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The Passion hymn's melody and first and last stanza in Johann Hermann Schein's Cantional (1645)
The Passion hymn's melody and first and last stanza in Johann Hermann Schein's Cantional (1645)
Autograph manuscript of O Mensch, bewein dein Sünde groß, BWV 622
Autograph manuscript of O Mensch, bewein dein Sünde groß, BWV 622
Incipit in Bach's chorale fantasia
Incipit in Bach's chorale fantasia
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Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46
Fair copy in Bach's own hand of the revised version of the St Matthew Passion BWV 244 that is generally dated to the year 1743–46
"Small" organ loft in the St. Thomas Church, that would have fitted Chorus II and Orchestra II of the St Matthew Passion in Bach's time (note: the org
"Small" organ loft in the St. Thomas Church, that would have fitted Chorus II and Orchestra II of the St Matthew Passion in Bach's time (note: the organ in this photograph is a late 20th-century addition)
"O Haupt voll Blut und Wunden", vocal score
"O Haupt voll Blut und Wunden", vocal score
The melody of Am Stamm des Kreuzes geschlachtet (slaughtered at the stem of the cross), the second line of Decius' chorale, is shown twice in red ink,
The melody of Am Stamm des Kreuzes geschlachtet (slaughtered at the stem of the cross), the second line of Decius' chorale, is shown twice in red ink, without the words, on this page of Bach's autograph score: in the middle of the page for the ripienists, and in the upper of the two staves for organ II at the bottom of the page.