1.
Paranormal
–
A paranormal phenomenon is different from hypothetical concepts such as dark matter and dark energy. Unlike paranormal phenomena, these concepts are based on empirical observations. The most notable paranormal beliefs include those that pertain to ghosts, extraterrestrial life, unidentified flying objects, psychic abilities or extrasensory perception, the term paranormal has existed in the English language since at least 1920. The word consists of two parts, para and normal, the definition implies that the scientific explanation of the world around us is normal and anything that is above, beyond, or contrary to that is para. On the classification of paranormal subjects, Terence Hines in his book Pseudoscience, what sets the paranormal apart from other pseudosciences is a reliance on explanations for alleged phenomena that are well outside the bounds of established science. Thus, paranormal phenomena include extrasensory perception, telekinesis, ghosts, poltergeists, life after death, reincarnation, faith healing, human auras, the explanations for these allied phenomena are phrased in vague terms of psychic forces, human energy fields, and so on. This is in contrast to many pseudoscientific explanations for other nonparanormal phenomena, in traditional belief and fiction, a ghost is a manifestation of the spirit or soul of a person. Alternative theories expand on that idea and include belief in the ghosts of deceased animals, sometimes the term ghost is used synonymously with any spirit or demon, however in popular usage the term typically refers to a deceased persons spirit. The belief in ghosts as souls of the departed is closely tied to the concept of animism, as the 19th-century anthropologist George Frazer explained in his classic work, The Golden Bough, souls were seen as the creature within that animated the body. Although the evidence for ghosts is largely anecdotal, the belief in ghosts throughout history has remained widespread, the possibility of extraterrestrial life is not, by itself, a paranormal subject. Many scientists are engaged in the search for unicellular life within the solar system, carrying out studies on the surface of Mars. Projects such as SETI are conducting a search for radio activity that would show evidence of intelligent life outside the solar system. Scientific theories of how life developed on Earth allow for the possibility that life developed on other planets as well, the paranormal aspect of extraterrestrial life centers largely around the belief in unidentified flying objects and the phenomena said to be associated with them. Early in the history of UFO culture, believers divided themselves into two camps, the first held a rather conservative view of the phenomena, interpreting them as unexplained occurrences that merited serious study. They began calling themselves ufologists in the 1950s and felt that logical analysis of sighting reports would validate the notion of extraterrestrial visitation, the second camp consisted of individuals who coupled ideas of extraterrestrial visitation with beliefs from existing quasi-religious movements. These individuals typically were enthusiasts of occultism and the paranormal, many had backgrounds as active Theosophists, Spiritualists, or were followers of other esoteric doctrines. In contemporary times, many of these beliefs have coalesced into New Age spiritual movements, both secular and spiritual believers describe UFOs as having abilities beyond what are considered possible according to known aerodynamic constraints and physical laws. The transitory events surrounding many UFO sightings also limits the opportunity for repeat testing required by the scientific method, acceptance of UFO theories by the larger scientific community is further hindered by the many possible hoaxes associated with UFO culture
2.
Afterlife
–
The afterlife is the concept of a realm, or the realm itself, in which an essential part of an individuals identity or consciousness continues to exist after the death of the body. Belief in an afterlife, which may be naturalistic or supernatural, is in contrast to the belief in oblivion after death, in this latter view, such rebirths and deaths may take place over and over again continuously until the individual gains entry to a spiritual realm or Otherworld. Major views on the afterlife derive from religion, esotericism and metaphysics, in metaphysical models, theists generally believe some type of afterlife awaits people when they die. Members of some generally non-theistic religions, tend to believe in an afterlife, the Sadducees were an ancient Jewish sect that generally believed that there was a God but no afterlife. Reincarnation refers to a concept found among Hindus, Buddhists, Jains, Sikhs, Rosicrucians, Theosophists, Spiritists. Reincarnation is also a belief described in Kabbalistic Judaism as gilgul neshamot and this succession leads toward an eventual liberation. One consequence of reincarnationist beliefs is that our current lives are both afterlife and a beforelife, according to those beliefs events in our current life are consequences of actions taken in previous lives, or Karma. In most denominations, heaven is a condition of reward for the righteous to go after they die, traditionally defined as eternal union with God. In contrast to heaven, hell is a condition of punishment and torment for the wicked, traditionally defined as eternal separation from God and confinement with other sinful souls and fallen angels. So they are seen as existing in a state of natural. In other Christian denominations it has described as an intermediate place or state of confinement in oblivion. The notion of purgatory is associated particularly with the Catholic Church, the tradition of the church, by reference to certain texts of scripture, speaks of a cleansing fire although it is not always called purgatory. Anglicans of the Anglo-Catholic tradition generally also hold to the belief, traditional African religions are diverse in their beliefs in an afterlife. For each soul remains distinct and each represents a new soul. In some societies like the Mende, multiple beliefs coexist, the Mende believe that people die twice, once during the process of joining the secret society, and again during biological death after which they become ancestors. However, some Mende also believe that people are created by God they live ten consecutive lives. One cross-cultural theme is that the ancestors are part of the world of the living, interacting with it regularly, the afterlife played an important role in Ancient Egyptian religion, and its belief system is one of the earliest known in recorded history. When the body died, parts of its known as ka
3.
Angel
–
An angel, especially according to Abrahamic religions and Zoroastrianism, is a spiritual being superior to humans in power and intelligence. Most of them either as intermediaries between Heaven and Earth, or as guardian spirits. They are studied in the doctrine of angelology. In Christian Science, the angel is used to refer to an inspiration from God. In fine art, angels are depicted as having the shape of human beings of extraordinary beauty, they are often identified using the symbols of bird wings, halos. The word angel in English is a blend of Old English engel, both derive from Late Latin angelus messenger, which in turn was borrowed from Late Greek ἄγγελος ángelos. According to R. S. P. Beekes, ángelos itself may be an Oriental loan, the words earliest form is Mycenaean a-ke-ro attested in Linear B syllabic script. The ángelos is the default Septuagints translation of the Biblical Hebrew term mal’ākh denoting simply messenger without specifying its nature. In the Latin Vulgate, however, the meaning becomes bifurcated, if the word refers to some supernatural being, the word angelus appears. Such differentiation has been taken over by later vernacular translations of the Bible, early Christian and Jewish exegetes, in Zoroastrianism there are different angel-like figures. For example, each person has one guardian angel, called Fravashi and they patronize human beings and other creatures, and also manifest Gods energy. In the commentaries of Proclus on the Timaeus of Plato, Proclus uses the terminology of angelic, according to Aristotle, just as there is a First Mover, so, too, must there be spiritual secondary movers. The Torah uses the terms מלאך אלהים, מלאך יהוה, בני אלהים and הקודשים to refer to beings traditionally interpreted as angels, later texts use other terms, such as העליונים. The term מלאך is also used in books of the Tanakh. Depending on the context, the Hebrew word may refer to a messenger or to a supernatural messenger. Daniel is the first biblical figure to refer to individual angels by name, mentioning Gabriel in Daniel 9,21 and these angels are part of Daniels apocalyptic visions and are an important part of all apocalyptic literature. One of these is hāšāṭān, a figure depicted in the Book of Job, philo of Alexandria identifies the angel with the Logos inasmuch as the angel is the immaterial voice of God. The angel is something different from God himself, but is conceived as Gods instrument, in post-Biblical Judaism, certain angels took on particular significance and developed unique personalities and roles
4.
Astrology
–
Astrology is the study of the movements and relative positions of celestial objects as a means for divining information about human affairs and terrestrial events. Throughout most of its history astrology was considered a tradition and was common in academic circles, often in close relation with astronomy, alchemy, meteorology. It was present in political circles, and is mentioned in works of literature, from Dante Alighieri and Geoffrey Chaucer to William Shakespeare, Lope de Vega. Astrology thus lost its academic and theoretical standing, and common belief in it has largely declined, Astrology is now recognized to be pseudoscience. The word astrology comes from the early Latin word astrologia, which derives from the Greek ἀστρολογία—from ἄστρον astron, astrologia later passed into meaning star-divination with astronomia used for the scientific term. Many cultures have attached importance to astronomical events, and the Indians, Chinese, the majority of professional astrologers rely on such systems. Astrology has been dated to at least the 2nd millennium BCE, with roots in systems used to predict seasonal shifts. A form of astrology was practised in the first dynasty of Mesopotamia, Chinese astrology was elaborated in the Zhou dynasty. Hellenistic astrology after 332 BCE mixed Babylonian astrology with Egyptian Decanic astrology in Alexandria, Alexander the Greats conquest of Asia allowed astrology to spread to Ancient Greece and Rome. In Rome, astrology was associated with Chaldean wisdom, after the conquest of Alexandria in the 7th century, astrology was taken up by Islamic scholars, and Hellenistic texts were translated into Arabic and Persian. In the 12th century, Arabic texts were imported to Europe, major astronomers including Tycho Brahe, Johannes Kepler and Galileo practised as court astrologers. Astrological references appear in literature in the works of such as Dante Alighieri and Geoffrey Chaucer. Throughout most of its history, astrology was considered a scholarly tradition and it was accepted in political and academic contexts, and was connected with other studies, such as astronomy, alchemy, meteorology, and medicine. At the end of the 17th century, new concepts in astronomy. Astrology thus lost its academic and theoretical standing, and common belief in astrology has largely declined, Astrology, in its broadest sense, is the search for meaning in the sky. This was a first step towards recording the Moons influence upon tides and rivers, by the 3rd millennium BCE, civilisations had sophisticated awareness of celestial cycles, and may have oriented temples in alignment with heliacal risings of the stars. Scattered evidence suggests that the oldest known references are copies of texts made in the ancient world. The Venus tablet of Ammisaduqa thought to be compiled in Babylon around 1700 BCE, a scroll documenting an early use of electional astrology is doubtfully ascribed to the reign of the Sumerian ruler Gudea of Lagash
5.
Aura (paranormal)
–
In parapsychology and spiritual practice, an aura is an apparent field of subtle, luminous radiation that some people say surrounds a person or object. Halos or aureola are often depicted in art to connote a person of particular power or holiness. It is said that all objects and all living things manifest such an aura, often it is held to be perceptible, whether spontaneously or with practice, such perception is at times linked with the third eye of Indian spirituality. Various writers associate various personality traits with the colors of different layers of the aura and it has also been described as a map of the thoughts and feelings surrounding a person. Skeptics such as Robert Todd Carroll contend that people may perceive auras because of effects within the brain, synesthesia, epilepsy, migraines, other causes may include disorders within the visual system provoking optical effects. Eye fatigue can also produce an aura, sometimes referred to as eye burn, in Iran the aura is known as farr or glory, it is depicted in association with Zoroastrian kings. Ideas of the aura are represented in Indian religions. In tantric tradition of Hinduism, aura represents the body of seven colours. In many Hindu paintings of gods and goddesses, aura is marked on their backhead, the Buddhist flag represents the colours seen around the enlightened Buddha. In Jainism the concept of Lesya relates colours to mental and emotional dispositions, to the Indian teacher Meher Baba the aura is of seven colours, associated with the subtle body and its store of mental and emotional impressions. Spiritual practice gradually transforms this aura into a spiritual halo, Hindu and Buddhist sources often link these colours to Kundalini energy and the chakras. The symbolism of light found in the Bible is at times associated with the idea of the aura or body of light, according to the literature of Theosophy, Anthroposophy, and Archeosophy also, each colour of the aura has a meaning, indicating a precise emotional state. A complete description of the aura and its colours was provided by Charles Leadbeater, the works of Leadbeater were later developed by Palamidessi and others. The British occultist W. E. Butler connected auras with clairvoyance and etheric and he classified the aura into two main types, etheric and spiritual. Auras are thought to serve as a measure of the state of the health of the physical body. Robert Bruce classifies auras into three types, etheric, main, and spiritual, according to Bruce auras are not actual light but a translation of other unknown sensory readings that is added to our visual processing. They are not seen in darkness and cannot be seen unless some portion of the person or object emitting the aura can also be seen. Glenn Morris, grandmaster of the Hoshin Roshi Ryu lineage, included perception of the aura in his training of advanced martial artists and his experience was that it consisted of multiple layers
6.
Deity
–
A deity is a concept conceived in diverse ways in various cultures, typically as a natural or supernatural being considered divine or sacred. A male deity is a god, while a female deity is a goddess, the Oxford reference defines deity as a god or goddess, or anything revered as divine. Various cultures have conceptualized a deity differently than a monotheistic God, a plain deity need not be omnipotent, omnipresent, omniscient, omnibenevolent, or eternal, however an almighty monotheistic God generally does have these attributes. Monotheistic religions typically refer to God in masculine terms, while other religions refer to their deities in a variety of ways – masculine, feminine, androgynous, some Avestan and Vedic deities were viewed as ethical concepts. In Indian religions, deities have been envisioned as manifesting within the temple of every living beings body, as sensory organs, but in Indian religions, all deities are also subject to death when their merit runs out. The English language word deity derives from Old French deité, the Latin deitatem or divine nature, deus is related through a common Proto-Indo-European language origin to *deiwos. Deva is masculine, and the feminine equivalent is devi. Etymologically, the cognates of Devi are Latin dea and Greek thea, in Old Persian, daiva- means demon, evil god, while in Sanskrit it means the opposite, referring to the heavenly, divine, terrestrial things of high excellence, exalted, shining ones. The closely linked term god refers to supreme being, deity, which states Douglas Harper, is derived from Proto-Germanic *guthan, from PIE *ghut-, guth in the Irish language means voice. The term *ghut- is also the source of Old Church Slavonic zovo, Sanskrit huta-, from the root *gheu- An alternate etymology for the term god traces it to the PIE root *ghu-to-, the term *gheu- is also the source of the Greek khein to pour. Originally the German root was a noun, but the gender of the monotheistic God shifted to masculine under the influence of Christianity. In contrast, all ancient Indo-European cultures and mythologies recognized both masculine and feminine deities, the term deity often connotes the concept of sacred or divine, as a god or goddess, in a polytheistic religion. However, there is no accepted consensus concept of deity across religions and cultures. Huw Owen states that the deity or god or its equivalent in other languages has a bewildering range of meanings. Some engravings or sketches show animals, hunters or rituals, the Venus of Willendorf, a female figurine found in Europe and dated to about 25,000 BCE has been interpreted as an exemplar of a prehistoric divine feminine. In Buddhist mythology, devas are beings inhabiting certain happily placed worlds of Buddhist cosmology and these beings are mortal and numerous. It is also common for iṣṭadevatās to be called deities, although the nature of Yidams is distinct from what is meant by the term. Buddhism does not believe in a creator deity, however, deities are an essential part of Buddhist cosmology, rebirth and Saṃsāra doctrines
7.
Demon
–
A demon is a supernatural, mythological and often malevolent being prevalent in religion, occultism, literature, fiction, mythology and folklore. The original Greek word daimon does not carry the negative connotation initially understood by implementation of the Koine δαιμόνιον, the Ancient Greek word δαίμων daimōn denotes a spirit or divine power, much like the Latin genius or numen. Daimōn most likely came from the Greek verb daiesthai, the Greek conception of a daimōn notably appears in the works of Plato, where it describes the divine inspiration of Socrates. To distinguish the classical Greek concept from its later Christian interpretation, the Greek terms do not have any connotations of evil or malevolence. In fact, εὐδαιμονία eudaimonia, means happiness, far into the Byzantine period Christians eyed their cities old pagan statuary as a seat of the demons presence. It was no longer beautiful, it was infested, the term had first acquired its negative connotations in the Septuagint translation of the Hebrew Bible into Greek, which drew on the mythology of ancient Semitic religions. This was then inherited by the Koine text of the New Testament, the Western medieval and neo-medieval conception of a demon derives seamlessly from the ambient popular culture of Late Antiquity. The Hellenistic daemon eventually came to include many Semitic and Near Eastern gods as evaluated by Christianity, the supposed existence of demons remains an important concept in many modern religions and occultist traditions. Demons are still feared largely due to their power to possess living creatures. In the contemporary Western occultist tradition, a demon is a metaphor for certain inner psychological processes. According to the Jewish Encyclopedia, In Chaldean mythology the seven evil deities were known as shedu, storm-demons and they were represented as winged bulls, derived from the colossal bulls used as protective jinn of royal palaces. From Chaldea, the term shedu traveled to the Israelites, the writers of the Tanach applied the word as a dialogism to Canaanite deities. There are indications that demons in popular Hebrew mythology were believed to come from the nether world, various diseases and ailments were ascribed to them, particularly those affecting the brain and those of internal nature. Examples include catalepsy, headache, epilepsy and nightmares, there also existed a demon of blindness, Shabriri who rested on uncovered water at night and blinded those who drank from it. Demons supposedly entered the body and caused the disease while overwhelming or seizing the victim, to cure such diseases, it was necessary to draw out the evil demons by certain incantations and talismanic performances, at which the Essenes excelled. In mythology, there were few defences against Babylonian demons, the mythical mace Sharur had the power to slay demons such as Asag, a legendary gallu or edimmu of hideous strength. As referring to the existence or non-existence of shedim there are converse opinions in Judaism, there are practically nil roles assigned to demons in the Jewish Bible. In conclusion, Jews are not obligated to believe in the existence of shedim, the word shedim appears only in two places in the Tanakh
8.
Ectoplasm (paranormal)
–
Ectoplasm is a term coined by Charles Richet to denote a substance or spiritual energy exteriorized by physical mediums. Ectoplasm is said to be associated with the formation of spirits, ectoplasm is considered to be a hoax, made from cheesecloth, gauze or other natural substances. Ectoplasm is said to be formed by physical mediums when in a trance state, some accounts claim that ectoplasm begins clear and almost invisible, but darkens and becomes visible, as the psychic energy becomes stronger. Still other accounts state that in extreme cases ectoplasm will develop a strong odor, according to some mediums, the ectoplasm can not occur in light conditions as the ectoplasmic substance would disintegrate. Arthur Conan Doyle described ectoplasm as “a viscous, gelatinous substance which appeared to differ from every form of matter in that it could solidify. Although the term is widespread in popular culture, the existence of ectoplasm is not accepted by science. Some tested samples purported to be ectoplasm have been found to be various non-paranormal substances, other researchers have duplicated, with non-supernatural materials, the photographic effects sometimes said to prove the existence of ectoplasm. The idea of ectoplasm was merged into the notion of a force by some early psychical researchers who were seeking a physical explanation for reports of psychokinesis in séances. Its existence was hypothesized by Count Agenor de Gasparin, to explain the phenomena of table turning and tapping during séances. Ectenic force was named by de Gasparins colleague M. Thury, between them, de Gasparin and Thury conducted a number of experiments in ectenic force, and claimed some success. Their work was not independently verified and this view was held by Camille Flammarion and William Crookes, however a later psychical researcher Hereward Carrington pointed out that the fluid was hypothetical and has never been discovered. The psychical investigator W. J. Crawford had claimed that a substance was responsible for levitation of objects after witnessing the medium Kathleen Goligher. Crawford, after witnessing a number of her séances, claimed to have obtained flashlight photographs of the substance and he claimed the substance is not visible to the naked eye but can be felt by the body. DAlbe claimed the substance in the photographs of Crawford was ordinary muslin, during a séance DAlbe had observed white muslin between Golighers feet. Ectoplasm on many occasions has proven to be fraudulent. The Society for Psychical Research investigations into mediumship exposed many fraudulent mediums which contributed to the decline of interest in physical mediumship, Schrenck-Notzing published the book Phenomena of Materialisation which included photographs of the ectoplasm. Critics pointed out the photographs of the ectoplasm revealed marks of magazine cut-outs, pins, Schrenck-Notzing admitted that on several occasions Carrière deceptively smuggled pins into the séance room. The magician Carlos María de Heredia replicated the ectoplasm of Carrière using a comb, gauze, donald West wrote that the ectoplasm of Carrière was fake and was made of cut-out paper faces from newspapers and magazines on which fold marks could sometimes be seen from the photographs
9.
Fairy
–
A fairy is a type of mythical being or legendary creature in European folklore, a form of spirit, often described as metaphysical, supernatural, or preternatural. According to Thomas Keightley, the word derives from the Latin fata. Other forms are the Italian fata, and the Provençal fada, in old French romance, fee was a woman skilled in magic, and who knew the power and virtue of words, of stones, and of herbs. Faierie became fairy, but with that now almost exclusively referring to one of the legendary people. The word fairy was used to represent an illusion, or enchantment, to the word faie was added the suffix -erie, used to express either a place where something is found or a trade or typical activity engaged in. In later usage it applied to any kind of quality or activity associated with a particular type of person. In the sense land where fairies dwell, the distinctive and archaic spellings Faery, the latinate fay is not to be confused with the unrelated fey, meaning fated to die. Various folkloristic traditions refer to them euphemistically, by such as wee folk, good folk, people of peace, fair folk. Sometimes the term fairy is used to any magical creature, including goblins or gnomes, at other times. Fairies have their origin in the conflation of Celtic traditions in the Middle French medieval romances. Fairie was in origin used adjectivally, meaning enchanted, but was used as a name for enchanted creatures from as early as the Late Middle English period. In English literature of the Elizabethan era, elves became conflated with the fairies of Romance culture, the Victorian and Edwardian eras saw an increase in interest in fairies. The Celtic Revival viewed them as part of Irelands cultural heritage, carole Silvers and others suggest that the fascination of English antiquarians arose from a reaction to greater industrialization, and loss of folkways. Fairies are generally described as human in appearance and having magical powers, even with these small fairies, however, their small size may be magically assumed rather than constant. Some fairies though normally quite small were able to dilate their figures to imitate humans, on Orkney they were described as short in stature, dressed in dark grey, and sometimes seen in armour. Wings, while common in Victorian and later artwork of fairies, are rare in the folklore, even very small fairies flew with magic. Nowadays, fairies are depicted with ordinary insect wings or butterfly wings. In some folklore, fairies have green eyes, some depictions of fairies either have them wearing some sort of footwear and other depictions of fairies are always barefoot
10.
Ghost story
–
A ghost story may be any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters belief in them. The ghost may appear of its own accord or be summoned by magic, linked to the ghost is the idea of hauntings, where a supernatural entity is tied to a place, object or person. Colloquially, the term ghost story can refer to any kind of scary story, in a narrower sense, the ghost story has been developed as a short story format, within genre fiction. It is a form of fiction and specifically of weird fiction. While ghost stories are often meant to be scary, they have been written to serve all sorts of purposes. Ghosts often appear in the narrative as sentinels or prophets of things to come, belief in ghosts is found in all cultures around the world, and thus ghost stories may be passed down orally or in written form. A widespread belief concerning ghosts is that they are composed of a misty, airy, belief in ghosts is found in all cultures around the world, and thus ghost stories may be passed down orally or in written form. The campfire story, a form of storytelling, often involves recounting ghost stories. Some of the stories are old, with varying versions across multiple cultures. Many schools and educational institutions encourage ghost storytelling as part of literature, in 1929, five key features of the English ghost story were identified in Some Remarks on Ghost Stories by M. R. James. The play Mostellaria, by the Roman playwright Plautus, is the earliest known work to feature a haunted dwelling, another early account of a haunted place comes from an account by Pliny the Younger. Pliny describes the haunting of a house in Athens by a ghost bound in chains, ghosts often appeared in the tragedies of the Roman writer Seneca, who would later influence the revival of tragedy on the Renaissance stage, particularly Thomas Kyd and Shakespeare. The One Thousand and One Nights, sometimes known as Arabian Nights, contains a number of ghost stories, often involving jinn, ghouls, in particular, the tale of Ali the Cairene and the Haunted House in Baghdad revolves around a house haunted by jinns. Other medieval Arabic literature, such as the Encyclopedia of the Brethren of Purity, the 11th century Japanese work The Tale of Genji contains ghost stories, and includes characters being possessed by spirits. In the mid-16th century, the works of Seneca were rediscovered by Italian humanists, senecas influence is particularly evident in Thomas Kyds The Spanish Tragedy and Shakespeares Hamlet, both of which share a revenge theme, a corpse-strewn climax, and ghosts among the cast. The ghosts in Richard III also resemble the Senecan model, while the ghost in Hamlet plays a complex role. The shade of Hamlets murdered father in Hamlet has become one of the more recognizable ghosts in English literature, in another of Shakespeare’s works, Macbeth, the murdered Banquo returns as a ghost to the dismay of the title character. In English Renaissance theatre, ghosts were often depicted in the garb of the living, armour, being out-of-date by the time of the Renaissance, gave the stage ghost a sense of antiquity
11.
Magic (paranormal)
–
Magic or sorcery is the use of rituals, symbols, actions, gestures, and language with the aim of exploiting supernatural forces. The term magic has a variety of meanings, and there is no agreed upon definition of what it is or how it can be used. Religious scholars have defined magic in many different ways, one approach, associated with the anthropologists Edward Tylor and James G. Frazer, has magic and science be opposites. Many scholars of religion have rejected the utility of the term magic, the term magic comes from the Old Persian magu, a word that applied to a form of religious functionary about which little is known. This meaning of the term was adopted by Latin in the first century BCE. The concept was incorporated into Christian theology during the first century CE. This concept was pervasive throughout the Middle Ages, although in the modern period Italian humanists reinterpreted the term in a positive sense to establish the idea of natural magic. Both negative and positive understandings of the term were retained in Western culture over the following centuries, throughout Western history, there have been examples of individuals claiming to be practitioners of magic and referring to themselves as magicians. This trend has proliferated in the period, with a growing number of magicians appearing within the esoteric milieu. Scholars of religion have failed to agree on a definition of magic is. The subject has one of intense dispute, with some scholars criticizing the validity of the term in the first place. Even among those throughout history who have described themselves as magicians, there has been some debate among scholars as to whether to use the term magic at all. The scholar of religion Jonathan Z. Smith for example argued that it had no utility as a term that scholars should use. Religious historian Wouter Hanegraaff agreed, stating that the magic is an important object of historical research. Since the 1990s its usage among scholars has declined, within Western culture, magic has been linked to the idea of the Other. Using the term magic when discussing non-Western cultures or pre-modern forms of Western society raises problems, alternately, this term implies that all categories of magic are ethnocentric and that such Western preconceptions are an unavoidable component of scholarly research. Magic is one of the most heavily theorized concepts in the study of religion, the intellectualist approach to defining magic is associated with two prominent British anthropologists, Edward Tylor and James G. Frazer. This was an approach that viewed magic as being the theoretical opposite of science, in his 1871 book Primitive Culture, Tylor characterized magic as beliefs based on the error of mistaking ideal analogy for real analogy
12.
Orb (optics)
–
In photography, an orb is a typically circular artifact on an image, created as a result of flash photography illuminating a mote of dust or other particle. Orbs are especially common with modern compact and ultra-compact digital cameras, orbs are also sometimes called backscatter, orb backscatter, or near-camera reflection. Some orbs appear with trails indicating motion, orbs are captured during low-light instances where the cameras flash is used. Cases include night or underwater photography, or where a light source is near the camera. Light appears much brighter very near the source due to the inverse-square law, the orb artifact can result from retroreflection of light off solid particles, such as dust or pollen, or liquid particles, especially rain. They can also be caused by foreign material within the camera lens, the image artifacts usually appear as either white or semi-transparent circles, though may also occur with whole or partial color spectra, purple fringing or other chromatic aberration. With rain droplets, an image may capture light passing through the droplet creating a rainbow effect. In underwater conditions, particles such as sand or small sea life close to the lens, invisible to the diver, Orb Bokeh Digital artifact Rod Rolling shutter Will-o-the-wisp The science of orb photos, by Mark Kimura The Orb Video Archive
