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Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens)
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens)
Paul the Apostle (c. 5 – c. 64/65 AD), early Christian evangelist whose writings are taken as foundational for the doctrine of original sin.
Paul the Apostle (c. 5 – c. 64/65 AD), early Christian evangelist whose writings are taken as foundational for the doctrine of original sin.
Augustine of Hippo (354-430) wrote that original sin is transmitted by concupiscence and enfeebles freedom of the will without destroying it.
Augustine of Hippo (354-430) wrote that original sin is transmitted by concupiscence and enfeebles freedom of the will without destroying it.
Illuminated parchment, Spain, c. 950–955 AD, depicting the Fall of Man, cause of original sin
Illuminated parchment, Spain, c. 950–955 AD, depicting the Fall of Man, cause of original sin
Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The depiction of the serpent as a mirror of Eve was common in earlier Christian iconography, which portrayed women as the source of the original sin and responsible for the fall of man.
Adam, Eve, and a female serpent at the entrance to Notre Dame Cathedral in Paris, France. The depiction of the serpent as a mirror of Eve was common i
The Fall and Expulsion from Paradise, fresco painted by Michelangelo in the Sistine Chapel, Vatican City (1510–1564)
The Fall and Expulsion from Paradise, fresco painted by Michelangelo in the Sistine Chapel, Vatican City (1510–1564)
Expulsion from the Garden of Eden, 1828 oil-on-canvas painting by Thomas Cole (1801–1848), now in the collection of the Museum of Fine Arts in Boston,
Expulsion from the Garden of Eden, 1828 oil-on-canvas painting by Thomas Cole (1801–1848), now in the collection of the Museum of Fine Arts in Boston, United States.
A lion-faced, serpentine deity found on a Gnostic gem in Bernard de Montfaucon's L'antiquité expliquée et représentée en figures may be a depiction of
A lion-faced, serpentine deity found on a Gnostic gem in Bernard de Montfaucon's L'antiquité expliquée et représentée en figures may be a depiction of the Demiurge.