1.
Oxford University Boat Club
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Oxford University Boat Club is the rowing club of the University of Oxford, England, located on the River Thames at Oxford. The club was founded in the early 19th century, oUBCs boat house on the Isis burnt down in 1999 and much archival material, including photographs, was lost. OUBC now rows from its new boat house in Wallingford, south of Oxford. The boathouse was designed following a competition by Tuke Manton Architects LLP. The club has the use of the Redgrave Pinsent Rowing Lake in south Oxfordshire for training purposes, along with the GB Rowing squad and University College Oxford Boat Club. The club races against the Cambridge University Boat Club in The Boat Race on the Thames in London each year, oxfords team are commonly referred to as the Dark Blues. It has featured Olympic-level rowers and coxes, OUBC was one of five clubs which retained the right until 2012 to appoint representatives to the Council of British Rowing. The others were Leander Club, London Rowing Club, Thames Rowing Club, list of Oxford University Boat Race crews Rowing on the River Thames University rowing OUBC website
2.
Oxford University Women's Boat Club
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Oxford University Womens Boat Club is the rowing club for female rowers who are students at the University of Oxford. The club was founded in 1926 and is now based in Wallingford at the Fleming Boat House, along with OUBC, OUWLRC and OULRC. The training season runs from September through to July, with the major event, up until 2015 the Womens Boat Race had taken place over 2000m as part of the Henley Boat Races on the Henley Reach. In 2015, for the first time, the Women’s Boat Race took place on the 6.8 km Championship Course on the Tideway, the original challenge between the Oxford and Cambridge University boat clubs was issued in 1829. As a result two mens eights raced on the river at Henley-on-Thames, in 1836 the race was moved to the Tideway in London, and it has remained there ever since. At this time rowing was not seen as a sport for a lady. However, towards the end of the century began to change. The two universities caught onto the trend a few decades later and OUWBC was formed in May 1926, following on from this the Ladies Boat Race was founded in 1927. The first races took place on The Isis in Oxford and took the form of a time and style contest, the OUWBC was disbanded for financial reasons in 1953 but re-formed in 1964. The races were held alternately on The Isis and The Cam, in 1977 the Womens Boat Race was invited to joint the mens lightweights at Henley and so the Henley Boat Races were established. At this time, the reserve race crews were named Osiris and Blondie to parallel the mens reserves Isis. From 1977 to 2014 the Women’s Boat Race continued to be held at Henley over 2000m and this sponsorship was key in enabling the Womens Boat Race to move to the Tideway in 2015. In 2015, the Womens Boat Race took place on the Championship Course between the University stones at Putney and Mortlake on the 11th April at 4, 50pm, for the first time it was televised on the BBC, drawing in an audience of 4.8 million viewers. The Reserve boat, Osiris, raced the Cambridge reserve boat, Blondie, in 2016, this race will be moved to be on the same day as the Men’s and Women’s Blue Boat races. Trailing begins for athletes in early September and although the pinnacle of the season is The Boat Race which takes place in March/April, for most of the year the training is split between Oxford and Wallingford. With on land fitness training happening at various locations around Oxford, from the start of the season, training is focused on The Boat Race, although OUWBC do often compete in other races throughout this period as preparation. This varies from season to season however there are some fixed events in the calendar and this is an opportunity for each of the four clubs to race two of their own eights against each other. Traditionally, the try to field two eights that are as equally matched as possible to emulate race day itself
3.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
4.
Abydos, Egypt
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Abydos /əˈbaɪdɒs/ is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt, of which it was the capital city. It is located about 11 kilometres west of the Nile at latitude 26°10 N, in the ancient Egyptian language, the city was called Abdju. The English name Abydos comes from the Greek Ἄβυδος, a name borrowed by Greek geographers from the city of Abydos on the Hellespont. These tombs began to be seen as extremely significant burials and in times it became desirable to be buried in the area. Today, Abydos is notable for the temple of Seti I. It is a chronological list showing cartouches of most dynastic pharaohs of Egypt from Menes until Seti Is father, the Great Temple and most of the ancient town are buried under the modern buildings to the north of the Seti temple. Many of the structures and the artifacts within them are considered irretrievable and lost. Abydos was occupied by the rulers of the Predynastic period, whose town, temple, the temple and town continued to be rebuilt at intervals down to the times of the thirtieth dynasty, and the cemetery was used continuously. The pharaohs of the first dynasty were buried in Abydos, including Narmer, who is regarded as founder of the first dynasty and it was in this time period that the Abydos boats were constructed. Some pharaohs of the dynasty were also buried in Abydos. The temple was renewed and enlarged by these pharaohs as well, funerary enclosures, misinterpreted in modern times as great forts, were built on the desert behind the town by three kings of the second dynasty, the most complete is that of Khasekhemwy. From the fifth dynasty, the deity Khentiamentiu, foremost of the Westerners, Pepi I constructed a funerary chapel which evolved over the years into the Great Temple of Osiris, the ruins of which still exist within the town enclosure. Abydos became the centre of the worship of the Isis and Osiris cult, during the First Intermediate Period, the principal deity of the area, Khentiamentiu, began to be seen as an aspect of Osiris, and the deities gradually merged and came to be regarded as one. Khentiamentius name became an epithet of Osiris, King Mentuhotep II was the first one building a royal chapel. In the twelfth dynasty a gigantic tomb was cut into the rock by Senusret III, associated with this tomb was a cenotaph, a cult temple and a small town known as Wah-Sut, that was used by the workers for these structures. Next to that cenotaph were buried kings of the Thirteenth Dynasty, the building during the eighteenth dynasty began with a large chapel of Ahmose I. The Pyramid of Ahmose I was also constructed at Abydos—the only pyramid in the area, thutmose III built a far larger temple, about 130 ft ×200 ft. He also made a way leading past the side of the temple to the cemetery beyond
5.
Crook and flail
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The crook and flail are symbols used in Ancient Egyptian society. They were originally the attributes of the deity Osiris that became insignia of pharaonic authority, the shepherds crook stood for kingship and the flail for the fertility of the land. The earliest known example of a crook is from the Gerzeh culture. By late Predynastic times, the crook was already an established symbol of rule. The flail initially remained separate, being depicted alone on some earliest representations of royal ceremonial, approximately by the time of the Second Dynasty the crook and flail became paired. The only extant pharaonic examples of both the crook and flail come from the tomb of Tutankhamun and their staffs are made of heavy bronze covered with alternating stripes of blue glass, obsidian, and gold, while the flails beads are made of gilded wood. Traditionally crossed over the chest when held, they represented the ruler as a shepherd whose beneficence is formidably tempered with might. Still another interpretation, by E. A. Wallis Budge, is that the flail is what was used to thresh grain, sekhem scepter Was scepter Pharaoh-seated, with flail & red crown
6.
Atef
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Atef is the specific feathered white crown of the Egyptian deity Osiris. It combines the Hedjet, the crown of Upper Egypt, with curly red ostrich feathers on side of the crown for the Osiris cult. The feathers are identified as ostrich from their curl or curve at the upper ends and they are the same feather as worn by Maat. The crown is worn by Sobek. They may be compared with the tail feathers in two-feather crowns, such as those of Amun which are more narrow. The Atef crown identifies Osiris in ancient Egyptian painting, Osiris wears the Atef crown as a symbol of the ruler of the underworld. The tall bulbous white piece in the center of the crown is between two ostrich feathers, the feathers represent truth, justice, morality, and balance. The Atef crown is similar, save for the feathers, to the white crown used in the Predynastic Period. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978
7.
Common ostrich
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The ostrich or common ostrich is either one or two species of large flightless birds native to Africa, the only living member of the genus Struthio, which is in the ratite family. In 2014, the Somali ostrich was recognized as a distinct species, the common ostrich shares the order Struthioniformes with the kiwis, emus, rheas, and cassowaries. However, phylogenetic studies have shown that it is the group to all other members of Palaeognathae. It is distinctive in its appearance, with a neck and legs, and can run at up to about 70 km/h. The common ostrich is the largest living species of bird and lays the largest eggs of any living bird, the common ostrichs diet consists mainly of plant matter, though it also eats invertebrates. It lives in groups of 5 to 50 birds. When threatened, the ostrich will either hide itself by lying flat against the ground, if cornered, it can attack with a kick of its powerful legs. Mating patterns differ by region, but territorial males fight for a harem of two to seven females. The common ostrich is farmed around the world, particularly for its feathers and its skin is used for leather products and its meat is marketed commercially, with its leanness a common marketing point. Common ostriches usually weigh from 63 to 145 kilograms, or as much as two adult humans, ostriches of the East African race averaged 115 kg in males and 100 kg in females, while the nominate subspecies was found to average 111 kg in unsexed adults. Exceptional male ostriches can weigh up to 156.8 kg, at sexual maturity, male common ostriches can be from 2.1 to 2.8 m in height, while female common ostriches range from 1.7 to 2.0 m tall. New chicks are fawn in colour, with brown spots. During the first year of life, chicks grow at about 25 cm per month, at one year of age, common ostriches weigh approximately 45 kilograms. Their lifespan is up to 40–45 years, the feathers of adult males are mostly black, with white primaries and a white tail. However, the tail of one subspecies is buff, females and young males are greyish-brown and white. The head and neck of both male and female ostriches is nearly bare, with a layer of down. The skin of the neck and thighs is pinkish gray. The eyes are shaded from sunlight from above, However, the head and bill are relatively small for the birds huge size, with the bill measuring 12 to 14.3 cm
8.
Isis
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Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
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Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
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Anubis
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Anubis or Anpu is the Greek name of a god associated with mummification and the afterlife in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts, depicted as a protector of graves as early as the First Dynasty, Anubis was also an embalmer. By the Middle Kingdom he was replaced by Osiris in his role as lord of the underworld, one of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the Weighing of the Heart, despite being one of the most ancient and one of the most frequently depicted and mentioned gods in the Egyptian pantheon, Anubis played almost no role in Egyptian myths. Anubis was depicted in black, a color that symbolized both rebirth and the discoloration of the corpse after embalming, Anubis is associated with Wepwawet, another Egyptian god portrayed with a dogs head or in canine form, but with grey or white fur. Historians assume that the two figures were eventually combined and his daughter is the serpent goddess Kebechet. Anubis is a Greek rendering of this gods Egyptian name, in Egypts Early Dynastic period, Anubis was portrayed in full animal form, with a jackal head and body. A jackal god, probably Anubis, is depicted in stone inscriptions from the reigns of Hor-Aha, Djer, the oldest known textual mention of Anubis is in the Pyramid Texts of the Old Kingdom, where he is associated with the burial of the pharaoh. In the Old Kingdom, Anubis was the most important god of the dead and he was replaced in that role by Osiris during the Middle Kingdom. In the Roman era, which started in 30 BC, tomb paintings depict him holding the hand of deceased persons to them to Osiris. The parentage of Anubis varied between myths, times and sources, in early mythology, he was portrayed as a son of Ra. In the Coffin Texts, which were written in the First Intermediate Period, another tradition depicted him as the son of his father Ra and mother Nephthys. George Hart sees this story as an attempt to incorporate the independent deity Anubis into the Osirian pantheon, an Egyptian papyrus from the Roman period simply called Anubis the son of Isis. In the Ptolemaic period, when Egypt became a Hellenistic kingdom ruled by Greek pharaohs, Anubis was merged with the Greek god Hermes, the two gods were considered similar because they both guided souls to the afterlife. The center of this cult was in uten-ha/Sa-ka/ Cynopolis, a place whose Greek name means city of dogs, in Book XI of The Golden Ass by Apuleius, there is evidence that the worship of this god was continued in Rome through at least the 2nd century. Indeed, Hermanubis also appears in the alchemical and hermetical literature of the Middle Ages, in contrast to real wolves, Anubis was a protector of graves and cemeteries. Several epithets attached to his name in Egyptian texts and inscriptions referred to that role, the Jumilhac papyrus recounts another tale where Anubis protected the body of Osiris from Set. Set attempted to attack the body of Osiris by transforming himself into a leopard, Anubis stopped and subdued Set, however, and he branded Sets skin with a hot iron rod
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Geb
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Geb was the Egyptian god of the Earth and later a member of the Ennead of Heliopolis. He had a snake around his head and was also considered the father of snakes. It was believed in ancient Egypt that Gebs laughter created earthquakes, the name was pronounced as such from the Greek period onward and was originally read as Seb or some guess as Keb. The original Egyptian was perhaps Seb/Keb and it was spelled with either initial -g-, or with -k-point. g. in a 30th Dynasty papyrus text in the Brooklyn Museum dealing with descriptions of and remedies against snakes. In later times he could also be depicted as a ram, Geb was frequently described mythologically as father of snakes. In a Coffin Texts spell Geb was described as father of the snake Nehebkau, in the latter case, one of his otherworldly attributes was an ominous jackal-headed stave rising from the ground onto which enemies could be bound. In this context, Geb was believed to have originally been engaged with Nut and had to be separated from her by Shu, consequently, in mythological depictions, Geb was shown as a man reclining, sometimes with his phallus still pointed towards Nut. As time progressed, the deity became more associated with the land of Egypt. He is also equated by classical authors as the Greek Titan Cronus, ptah and Ra, creator deities, usually begin the list of divine ancestors. There is speculation between Shu and Geb and who was the first god-king of Egypt, the story of how Shu, Geb, and Nut were separated in order to create the cosmos is now being interpreted in more human terms, exposing the hostility and sexual jealousy. Between the father son jealously and Shu rebelling against the divine order, Geb takes Shu’s mother, Tefnut, as his chief queen, separating Shu from his sister-wife. Just as Shu had previously done to him, in the book of the Heavenly Cow, it is implied that Geb is the heir of the departing sun god. After Geb passed on the throne to Osiris, his youngest son, some Egyptologists, have stated that Geb was associated with a mythological divine creator goose who had laid a world egg from which the sun and/or the world had sprung. This theory is assumed to be incorrect and to be a result of confusing the divine name Geb with that of a Whitefronted Goose, also called originally gb, lame one and this bird-sign is used only as a phonogram in order to spell the name of the god. An alternative ancient name for this species was trp meaning similarly walk like a drunk. The Whitefronted Goose is never found as a symbol or holy bird of Geb. A coloured vignet irrefutably depicts a Nile Goose with a beak in a context of solar creation on a mythological papyrus dating from the 21st Dynasty. Similar images of this bird are to be found on temple walls, showing a scene of the king standing on a papyrus raft
12.
Nut (goddess)
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Nut, also known by various other transcriptions, is the goddess of the sky in the Ennead of ancient Egyptian religion. She was seen as a nude woman arching over the earth. The pronunciation of ancient Egyptian is uncertain because vowels were long omitted from its writing and her name Nwt, itself also meaning Sky, is usually transcribed as Nut but also sometimes appears as Nunut, Nenet, Naunet, Newet, and the certainly erroneous Nuit. She also appears in the record by a number of epithets. Nut is a daughter of Shu and Tefnut and her brother and husband is Geb. She had four or five children, Osiris, Set, Isis, Nephthys and she is considered one of the oldest deities among the Egyptian pantheon, with her origin being found on the creation story of Heliopolis. She was originally the goddess of the sky, but eventually became referred to as simply the sky goddess. Her headdress was the hieroglyphic of part of her name, a pot, which may also symbolize the uterus. Mostly depicted in human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens. A sacred symbol of Nut was the used by Osiris to enter her heavenly skies. This ladder-symbol was called maqet and was placed in tombs to protect the deceased, Nut and her brother, Geb, may be considered enigmas in the world of mythology. In direct contrast to most other mythologies which usually develop a sky father associated with an Earth mother, she personified the sky, Osiris is killed by his brother Set and scattered over the Earth in 14 pieces which Isis gathers up and puts back together. Osiris then climbs a ladder into his mother Nut for safety, a huge cult developed about Osiris that lasted well into Roman times. Isis was her husbands queen in the underworld and the basis for the role of the queen on earth. It can be said that she was a version of the great goddess Hathor, like Hathor she not only had death and rebirth associations, but was the protector of children and the goddess of childbirth. Ra, the sun god, was the second to rule the world, Ra was a strong ruler but he feared anyone taking his throne. When he discovered that Nut was to have children, he was furious and he decreed, Nut shall not give birth any day of the year. At that time, the year was only 360 days, Nut spoke to Thoth, god of wisdom, and he had a plan
13.
Set (deity)
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Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
14.
Nephthys
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Nephthys or Nebthet or Neber-Het was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut, Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Nephthys is the Greek form of an epithet and this is a pervasive error repeated in many commentaries concerning this deity. Her name means specifically, Lady of the Enclosure which associates her with the role of priestess. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff and this entrance way symbolised the horizon or akhet. At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead and she is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a goddess who symbolizes the death experience. Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the Useful Goddess or the Excellent Goddess and these late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship. Nephthys is regarded as the mother of the funerary-deity Anubis in some myths, alternatively Anubis appears as the son of Bastet or Isis. As the primary nursing mother of the incarnate Pharaonic-god, Horus, though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a ferocious and dangerous divinity. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of noted scholars. Ascend and descend, descend with Nephthys, sink into darkness with the Night-bark, ascend and descend, ascend with Isis, rise with the Day-bark. Pyramid Text Utterance 222 line 210, in the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthyss association with the kite or the Egyptian hawk evidently reminded the ancients of the lamentations usually offered for the dead by wailing women, in this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. Nephthys was clearly viewed as a force of heavenly transition, i. e. the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis. The same divine power could be applied later to all of the dead and it should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality, eternal life in transition
15.
Brooklyn Museum
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The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is represented, starting at the Colonial period. Artists represented in the collection include Mark Rothko, Edward Hopper, Norman Rockwell, Winslow Homer, Edgar Degas, Georgia OKeeffe, the museum also has a Memorial Sculpture Garden which features salvaged architectural elements from throughout New York City. The roots of the Brooklyn Museum extend back to the 1823 founding by Augustus Graham of the Brooklyn Apprentices’ Library in Brooklyn Heights, in 1890, under its director Franklin Hooper, Institute leaders reorganized as the Brooklyn Institute of Arts and Sciences and began planning the Brooklyn Museum. The initial design for the Brooklyn Museum was four times as large as the actualized version, Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the principal designer of the pediment sculptures and the monolithic 12. 5-foot figures along the cornice. The figures were created by 11 sculptors and carved by the Piccirilli Brothers, by 1920, the New York City Subway reached the museum with a subway station, this greatly improved access to the once-isolated museum from Manhattan and other outer boroughs. The Brooklyn Institutes director Franklin Hooper was the museums first director and he was followed by Philip Newell Youtz, Laurance Page Roberts, Isabel Spaulding Roberts, Charles Nagel, Jr. and Edgar Craig Schenck. Thomas S. Buechner became the director in 1960, making him one of the youngest directors in the country. Buechner oversaw a major transformation in the way the museum displayed art and brought some one thousand works that had languished in the museums archives and put them on display. Buechner played a role in rescuing the Daniel Chester French sculptures from destruction due to an expansion project at the Manhattan Bridge in the 1960s. The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997, on March 12,2004, the museum announced that it would revert to its previous name. In April 2004, the museum opened the James Polshek-designed entrance pavilion on the Eastern Parkway façade, in September 2014, Lehman announced that he was planning to retire around June 2015. In May 2015, Creative Time president and artistic director Anne Pasternak was named the Museums next director, member institutions occupy land or buildings owned by the City of New York and derive part of their yearly funding from the City. The Brooklyn Museum also supplements its earned income with funding from Federal and State governments, as well as donations by individuals. Major benefactors include Frank Lusk Babbott, the museum is the site of the annual Brooklyn Artists Ball which has included celebrity hosts such as Sarah Jessica Parker and Liv Tyler. The Brooklyn Museum exhibits collections that seek to embody the rich heritage of world cultures
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Ancient Egyptian deities
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Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
17.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
18.
Ra
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Ra or Re is the ancient Egyptian sun god. By the Fifth Dynasty in the 25th and 24th centuries BC, he had become a god in ancient Egyptian religion. In later Egyptian dynastic times, Ra was merged with the god Horus and he was believed to rule in all parts of the created world, the sky, the earth, and the underworld. He was associated with the falcon or hawk, when in the New Kingdom the god Amun rose to prominence he was fused with Ra as Amun-Ra. During the Amarna Period, Akhenaten suppressed the cult of Ra in favor of another deity, the Aten, the deified solar disc. The cult of the Mnevis bull, an embodiment of Ra, had its center in Heliopolis, all forms of life were believed to have been created by Ra, who called each of them into existence by speaking their secret names. Alternatively man was created from Ras tears and sweat, hence the Egyptians call themselves the Cattle of Ra, in the myth of the Celestial Cow it is recounted how mankind plotted against Ra and how he sent his eye as the goddess Sekhmet to punish them. When she became bloodthirsty she was pacified by drinking beer mixed with red dye, to the Egyptians, the sun represented light, warmth, and growth. This made the sun deity very important, as the sun was seen as the ruler of all that he created, the sun disk was either seen as the body or eye of Ra. Ra was the father of Shu and Tefnut, whom he created, Shu was the god of the wind, and Tefnut was the goddess of the rain. Sekhmet was the Eye of Ra and was created by the fire in Ras eye, Ra was thought to travel on the Atet, two solar barks called the Mandjet or morning boat and the Mesektet or evening boat. These boats took him on his journey through the sky and the Duat, while Ra was on the Mesektet, he was in his ram-headed form. When Ra traveled in his sun boat, he was accompanied by other deities including Sia and Hu. Sometimes, members of the Ennead helped him on his journey, including Set, who overcame the serpent Apophis, and Mehen, when Ra was in the underworld, he would visit all of his various forms. Apophis, the god of chaos, was a serpent who attempted to stop the sun boats journey every night by consuming it or by stopping it in its tracks with a hypnotic stare. During the evening, the Egyptians believed that Ra set as Atum or in the form of a ram, the night boat would carry him through the underworld and back towards the east in preparation for his rebirth. When Ra was in the underworld, he merged with Osiris, the god of the dead, Ra was worshipped as the Creator god among some ancient Egyptians, specifically followers of his cult at Heliopolis. It was believed that Ra wept, and from his tears came man and these cult-followers believed that Ra was self-created, while followers of Ptah believed that Ra was created by Ptah
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Khenti-Amentiu
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Khenti-Amentiu, also Khentiamentiu, Khenti-Amenti, Kenti-Amentiu and many other spellings, is an ancient Egyptian deity whose name was also used as a title for Osiris and Anubis. The name means Foremost of the Westerners or Chief of the Westerners, Khenti-Amentiu was depicted as a jackal-headed deity at Abydos in Upper Egypt, who stood guard over the city of the dead. Khenti-Amentiu is attested early at Abydos, perhaps earlier than the unification of Egypt at the start of the Early Dynastic Period. A temple dating to predynastic times was also founded in Abydos for this god, toby Wilkinson suggests that, even at this early stage, Khenti-Amentius name may have been simply an epithet of Osiris. The roles of Khenti-Amentiu, Osiris, and Anubis underwent considerable changes in the late Old Kingdom, originally, only Anubis name appeared in the offering formula that was believed to allow the dead to partake of the offerings they were given to sustain them in the afterlife. In the Fifth Dynasty, many started to appear in the formula, including Osiris, whose name does not appear in any texts before the start of the dynasty. In the course of the late Old Kingdom, the Khenti-Amentiu title becomes more connected with Osiris. If this is the case, Khenti-Amentiu would have begun to be treated as an independent deity in the Fifth Dynasty. Most inscriptions from that time show Osiris and Khenti-Amentiu were already closely connected, beginning in the First Intermediate Period, Khenti-Amentius temple in Abydos was explicitly dedicated to Osiris and became his major cult center
20.
Moon
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The Moon is an astronomical body that orbits planet Earth, being Earths only permanent natural satellite. It is the fifth-largest natural satellite in the Solar System, following Jupiters satellite Io, the Moon is second-densest satellite among those whose densities are known. The average distance of the Moon from the Earth is 384,400 km, the Moon is thought to have formed about 4.51 billion years ago, not long after Earth. It is the second-brightest regularly visible celestial object in Earths sky, after the Sun and its surface is actually dark, although compared to the night sky it appears very bright, with a reflectance just slightly higher than that of worn asphalt. Its prominence in the sky and its cycle of phases have made the Moon an important cultural influence since ancient times on language, calendars, art. The Moons gravitational influence produces the ocean tides, body tides, and this matching of apparent visual size will not continue in the far future. The Moons linear distance from Earth is currently increasing at a rate of 3.82 ±0.07 centimetres per year, since the Apollo 17 mission in 1972, the Moon has been visited only by uncrewed spacecraft. The usual English proper name for Earths natural satellite is the Moon, the noun moon is derived from moone, which developed from mone, which is derived from Old English mōna, which ultimately stems from Proto-Germanic *mǣnōn, like all Germanic language cognates. Occasionally, the name Luna is used, in literature, especially science fiction, Luna is used to distinguish it from other moons, while in poetry, the name has been used to denote personification of our moon. The principal modern English adjective pertaining to the Moon is lunar, a less common adjective is selenic, derived from the Ancient Greek Selene, from which is derived the prefix seleno-. Both the Greek Selene and the Roman goddess Diana were alternatively called Cynthia, the names Luna, Cynthia, and Selene are reflected in terminology for lunar orbits in words such as apolune, pericynthion, and selenocentric. The name Diana is connected to dies meaning day, several mechanisms have been proposed for the Moons formation 4.51 billion years ago, and some 60 million years after the origin of the Solar System. These hypotheses also cannot account for the angular momentum of the Earth–Moon system. This hypothesis, although not perfect, perhaps best explains the evidence, eighteen months prior to an October 1984 conference on lunar origins, Bill Hartmann, Roger Phillips, and Jeff Taylor challenged fellow lunar scientists, You have eighteen months. Go back to your Apollo data, go back to computer, do whatever you have to. Dont come to our conference unless you have something to say about the Moons birth, at the 1984 conference at Kona, Hawaii, the giant impact hypothesis emerged as the most popular. Afterward there were only two groups, the giant impact camp and the agnostics. Giant impacts are thought to have been common in the early Solar System, computer simulations of a giant impact have produced results that are consistent with the mass of the lunar core and the present angular momentum of the Earth–Moon system
21.
Pyramid Texts
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The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
22.
Shabaka Stone
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The Shabaka Stone, sometimes Shabaqo, is a relic incised with an ancient Egyptian religious text, which dates from the 25th dynasty. It is a composition of breccia measuring 91 cm on the left in height and 95 cm on the right as well as 137 cm in width. The text claims to contain the content of a worm-ridden. In later years, the stone is believed to have used as a millstone damaging the hieroglyphics. This damage is accompanied by other intentional defacements, leaving the hieroglyphics in poor condition, the stone was once placed within the Temple of Ptah in Memphis in the 8th century BCE. It was removed at an unknown date, in 1805, the stone was a donation by George John, 2nd earl of Spencer, to the British Museum where it has been located since. It is known prior to coming to England it was in Alexandria. Since this stone was meant to be a preservation of an older text, attempts to attribute a definite date for the original text have been inconclusive. Some scholars claimed it originated in the Old Kingdom while others said it went further back, today, scholars feel it is clear that it cannot predate the Nineteenth Dynasty. The text includes two divisions with a short introduction and an ending summary. The first division relates the unification of Upper and Lower Egypt, Ptah works through Horus to accomplish this unification. The other is a story that establishes Ptah as the creator of all things. Ptah also centers in all such as the heart and tongue of his creations. The manner of creation came by Ptahs thoughts in his heart that were then uttered by his tongue and this creation story is sometimes referred to as a Memphite Theology. The Shabaka Stone, translation from An introduction to the history and culture of Pharaonic Egypt
23.
Plutarch
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Plutarch was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist, Plutarchs surviving works were written in Greek, but intended for both Greek and Roman readers. Plutarch was born to a prominent family in the town of Chaeronea, about 80 km east of Delphi. The name of Plutarchs father has not been preserved, but based on the common Greek custom of repeating a name in alternate generations, the name of Plutarchs grandfather was Lamprias, as he attested in Moralia and in his Life of Antony. His brothers, Timon and Lamprias, are mentioned in his essays and dialogues. Rualdus, in his 1624 work Life of Plutarchus, recovered the name of Plutarchs wife, Timoxena, from internal evidence afforded by his writings. A letter is still extant, addressed by Plutarch to his wife, bidding her not to grieve too much at the death of their two-year-old daughter, interestingly, he hinted at a belief in reincarnation in that letter of consolation. The exact number of his sons is not certain, although two of them, Autobulus and the second Plutarch, are often mentioned. Plutarchs treatise De animae procreatione in Timaeo is dedicated to them, another person, Soklarus, is spoken of in terms which seem to imply that he was Plutarchs son, but this is nowhere definitely stated. Plutarch studied mathematics and philosophy at the Academy of Athens under Ammonius from 66 to 67, at some point, Plutarch took Roman citizenship. He lived most of his life at Chaeronea, and was initiated into the mysteries of the Greek god Apollo. For many years Plutarch served as one of the two priests at the temple of Apollo at Delphi, the site of the famous Delphic Oracle, twenty miles from his home. By his writings and lectures Plutarch became a celebrity in the Roman Empire, yet he continued to reside where he was born, at his country estate, guests from all over the empire congregated for serious conversation, presided over by Plutarch in his marble chair. Many of these dialogues were recorded and published, and the 78 essays, Plutarch held the office of archon in his native municipality, probably only an annual one which he likely served more than once. He busied himself with all the matters of the town. The Suda, a medieval Greek encyclopedia, states that Emperor Trajan made Plutarch procurator of Illyria, however, most historians consider this unlikely, since Illyria was not a procuratorial province, and Plutarch probably did not speak Illyrian. Plutarch spent the last thirty years of his serving as a priest in Delphi. He thus connected part of his work with the sanctuary of Apollo, the processes of oracle-giving
24.
Diodorus Siculus
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Diodorus Siculus or Diodorus of Sicily was a Greek historian. He is known for writing the monumental universal history Bibliotheca historica, much of which survives and it is arranged in three parts. The first covers mythic history up to the destruction of Troy, arranged geographically, describing regions around the world from Egypt, India and Arabia to Greece, the second covers the Trojan War to the death of Alexander the Great. The third covers the period to about 60 BC, Bibliotheca, meaning library, acknowledges that he was drawing on the work of many other authors. According to his own work, he was born at Agyrium in Sicily, with one exception, antiquity affords no further information about his life and doings beyond in his work. Only Jerome, in his Chronicon under the year of Abraham 1968, writes, Diodorus of Sicily and it was divided into three sections. In the next section, he recounts the history of the world from the Trojan War down to the death of Alexander the Great, the last section concerns the historical events from the successors of Alexander down to either 60 BC or the beginning of Julius Caesars Gallic Wars. He selected the name Bibliotheca in acknowledgment that he was assembling a composite work from many sources. His account of gold mining in Nubia in eastern Egypt is one of the earliest extant texts on the topic, pappus of Alexandria wrote a Commentary on Diodoruss Analemma. The now lost Analemma applied geometrical constructions in a plane to solve some astronomy related problems of spherical geometry and it contained, for example, a discussion of sundial theory. They are also boasters and threateners and are fond of pompous language, pliny the Elder Strabo Acadine Ambaglio, Dino, Franca Landucci Gattinoni and Luigi Bravi. Diodoro Siculo, Biblioteca storica, commento storico, introduzione generale, aspects of Greek History 750-323 BC, A Source-based Approach. Library of History, Loeb Classical Library, Siculus, Diodorus, G. Booth, H. Valesius, I. The Historical Library of Diodorus the Sicilian in Fifteen Books to which are added the Fragments of Diodorus, siculi, Diodori, Peter Wesseling, L. Rhodoman, G. Heyn, N. Eyring. Bibliothecae Historicae Libri Qui Supersunt, Nova Editio, Diodorus Siculus, the manuscripts of the Bibliotheca Historica
25.
Duat
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Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
26.
Nile
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The Nile is a major north-flowing river in northeastern Africa. It is generally regarded as the longest river in the world, in particular, the Nile is the primary water source of Egypt and Sudan. The Nile has two tributaries, the White Nile and Blue Nile. The White Nile is considered to be the headwaters and primary stream of the Nile itself, the Blue Nile, however, is the source of most of the water and silt. The White Nile is longer and rises in the Great Lakes region of central Africa and it flows north through Tanzania, Lake Victoria, Uganda and South Sudan. The Blue Nile begins at Lake Tana in Ethiopia and flows into Sudan from the southeast, the two rivers meet just north of the Sudanese capital of Khartoum. The northern section of the river flows north almost entirely through the Sudanese desert to Egypt, then ends in a large delta, Egyptian civilization and Sudanese kingdoms have depended on the river since ancient times. Most of the population and cities of Egypt lie along those parts of the Nile valley north of Aswan, in the ancient Egyptian language, the Nile is called Ḥpī or Iteru, meaning river. In Coptic, the words piaro or phiaro meaning the river come from the ancient name. The English name Nile and the Arabic names en-Nîl and an-Nîl both derive from the Latin Nilus and the Ancient Greek Νεῖλος, beyond that, however, the etymology is disputed. One possible etymology derives it from a Semitic Nahal, meaning river, the standard English names White Nile and Blue Nile, to refer to the rivers source, derive from Arabic names formerly applied only to the Sudanese stretches which meet at Khartoum. Above Khartoum, the Nile is also known as the White Nile, at Khartoum the river is joined by the Blue Nile. The White Nile starts in equatorial East Africa, and the Blue Nile begins in Ethiopia, both branches are on the western flanks of the East African Rift. The drainage basin of the Nile covers 3,254,555 square kilometers, the source of the Nile is sometimes considered to be Lake Victoria, but the lake has feeder rivers of considerable size. It is either the Ruvyironza, which emerges in Bururi Province, Burundi, or the Nyabarongo, the two feeder rivers meet near Rusumo Falls on the Rwanda-Tanzania border. Gish Abay is reportedly the place where the water of the first drops of the Blue Nile develop. The Nile leaves Lake Nyanza at Ripon Falls near Jinja, Uganda and it flows north for some 130 kilometers, to Lake Kyoga. For the remaining part it flows westerly through the Murchison Falls until it reaches the very northern shores of Lake Albert where it forms a significant river delta
27.
New Kingdom of Egypt
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
28.
Orion (constellation)
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Orion is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognizable constellations in the night sky and it was named after Orion, a hunter in Greek mythology. Its brightest stars are Rigel and Betelgeuse, a blue-white and a red supergiant, the earliest depiction that has been linked to the constellation of Orion is a prehistoric mammoth ivory carving found in a cave in the Ach valley in West Germany in 1979. Archaeologists have estimated it to have been fashioned approximately 32,000 to 38,000 years ago, the distinctive pattern of Orion has been recognized in numerous cultures around the world, and many myths have been associated with it. It has also used as a symbol in the modern world. The Babylonian star catalogues of the Late Bronze Age name Orion MULSIPA. ZI. AN. NA, the Babylonian constellation was sacred to Papshukal and Ninshubur, both minor gods fulfilling the role of messenger to the gods. In ancient Egypt, the stars of Orion were regarded as a god, because Orion rises before Sirius, the star whose heliacal rising was the basis for the Solar Egyptian calendar, Sah was closely linked with Sopdet, the goddess who personified Sirius. The god Sopdu was said to be the son of Sah, Sah was syncretized with Osiris, while Sopdet was syncretized with Osiris mythological wife, Isis. In the Pyramid Texts, from the 24th and 23rd centuries BC, the Armenians identified their legendary patriarch and founder Hayk with Orion. Hayk is also the name of the Orion constellation in the Armenian translation of the Bible, the Bible mentions Orion three times, naming it Kesil. e. Job 9,9, Job 38,31, and Amos 5,8, in ancient Aram, the constellation was known as Nephîlā′, the Nephilim may have been Orions descendants. One myth recounts Gaias rage at Orion, who dared to say that he would kill every animal on the planet, the angry goddess tried to dispatch Orion with a scorpion. This is given as the reason that the constellations of Scorpius, however, Ophiuchus, the Serpent Bearer, revived Orion with an antidote. This is said to be the reason that the constellation of Ophiuchus stands midway between the Scorpion and the Hunter in the sky. The constellation is mentioned in Horaces Odes, Homers Odyssey and Iliad, and Virgils Aeneid In medieval Muslim astronomy, Orion was known as al-jabbar, Orions sixth brightest star, Saiph, is named from the Arabic, saif al-jabbar, meaning sword of the giant. In China, Orion was one of the 28 lunar mansions Sieu （宿） and it is known as Shen （參）, literally meaning three, for the stars of Orions Belt. The Rig Veda refers to the Orion Constellation as Mriga, the Mriga means Deer, locally known as Harnu in folk parlance. There are many folk songs narrating the Harnu, the Malay called Orion Belt Bintang Tiga Beradik
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Sirius
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Sirius is a star system and the brightest star in the Earths night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the system has the Bayer designation Alpha Canis Majoris. The distance separating Sirius A from its companion varies between 8.2 and 31.5 AU, Sirius appears bright because of its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs, as determined by the Hipparcos astrometry satellite, Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to increase and it will become fainter, Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun but has a lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old and it was originally composed of two bright bluish stars. Sirius is also known colloquially as the Dog Star, reflecting its prominence in its constellation, the brightest star in the night sky, Sirius is recorded in the earliest astronomical records. Every year, it disappears for seventy days before returning to the sky just before sunrise. This occurs at Cairo on 19 July, placing it just prior to the summer solstice, the ancient Greeks observed that the appearance of Sirius heralded the hot and dry summer and feared that it caused plants to wilt, men to weaken, and women to become aroused. Due to its brightness, Sirius would have been noted to twinkle more in the weather conditions of early summer. To Greek observers, this signified certain emanations which caused its malignant influence, anyone suffering its effects was said to be star-struck. It was described as burning or flaming in literature, the season following the stars reappearance came to be known as the dog days. The inhabitants of the island of Ceos in the Aegean Sea would offer sacrifices to Sirius and Zeus to bring cooling breezes, if it rose clear, it would portend good fortune, if it was misty or faint then it foretold pestilence. Coins retrieved from the island from the 3rd century BC feature dogs or stars with emanating rays, ptolemy of Alexandria mapped the stars in Books VII and VIII of his Almagest, in which he used Sirius as the location for the globes central meridian. He depicted it as one of six red-coloured stars, the other five are class M and K stars, such as Arcturus and Betelgeuse. Bright stars were important to the ancient Polynesians for navigation between the islands and atolls of the Pacific Ocean. Low on the horizon, they acted as stellar compasses and they also served as latitude markers, the declination of Sirius matches the latitude of the archipelago of Fiji at 17°S and thus passes directly over the islands each night
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State church of the Roman Empire
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Nicene Christianity became the state church of the Roman Empire with the Edict of Thessalonica in 380 CE, when Emperor Theodosius I made it the Empires sole authorized religion. A series of ecumenical councils met during the 4th and 5th centuries, but Christianity continued to suffer rifts and schisms surrounding the issues of Arianism, Nestorianism, and Miaphysitism. However, apart from the aforementioned schisms, the church as an institution persisted in communion, if not without tension, in the 6th century the Byzantine armies of the Eastern Roman Emperor Justinian I recovered Italy and other sections of the western Mediterranean shore. The Eastern Roman Empire soon lost most of gains, but it held Rome, as part of the Exarchate of Ravenna, until 751. Pope Gregory III became the last Bishop of Rome to ask the Byzantine ruler to ratify his election, by then, the Roman Empires state church as originally conceived had ceased to exist. The Eastern Roman Empire finally collapsed with the Fall of Constantinople to the Islamic Ottoman Turks in 1453, Western missionary activities created a communion of churches that extended beyond the empire, the beginnings of which predated the establishment of the state church. The legacy of the idea of a universal church polity carries on, directly or indirectly, in todays Catholic Church and Eastern Orthodox Church, as well as in others, before the end of the 1st century, the Roman authorities recognized Christianity as a separate religion from Judaism. Pliny the Younger, when propraetor in Bithynia in 103, assumes in his letters to Trajan that because Christians do not pay the tax and their refusal to worship the Roman gods or to pay homage to the emperor as divine resulted at times in persecution and martyrdom. Church Father Tertullian, for instance, attempted to argue that Christianity was not inherently treasonous, Christians accounted for approximately 10% of the Roman population by 300, according to some estimates. In 301, the Kingdom of Armenia, which Rome considered de jure a client kingdom though yielded de facto to the Parthians, Constantine began to utilize Christian symbols such as the Chi-Rho early in his reign but still encouraged traditional Roman religious practices including sun worship. In 330, Constantine established the city of Constantinople as the new capital of the Roman Empire, the city would gradually come to be seen as the intellectual and cultural center of the Christian world. Over the course of the 4th century the Christian body became consumed by debates surrounding orthodoxy, a church synod, or council, was held in Rome in 313, followed by another in Arles in 314, the latter presided over by Constantine while still a junior emperor. However, during the reign of Emperor Julian the Apostate, the Donatists, Christian scholars and populace within the Empire were increasingly embroiled in debates regarding christology. Opinions ranged from belief that Jesus was entirely human to belief that he was entirely divine, emperors thereby became ever more involved with the increasingly divided Church. Constantine was of divided opinions, but he backed the Athanasian side. His successor Constantius II supported a Semi-Arian position, Emperor Julian returned to the traditional Roman/Greek religion, quickly quashed by his successor Jovian, a supporter of the Athanasian side. A Council of Rimini in 359 supported the Arian view, a Council of Constantinople in 360 supported a compromise. The Council of Constantinople in 381, called by Emperor Theodosius I reasserted the Nicene or Athanasian view and this council further refined the definition of orthodoxy, issuing, according to tradition, the Niceno-Constantinopolitan Creed
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Latin alphabet
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The Latin alphabet is the most widely used alphabetic writing system in the world. It is the script of the English language and is often referred to simply as the alphabet in English. It is an alphabet which originated in the 7th century BC in Italy and has changed continually over the last 2500 years. It has roots in the Semitic alphabet and its offshoot alphabets, the Phoenician, Greek, the phonetic values of some letters changed, some letters were lost and gained, and several writing styles developed. Two such styles, the minuscule and majuscule hands, were combined into one script with alternate forms for the lower and upper case letters, due to classicism, modern uppercase letters differ only slightly from their classical counterparts. The Latin alphabet started out as uppercase serifed letters known as roman square capitals, the lowercase letters evolved through cursive styles that developed to adapt the formerly inscribed alphabet to being written with a pen. Throughout the ages, many stylistic variations of each letter have evolved that are still identified as being the same letter. From the Cumae alphabet, the Etruscan alphabet was derived, the Latins ultimately adopted 21 of the original 26 Etruscan letters. Gaius Julius Hyginus, who recorded much Roman mythology, mentions in Fab, the Parcae, Clotho, Lachesis, and Atropos invented seven Greek letters — A B H T I Y. Others say that Mercury invented them from the flight of cranes, which, palamedes, too, son of Nauplius, invented eleven letters, Simonides, too, invented four letters — Ó E Z PH, Epicharmus of Sicily, two — P and PS. The Greek letters Mercury is said to have brought to Egypt, Cadmus in exile from Arcadia, took them to Italy, and his mother Carmenta changed them to Latin to the number of 15. Apollo on the added the rest. The original Latin alphabet was, The oldest Latin inscriptions do not distinguish between /ɡ/ and /k/, representing both by C, K and Q according to position, K was used before A, Q was used before O or V, C was used elsewhere. This is explained by the fact that the Etruscan language did not make this distinction, C originated as a turned form of Greek Gamma and Q from Greek Koppa. In later Latin, K survived only in a few such as Kalendae, Q survived only before V. G was later invented to distinguish between /ɡ/ and /k/, it was simply a C with an additional diacritic. C stood for /ɡ/ I stood for both /i/ and /j/, V stood for both /u/ and /w/. K was marginalized in favour of C, which stood for both /ɡ/ and /k/
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Ancient Greek
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Ancient Greek includes the forms of Greek used in ancient Greece and the ancient world from around the 9th century BC to the 6th century AD. It is often divided into the Archaic period, Classical period. It is antedated in the second millennium BC by Mycenaean Greek, the language of the Hellenistic phase is known as Koine. Koine is regarded as a historical stage of its own, although in its earliest form it closely resembled Attic Greek. Prior to the Koine period, Greek of the classic and earlier periods included several regional dialects, Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical phases of the language, Ancient Greek was a pluricentric language, divided into many dialects. The main dialect groups are Attic and Ionic, Aeolic, Arcadocypriot, some dialects are found in standardized literary forms used in literature, while others are attested only in inscriptions. There are also several historical forms, homeric Greek is a literary form of Archaic Greek used in the epic poems, the Iliad and Odyssey, and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic, the origins, early form and development of the Hellenic language family are not well understood because of a lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period and they have the same general outline, but differ in some of the detail. The invasion would not be Dorian unless the invaders had some relationship to the historical Dorians. The invasion is known to have displaced population to the later Attic-Ionic regions, the Greeks of this period believed there were three major divisions of all Greek people—Dorians, Aeolians, and Ionians, each with their own defining and distinctive dialects. Often non-west is called East Greek, Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, thessalian likewise had come under Northwest Greek influence, though to a lesser degree. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, Doric notably had several intermediate divisions as well, into Island Doric, Southern Peloponnesus Doric, and Northern Peloponnesus Doric. The Lesbian dialect was Aeolic Greek and this dialect slowly replaced most of the older dialects, although Doric dialect has survived in the Tsakonian language, which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek, by about the 6th century AD, the Koine had slowly metamorphosized into Medieval Greek
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Lists of deities
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This is an index to deities of the different religions, cultures and mythologies of the world, listed by type and by region. For deified individuals see List of people who have been considered deities, Apotheosis, for epithets of gods of monotheistic religions, see Names of God. For deities whose cult is fictional see List of deities in fiction, a basic classification of types of gods is given by Stith Thompsons Motif-Index of Folk-Literature, A0 Creator A100—A199. Gods of darkness and light A109.1, gods are spirits of deified dead A131. God as dupe or trickster A192, death or departure of the gods A193. Gods of the upper world A210, God of the world of the dead A311. God of clans or nations A420, miscellaneous gods of the earth A491
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Egyptian language
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The language spoken in ancient Egypt was a branch of the Afroasiatic language family. The earliest known complete sentence in the Egyptian language has been dated to about 2690 BCE, making it one of the oldest recorded languages known. Egyptian was spoken until the seventeenth century in the form of Coptic. The national language of modern Egypt is Egyptian Arabic, which gradually replaced Coptic as the language of life in the centuries after the Muslim conquest of Egypt. Coptic is still used as the language of the Coptic Orthodox Church of Alexandria. It has several hundred fluent speakers today, the Egyptian language belongs to the Afroasiatic language family. Of the other Afroasiatic branches, Egyptian shows its greatest affinities with Semitic, in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/, e. g. Eg. Afroasiatic */l/ merged with Egyptian ⟨n⟩, ⟨r⟩, ⟨ꜣ⟩, and ⟨j⟩ in the dialect on which the language was based. Original */k g ḳ/ palatalize to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others, Egyptian has many biradical and perhaps monoradical roots, in contrast to the Semitic preference for triradical roots. Egyptian probably is more archaic in this regard, whereas Semitic likely underwent later regularizations converting roots into the triradical pattern, scholars group the Egyptian language into six major chronological divisions, Archaic Egyptian language Old Egyptian language Middle Egyptian language, characterizing Middle Kingdom. Demotic Coptic The earliest Egyptian glyphs date back to around 3300 BC and these early texts are generally lumped together under the general term Archaic Egyptian. They record names, titles and labels, but a few of them show morphological and syntactic features familiar from later, more complete, Old Egyptian is dated from the oldest known complete sentence, found in the tomb of Seth-Peribsen and dated to around 2690 BCE. It reads, dmḏ. n. f t3wj n z3. f nswt-bjt pr-jb. snj He has united the Two Lands for his son, extensive texts appear from about 2600 BCE. Demotic first appears about 650 BCE and survived as a written language until the fifth century CE and it probably survived in the Egyptian countryside as a spoken language for several centuries after that. Bohairic Coptic is still used by the Coptic Churches, Old, Middle, and Late Egyptian were all written using hieroglyphs and hieratic. Demotic was written using a script derived from hieratic, its appearance is similar to modern Arabic script and is also written from right to left. Coptic is written using the Coptic alphabet, a form of the Greek alphabet with a number of symbols borrowed from Demotic for sounds that did not occur in ancient Greek. Arabic became the language of Egypts political administration soon after the early Muslim conquests in the seventh century, today, Coptic survives as the sacred language of the Coptic Orthodox Church of Alexandria and the Coptic Catholic Church
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Egyptology
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A practitioner of the discipline is an Egyptologist. In Europe, particularly on the Continent, Egyptology is primarily regarded as being a philological discipline, the first explorers were the ancient Egyptians themselves. Thutmose IV restored the Sphinx and had the dream that inspired his restoration carved on the famous Dream Stele, less than two centuries later, Prince Khaemweset, fourth son of Ramesses II, is famed for identifying and restoring historic buildings, tombs and temples including the pyramid. The Ptolemies were much interested in the work of the ancient Egyptians, the Romans too carried out restoration work in this most ancient of lands. A number of their accounts have survived and offer insights as to conditions in their time periods. Abdul Latif al-Baghdadi, a teacher at Cairos Al-Azhar University in the 13th century, similarly, the 15th-century Egyptian historian al-Maqrizi wrote detailed accounts of Egyptian antiquities. In the early 17th century, John Greaves measured the pyramids, having inspected the broken Obelisk of Domitian in Rome, then destined for the Earl of Arundels collection in London. In the late 18th century, with Napoleons scholars recording of Egyptian flora, fauna and history, the British captured Egypt from the French and gained the Rosetta Stone. Modern Egyptology is generally perceived as beginning about 1822, egyptologys modern history begins with the invasion of Egypt by Napoleon Bonaparte. The subsequent publication of Description de lÉgypte between 1809 and 1829 made numerous ancient Egyptian source materials available to Europeans for the first time, jean-François Champollion, Thomas Young and Ippolito Rosellini were some of the first Egyptologists of wide acclaim. The German Karl Richard Lepsius was a participant in the investigations of Egypt, mapping, excavating. Champollion announced his general decipherment of the system of Egyptian hieroglyphics for the first time, the Stones decipherment was a very important development of Egyptology. Egyptology became more professional via work of William Matthew Flinders Petrie, Petrie introduced techniques of field preservation, recording, and excavating. Howard Carters expedition brought much acclaim to the field of Egyptology, a tradition of collecting objets-orientales Egyptologists Electronic Forum, version 64. List shows Egyptology societies and Institutes Egyptology at DMOZ Egyptology Books, the University of Memphis Institute of Egyptian Art and Archaeology. Hawass, Zahi, Brock, Lyla Pinch, eds, Egyptology at the Dawn of the Twenty-First Century Proceedings of the Eighth International Congress of Egyptologists. Rare Books and Special Collections Digital Library Underwood & Underwood Egypt Stereoviews Collection, czech Institute of Egyptology, Faculty of Arts, Charles University in Prague
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Vowel
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In phonetics, a vowel is a sound in spoken language, with two competing definitions. There is no build-up of air pressure at any point above the glottis and this contrasts with consonants, such as the English sh, which have a constriction or closure at some point along the vocal tract. In the other, phonological definition, a vowel is defined as syllabic, a phonetically equivalent but non-syllabic sound is a semivowel. In oral languages, phonetic vowels normally form the peak of many to all syllables, whereas consonants form the onset and coda. Some languages allow other sounds to form the nucleus of a syllable, the word vowel comes from the Latin word vocalis, meaning vocal. In English, the vowel is commonly used to mean both vowel sounds and the written symbols that represent them. The phonetic definition of vowel does not always match the phonological definition, the approximants and illustrate this, both are produced without much of a constriction in the vocal tract, but they occur at the onset of syllables. A similar debate arises over whether a word like bird in a dialect has an r-colored vowel /ɝ/ or a syllabic consonant /ɹ̩/. The American linguist Kenneth Pike suggested the terms vocoid for a vowel and vowel for a phonological vowel, so using this terminology. Nonetheless, the phonetic and phonemic definitions would still conflict for the syllabic el in table, or the syllabic nasals in button, daniel Jones developed the cardinal vowel system to describe vowels in terms of the features of tongue height, tongue backness and roundedness. These three parameters are indicated in the schematic quadrilateral IPA vowel diagram on the right, there are additional features of vowel quality, such as the velum position, type of vocal fold vibration, and tongue root position. This conception of vowel articulation has been known to be inaccurate since 1928, Peter Ladefoged has said that early phoneticians. Thought they were describing the highest point of the tongue, and they were actually describing formant frequencies. The IPA Handbook concedes that the quadrilateral must be regarded as an abstraction. Vowel height is named for the position of the tongue relative to either the roof of the mouth or the aperture of the jaw. However, it refers to the first formant, abbreviated F1. Height is defined by the inverse of the F1 value, The higher the frequency of the first formant, however, if more precision is required, true-mid vowels may be written with a lowering diacritic. Although English contrasts six heights in its vowels, they are interdependent with differences in backness and it appears that some varieties of German have five contrasting vowel heights independently of length or other parameters
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Adolf Erman
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Johann Peter Adolf Erman was a renowned German Egyptologist and lexicographer. Born in Berlin, he was the son of Georg Adolf Erman and grandson of Paul Erman, educated at Leipzig and Berlin, he became associate professor of Egyptology at the University of Berlin in 1883 and full professor in 1892. In 1885 he was appointed director of the Egyptian department at the royal museum, in 1934 he was excluded from the faculty of the university because he was, according to the Nazi ideology, one quarter Jewish. As his family had converted to Protestantism in 1802 he and his family were not persecuted by the Nazis, Erman and his school at Berlin had the difficult task of recovering the grammar of the Egyptian language and spent thirty years of special study on it. The Neuägyptische Grammatik dealt with texts written in the dialect of the New Kingdom. The latter is a monograph on the verb in Egyptian and Coptic by a brilliant. The subject has been reviewed by Erman, Die Flexion des Aegyptischen Verbums in the Sitzungsberichte of the Berlin Academy,1900, the Berlin school, having settled the main lines of the grammar, next turned its attention to lexicography. It devised a scheme, founded on that for the Latin Thesaurus of the Berlin Academy, the complete edition of this gigantic dictionary comprises a total of twelve volumes. Life in Ancient Egypt, translated by H. M. Tirard Neuägyptische Grammatik,1889 Zeitschrift der Deutschen Morgenländischen Gesellschaft. Berlin 1905, Translated by A. S. Griffith, A Handbook of Egyptian Religion with 130 illustrations, published in the original German edition as a handbook, by the General Verwaltung of the Berlin Imperial Museums. Published 1907 by A. Constable & co. ltd. in London, das Verhältnis der ägyptischen zu den semitischen Sprachen, Zimmern, Vergi. English translation by Aylward M. Blackman published as The Literature of the Ancient Egyptians, London,1927, reprinted as The Ancient Egyptians, A Sourcebook of their Writings, introduction to the Torchbook edition by William Kelly Simpson, New York, Harper & Row,1966. List of Egyptologists Thomas L. Gertzen, Jean Pierre Adolphe Erman und die Begründung der Ägyptologie als Wissenschaft, Hentrich & Hentrich, Berlin 2015, ISBN 978-3-95565-126-8
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J. Gwyn Griffiths
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John Gwyn Griffiths was a Welsh poet, Egyptologist and nationalist political activist who spent the largest span of his career lecturing at Swansea University. He then graduated with a first class degree in Greek in 1933 and he obtained an M. A. degree at Liverpool University on the influence of Ancient Egypt on Greek religion in the Mycenean period. Between 1936 and 1937 he was an assistant with the Egyptian Exploration Society at Sesebi. Having studied at Queens College, Oxford from 1936 to 1939 he obtained a D. Phil degree from Oxford University on the quarrel of Horus and they married on 13 September 1939 and set up home in 14 St. Stephens Avenue, Pentre, Rhondda. Griffiths writing was influenced by the European avant-garde movement, especially that of Dadaist Kurt Schwitters, Griffiths, along with his wife, set up a writing and intellectual circle in the Rhondda for like-minded thinkers. Griffiths took up a teaching post at Bala Grammar School in 1934 and he was a conscientious objector during the Second World War. In 1946 he was appointed lecturer in Classics at University College, from 1957 to 1958 he was a Lady Wallis Budge Research Lecturer at University College, Oxford, and in 1959 he was promoted to a senior lecturship at Swansea, becoming reader in Classics in 1965. In 1973 he was awarded a personal Chair in Classics and Egyptology at Swansea, in 1946 he and his wife moved to the Uplands, Swansea, and in 1957 to Sketty in Swansea. During this period Griffiths became more and more associated with the party for Wales, Plaid Genedlaethol Cymru. Griffiths also stood as a Plaid Cymru candidate in the 1959 and 1964 general elections, Griffiths was also an important figure in the promotion of Welsh language in education and law, and on several occasions was arrested in nonviolent protests. He lectured at an array of universities, including Cairo, Tübingen, Bonn and All Souls College. Griffiths wrote several works on Egyptian religion, as well as work on Latin. However, he is known in Wales for his poetry, of which he published four collections of texts. He also wrote criticism, most notably I Ganol y Frwydr in 1970. He retired in 1979, but continued writing on classical and egyptological themes, among his output are two of his most important academic texts, his editions of Plutarchs De Iside et Osiride and Apuleius of Madaura The Isis Book, from the last book of the Golden Ass. He edited the Journal of Egyptian Archaeology between 1970 and 1978 and his later substantial books include The Origins of Osiris and his Cult, Atlantis and Egypt, The Divine Verdict, and Triads and Trinity as well as contributing to The Cambridge History of Judaism. He obtained D. Litt and D. D. degrees for his contributions to the study of the ancient world, Griffiths had two sons with Bosse, Robat Gruffudd and Heini Gruffudd. Gwyn Griffiths Classicist and Egyptologist, The Independent 18 June 2004 Works by or about J. Gwyn Griffiths in libraries
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Mastaba
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A mastaba or pr-djt is a type of ancient Egyptian tomb in the form of a flat-roofed, rectangular structure with inward sloping sides, constructed out of mud-bricks or stone. These edifices marked the sites of many eminent Egyptians during Egypts Early Dynastic Period. In the Old Kingdom epoch, local kings began to be buried in pyramids instead of in mastabas, egyptologists call these tombs mastaba, which is the Arabic word for stone bench. The afterlife was a focus of Egyptian civilization and ruled every aspect of the society. This is reflected in their architecture and most prominently by the amounts of time, money. Ancient Egyptians believed the soul could live only if the body was preserved from corruption and depredation as well as fed, starting from the Predynastic era and into the later dynasties, the ancient Egyptians developed increasingly complex and effective methods for preserving and protecting the bodies of the dead. The Ancient Egyptians initially began by burying their dead in pit graves dug out from the sand, the body of the deceased was buried inside the pit on a mat, usually along with some items believed to help them in the afterlife. The first tomb structure that the Egyptians built was the mastaba, mastabas provided better protection from scavenging animals and grave robbers. However, the remains were not in contact with the dry desert sand. Use of the more secure mastabas required Ancient Egyptians to devise a system of artificial mummification, until at least the Old Period or First Intermediate Period, only high officials and royalty would be buried in these mastabas. The word mastaba comes from the Arabic word for a bench of mud, historians speculate that the Egyptians may have borrowed architectural ideas from Mesopotamia since at the time they were both building similar structures. The above-ground structure of a mastaba is rectangular in shape with inward-sloping sides, the exterior building materials were initially bricks made of sun dried mud, which was readily available from the Nile River. Even after more durable materials like stone came into use, all, mastabas were often about four times as long as they were wide, and many rose to at least 30 feet in height. The mastaba was built with an orientation, which the Ancient Egyptians believed was essential for access to the afterlife. This above-ground structure had space for an offering chapel equipped with a false door. Inside the mastaba, a chamber was dug into the ground and lined with stone. The burial chambers were cut deep, until they passed the bedrock, the mastaba housed a statue of the deceased that was hidden within the masonry for its protection. High up the walls of the serdab were small openings that would allow the ba to leave and return to the body, Ancient Egyptians believed the ba had to return to its body or it would die
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Kurt Heinrich Sethe
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Kurt Heinrich Sethe was a noted German Egyptologist and philologist from Berlin. He was a student of Adolf Erman, Sethe collected numerous texts from Egypt during his visits there and edited the Urkunden des ægyptischen Altertums which is a standard catalogue of Ancient Egyptian literature and text. Among Sethes many contributions to Egyptology, two are singled out by Gardiner. the pronunciation of Middle Egyptian, among Sethes students were Hans Jakob Polotsky and Alan Gardiner. Sethes anthology, Aegyptische Lesestuecke, is still doing sterling service to the beginners in the study of the language, Sethe also published a comprehensive collection of Egyptian epigraphy, which he called Urkunden der Aegyptologie. Kurt Sethe, Das aegyptische verbum im altaegyptischen, neuaegyptischen und koptischen, Leipzig, kurt Sethe, Urkunden des Alten Reichs. Augmented edition, Hinrichssche Buchhandlung, Leipzig 1933, available online, Sethe at the Wayback Machine at 2terres. hautesavoie. net Gardiner, Alan. Being an Introduction to the Study of Hieroglyphs, rev. London, Oxford University Press,1957
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Natural History Museum, Vienna
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The Natural History Museum is a large natural history museum located in Vienna, Austria. The museums website provides an overview in the form of a virtual tour, the museums earliest collections of artifacts were begun over 250 years ago. Today, its collections on display cover 8,700 square metres, as of 2011, the museum houses approximately 30 million objects and the number is growing. Behind the scenes, collections comprising some 25 million specimens and artefacts are the basis for the work of over 60 staff scientists. The museum building opened in 1889 at the time as the Kunsthistorisches Museum. The two museums have identical exteriors and face each other across Maria-Theresien-Platz, the Museum was built to house the huge collection of the Habsburgs. Both buildings were built between 1872 and 1891 on the Ringstraße according to plans drawn up by Gottfried Semper and Karl Freiherr von Hasenauer, the insect collections date from 1793 when Franz I of Austria purchased the scientific collections of Joseph Natterer, Sr. In 1806 the museum purchased a collection of European insects made by Johann Carl Megerle von Mühlfeld and he organised the purchase of the Gundian collection of European butterflies. In 1859, the frigate SMS Novara returned from a voyage with Georg Ritter von Frauenfeld and Johann Zelebor. These were worked on by Ludwig Redtenbacher, Friedrich Moritz Brauer, Henri Louis Frederic de Saussure, Gustav Mayr, Ignaz Rudolph Schiner, C Felder, R. Felder, the present museum organization dates from 1876. The main building of the museum is a palace that has accommodated these constantly growing collections. However, some of the collections had been moved from older buildings, such as the Austrian National Library. The interaction of the building, its decoration, furniture. A contemporary presentation of the exhibits, using modern technology, has been possible without any destruction of the buildings historical structures. The first floor displays the variety of the animal world. Note that some signs and explanations in the museum are in German, while much of the museum is in German, Imperial Natural History Museum, the current museums predecessor. Other major museums in Vienna Kunsthistorisches Museum, the Museum of Fine Art sitting opposite the Vienna Museum of Natural History, lobkowitz Palace, housing the Kunsthistorisches Museums theatrical department and the Austrian National Library. Technisches Museum Wien, the Museum of Technology, Museum of Ethnology Official website Annals, an early history of the museum
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