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Miller & Richard's original specimen for their Old Style fonts, in a mock-traditional style with the long s and archaic ligatures.
Old Style in a Miller & Richard specimen, showing its quite wide, light structure.
Old Style in a Miller & Richard specimen, showing its quite wide, light structure.
Old Style Italic in a Miller & Richard specimen. The italic has a strong slant.
Old Style Italic in a Miller & Richard specimen. The italic has a strong slant.
Twenty-two lines in Times New Roman compared to its predecessor "modern" serif font. Times appears larger on the page, with tighter linespacing and mo
Twenty-two lines in Times New Roman compared to its predecessor "modern" serif font. Times appears larger on the page, with tighter linespacing and more solid in appearance.
Linotype's Legibility Group typefaces were becoming popular for newspaper printing around the time Times New Roman was created
Linotype's Legibility Group typefaces were becoming popular for newspaper printing around the time Times New Roman was created
A Ludlow Typograph specimen of Times New Roman Type Specimen from the metal type period. The design was altered in smaller sizes to increase readabili
A Ludlow Typograph specimen of Times New Roman Type Specimen from the metal type period. The design was altered in smaller sizes to increase readability, particularly obvious in the widened spacing of the six and eight-point samples at centre right of the diagram. The hollows at the top of upstrokes are also not seen in the standard digitisations.
Times Hever Titling from a Monotype specimen.
Times Hever Titling from a Monotype specimen.