1.
Novel
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A novel is any relatively long piece of written narrative fiction, normally in prose, and typically published as a book. The genre has also described as possessing, a continuous. This view sees the novels origins in Classical Greece and Rome, medieval, early modern romance, the latter, an Italian word used to describe short stories, supplied the present generic English term in the 18th century. The romance is a closely related long prose narrative, Romance, as defined here, should not be confused with the genre fiction love romance or romance novel. Other European languages do not distinguish between romance and novel, a novel is le roman, der Roman, il romanzo, a novel is a long, fictional narrative which describes intimate human experiences. Most European languages use the word romance for extended narratives, fictionality is most commonly cited as distinguishing novels from historiography. However this can be a problematic criterion, historians would also invent and compose speeches for didactic purposes. Novels can, on the hand, depict the social, political and personal realities of a place and period with clarity. Even in the 19th century, fictional narratives in verse, such as Lord Byrons Don Juan, Alexander Pushkins Yevgeniy Onegin, vikram Seths The Golden Gate, composed of 590 Onegin stanzas, is a more recent example of the verse novel. Both in 12th-century Japan and 15th-century Europe, prose fiction created intimate reading situations, on the other hand, verse epics, including the Odyssey and Aeneid, had been recited to a select audiences, though this was a more intimate experience than the performance of plays in theaters. A new world of Individualistic fashion, personal views, intimate feelings, secret anxieties, conduct and gallantry spread with novels, the novel is today the longest genre of narrative prose fiction, followed by the novella, short story, and flash fiction. However, in the 17th century critics saw the romance as of epic length, the length of a novel can still be important because most literary awards use length as a criterion in the ranking system. Urbanization and the spread of printed books in Song Dynasty China led to the evolution of oral storytelling into consciously fictional novels by the Ming dynasty, parallel European developments did not occur for centuries, and awaited the time when the availability of paper allowed for similar opportunities. By contrast, Ibn Tufails Hayy ibn Yaqdhan and Ibn al-Nafis Theologus Autodidactus are works of didactic philosophy, in this sense, Hayy ibn Yaqdhan would be considered an early example of a philosophical novel, while Theologus Autodidactus would be considered an early theological novel. Epic poetry exhibits some similarities with the novel, and the Western tradition of the novel back into the field of verse epics. Then at the beginning of the 18th century, French prose translations brought Homers works to a wider public, longus is the author of the famous Greek novel, Daphnis and Chloe. Romance or chivalric romance is a type of narrative in prose or verse popular in the circles of High Medieval. In later romances, particularly those of French origin, there is a tendency to emphasize themes of courtly love
2.
Poetry
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Poetry has a long history, dating back to the Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey. Ancient attempts to define poetry, such as Aristotles Poetics, focused on the uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated on such as repetition, verse form and rhyme. From the mid-20th century, poetry has sometimes been more generally regarded as a creative act employing language. Poetry uses forms and conventions to suggest differential interpretation to words, devices such as assonance, alliteration, onomatopoeia and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony and other elements of poetic diction often leaves a poem open to multiple interpretations. Similarly figures of such as metaphor, simile and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between verses, in their patterns of rhyme or rhythm. Some poetry types are specific to cultures and genres and respond to characteristics of the language in which the poet writes. Much modern poetry reflects a critique of poetic tradition, playing with and testing, among other things, in todays increasingly globalized world, poets often adapt forms, styles and techniques from diverse cultures and languages. Some scholars believe that the art of poetry may predate literacy, others, however, suggest that poetry did not necessarily predate writing. The oldest surviving poem, the Epic of Gilgamesh, comes from the 3rd millennium BCE in Sumer. An example of Egyptian epic poetry is The Story of Sinuhe, other forms of poetry developed directly from folk songs. The earliest entries in the oldest extant collection of Chinese poetry, the efforts of ancient thinkers to determine what makes poetry distinctive as a form, and what distinguishes good poetry from bad, resulted in poetics—the study of the aesthetics of poetry. Some ancient societies, such as Chinas through her Shijing, developed canons of poetic works that had ritual as well as aesthetic importance, Classical thinkers employed classification as a way to define and assess the quality of poetry. Later aestheticians identified three major genres, epic poetry, lyric poetry, and dramatic poetry, treating comedy and tragedy as subgenres of dramatic poetry, Aristotles work was influential throughout the Middle East during the Islamic Golden Age, as well as in Europe during the Renaissance. English Romantic poet John Keats termed this escape from logic Negative Capability and this romantic approach views form as a key element of successful poetry because form is abstract and distinct from the underlying notional logic
3.
Drama
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Drama is the specific mode of fiction represented in performance. The term comes from a Greek word meaning action, which is derived from I do, the two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia, Thalia was the Muse of comedy, while Melpomene was the Muse of tragedy. Considered as a genre of poetry in general, the mode has been contrasted with the epic. The use of drama in a narrow sense to designate a specific type of play dates from the modern era. Drama in this sense refers to a play that is neither a comedy nor a tragedy—for example and it is this narrower sense that the film and television industries, along with film studies, adopted to describe drama as a genre within their respective media. Radio drama has been used in both senses—originally transmitted in a performance, it has also been used to describe the more high-brow. The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production, the structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet by Shakespeare and the classical Athenian tragedy Oedipus Rex by Sophocles are among the masterpieces of the art of drama, a modern example is Long Days Journey into Night by Eugene O’Neill. Closet drama describes a form that is intended to be read, in improvisation, the drama does not pre-exist the moment of performance, performers devise a dramatic script spontaneously before an audience. Western drama originates in classical Greece, the theatrical culture of the city-state of Athens produced three genres of drama, tragedy, comedy, and the satyr play. Their origins remain obscure, though by the 5th century BCE they were institutionalised in competitions held as part of celebrating the god Dionysus. The competition for tragedies may have begun as early as 534 BCE, tragic dramatists were required to present a tetralogy of plays, which usually consisted of three tragedies and one satyr play. Comedy was officially recognized with a prize in the competition from 487 to 486 BCE, five comic dramatists competed at the City Dionysia, each offering a single comedy. Ancient Greek comedy is traditionally divided between old comedy, middle comedy and new comedy, following the expansion of the Roman Republic into several Greek territories between 270–240 BCE, Rome encountered Greek drama. While Greek drama continued to be performed throughout the Roman period, from the beginning of the empire, however, interest in full-length drama declined in favour of a broader variety of theatrical entertainments. The first important works of Roman literature were the tragedies and comedies that Livius Andronicus wrote from 240 BCE, five years later, Gnaeus Naevius also began to write drama. No plays from either writer have survived, by the beginning of the 2nd century BCE, drama was firmly established in Rome and a guild of writers had been formed
4.
Comedy
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In a modern sense, comedy refers to any discourse or work generally intended to be humorous or amusing by inducing laughter, especially in theatre, television, film, and stand-up comedy. The origins of the term are found in Ancient Greece, in the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a Society of Youth and a Society of the Old, a revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, parody subverts popular genres and forms, critiquing those forms without necessarily condemning them. Similarly scatological humour, sexual humour, and race humour create comedy by violating social conventions or taboos in comic ways, a comedy of manners typically takes as its subject a particular part of society and uses humor to parody or satirize the behaviour and mannerisms of its members. Romantic comedy is a genre that depicts burgeoning romance in humorous terms. The adjective comic, which means that which relates to comedy is, in modern usage. Of this, the word came into usage through the Latin comoedia and Italian commedia and has, over time. The Greeks and Romans confined their use of the comedy to descriptions of stage-plays with happy endings. Aristotle defined comedy as an imitation of men worse than the average, however, the characters portrayed in comedies were not worse than average in every way, only insofar as they are Ridiculous, which is a species of the Ugly. The Ridiculous may be defined as a mistake or deformity not productive of pain or harm to others, the mask, for instance, in the Middle Ages, the term expanded to include narrative poems with happy endings. It is in this sense that Dante used the term in the title of his poem, as time progressed, the word came more and more to be associated with any sort of performance intended to cause laughter. During the Middle Ages, the comedy became synonymous with satire. They disassociated comedy from Greek dramatic representation and instead identified it with Arabic poetic themes and forms and they viewed comedy as simply the art of reprehension, and made no reference to light and cheerful events, or to the troubling beginnings and happy endings associated with classical Greek comedy. After the Latin translations of the 12th century, the term gained a more general meaning in medieval literature. Starting from 425 BCE, Aristophanes, a playwright and satirical author of the Ancient Greek Theater wrote 40 comedies,11 of which survive. Aristophanes developed his type of comedy from the satyr plays
5.
Tragedy
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Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. In the wake of Aristotles Poetics, tragedy has been used to make genre distinctions, in the modern era, tragedy has also been defined against drama, melodrama, the tragicomic, and epic theatre. Drama, in the sense, cuts across the traditional division between comedy and tragedy in an anti- or a-generic deterritorialisation from the mid-19th century onwards. Both Bertolt Brecht and Augusto Boal define their epic theatre projects against models of tragedy, taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation. The word tragedy appears to have used to describe different phenomena at different times. It derives from Classical Greek τραγῳδία, contracted from trag-aoidiā = goat song, scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was that around which a chorus danced prior to the animals ritual sacrifice. In another view on the etymology, Athenaeus of Naucratis says that the form of the word was trygodia from trygos and ode. There is some dissent to the origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre-Hellenic fertility and burial rites has been suggested, friedrich Nietzsche discussed the origins of Greek tragedy in his early book The Birth of Tragedy. Here, he suggests the name originates in the use of a chorus of goat-like satyrs in the original dithyrambs from which the genre developed. Scott Scullion writes, There is abundant evidence for tragoidia understood as song for the prize goat, and as prize was established the billy goat, the clearest is Eustathius 1769.45, They called those competing tragedians, clearly because of the song over the billy goat. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE, no tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts extant by Aeschylus, Sophocles, and Euripides, Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days, each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a satyr play. The four plays sometimes featured linked stories, only one complete trilogy of tragedies has survived, the Oresteia of Aeschylus. The Greek theatre was in the air, on the side of a hill. Performances were apparently open to all citizens, including women, the theatre of Dionysus at Athens probably held around 12,000 people
6.
Performance
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A performance, in the performing arts, generally comprises an event in which a performer or group of performers present one or more works of art to an audience. Usually the performers participate in rehearsals beforehand, the means of expressing appreciation can vary by culture. Chinese performers will clap with the audience at the end of a performance, in Japan, folk performing-arts performances commonly attract individuals who take photographs, sometimes getting up to the stage and within inches of performers faces. Sometimes the dividing line between performer and the audience may become blurred, as in the example of theatre where audience members get involved in the production. Theatrical performances can take place daily or at some other regular interval, performances can take place at designated performance spaces, or in a non-conventional space, such as a subway station, on the street, or in somebodys home. Theatrical performances, especially when the audience is limited to only a few observers and this increase takes place in several stages relative to the performance itself, including anticipatory activation, confrontation activation and release period. The same physiological reactions can be experienced in other mediums, such as instrumental performance, heart rate shares a strong, positive correlation with the self reported anxiety of performers. Other physiological responses to public performance include perspiration, secretion of the adrenal glands, a performance may also describe the way in which an actor performs. In a solo capacity, it may refer to a mime artist, comedian, conjurer. Audio electronics Entertainment Live sound mixing Performance science Rock festival Sound technology Spectacle Stadium Stagecraft Theater
7.
History of literature
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Some recorded materials, such as compilations of data are not considered literature, and this article relates only to the evolution of the works defined above. Literature and writing, though connected, are not synonymous, scholars have often disagreed concerning when written record-keeping became more like literature than anything else, the definition is largely subjective. Moreover, given the significance of distance as a cultural isolator in earlier centuries, the historical development of literature did not occur at an even pace across the world. Much has been written, for example, about the destruction of the Library of Alexandria in the 1st century BC, the deliberate suppression of texts by organisations of either a spiritual or a temporal nature further shrouds the subject. Certain primary texts, however, may be isolated which have a role as literatures first stirrings. Many texts handed down by oral tradition over several centuries before they were fixed in form are difficult or impossible to date. The core of the Rigveda may date to the mid 2nd millennium BC, the Pentateuch is traditionally dated to the 15th century, although modern scholarship estimates its oldest part to date to the 10th century BC at the earliest. Homers Iliad and Odyssey date to the 8th century BC and mark the beginning of Classical Antiquity and they also stand in an oral tradition that stretches back to the late Bronze Age. The great Hindu epics were also transmitted orally, likely predating the Maurya period, the Classic of Poetry is the oldest existing collection of Chinese poetry, comprising 305 works by anonymous authors dating from the 11th to 7th centuries BC. The Chu Ci anthology is a volume of poems attributed to or considered to be inspired by Qu Yuans verse writing. Qu Yuan is the first author of verse in China to have his name associated to his work and is regarded as one of the most prominent figures of Romanticism in Chinese classical literature. The first great author on military tactics and strategy was Sun Tzu, among the earliest Chinese works of narrative history, Zuo Zhuan is a gem of classical Chinese prose. This work and the Shiji or Records of the Grand Historian, were regarded as the models by many generations of prose stylists in ancient China. The books that constitute the Hebrew Bible developed over roughly a millennium, the oldest texts seem to come from the eleventh or tenth centuries BCE, whilst most of the other texts are somewhat later. They are edited works, being collections of various sources intricately and carefully woven together, the Old Testament was compiled and edited by various men over a period of centuries, with many scholars concluding that the Hebrew canon was solidified by about the 3rd century BC. The works have been subject to various literary evaluations, friedrich Nietzsche wrote, “In the Jewish Old Testament, there are men, things and speeches in so grand a style that Greek and Indian literature have nothing to compare to it. One stands with awe and reverence before these tremendous remnants of what man once was, the taste for the Old Testament is a touchstone of greatness and smallness. ”Ancient Greek society placed considerable emphasis upon literature. Notable among later Greek poets was Sappho, who defined, in many ways, a playwright named Aeschylus changed Western literature forever when he introduced the ideas of dialogue and interacting characters to playwriting
8.
Renaissance
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The Renaissance was a period in European history, from the 14th to the 17th century, regarded as the cultural bridge between the Middle Ages and modern history. It started as a movement in Italy in the Late Medieval period and later spread to the rest of Europe. This new thinking became manifest in art, architecture, politics, science, Early examples were the development of perspective in oil painting and the recycled knowledge of how to make concrete. Although the invention of movable type sped the dissemination of ideas from the later 15th century. In politics, the Renaissance contributed to the development of the customs and conventions of diplomacy, the Renaissance began in Florence, in the 14th century. Other major centres were northern Italian city-states such as Venice, Genoa, Milan, Bologna, the word Renaissance, literally meaning Rebirth in French, first appeared in English in the 1830s. The word also occurs in Jules Michelets 1855 work, Histoire de France, the word Renaissance has also been extended to other historical and cultural movements, such as the Carolingian Renaissance and the Renaissance of the 12th century. The Renaissance was a movement that profoundly affected European intellectual life in the early modern period. Renaissance scholars employed the humanist method in study, and searched for realism, however, a subtle shift took place in the way that intellectuals approached religion that was reflected in many other areas of cultural life. In addition, many Greek Christian works, including the Greek New Testament, were back from Byzantium to Western Europe. Political philosophers, most famously Niccolò Machiavelli, sought to describe life as it really was. Others see more competition between artists and polymaths such as Brunelleschi, Ghiberti, Donatello, and Masaccio for artistic commissions as sparking the creativity of the Renaissance. Yet it remains much debated why the Renaissance began in Italy, accordingly, several theories have been put forward to explain its origins. During the Renaissance, money and art went hand in hand, Artists depended entirely on patrons while the patrons needed money to foster artistic talent. Wealth was brought to Italy in the 14th, 15th, and 16th centuries by expanding trade into Asia, silver mining in Tyrol increased the flow of money. Luxuries from the Eastern world, brought home during the Crusades, increased the prosperity of Genoa, unlike with Latin texts, which had been preserved and studied in Western Europe since late antiquity, the study of ancient Greek texts was very limited in medieval Western Europe. One of the greatest achievements of Renaissance scholars was to bring this entire class of Greek cultural works back into Western Europe for the first time since late antiquity, Arab logicians had inherited Greek ideas after they had invaded and conquered Egypt and the Levant. Their translations and commentaries on these ideas worked their way through the Arab West into Spain and Sicily and this work of translation from Islamic culture, though largely unplanned and disorganized, constituted one of the greatest transmissions of ideas in history
9.
Giovanni Boccaccio
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Giovanni Boccaccio was an Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote a number of works, including The Decameron. The details of Boccaccios birth are uncertain and he was born in Florence or in a village near Certaldo where his family was from. He was the son of Florentine merchant Boccaccino di Chellino and an unknown woman, Boccaccios stepmother was called Margherita de Mardoli. His father worked for the Compagnia dei Bardi and, in the 1320s, married Margherita dei Mardoli, Boccaccio may have been tutored by Giovanni Mazzuoli and received from him an early introduction to the works of Dante. In 1326, his father was appointed head of a bank, Boccaccio was an apprentice at the bank but disliked the banking profession. He persuaded his father to let him study law at the Studium and he also pursued his interest in scientific and literary studies. His father introduced him to the Neapolitan nobility and the French-influenced court of Robert the Wise in the 1330s, at this time, he fell in love with a married daughter of the king, who is portrayed as Fiammetta in many of Boccaccios prose romances, including Il Filocolo. Acciaioli later became counselor to Queen Joanna I of Naples and, eventually and it seems that Boccaccio enjoyed law no more than banking, but his studies allowed him the opportunity to study widely and make good contacts with fellow scholars. His early influences included Paolo da Perugia, humanists Barbato da Sulmona and Giovanni Barrili, in Naples, Boccaccio began what he considered his true vocation of poetry. Works produced in this period include Il Filostrato and Teseida, The Filocolo, the period featured considerable formal innovation, including possibly the introduction of the Sicilian octave, where it influenced Petrarch. Boccaccio returned to Florence in early 1341, avoiding the plague of 1340 in that city and he had left Naples due to tensions between the Angevin king and Florence. His father had returned to Florence in 1338, where he had gone bankrupt, the pastoral piece Ninfale fiesolano probably dates from this time, also. In 1343, Boccaccios father remarried to Bice del Bostichi and his children by his first marriage had all died, but he had another son named Iacopo in 1344. In Florence, the overthrow of Walter of Brienne brought about the government of popolo minuto and it diminished the influence of the nobility and the wealthier merchant classes and assisted in the relative decline of Florence. The city was further in 1348 by the Black Death. From 1347, Boccaccio spent much time in Ravenna, seeking new patronage and, despite his claims and his stepmother died during the epidemic and his father was closely associated with the government efforts as Minister of Supply in the city. His father died in 1349 and Boccaccio was forced into an active role as head of the family
10.
The Decameron
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The Decameron, subtitled Prince Galehaut, is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio. Boccaccio probably conceived the Decameron after the epidemic of 1348, the various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic, in addition to its literary value and widespread influence, it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose. The books primary title exemplifies Boccaccios fondness for Greek philology, Decameron combines two Greek words, δέκα, déka and ἡμέρα, hēméra, to form a term that means ten-day, ten days is the period in which the characters of the frame story tell their tales. Boccaccios subtitle, Prencipe Galeotto, refers to Galehaut, a king portrayed in the Lancelot-Grail who was sometimes called by the title haut prince. Galehaut was a friend of Lancelot and an enemy of King Arthur. When Galehaut learned that Lancelot loved Arthurs wife, Guinevere, he set aside his own ardor for Arthur in order to arrange a meeting between his friend and Guinevere, at this meeting the Queen first kisses Lancelot, and so begins their love affair. In Canto V of Inferno, Dante compares these fictional lovers with the real-life paramours Francesca da Rimini and Paolo Malatesta, in Infierno, Francesca and Paolo read of Lancelot and Guinevere, and the story impassions them to lovemaking. Dantes description of Galehauts munificence and savoir-faire amidst this intrigue impressed Boccaccio and he contrasts this life with that of the menfolk, who enjoy respite in sport, such as hunting, fishing, riding, and falconry. In Italy during the time of the Black Death, a group of seven young women, thus, by the end of the fortnight they have told 100 stories. Each of the ten characters is charged as King or Queen of the company for one of the ten days in turn. Only Dioneo, who tells the tenth tale each day, has the right to tell a tale on any topic he wishes. Many authors have argued that Dioneo expresses the views of Boccaccio himself, each day also includes a short introduction and conclusion to continue the frame of the tales by describing other daily activities besides story-telling. These frame tale interludes frequently include transcriptions of Italian folk songs, the interactions among tales in a day, or across days, as Boccaccio spins variations and reversals of previous material, forms a whole and not just a collection of stories. Throughout Decameron the mercantile ethic prevails and predominates, the commercial and urban values of quick wit, sophistication, and intelligence are treasured, while the vices of stupidity and dullness are cured, or punished. Beyond the unity provided by the narrative, Decameron provides a unity in philosophical outlook. Throughout runs the common theme of Lady Fortune, and how quickly one can rise
11.
Florence
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Florence is the capital city of the Italian region of Tuscany and of the Metropolitan City of Florence. It is the most populous city in Tuscany, with 383,083 inhabitants, Florence was a centre of medieval European trade and finance and one of the wealthiest cities of the time. It is considered the birthplace of the Renaissance, and has called the Athens of the Middle Ages. A turbulent political history includes periods of rule by the powerful Medici family, from 1865 to 1871 the city was the capital of the recently established Kingdom of Italy. The Historic Centre of Florence attracts 13 million tourists each year and it was declared a World Heritage Site by UNESCO in 1982. The city is noted for its culture, Renaissance art and architecture, the city also contains numerous museums and art galleries, such as the Uffizi Gallery and the Palazzo Pitti, and still exerts an influence in the fields of art, culture and politics. Due to Florences artistic and architectural heritage, it has been ranked by Forbes as one of the most beautiful cities in the world, in 2008, the city had the 17th highest average income in Italy. Florence originated as a Roman city, and later, after a period as a flourishing trading and banking medieval commune. According to the Encyclopædia Britannica, it was politically, economically, and culturally one of the most important cities in Europe, the language spoken in the city during the 14th century was, and still is, accepted as the Italian language. Starting from the late Middle Ages, Florentine money—in the form of the gold florin—financed the development of all over Europe, from Britain to Bruges, to Lyon. Florentine bankers financed the English kings during the Hundred Years War and they similarly financed the papacy, including the construction of their provisional capital of Avignon and, after their return to Rome, the reconstruction and Renaissance embellishment of Rome. Florence was home to the Medici, one of European historys most important noble families, Lorenzo de Medici was considered a political and cultural mastermind of Italy in the late 15th century. Two members of the family were popes in the early 16th century, Leo X, catherine de Medici married king Henry II of France and, after his death in 1559, reigned as regent in France. Marie de Medici married Henry IV of France and gave birth to the future king Louis XIII, the Medici reigned as Grand Dukes of Tuscany, starting with Cosimo I de Medici in 1569 and ending with the death of Gian Gastone de Medici in 1737. The Etruscans initially formed in 200 BC the small settlement of Fiesole and it was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated along the Via Cassia, the route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. Peace returned under Lombard rule in the 6th century, Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to again and commerce prospered
12.
Marguerite de Navarre
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Marguerite de Navarre, also known as Marguerite of Angoulême and Margaret of Navarre, was the princess of France, Queen of Navarre, and Duchess of Alençon and Berry. She was married to Henry II of Navarre and her brother became King of France, as Francis I, and the two siblings were responsible for the celebrated intellectual and cultural court and salons of their day in France. Marguerite is the ancestress of the Bourbon kings of France, being the mother of Jeanne dAlbret, whose son, Henry of Navarre, succeeded as Henry IV of France, the first Bourbon king. As an author and a patron of humanists and reformers, she was a figure of the French Renaissance. Samuel Putnam called her The First Modern Woman, Marguerite was born in Angoulême on 11 April 1492, the eldest child of Louise of Savoy and Charles, Count of Angoulême. On 16 February 1488, her father, Charles, married eleven-year-old Louise, the daughter of Philip II of Savoy and Margaret of Bourbon, Louise was considered one of the most brilliant feminine minds in France and she named their first-born, Marguerite, after her own mother. Two years after Marguerites birth, the family moved from Angoulême to Cognac, where the Italian influence reigned supreme, Marguerites brother, Francis, later to be King Francis I of France, was born there on 12 September 1494. She had several half-siblings, from illegitimate relationships of her father, another half-sister, Souveraine, was born to Jeanne le Conte, also one of her fathers mistresses. Her father died when she was four, her one-year-old brother became heir presumptive to the throne of France. Thanks to her mother, who was nineteen when widowed, Marguerite was carefully tutored from her earliest childhood. The young princess was to be called Maecenas to the ones of her brothers kingdom. Never, she wrote, shall a man attain to the love of God who has not loved to perfection some creature in this world. When Marguerite was ten, Louise tried to marry her to the Prince of Wales, who would later become Henry VIII of England, perhaps the one real love in her life was Gaston de Foix, Duc de Nemours, nephew of King Louis XII. Gaston went to Italy, however, and died a hero at Ravenna, at the age of seventeen Marguerite was married to Charles IV of Alençon, aged twenty, by the decree of King Louis XII. With this decree, Marguerite was forced to marry a generally kind, had become the bride of a laggard and a dolt. She had been bartered to save the royal pride of Louis, there were no offspring from this marriage. After the death of Queen Claude, she took in her two nieces Madeleine and Marguerite, for whom she would continue to care during her second marriage, after the death of her first husband in 1525, Marguerite married Henry II of Navarre. Ferdinand II of Aragon had invaded the Kingdom of Navarre in 1512, and Henry ruled only Lower Navarre, the independent principality of Béarn, a Venetian ambassador of that time praised Marguerite as knowing all the secrets of diplomatic art, hence to be treated with deference and circumspection
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