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Nicola Formichetti
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Nicola Formichetti is a fashion director and fashion editor. Born in Japan, he is most widely known as the artistic director of the Italian fashion label Diesel and for being a frequent collaborator with singer-songwriter Lady Gaga. He worked two years with the French fashion house Mugler as artistic director.
Nicola Formichetti
Inside Formichetti's pop-up shop, Tribeca, NYC, September 16, 2011
Inside Formichetti's pop-up shop, Tribeca, NYC, September 16, 2011
Telephone (song)
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"Telephone" is a song by American singer Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Featuring American singer Beyoncé, it was released as the EP's second single on January 26, 2010. Gaga and Rodney Jerkins wrote and produced "Telephone", with additional songwriting by LaShawn Daniels, Lazonate Franklin and Beyoncé. Gaga originally wrote the song for Britney Spears, who recorded a demo. "Telephone" conveys Gaga's fear of not finding time for fun given the increasing pressure for her to work harder as an artist. Musically, the song consists of an expanded bridge, verse-rap and a sampled voice of an operator announcing that the phone line is unreachable. Beyoncé appears in the middle of the song, singing the verses in a "rapid-fire" way, accompanied by double beats.
Tyrese Gibson (pictured in 2009) appeared in the music video.
In the video, Gaga used items, which she said some viewers mistook as product placements, but were actually references to Andy Warhol (pictured in 197
In the video, Gaga used items, which she said some viewers mistook as product placements, but were actually references to Andy Warhol (pictured in 1973), as part of her commentary on American commercialism in technology and information overload.
Gaga and Beyoncé in the Pussy Wagon, a car from Quentin Tarantino's 2003 film Kill Bill: Volume 1. Katrin Horn saw the car in "Telephone" as a symbol
Gaga and Beyoncé in the Pussy Wagon, a car from Quentin Tarantino's 2003 film Kill Bill: Volume 1. Katrin Horn saw the car in "Telephone" as a symbol for "freedom, mobility, and unity" between Gaga and Beyoncé, as opposed to Tarantino's film where it visually represents the sexual objectification of the female protagonist.
Image: Britney Spears Boys
Image: Britney Spears Boys