Nihonga is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting. The term literally translates to "pictures of Japan."
Enbu (炎舞, Dancing in the Flames) by Gyoshū Hayami, 1925, Important Cultural Property. Yamatane Museum.
Kuroki Neko (黒き猫, Black Cat) by Hishida Shunsō, 1910, Important Cultural Property. Eisei Bunko Museum.
Left panel of the Ryūkozu (竜虎図, Dragon and tiger) by Hashimoto Gahō, 1895. Important Cultural Property. Seikadō Bunko Art Museum.
Right panel of the Ryūkozu (竜虎図, Dragon and tiger) by Hashimoto Gahō, 1895. Important Cultural Property. Seikadō Bunko Art Museum.
Yōga is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or Nihonga (日本画).
Lake Shore (湖畔), by Kuroda Seiki (1897)
Reminiscence of the Tempyō Era (天平の面影), by Fujishima Takeji (1902)