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History
Photos
Pindar composed his victory ode for performance, in the Aeolian mode (line 102) and to the accompaniment of the phorminx: "Come, take the Dorian lyre
Pindar composed his victory ode for performance, in the Aeolian mode (line 102) and to the accompaniment of the phorminx: "Come, take the Dorian lyre down from its peg" (lines 17-18). On this white-ground lekythos by the Achilles Painter, c. 450 BC, a female figure is seated on a rock labelled Helicon, the mountain sacred to the Muses, thus identifying her as one of the nine. She plays the phorminx while the small bird by her feet may represent accompanying
Zeus flanked by Oenomaus and Pelops from the centre of the east pediment of the Temple of Zeus at Olympia, carved from Parian marble between 470 and 4
Zeus flanked by Oenomaus and Pelops from the centre of the east pediment of the Temple of Zeus at Olympia, carved from Parian marble between 470 and 457 BC; the sculptural programme is described at length by Pausanias (V.10) [1]; the defeat of Oenomaus by Pelops provided a "legendary parallel" for the ousting from control of the festival of the Pisatans by the Eleans
Photos
Pindar, Roman copy of Greek 5th century BC bust (Museo Archeologico Nazionale, Naples)
Pindar, Roman copy of Greek 5th century BC bust (Museo Archeologico Nazionale, Naples)
Enthroned Pindar with lyre, Muse and poetess. Antique fresco in Pompeii
Enthroned Pindar with lyre, Muse and poetess. Antique fresco in Pompeii
A short Heracles: Pindar once ignored the traditional image of Heracles, the supreme example of the heroic physique, and described him as short in ord
A short Heracles: Pindar once ignored the traditional image of Heracles, the supreme example of the heroic physique, and described him as short in order to compare him with a short patron.
The so-called 'Farnese Diadumenos' is a Roman copy of a Greek original attributed to Polykleitos c. 440 BC, depicting an athlete tying a victory ribbo
The so-called 'Farnese Diadumenos' is a Roman copy of a Greek original attributed to Polykleitos c. 440 BC, depicting an athlete tying a victory ribbon round his head.