correct for the excessive redness of tungsten lighting, can also be used to oversaturate scenes that already have blue.
The 80A filter, mainly used to correct for the excessive redness of tungsten lighting, can also be used to oversaturate scenes that already have blue. The photo on the left was shot with a polarizer, while the one on the right was shot with a polarizer and an 80A filter.
Polarizing filter, Atlantic Ocean 1989
Polarizing filter, Atlantic Ocean 1989