Agullent is a municipality in the comarca of Vall d'Albaida in the Valencian Community, Spain. Official website of the village Official website of the major festival
Juan Carlos Ferrero
Juan Carlos Ferrero Donat is a Spanish former world No. 1 professional tennis player. He won the men's singles title at the 2003 French Open, in September of that year, became the 21st player to hold the world No. 1 ranking. He was runner-up at the 2002 French Open and 2003 US Open, his nickname was "Mosquito" due to his speed and slight physical build. Ferrero retired from the game after the 2012 Valencia Open 500, returning for a brief doubles stint in 2017. Nicknamed Juanki and "El Mosquito", Ferrero began playing tennis at age seven with his father, who travels with him, he has two sisters and Laura and admires the play of former No. 1 and two-time Roland Garros champion Jim Courier. Ferrero's inspiration has been his mother, who died of cancer when he was 17. In July 2007, he bought an old cottage in Bocairente, 50 minutes south from Valencia and refurbished it into "Hotel Ferrero", which features 12 luxury suites, he is a joint owner of the Valencia Open 500 tournament together with David Ferrer.
His fitness trainer was Miguel Maeso, he was coached by Antonio Martínez and Salvador Navarro. He and his wife welcomed their first child, a baby daughter named Vega in September 2014. and the couple married in July 2015. Although Ferrero was known as one of the best clay-court players during his prime, he distinguished himself as an all-court and all-round player through his solid performance on hard- and grass-court tournaments, he said during an interview. Tennis experts agreed that Ferrero's clay-court game translated well to the hard court due to his aggressive style of playing, he had one of the greatest forehands in the game and immense speed on the court. He was sponsored by Nike, Sergio Tacchini, Lotto Sport Italia for his apparel on court. In 2010, he signed an endorsement deal with Joma He uses Lacoste for his clothes, Asics for shoes and Prince Sports for his racquets, he played with a Prince EXO3 Tour 100 Mid+ racquet. Born in Ontinyent, Ferrero came to prominence in 1998, making the final of the French Open Juniors, losing to Fernando González.
He finished. He made his professional debut in 1998 by reaching the finals of his first Futures tournament in Italy, losing to Miguel Pastura, 4–6, 5–7, he won two Futures events in Spain, defeating Gorka Fraile and Emilio Viuda-Hernandez in the respective finals. He ended the year ranked No. 345. He made his first ATP main draw debut at the Grand Prix Hassan II as a qualifier, he earned his first top 100 win upsetting 4th seed and No. 68 Karim Alami 6–4, 4–6, 6–3 and reached the semifinals, where he lost to Alberto Martín, 5–7, 4–6. He followed it up by winning a Challenger events in Naples defeating Juan Albert Viloca-Puig 3–6, 7–6, 6–1, he received a wildcard at the Open Seat Godó and reached the third round losing to Carlos Moyá 5–7, 7–5, 4–6. He reached back–to–back finals, losing at the Prostejov Challenger to Richard Fromberg 6–7, 7–5, 4–6 and winning the Maia Challenger Mariano Hood 6–3, 5–7, 6–3, he made his top 100 debut with this results at No. 95. He reached his fourth challenger final of the year at Graz losing Tomáš Zíb 6–7, 1–6.
He played at the Generali Open, where he earned his first top 20 win in the second round against No. 15 Tommy Haas 3–6, 7–6, 6–3, before losing to eventual champion Albert Costa 6–3, 2–6, 3–6 in the quarterfinals. He made his Grand Slam debut at the US Open in August, losing to ninth seeded Greg Rusedski in the first round; the following month, in just his fifth professional event, he won his first career title at the Majorca Open, defeating some excellents players at clay like Juan Antonio Marin and Francisco Clavet en route to the final against second seed and No. 11 Àlex Corretja, 2–6, 7–5, 6–3, which propelled him from No. 68 to 47. He won the ATP Newcomer of the Year award, he began the year at the Heineken Open and made the quarterfinals losing to compatriot Joan Balcells 6–4, 3–6, 1–6. He made his Australian Open debut, making it to the third round, where he was defeated by Younes El Aynaoui in a tight five–setter, 6–7, 6–4, 6–4, 6–7, 4–6. Shortly after, he reached the finals at the Dubai Tennis Championships, losing to Nicolas Kiefer 5–7, 6–4, 3–6, en route earning his first top 10 win over No. 9 Nicolás Lapentti 6–4, 6–3 in the second round.
He backed it up with a semifinal showing at the Franklin Templeton Tennis Classic, falling to Australian Lleyton Hewitt 4–6, 2–6. At the first Masters of the year, he lost his first matches at the Indian Wells Masters to Michael Chang 5–7, 4–6 and at the Ericsson Open to George Bastl 6–7, 4–6, he represented Davis Cup for the first time and won both his matches, he routed No. 3 Yevgeny Kafelnikov 6–2, 6–2, 6–2, his first win over a top 5 player and cruise pass Marat Safin 6–0, 6–3 in a dead rubber. At the European clay season, Ferrero made it to back–to–back quarterfinals at the Estoril Open and his first masters quarterfinals at the Monte Carlo Open, losing to Nicolás Lapentti 6–7, 4–6 and to Gastón Gaudio 4–6, 2–6, respectively, he made it to his second final of the year at the Torneo Godó losing to Marat Safin 3–6, 3–6, 4–6. By doing so, Ferrero entered the top 20 for the first time at No. 18. At the final Masters series of the clay court swing, Ferrero didn't fare well, losing to lower ranked opponent.
He made the third round of the Italian Open losing to Mariano Puerta 6–7, 6–3, 4–6 and second round of the German Open losing to Andrei Pavel 4–6, 4–6. However, he bounced back by reaching the semifinals of his first French Open after defeating No. 10 Àlex Corretja 6–4
Encyclopædia Britannica, Eleventh Edition
The Encyclopædia Britannica, Eleventh Edition is a 29-volume reference work, an edition of the Encyclopædia Britannica. It was developed during the encyclopaedia's transition from a British to an American publication; some of its articles were written by the best-known scholars of the time. This edition of the encyclopedia, containing 40,000 entries, is now in the public domain, many of its articles have been used as a basis for articles in Wikipedia. However, the outdated nature of some of its content makes its use as a source for modern scholarship problematic; some articles have special value and interest to modern scholars as cultural artifacts of the 19th and early 20th centuries. The 1911 eleventh edition was assembled with the management of American publisher Horace Everett Hooper. Hugh Chisholm, who had edited the previous edition, was appointed editor in chief, with Walter Alison Phillips as his principal assistant editor. Hooper bought the rights to the 25-volume 9th edition and persuaded the British newspaper The Times to issue its reprint, with eleven additional volumes as the tenth edition, published in 1902.
Hooper's association with The Times ceased in 1909, he negotiated with the Cambridge University Press to publish the 29-volume eleventh edition. Though it is perceived as a quintessentially British work, the eleventh edition had substantial American influences, not only in the increased amount of American and Canadian content, but in the efforts made to make it more popular. American marketing methods assisted sales; some 14% of the contributors were from North America, a New York office was established to coordinate their work. The initials of the encyclopedia's contributors appear at the end of selected articles or at the end of a section in the case of longer articles, such as that on China, a key is given in each volume to these initials; some articles were written by the best-known scholars of the time, such as Edmund Gosse, J. B. Bury, Algernon Charles Swinburne, John Muir, Peter Kropotkin, T. H. Huxley, James Hopwood Jeans and William Michael Rossetti. Among the lesser-known contributors were some who would become distinguished, such as Ernest Rutherford and Bertrand Russell.
Many articles were carried over from some with minimal updating. Some of the book-length articles were divided into smaller parts for easier reference, yet others much abridged; the best-known authors contributed only a single article or part of an article. Most of the work was done by British Museum scholars and other scholars; the 1911 edition was the first edition of the encyclopædia to include more than just a handful of female contributors, with 34 women contributing articles to the edition. The eleventh edition introduced a number of changes of the format of the Britannica, it was the first to be published complete, instead of the previous method of volumes being released as they were ready. The print type was subject to continual updating until publication, it was the first edition of Britannica to be issued with a comprehensive index volume in, added a categorical index, where like topics were listed. It was the first not to include long treatise-length articles. Though the overall length of the work was about the same as that of its predecessor, the number of articles had increased from 17,000 to 40,000.
It was the first edition of Britannica to include biographies of living people. Sixteen maps of the famous 9th edition of Stielers Handatlas were translated to English, converted to Imperial units, printed in Gotha, Germany by Justus Perthes and became part this edition. Editions only included Perthes' great maps as low quality reproductions. According to Coleman and Simmons, the content of the encyclopedia was distributed as follows: Hooper sold the rights to Sears Roebuck of Chicago in 1920, completing the Britannica's transition to becoming a American publication. In 1922, an additional three volumes, were published, covering the events of the intervening years, including World War I. These, together with a reprint of the eleventh edition, formed the twelfth edition of the work. A similar thirteenth edition, consisting of three volumes plus a reprint of the twelfth edition, was published in 1926, so the twelfth and thirteenth editions were related to the eleventh edition and shared much of the same content.
However, it became apparent that a more thorough update of the work was required. The fourteenth edition, published in 1929, was revised, with much text eliminated or abridged to make room for new topics; the eleventh edition was the basis of every version of the Encyclopædia Britannica until the new fifteenth edition was published in 1974, using modern information presentation. The eleventh edition's articles are still of value and interest to modern readers and scholars as a cultural artifact: the British Empire was at its maximum, imperialism was unchallenged, much of the world was still ruled by monarchs, the tragedy of the modern world wars was still in the future, they are an invaluable resource for topics omitted from modern encyclopedias for biography and the history of science and technology. As a literary text, the encyclopedia has value as an example of early 20th-century prose. For example, it employs literary devices, such as pathetic fallacy, which are not as common in modern reference texts.
In 1917, using the pseudonym of S. S. Van Dine, the US art critic and author Willard Huntington Wright published Misinforming a Nation, a 200+
The public domain consists of all the creative works to which no exclusive intellectual property rights apply. Those rights may have been forfeited, expressly waived, or may be inapplicable; the works of William Shakespeare and Beethoven, most early silent films, are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by copyright, are therefore in the public domain—among them the formulae of Newtonian physics, cooking recipes, all computer software created prior to 1974. Other works are dedicated by their authors to the public domain; the term public domain is not applied to situations where the creator of a work retains residual rights, in which case use of the work is referred to as "under license" or "with permission". As rights vary by country and jurisdiction, a work may be subject to rights in one country and be in the public domain in another; some rights depend on registrations on a country-by-country basis, the absence of registration in a particular country, if required, gives rise to public-domain status for a work in that country.
The term public domain may be interchangeably used with other imprecise or undefined terms such as the "public sphere" or "commons", including concepts such as the "commons of the mind", the "intellectual commons", the "information commons". Although the term "domain" did not come into use until the mid-18th century, the concept "can be traced back to the ancient Roman Law, as a preset system included in the property right system." The Romans had a large proprietary rights system where they defined "many things that cannot be owned" as res nullius, res communes, res publicae and res universitatis. The term res nullius was defined as things not yet appropriated; the term res communes was defined as "things that could be enjoyed by mankind, such as air and ocean." The term res publicae referred to things that were shared by all citizens, the term res universitatis meant things that were owned by the municipalities of Rome. When looking at it from a historical perspective, one could say the construction of the idea of "public domain" sprouted from the concepts of res communes, res publicae, res universitatis in early Roman law.
When the first early copyright law was first established in Britain with the Statute of Anne in 1710, public domain did not appear. However, similar concepts were developed by French jurists in the 18th century. Instead of "public domain", they used terms such as publici juris or propriété publique to describe works that were not covered by copyright law; the phrase "fall in the public domain" can be traced to mid-19th century France to describe the end of copyright term. The French poet Alfred de Vigny equated the expiration of copyright with a work falling "into the sink hole of public domain" and if the public domain receives any attention from intellectual property lawyers it is still treated as little more than that, left when intellectual property rights, such as copyright and trademarks, expire or are abandoned. In this historical context Paul Torremans describes copyright as a, "little coral reef of private right jutting up from the ocean of the public domain." Copyright law differs by country, the American legal scholar Pamela Samuelson has described the public domain as being "different sizes at different times in different countries".
Definitions of the boundaries of the public domain in relation to copyright, or intellectual property more regard the public domain as a negative space. According to James Boyle this definition underlines common usage of the term public domain and equates the public domain to public property and works in copyright to private property. However, the usage of the term public domain can be more granular, including for example uses of works in copyright permitted by copyright exceptions; such a definition regards work in copyright as private property subject to fair-use rights and limitation on ownership. A conceptual definition comes from Lange, who focused on what the public domain should be: "it should be a place of sanctuary for individual creative expression, a sanctuary conferring affirmative protection against the forces of private appropriation that threatened such expression". Patterson and Lindberg described the public domain not as a "territory", but rather as a concept: "here are certain materials – the air we breathe, rain, life, thoughts, ideas, numbers – not subject to private ownership.
The materials that compose our cultural heritage must be free for all living to use no less than matter necessary for biological survival." The term public domain may be interchangeably used with other imprecise or undefined terms such as the "public sphere" or "commons", including concepts such as the "commons of the mind", the "intellectual commons", the "information commons". A public-domain book is a book with no copyright, a book, created without a license, or a book where its copyrights expired or have been forfeited. In most countries the term of protection of copyright lasts until January first, 70 years after the death of the latest living author; the longest copyright term is in Mexico, which has life plus 100 years for all deaths since July 1928. A notable exception is the United States, where every book and tale published prior to 1924 is in the public domain.
Cambridge University Press
Cambridge University Press is the publishing business of the University of Cambridge. Granted letters patent by King Henry VIII in 1534, it is the world's oldest publishing house and the second-largest university press in the world, it holds letters patent as the Queen's Printer. The press mission is "to further the University's mission by disseminating knowledge in the pursuit of education and research at the highest international levels of excellence". Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. With a global sales presence, publishing hubs, offices in more than 40 countries, it publishes over 50,000 titles by authors from over 100 countries, its publishing includes academic journals, reference works and English language teaching and learning publications. Cambridge University Press is a charitable enterprise that transfers part of its annual surplus back to the university. Cambridge University Press is both the oldest publishing house in the world and the oldest university press.
It originated from letters patent granted to the University of Cambridge by Henry VIII in 1534, has been producing books continuously since the first University Press book was printed. Cambridge is one of the two privileged presses. Authors published by Cambridge have included John Milton, William Harvey, Isaac Newton, Bertrand Russell, Stephen Hawking. University printing began in Cambridge when the first practising University Printer, Thomas Thomas, set up a printing house on the site of what became the Senate House lawn – a few yards from where the press's bookshop now stands. In those days, the Stationers' Company in London jealously guarded its monopoly of printing, which explains the delay between the date of the university's letters patent and the printing of the first book. In 1591, Thomas's successor, John Legate, printed the first Cambridge Bible, an octavo edition of the popular Geneva Bible; the London Stationers objected strenuously. The university's response was to point out the provision in its charter to print "all manner of books".
Thus began the press's tradition of publishing the Bible, a tradition that has endured for over four centuries, beginning with the Geneva Bible, continuing with the Authorized Version, the Revised Version, the New English Bible and the Revised English Bible. The restrictions and compromises forced upon Cambridge by the dispute with the London Stationers did not come to an end until the scholar Richard Bentley was given the power to set up a'new-style press' in 1696. In July 1697 the Duke of Somerset made a loan of £200 to the university "towards the printing house and presse" and James Halman, Registrary of the University, lent £100 for the same purpose, it was in Bentley's time, in 1698, that a body of senior scholars was appointed to be responsible to the university for the press's affairs. The Press Syndicate's publishing committee still meets and its role still includes the review and approval of the press's planned output. John Baskerville became University Printer in the mid-eighteenth century.
Baskerville's concern was the production of the finest possible books using his own type-design and printing techniques. Baskerville wrote, "The importance of the work demands all my attention. Caxton would have found nothing to surprise him if he had walked into the press's printing house in the eighteenth century: all the type was still being set by hand. A technological breakthrough was badly needed, it came when Lord Stanhope perfected the making of stereotype plates; this involved making a mould of the whole surface of a page of type and casting plates from that mould. The press was the first to use this technique, in 1805 produced the technically successful and much-reprinted Cambridge Stereotype Bible. By the 1850s the press was using steam-powered machine presses, employing two to three hundred people, occupying several buildings in the Silver Street and Mill Lane area, including the one that the press still occupies, the Pitt Building, built for the press and in honour of William Pitt the Younger.
Under the stewardship of C. J. Clay, University Printer from 1854 to 1882, the press increased the size and scale of its academic and educational publishing operation. An important factor in this increase was the inauguration of its list of schoolbooks. During Clay's administration, the press undertook a sizeable co-publishing venture with Oxford: the Revised Version of the Bible, begun in 1870 and completed in 1885, it was in this period as well that the Syndics of the press turned down what became the Oxford English Dictionary—a proposal for, brought to Cambridge by James Murray before he turned to Oxford. The appointment of R. T. Wright as Secretary of the Press Syndicate in 1892 marked the beginning of the press's development as a modern publishing business with a defined editorial policy and administrative structure, it was Wright who devised the plan for one of the most distinctive Cambridge contributions to publishing—the Cambridge Histories. The Cambridge Modern History was published
Bocairent is a municipality in the comarca of Vall d'Albaida in the Valencian Community, Spain. Serra Mariola Natural Park
Comarcas of Spain
In Spain traditionally and some autonomous communities are divided into comarcas. Some comarcas have a defined status, are regulated by law and their comarcal councils have some power. In some other cases their legal status is not formal for they correspond to natural areas, like valleys, river basins and mountainous areas, or to historical regions overlapping different provinces and ancient kingdoms. In such comarcas or natural regions municipalities have resorted to organizing themselves in mancomunidad, like the Taula del Sénia, the only legal formula that has allowed those comarcas to manage their public municipal resources meaningfully. There is a comarca, the Cerdanya, divided between two states, the southwestern half being counted as a comarca of Spain, while the northeastern half is part of France. In English, a comarca is equivalent to a district, area or zone. Alto Almanzora Poniente Almeriense Níjar Los Vélez Levante Almería Bahía de Cádiz Bajo Guadalquivir called Costa Noroeste Campo de Gibraltar La Janda Campiña de Jerez called Marco de Jerez Sierra de Cádiz Alto Guadalquivir Campiña de Baena Campiña Este - Guadajoz Campiña Sur Los Pedroches Subbetica Valle del Guadiato Valle Medio del Guadalquivir Granadin Alpujarra Comarca de Alhama Comarca de Baza Comarca de Guadix Comarca de Huéscar Comarca de Loja Granadin Coast Los Montes Lecrin Valley Vega de Granada Andévalo Condado de Huelva Cuenca Minera de Huelva Costa Occidental de Huelva Huelva Sierra de Huelva Alto Guadalquivir - Cazorla La Campiña El Condado Área Metropolitana de Jaén La Loma Las Villas Norte Sierra Mágina Sierra de Segura Sierra Sur de Jaén Antequera Axarquía Costa del Sol Occidental Málaga Serranía de Ronda Valle del Guadalhorce Aljarafe Bajo Guadalquivir Campiña Estepa Marisma Sierra Norte Sierra Sur La Vega Alto Gállego Bajo Cinca called Baix Cinca Cinca Medio Hoya de Huesca called Plana de Uesca Jacetania La Litera called La Llitera Monegros Ribagorza Sobrarbe Somontano de Barbastro Bajo Martín Jiloca Cuencas Mineras Andorra-Sierra de Arcos Bajo Aragón Comunidad de Teruel Maestrazgo Sierra de Albarracín Comarca, named after the Sierra de Albarracín mountain range Gúdar-Javalambre Matarraña called Matarranya Aranda Bajo Aragón-Caspe called Baix Aragó-Casp Campo de Belchite Campo de Borja Campo de Cariñena Campo de Daroca Cinco Villas Comunidad de Calatayud Ribera Alta del Ebro Ribera Baja del Ebro Tarazona y el Moncayo Valdejalón Zaragoza Avilés Caudal Eo-Navia Gijón / Xixón Nalón Narcea Oriente Oviedo / Uviéu Serra de Tramuntana Es Raiguer Es Pla Migjorn Llevant Menorca Eivissa Formentera Añana Aiara / Ayala Agurain / Salvatierra Vitoria-Gasteiz Zuia Arabako Mendialdea / Montaña Alavesa Arabako Errioxa / Rioja Alavesa Arratia-Nerbioi Busturialdea Durangaldea Enkarterri Greater Bilbao Lea-Artibai Uribe Bidasoa-Txingudi Debabarrena Debagoiena Goierri Donostialdea Tolosaldea Urola Kosta Fuerteventura Lanzarote Las Palmas El Hierro La Gomera La Palma Tenerife Valle de Güímar Valle de la Orotava Icod Daute Isla Baja Isora-Teno Tenerife Sur Tenerife Sur Acentejo Metropolitana-Anaga Comarca de Santander Besaya Saja-Nansa Costa occidental Costa oriental Trasmiera Pas-Miera Asón-Agüera Liébana Campoo-Los Valles Alt Penedès Anoia Bages Baix Llobregat Barcelonès Berguedà Garraf Maresme Moianès Osona Vallès Occidental Vallès Oriental Alt Empordà Baix Empordà Baixa Cerdanya Garrotxa Gironès Osona Pla de l'Estany Ripollès Selva Alt Urgell Alta Ribagorça Baixa Cerdanya Garrigues Noguera Pallars Jussà Pallars Sobirà Pla d'Urgell Segarra Segrià Solsonès Urgell Val d'Aran Alt Camp Baix Camp Baix Ebre Baix Penedès Conca de Barberà Montsià Priorat Ribera d'Ebre Tarragonès Terra Alta Llanos de Albacete Campos de Hellín La Mancha del Júcar-Centro La Manchuela Monte Ibérico–Corredor de Almansa Sierra de Alcaraz y Campo de Montiel Sierra del Segura Campo de Montiel.
Alcarria conquense. La Mancha de Cuenca. Manchuela conquense. Serranía Alta. Serranía Baja. Serranía Media-Campichuelo. Campiña de Guadalajara Campiña del Henares La Alcarria La Serranía Señorío de Molina-Alto Tajo Campo de San Juan La Jara La Campana de Oropesa Mancha Alta de Toledo Mesa de Ocaña Montes de Toledo La Sagra Sierra de San Vicente Tierras de Talavera Torrijos La Moraña Comarca de Ávila Comarca de El Barco de Ávila - Piedrahíta Comarca de Burgohondo - El Tiemblo - Cebreros Comarca de Arenas de San Pedro Merindades Páramos La Bureba Ebro Odra-Pisuerga Alfoz de Burgos Montes de Oca Arlanza Sierra de la Demanda Ribera del Duero La Montaña de Luna La Montaña de Riaño La Cabrera Astorga El Bierzo Tierras de León La Bañeza El Páramo Esla-Campos Sahagún Cerrato Palentino Montaña Palentina Páramos Valles Tierra de Campos Comarca de Vitigudino Comarca de Ciudad Rodrigo La Armuña Las Villas Tierra de Peñaranda Tierra de Cantalapiedra Tierra de Ledesma Comarca de Guijuelo Tierra de Alba Sierra de Béjar Sierra de Francia Campo de Salamanca An official classification establishes three comarcas: Segovia.
Cuéllar. Sepúlveda.or sometimes four: Tierra de Pinares. Segovia. Sepúlveda. Tierra de Ayllón. However, historic approaches establish six comarcas: Tierra de Pinares. Tierra de Ayllón. Tierras de Cantalejo y