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Resurrection of Christ, panel from an altarpiece set, 1450–90, with remains of the paint
Resurrection of Christ, panel from an altarpiece set, 1450–90, with remains of the paint
Fifteenth-century altarpiece set, with contemporary frame and well-preserved paint
Fifteenth-century altarpiece set, with contemporary frame and well-preserved paint
Nativity panel, ca 1400, using a composition previously found in French ivories. H. 37.5 cm (14 3⁄4 in.), W. 26 cm (10 in.), D. 4.5 cm (1 3⁄4 in.)
Nativity panel, ca 1400, using a composition previously found in French ivories. H. 37.5 cm (14 3⁄4 in.), W. 26 cm (10 in.), D. 4.5 cm (1 3⁄4 in.)
Monument to Edmund Brudenell, d. 1590. After the English Reformation tomb monuments were the mainstay of the industry.
Monument to Edmund Brudenell, d. 1590. After the English Reformation tomb monuments were the mainstay of the industry.
Georges de La Tour c. 1644
Georges de La Tour c. 1644
Master of Vyšší Brod, a Bohemian master, c. 1350. Vyšší Brod (Hohenfurth) cycle. The influence of Italian Byzantine painting was strong in the court o
Master of Vyšší Brod, a Bohemian master, c. 1350. Vyšší Brod (Hohenfurth) cycle. The influence of Italian Byzantine painting was strong in the court of Charles IV.
The stable is just outside the city walls, with the shepherds on the hill behind; Slovakia, c. 1490.
The stable is just outside the city walls, with the shepherds on the hill behind; Slovakia, c. 1490.
Sant’Apollinare Nuovo, Ravenna, the Magi presenting their gifts (mosaic detail), late 6th century, wearing Persian dress, and Phrygian cap
Sant’Apollinare Nuovo, Ravenna, the Magi presenting their gifts (mosaic detail), late 6th century, wearing Persian dress, and Phrygian cap