1.
Album
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Album, is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, vinyl LPs are still issued, though in the 21st century album sales have mostly focused on compact disc and MP3 formats. The audio cassette was a format used from the late 1970s through to the 1990s alongside vinyl, an album may be recorded in a recording studio, in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to years to complete, usually in several takes with different parts recorded separately. Recordings that are done in one take without overdubbing are termed live, the majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at times while listening to the other parts using headphones. Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. It was adopted by the industry as a standard format for the album. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, the term album had been carried forward from the early nineteenth century when it had been used for collections of short pieces of music. Later, collections of related 78rpm records were bundled in book-like albums, as part of a trend of shifting sales in the music industry, some commenters have declared that the early 21st century experienced the death of the album. Sometimes shorter albums are referred to as mini-albums or EPs, Albums such as Tubular Bells, Amarok, Hergest Ridge by Mike Oldfield, and Yess Close to the Edge, include fewer than four tracks. There are no rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as albums. These are known as box sets, material is stored on an album in sections termed tracks, normally 11 or 12 tracks. A music track is a song or instrumental recording. The term is associated with popular music where separate tracks are known as album tracks. When vinyl records were the medium for audio recordings a track could be identified visually from the grooves
2.
Owen (musician)
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Owen is a solo project of Mike Kinsella, and part of the Chicago, Illinois indie rock scene. Owen is known for its melodies, complex acoustics, combining lead acoustics with keyboard and other guitars, plaintive vocals. It can be seen as a progression for Kinsella, from the progressive. Owens debut, Owen was a departure from previous Mike Kinsella projects. For 2002s No Good For No One Now, Owens second album, in 2004, in collaboration with Cale Parks, Bob Hoffnar, Jen Tabor, and Paul Koob, Mike began recording again. The joint effort marked a point of sorts for Owen. Had been written as a piece to a scheduled full-length. In summer 2004, Mike again began recording and collaborating, this time with cousin Nate Kinsella who lent assistance both on instrumentation and engineering, the results of these efforts were I Do Perceive, Owens third album. On At Home With Owen, Mike figuratively leaves the bedroom that has characterized so much of Owens past musical presence. His step away from bedroom recording allowed for an approach to the songs recorded on At Home With Owen. Ive always hated how two dimensional the other Owen albums have sounded, and I think this ones finally got a third dimension, since the release of his 2006 album, much has changed for Kinsella. Produced by Brian Deck, Graeme Gibson, Tim Iseler and cousin Nate Kinsella, in 2010, Owen released the Abandoned Bridges single. He has also released an EP titled O, Evelyn in April 2011, Owens album, Ghost Town, was released on November 8,2011. Owens album, LAmi du Peuple, was released on July 2,2013, on October 2,2014, it was announced that Owen is releasing a covers album titled Other Peoples Songs. The album was released on December 2,2014, through Polyvinyl Records and it included covers of songs from artists including Against Me. Depeche Mode, The Promise Ring, and Lungfish amongst others, in July 2016 he released the album The King of Whys through Polyvinyl in America and Wichita Recordings in England. org Profile of Owen with reviews, interviews, related bands
3.
Indie rock
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Indie rock is a genre of alternative rock that originated in the United States and the United Kingdom in the 1980s. Originally used to independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. In the mid-1980s, the term began to be used to describe the music produced on punk and post-punk labels. Some prominent indie rock record labels were founded during the 1980s, during the 1990s, Grunge bands broke into the mainstream, and the term alternative lost its original counter-cultural meaning. The term indie rock became associated with the bands and genres that remained dedicated to their independent status, by the end of the 1990s indie rock developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success. In the early 2000s, a new group of bands played a stripped-down. The commercial breakthrough from these scenes was led by four bands, The Strokes, The White Stripes, The Hives, emo also broke into mainstream culture in the early 2000s. By the end of the 2000s the proliferation of bands was being referred to as indie landfill. The term indie rock, which comes from independent, describes the small and relatively low-budget labels on which it is released, the influences and styles of the artists have been extremely diverse, including punk, psychedelia, post-punk and country. Allmusic identifies indie rock as including a number of varying musical approaches compatible with mainstream tastes, in fact, there is an everlasting list of genres and subgenres of indie rock. Many countries have developed a local indie scene, flourishing with bands with enough popularity to survive inside the respective country. However, there are still indie bands that start off locally, Indie rock has been identified as a reaction against the macho culture that developed in alternative rock in the aftermath of Nirvanas success. However, Cortney Harding pointed out that this sense of equality is not reflected in the number of women running indie labels. The BBC documentary Music for Misfits, The Story of Indie pinpoints the birth of indie as the 1977 self-publication of the Spiral Scratch EP by Manchester band Buzzcocks, Indie pop and indie were originally synonymous. In the mid-1980s, indie began to be used to describe the music produced on post-punk labels rather than the labels themselves. The indie rock scene in the US was prefigured by the rock that dominated college radio playlists. In the United States, the term was associated with the abrasive, distortion-heavy sounds of the Pixies, Hüsker Dü, Minutemen, Meat Puppets, Dinosaur Jr
4.
Acoustic music
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Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. The retronym acoustic music appeared after the advent of electric instruments, such as the guitar, electric violin, electric organ. It has its origins in the music of the 1960s. The trend has also dubbed as acoustic rock in some cases. Navigating the Music Industry, Current Issues & Business Models, Music and the Modern Condition, Investigating the Boundaries
5.
Singer-songwriter
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Singer-songwriters are musicians who write, compose, and perform their own musical material, including lyrics and melodies. The genre began with the folk-acoustic tradition, singer-songwriters often provide the sole accompaniment to an entire composition or song, typically using a guitar or piano. Singer-songwriter is used to define popular music artists who write and perform their own material, such an artist performs the roles of composer, lyricist, vocalist, instrumentalist, and often self-manager. Most records by artists have a similarly straightforward and spare sound that placed emphasis on the song itself. The term has also used to describe songwriters in the rock, folk, and pop music genres including Henry Russell, Aristide Bruant, Hank Williams. Song topics include political protest, as in the case of the Almanac Singers, Pete Seeger, the concept of a singer-songwriter can be traced to ancient bardic oral tradition, which has existed in various forms throughout the world. Poems would be performed as chant or song, sometimes accompanied by a harp or other similar instrument, after the invention of printing, songs would be written and performed by ballad sellers. Usually these would be versions of existing tunes and lyrics, which were constantly evolving and this developed into the singer-songwriting traditions of folk culture. The term singer-songwriter in North America can be traced back to singers who developed works in the blues and folk music style. Early to mid-20th century American singer-songwriters include Lead Belly, Jimmie Rodgers, Blind Lemon Jefferson, T-Bone Walker, Blind Willie McTell, Lightnin Hopkins, Son House, the tradition of writing topical songs was established by this group of musicians. This focus on social issues has greatly influenced the singer-songwriter genre, artists who had been primarily songwriters, notably Carole King, Townes Van Zandt, and Neil Diamond, also began releasing work as performers. In contrast to the approach of most prior country and folk music. The adjectives confessional and sensitive were often used singer-songwriter style, in the rock band era, members were not technically singer-songwriters as solo acts. However, many were singer-songwriters who created songs with band members. Many others like Eric Clapton found success as singer-songwriters in their later careers, there were hints of cross-pollination, but rock and folk music had remained largely separate genres, often with different audiences. An early attempt at fusing elements of folk and rock was highlighted in the Animals House of the Rising Sun, dylan plugged an entire generation into the milieu of the singer-songwriter. In the mid- to late 1960s, bands and singer-songwriters began to proliferate the underground New York art/music scene. Lotti Golden, in her Atlantic debut album Motor-Cycle, chronicled her life in NYCs East Village in the late 60s counterculture, visiting subjects such as gender identity, kate Bush remained distinctive throughout with her idiosyncratic style
6.
Record producer
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A record producer or music producer oversees and manages the sound recording and production of a band or performers music, which may range from recording one song to recording a lengthy concept album. A producer has many roles during the recording process, the roles of a producer vary. The producer may perform these roles himself, or help select the engineer, the producer may also pay session musicians and engineers and ensure that the entire project is completed within the record companies budget. A record producer or music producer has a broad role in overseeing and managing the recording. Producers also often take on an entrepreneurial role, with responsibility for the budget, schedules, contracts. In the 2010s, the industry has two kinds of producers with different roles, executive producer and music producer. Executive producers oversee project finances while music producers oversee the process of recording songs or albums. In most cases the producer is also a competent arranger, composer. The producer will also liaise with the engineer who concentrates on the technical aspects of recording. Noted producer Phil Ek described his role as the person who creatively guides or directs the process of making a record, indeed, in Bollywood music, the designation actually is music director. The music producers job is to create, shape, and mold a piece of music, at the beginning of record industry, producer role was technically limited to record, in one shot, artists performing live. The role of producers changed progressively over the 1950s and 1960s due to technological developments, the development of multitrack recording caused a major change in the recording process. Before multitracking, all the elements of a song had to be performed simultaneously, all of these singers and musicians had to be assembled in a large studio and the performance had to be recorded. As well, for a song that used 20 instruments, it was no longer necessary to get all the players in the studio at the same time. Examples include the rock sound effects of the 1960s, e. g. playing back the sound of recorded instruments backwards or clanging the tape to produce unique sound effects. These new instruments were electric or electronic, and thus they used instrument amplifiers, new technologies like multitracking changed the goal of recording, A producer could blend together multiple takes and edit together different sections to create the desired sound. For example, in jazz fusion Bandleader-composer Miles Davis album Bitches Brew, producers like Phil Spector and George Martin were soon creating recordings that were, in practical terms, almost impossible to realise in live performance. Producers became creative figures in the studio, other examples of such engineers includes Joe Meek, Teo Macero, Brian Wilson, and Biddu
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