The Greek lyric poet Pindar composed odes to celebrate victories at all four Panhellenic Games. Of his fourteen Olympian Odes, glorifying victors at the Ancient Olympic Games, the First was positioned at the beginning of the collection by Aristophanes of Byzantium since it included praise for the games as well as of Pelops, who first competed at Elis. It was the most quoted in antiquity and was hailed as the "best of all the odes" by Lucian. Pindar composed the epinikion in honour of his then patron Hieron I, tyrant of Syracuse, whose horse Pherenikos and its jockey were victorious in the single horse race in 476 BC.
Pindar composed his victory ode for performance, in the Aeolian mode (line 102) and to the accompaniment of the phorminx: "Come, take the Dorian lyre down from its peg" (lines 17-18). On this white-ground lekythos by the Achilles Painter, c. 450 BC, a female figure is seated on a rock labelled Helicon, the mountain sacred to the Muses, thus identifying her as one of the nine. She plays the phorminx while the small bird by her feet may represent accompanying
Zeus flanked by Oenomaus and Pelops from the centre of the east pediment of the Temple of Zeus at Olympia, carved from Parian marble between 470 and 457 BC; the sculptural programme is described at length by Pausanias (V.10) [1]; the defeat of Oenomaus by Pelops provided a "legendary parallel" for the ousting from control of the festival of the Pisatans by the Eleans
Pindar was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet himself. His poetry, while admired by critics, still challenges the casual reader and his work is largely unread among the general public.
Pindar, Roman copy of Greek 5th century BC bust (Museo Archeologico Nazionale, Naples)
Enthroned Pindar with lyre, Muse and poetess. Antique fresco in Pompeii
A short Heracles: Pindar once ignored the traditional image of Heracles, the supreme example of the heroic physique, and described him as short in order to compare him with a short patron.
The so-called 'Farnese Diadumenos' is a Roman copy of a Greek original attributed to Polykleitos c. 440 BC, depicting an athlete tying a victory ribbon round his head.