Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century until the early sixteenth century. Alabaster carvers were at work in London, York and Burton-on-Trent, and many probably worked very close to the rural mines, but the largest concentration was around Nottingham. This has led to all the English medieval output being referred to as "Nottingham alabaster".
Fifteenth-century altarpiece set, with contemporary frame and well-preserved paint
Nativity panel, ca 1400, using a composition previously found in French ivories. H. 37.5 cm (14 3⁄4 in.), W. 26 cm (10 in.), D. 4.5 cm (1 3⁄4 in.)
Monument to Edmund Brudenell, d.1590. After the English Reformation tomb monuments were the mainstay of the industry.
Our Lady of Westminster is a late medieval statue of the Madonna and child, now placed at the entrance of the Lady Chapel in Westminster Cathedral, London, under the thirteenth Station of the Cross. The image is an English alabaster, flat backed, 36 inches (91 cm) high, and depicts the Virgin Mary enthroned with the Christ child on her right knee. Mary is crowned and holds a sceptre in her left hand, the Christ child looks up at her and holds a globe with one hand, whilst with the other he blesses it. The statue is one of the greatest treasures of the cathedral, and the oldest item housed in the 19th-century foundation.
Dos tua Virgo pia Haec est, quaere leges O Maria, This is your Dowry, O Holy Virgin, therefore rule over it, O Mary
A copy of Our Lady of Westminster by Sister Concordia Scott enshrined as "Our Lady of Pew" in Westminster Abbey
Image: OL Westminster III