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Photograph, around 1880
Photograph, around 1880
Self-Portrait, 1880, Musée d'Orsay
Self-Portrait, 1880, Musée d'Orsay
Trees on a yellow Background, one of the panels painted in 1901 for the dining room of the Château de Domecy-sur-le-Vault
Trees on a yellow Background, one of the panels painted in 1901 for the dining room of the Château de Domecy-sur-le-Vault
The Night, c. 1910–1911, part of a series of decorative panels by Odilon Redon commissioned by Gustave Faret and located in the Fontfroide Abbey libra
The Night, c. 1910–1911, part of a series of decorative panels by Odilon Redon commissioned by Gustave Faret and located in the Fontfroide Abbey library
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Death and the Grave Digger (La Mort et le Fossoyeur) (c. 1895) by Carlos Schwabe is a visual compendium of symbolist motifs. The angel of Death, prist
Death and the Grave Digger (La Mort et le Fossoyeur) (c. 1895) by Carlos Schwabe is a visual compendium of symbolist motifs. The angel of Death, pristine snow, and the dramatic poses of the characters all express symbolist longings for transfiguration "anywhere, out of the world".
Henri Fantin-Latour, By the Table, 1872, depicting: Paul Verlaine, Arthur Rimbaud, Léon Valade, Ernest d'Hervilly and Camille Pelletan (seated); Pierr
Henri Fantin-Latour, By the Table, 1872, depicting: Paul Verlaine, Arthur Rimbaud, Léon Valade, Ernest d'Hervilly and Camille Pelletan (seated); Pierre Elzéar, Emile Blémont, and Jean Aicard (standing)
Portrait of Charles Baudelaire (c. 1862), whose writing was a precursor of the symbolist style
Portrait of Charles Baudelaire (c. 1862), whose writing was a precursor of the symbolist style
Eugen Bracht, The Shore of Oblivion, 1889
Eugen Bracht, The Shore of Oblivion, 1889