"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
A Universal Negro Improvement Association parade in Harlem, 1920. A sign on a car says "The New Negro Has No Fear".
The Harlem Renaissance was an intellectual and cultural revival of African-American music, dance, art, fashion, literature, theater, politics and scholarship centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights, combined with the Great Migration of African-American workers fleeing the racist conditions of the Jim Crow Deep South, as Harlem was the final destination of the largest number of those who migrated north.
Philip A. Payton Jr. founded the Afro-American Realty Company in 1903, which sought to fight housing discrimination and encourage Black migration into Harlem.
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The multi-talented Adelaide Hall and Bill 'Bojangles' Robinson in the musical comedy Brown Buddies on Broadway, 1930
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