1.
6th arrondissement of Paris
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The 6th arrondissement of Paris is one of the 20 arrondissements of Paris, France. Sulpice Church and square, the Pont des Arts and the Jardin du Luxembourg and it is a major locale for art galleries and one of the most fashionable districts of Paris as well as Paris most expensive area. The new Palace turned the neighborhood into a district for French nobility. The land area of the arrondissement is 2.154 km², in 1999, the population was 44,919 inhabitants while the arrondissement provided 43,691 jobs. Toei Animation Europe has its office in the arrondissement. The company, which opened in 2004, serves France, Germany, Italy, Spain, 6th arrondissement travel guide from Wikivoyage
2.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
3.
Theater (structure)
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A theater, theatre or playhouse, is a structure where theatrical works or plays are performed, or other performances such as musical concerts may be produced. While a theater is not required for performance, a theater serves to define the performance and audience spaces, the facility is traditionally organized to provide support areas for performers, the technical crew and the audience members. There are as many types of theaters as there are types of performance, theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, some theaters may have a fixed acting area, while some theaters, such as black box theaters, may not, allowing the director and designers to construct an acting area suitable for the production. The most important of these areas is the acting space generally known as the stage, in some theaters, specifically proscenium theaters, arena theaters and amphitheaters, this area is permanent part of the structure. In a blackbox theater the area is undefined so that each theater may adapt specifically to a production. In addition to these spaces, there may be offstage spaces as well. These include wings on either side of a stage where props, sets. A Prompters box may be found backstage, in an amphitheater, an area behind the stage may be designated for such uses while a blackbox theater may have spaces outside of the actual theater designated for such uses. Often a theater will incorporate other spaces intended for the performers, a booth facing the stage may be incorporated into the house where lighting and sound personnel may view the show and run their respective instruments. Other rooms in the building may be used for dressing rooms, rehearsal rooms, spaces for constructing sets, props and costumes, as well as storage. There are usually two main entrances, one at the front, used by the audience, that leads into the back of the audience, the second is called the stage door, and it is accessible from backstage. This is the means by which the cast and crew enter and exit the theater and this term can also be used to refer to going to a lot of shows or living in a big theater city, such as New York or Chicago. All theaters provide a space for an audience, the audience is usually separated from the performers by the proscenium arch. In proscenium theaters and amphitheaters, the arch, like the stage, is a permanent feature of the structure. This area is known as the auditorium or the house, the word parterre is sometimes used to refer to a particular subset of this area. In North American usage this is usually the rear seating block beneath the gallery whereas in Britain it can mean either the area in front near the orchestra pit, the term can also refer to the side stalls in some usages. Derived from the gardening term parterre, the usage refers to the pattern of both the seats of an auditorium and of the planted beds seen in garden construction
4.
Seine
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The Seine is a 777-kilometre-long river and an important commercial waterway within the Paris Basin in the north of France. It rises at Source-Seine,30 kilometres northwest of Dijon in northeastern France in the Langres plateau, flowing through Paris and it is navigable by ocean-going vessels as far as Rouen,120 kilometres from the sea. There are 37 bridges within Paris and dozens more spanning the river outside the city, examples in Paris include the Pont Alexandre III and Pont Neuf, the latter of which dates back to 1607. Outside the city, examples include the Pont de Normandie, one of the longest cable-stayed bridges in the world, the Seine rises in the commune of Source-Seine, about 30 kilometres northwest of Dijon. The source has been owned by the city of Paris since 1864, a number of closely associated small ditches or depressions provide the source waters, with an artificial grotto laid out to highlight and contain a deemed main source. The grotto includes a statue of a nymph, on the same site are the buried remains of a Gallo-Roman temple. Small statues of the dea Sequana Seine goddess and other ex voti found at the place are now exhibited in the Dijon archeological museum. The Seine is dredged and oceangoing vessels can dock at Rouen,120 kilometres from the sea, commercial riverboats can use the river from Bar-sur-Seine,560 kilometres to its mouth. At Paris, there are 37 bridges, the river is only 24 metres above sea level 446 kilometres from its mouth, making it slow flowing and thus easily navigable. The Seine Maritime,105.7 kilometres from the English Channel at Le Havre to Rouen, is the portion of the Seine used by ocean-going craft. The tidal section of the Seine Maritime is followed by a section with four large multiple locks until the mouth of the Oise at Conflans-Sainte-Honorine. Multiple locks at Bougival / Chatou and at Suresnes lift the vessels to the level of the river in Paris, upstream from Paris seven locks ensure navigation to Saint Mammès, where the Loing mouth is situated. Through an eighth lock the river Yonne is reached at Montereau-Fault-Yonne, from the mouth of the Yonne, larger ships can continue upstream to Nogent-sur-Seine. From there on, the river is only by small craft. All navigation ends abruptly at Marcilly-sur-Seine, where the ancient Canal de la Haute-Seine used to allow vessels to continue all the way to Troyes and this canal has been abandoned for many years. The average depth of the Seine today at Paris is about 9.5 metres. Until locks were installed to raise the level in the 1800s, the river was much shallower within the city most of the time, today the depth is tightly controlled and the entire width of the river between the built-up banks on either side is normally filled with water. The average flow of the river is low, only a few cubic metres per second
5.
Jardin du Luxembourg
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The garden today is owned by the French Senate, which meets in the Palace. It covers 23 hectares and is known for its lawns, tree-lined promenades, flowerbeds, model sailboats on its circular basin, and picturesque Medici Fountain, built in 1620. In 1611, Marie de Medici, the widow of Henry IV and she purchased the hotel du Luxembourg and began construction of the new palace. She commissioned Salomon de Brosse to build the palace and a fountain, in 1612 she planted 2,000 elm trees, and directed a series of gardeners, most notably Tommaso Francini, to build a park in the style she had known as a child in Florence. Francini planned two terraces with balustrades and parterres laid out along the axis of the chateau, aligned around a circular basin and he also built the Medici Fountain to the east of the palace as a nympheum, an artificial grotto and fountain, without its present pond and statuary. The original garden was just eight hectares in size, in the center he placed an octagonal basin with a fountain, with a perspective toward what is now the Paris observatory. Later monarchs largely neglected the garden, in 1780, the Comte de Provence, the future Louis XVIII, sold the eastern part of the garden for real estate development. The architect Jean Chalgrin, the architect of the Arc de Triomphe and he remade the Medici Fountain and laid out a long perspective from the palace to the observatory. He preserved the famous pepiniere, or nursery garden of the Carthusian order, and the old vineyards, the building of new streets next to the park also required moving and rebuilding the Medici Fountain to its present location. The long basin of the fountain was added at this time, during this reconstruction, the director of parks and promenades of Paris, Gabriel Davioud, built new ornamental gates and fences around the park, and polychrome brick garden houses. He also transformed what remained of the old Chartreux nursery garden, at the end of the park, into an English garden with winding paths. He kept the regular pattern of the paths and alleys. The garden is famed for its calm atmosphere, surrounding the bassin on the raised balustraded terraces are a series of statues of former French queens, saints and copies after the Antique. In the southwest corner, there is an orchard of apple and pear trees, the gardens include a large fenced-in playground for young children and their parents and a vintage carousel. The orangerie displays art, photography and sculptures, the École nationale supérieure des Mines de Paris and the Odéon theatre stand next to the Luxembourg Garden. It was installed as part of the development of the avenue de lObservatoire by Gabriel Davioud in 1867, most importantly Jean-Baptiste Carpeaux sculpted the four nude women supporting the globe, representing the Four Continents of classical iconography. Open hours for the Luxembourg Garden depend on the month, opening between 7,30 and 8,15 am, closing at dusk between 4,45 and 9,45 pm. The garden contains just over a hundred statues, monuments, and fountains, surrounding the central green space are twenty figures of French queens and illustrious women standing on pedestals
6.
Charles de Wailly
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Charles de Wailly was a French architect and urbanist, and furniture designer, one of the principals in the Neoclassical revival of the Antique. His major work was the Théâtre de lOdéon for the Comédie-Française, in his designs, de Wailly showed a predilection for the perfect figure, the circle. De Wailly was born in Paris, after having obtained the Prix de Rome for architecture in 1752 he went to the French Academy in Rome for three years until 1755, sharing his prize with his friend Pierre-Louis Moreau-Desproux. Both participated in the excavations at the Baths of Diocletian. In Rome, de Wailly founded a friendship with the sculptor Augustin Pajou, who was to carve his bust, henceforth de Wailly regularly exhibited at the Paris Salons his renderings, designs and models. He gained wider publicity when two of his designs were engraved for the Encyclopédie and two more for the monumental Description de la france of the 1780s, catherine the Great offered him a high post in the Imperial Academy of Arts, St Petersburg, which he refused. In 1772, he was named architect of the Château de Fontainebleau. He was to return on several occasions to work in Italy, in 1779, de Wailly and Peyre built their most famous work, the theatre of Odéon in Paris. De Wailly also designed a project for the Opéra-Comique, in 1795, he was elected to the Académie des Beaux-Arts – 3rd section, fauteuil V. With his death, Jean Chalgrin succeeded to his seat and he became conservator of the museum of painting in 1795 and was sent to the Netherlands and Belgium to select works of art after the annexation of these countries. He married Adélaïde Flore Belleville who, after his death, remarried in 1800 to the chemist Antoine François and he was the brother of lexicographer Noël François de Wailly. De Wailly died in Paris in 1798, hôtel dArgenson, near the Palais Royal in Paris, interior installations carried out for the Comte d Argenson. Transformation of the Château des Ormes in Les Ormes for the comte dArgenson, Château de Montmusard near Dijon, main architectural work of the Goût Grec in France, unfortunately mainly destroyed as of 1795. Maison 57 rue La Boétie in Paris, constructed by de Wailly for himself, maison 87 rue de la Pépinière, today rue La Boétie, for the sculptor Augustin Pajou. Decoration of the chapel of the Virgin in Saint-Sulpice, Temple des Arts at the Château de Menars for the marquis de Marigny. De Wailly also provided and project for a Temple du Repos for the park at Ménars, Théâtre de lOdéon, From 1767, on commission from Marigny, Directeur des Bâtiments du Roi, Marie-Joseph Peyre and de Wailly designed the new theatre of the Comédie-Française. De Wailly was the protégé of Marigny and Peyre the architect of the Condé, in the outcome, and thanks to the protection of Monsieur, brother of the King, the plans of Peyre and de Wailly finally won the day in the autumn of 1778. Peyre would be responsible for the exterior and de Wailly for the interiors
7.
Palais-Royal
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The Palais-Royal, originally called the Palais-Cardinal, is a palace located in the 1st arrondissement of Paris. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre, the larger inner courtyard, the Cour dHonneur, has since 1986 contained Daniel Burens site-specific art piece Les Deux Plateaux, known as Les Colonnes de Buren. In 1830 the Cour dHonneur was enclosed to the north by what was probably the most famous of Pariss covered arcades, demolished in the 1930s, its flanking rows of columns still stand between the Cour dHonneur and the popular Palais-Royal Gardens. Originally called the Palais-Cardinal, the palace was the residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629, construction commenced in 1633 and was completed in 1639, upon Richelieus death in 1642 the palace became the property of the King and acquired the new name Palais-Royal. After Louis XIII died the year, it became the home of the Queen Mother Anne of Austria and her young sons Louis XIV and Philippe, duc dAnjou. From 1649, the palace was the residence of the exiled Henrietta Maria and Henrietta Anne Stuart, wife, the two had escaped England in the midst of the English Civil War and were sheltered by Henrietta Marias nephew, King Louis XIV. Henrietta Anne was later married to Louis younger brother, Philippe de France, the following year the new duchesse dOrléans gave birth to a daughter, Marie Louise dOrléans, inside the palace. After their marriage, the became the main residence of the House of Orléans. The Duchess created the gardens of the palace, which were said to be among the most beautiful in Paris. Under the new couple, the Palais-Royal would become the social center of the capital. The court gatherings at the Palais-Royal were famed all around the capital as well as all of France and it was at these parties that the crème de la crème of French society came to see and be seen. Guests included the members of the royal family like the Queen Mother, Anne of Austria, the duchesse de Montpensier, the Princes de Condé. Philippes favourites were also frequent visitors, the palace was redecorated and new apartments were created for the maids and staff of the Duchess. After Henrietta Anne died in 1670 the Duke took a wife, the Princess Palatine. Saint-Cloud thus became the residence of her eldest son and the heir to the House of Orléans. For the convenience of the bride, new apartments were built and it was at this time that Philippe commissioned the gallery for his famous Orleans Collection of paintings, which was easily accessible to the public. The architect was Jules Hardouin-Mansart, and the cost of reconstruction was totaled to be 400,000 livres
8.
Marie Antoinette
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Marie Antoinette (/ˈmæriˌæntwəˈnɛt/, /ˌɑ̃ːntwə-/, /ˌɑ̃ːtwə-/, US /məˈriː-/, French, born Maria Antonia Josepha Johanna, was the last Queen of France and Navarre before the French Revolution. She was born an Archduchess of Austria, and was the fifteenth and second youngest child of Empress Maria Theresa and Francis I, in April 1770, upon her marriage to Louis-Auguste, heir apparent to the French throne, she became Dauphine of France. After eight years of marriage, Marie Antoinette gave birth to a daughter, Marie-Thérèse Charlotte, the Diamond Necklace affair damaged her reputation further. On 10 August 1792, the attack on the Tuileries forced the family to take refuge at the Assembly. On 21 September 1792, the monarchy was abolished, after a two-day trial begun on 14 October 1793, Marie Antoinette was convicted by the Revolutionary Tribunal of high treason, and executed by guillotine on Place de la Révolution on 16 October 1793. Maria Antonia was born on 2 November 1755, at the Hofburg Palace and she was the youngest daughter of Empress Maria Theresa, ruler of the Habsburg Empire, and her husband Francis I, Holy Roman Emperor. Her godparents were Joseph I and Mariana Victoria, King and Queen of Portugal, Archduke Joseph, shortly after her birth, she was placed under the care of the Governess of the Imperial children, Countess von Brandeis. Maria Antonia was raised with her older sister Maria Carolina. As to her relationship with her mother, it was difficult, despite the private tutoring she received, results of her schooling were less than satisfactory. At the age of ten she could not write correctly in German or in any language used at court, such as French. Under the teaching of Christoph Willibald Gluck, Maria Antonia developed into a good musician and she learned to play the harp, the harpsichord and the flute. During the familys gatherings in the evenings, she would sing and she also excelled at dancing, had an exquisite poise, and loved dolls. Following the Seven Years War and the Diplomatic Revolution of 1756, Empress Maria Theresa decided to end hostilities with her longtime enemy, on 14 May she met her husband at the edge of the forest of Compiègne. Upon her arrival in France, she adopted the French version of her name, a further ceremonial wedding took place on 16 May 1770 in the Palace of Versailles and, after the festivities, the day ended with the ritual bedding. The lack of consummation of the marriage plagued the reputation of both Louis-Auguste and Marie Antoinette for the seven years. The initial reaction to the marriage between Marie Antoinette and Louis-Auguste was mixed, on the one hand, the Dauphine was beautiful, personable and well-liked by the common people. Her first official appearance in Paris on 8 June 1773 was a resounding success, on the other hand, those opposed to the alliance with Austria, and others, for personal reasons, had a difficult relationship with Marie Antoinette. Madame du Barry, for example, was Louis XVs mistress and had political influence over him
9.
Pierre Beaumarchais
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Pierre-Augustin Caron de Beaumarchais was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist, financier, and revolutionary. Born a provincial watchmakers son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor, an early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and he later struggled to recover money he had personally invested in the scheme. Beaumarchais was also a participant in the stages of the French Revolution. He is probably best known, however, for his theatrical works, Beaumarchais was born Pierre-Augustin Caron in the Rue Saint-Denis, Paris on 24 January 1732. He was the boy among the six surviving children of André-Charles Caron. The family had previously been Huguenots, but had converted to Roman Catholicism in the wake of the revocation of the Edict of Nantes, the family was comfortably middle-class and Beaumarchais had a peaceful and happy childhood. As the only son, he was spoiled by his parents and he took an interest in music and played several instruments. Though born a Catholic, Beaumarchais retained a sympathy for Protestants, from the age of ten, Beaumarchais had some schooling at a country school where he learned some Latin. Two years later, Beaumarchais left school at twelve to work as an apprentice under his father and he may have used his own experiences during these years as the inspiration for the character of Cherubin when he wrote the Marriage of Figaro. He generally neglected his work, and at one point was evicted by his father, at the time, pocket watches were commonly unreliable for timekeeping and were worn more as fashion accessories. In response to this, Beaumarchais spent nearly a year researching improvements, in July 1753, at the age of twenty one, he invented an escapement for watches that allowed them to be made substantially more accurate and compact. The first man to take an interest in this new invention was Jean-André Lepaute, if there was a clock chiming in the wealthy homes of Paris, you can bet Lepaute built it himself. Lepaute had been a mentor to Beaumarchais after discovering the talent in a chance encounter. He encouraged him as he worked on the new invention, earned his trust and you can imagine Beaumarchais’ surprise when he read in the September issue of Le Mercure de France that M. Lepaute had just invented the most wonderful mechanism for a more portable clock. “C’est normal, ” said his father, “C’est comme ca. ”It’s normal for the class to step on those beneath them. Well, Beaumarchais did not want any of that life and he wrote a strongly worded letter to that same newspaper defending the invention as his own and urging the Royal Academy of Sciences to see the proof for themselves
10.
The Marriage of Figaro (play)
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The Marriage of Figaro is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville, in the first play, The Barber, the story begins with a simple love triangle in which a Spanish count has fallen in love with a girl called Rosine. He disguises himself to ensure that she love him back for his character. But this is all foiled when Rosines guardian, Doctor Bartholo, the Count runs into an ex-servant of his, Figaro, and pressures him into setting up a meeting between the Count and Rosine. He succeeds and the lovers are married to end the first part of the trilogy, the Marriage was written as a sequel to The Barber. In his preface to the play, Beaumarchais says that Louis François, the plays denunciation of aristocratic privilege has been characterised as foreshadowing the French Revolution. The revolutionary leader Georges Danton said that the killed off the nobility, in exile. The play formed the basis for an opera with a libretto by Lorenzo Da Ponte and music by Mozart, also called The Marriage of Figaro. In 1799, another based on the same play, La pazza giornata, ovvero Il matrimonio di Figaro, was produced in Venice with libretto by Gaetano Rossi. The Marriage of Figaro picks up three years following the end of The Barber of Seville as Figaro is engaged to be married to Suzanne, both characters are among the Counts staff in his dwelling. In the three years since Figaro helped forge the marriage of the Count and Rosine, the Count has already grown bored with his marriage and is taking notice of Suzanne. The Count looks to re-engage the act of primae noctis, in which he would consummate the marriage with the prior to Figaros honeymoon. The scholar and translator John Wood writes that the play was completed in more or less its existing form by 1778. It was accepted for production by the management of the Comédie Française in 1781, the censors still refused to license the play for public performance, but the king personally authorised its production. The author gave his share of the profits to charity, in France the play has held its place in the repertory, and leading companies have played it in the original language to audiences in Europe and America. In 1960 a Comédie Française production was filmed, under the direction of Jean Mayer, in the twentieth century the play continued to be staged in translation by foreign companies. In 1927 Constantin Stanislavski staged the work at the Moscow Art Theatre, in 1974 the British National Theatre company presented a version by John Wells, Beaumarchais comedy was adapted into One Mad Day. A screwball comedy in Three Acts by William James Royce, the play premiered at the Norton Clapp Theatre on 24 October 2008
11.
Arc de Triomphe
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The Arc de Triomphe should not be confused with a smaller arch, the Arc de Triomphe du Carrousel, which stands west of the Louvre. Beneath its vault lies the Tomb of the Unknown Soldier from World War I and it set the tone for public monuments with triumphant patriotic messages. Inspired by the Roman Arch of Titus, the Arc de Triomphe has an height of 50 metres, width of 45 m. The smaller transverse vaults are 18.68 m high and 8.44 m wide, three weeks after the Paris victory parade in 1919, Charles Godefroy flew his Nieuport biplane under the archs primary vault, with the event captured on newsreel. Pariss Arc de Triomphe was the tallest triumphal arch until the completion of the Monumento a la Revolución in Mexico City in 1938, the Arch of Triumph in Pyongyang, completed in 1982, is modelled on the Arc de Triomphe and is slightly taller at 60 m. The Arc is located on the bank of the Seine at the centre of a dodecagonal configuration of twelve radiating avenues. It was commissioned in 1806 after the victory at Austerlitz by Emperor Napoleon at the peak of his fortunes, the architect, Jean Chalgrin, died in 1811 and the work was taken over by Jean-Nicolas Huyot. On 15 December 1840, brought back to France from Saint Helena, prior to burial in the Panthéon, the body of Victor Hugo was displayed under the Arc during the night of 22 May 1885. The sword carried by the Republic in the Marseillaise relief broke off on the day, it is said, the relief was immediately hidden by tarpaulins to conceal the accident and avoid any undesired ominous interpretations. On 7 August 1919, Charles Godefroy successfully flew his biplane under the Arc, Jean Navarre was the pilot who was tasked to make the flight, but he died on 10 July 1919 when he crashed near Villacoublay while training for the flight. Following its construction, the Arc de Triomphe became the point of French troops parading after successful military campaigns. Famous victory marches around or under the Arc have included the Germans in 1871, the French in 1919, the Germans in 1940, and the French and Allies in 1944 and 1945. A United States postage stamp of 1945 shows the Arc de Triomphe in the background as victorious American troops march down the Champs-Élysées, after the interment of the Unknown Soldier, however, all military parades have avoided marching through the actual arch. The route taken is up to the arch and then around its side, out of respect for the tomb, both Hitler in 1940 and de Gaulle in 1944 observed this custom. By the early 1960s, the monument had grown very blackened from coal soot and automobile exhaust, and during 1965–1966 it was cleaned through bleaching. In the prolongation of the Avenue des Champs-Élysées, a new arch, after the Arc de Triomphe du Carrousel and the Arc de Triomphe de lÉtoile, the Grande Arche is the third arch built on the same perspective. In 1995, the Armed Islamic Group of Algeria placed a bomb near the Arc de Triomphe which wounded 17 people as part of a campaign of bombings, the astylar design is by Jean Chalgrin, in the Neoclassical version of ancient Roman architecture. Major academic sculptors of France are represented in the sculpture of the Arc de Triomphe, Jean-Pierre Cortot, François Rude, Antoine Étex, James Pradier and Philippe Joseph Henri Lemaire
