1.
Oxford University Boat Club
–
Oxford University Boat Club is the rowing club of the University of Oxford, England, located on the River Thames at Oxford. The club was founded in the early 19th century, oUBCs boat house on the Isis burnt down in 1999 and much archival material, including photographs, was lost. OUBC now rows from its new boat house in Wallingford, south of Oxford. The boathouse was designed following a competition by Tuke Manton Architects LLP. The club has the use of the Redgrave Pinsent Rowing Lake in south Oxfordshire for training purposes, along with the GB Rowing squad and University College Oxford Boat Club. The club races against the Cambridge University Boat Club in The Boat Race on the Thames in London each year, oxfords team are commonly referred to as the Dark Blues. It has featured Olympic-level rowers and coxes, OUBC was one of five clubs which retained the right until 2012 to appoint representatives to the Council of British Rowing. The others were Leander Club, London Rowing Club, Thames Rowing Club, list of Oxford University Boat Race crews Rowing on the River Thames University rowing OUBC website
Oxford University Boat Club
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Oxford University Boat Club
Oxford University Boat Club
Oxford University Boat Club
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College boat houses between
Christ Church Meadow and the
River Cherwell
2.
Egyptian hieroglyphs
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Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. It combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters, cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts are derived from hieroglyphic writing, the writing system continued to be used throughout the Late Period, as well as the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, with the closing of pagan temples in the 5th century, knowledge of hieroglyphic writing was lost, and the script remained undeciphered throughout the medieval and early modern period. The decipherment of hieroglyphs would only be solved in the 1820s by Jean-François Champollion, the word hieroglyph comes from the Greek adjective ἱερογλυφικός, a compound of ἱερός and γλύφω, supposedly a calque of an Egyptian phrase mdw·w-nṯr gods words. The glyphs themselves were called τὰ ἱερογλυφικὰ γράμματα the sacred engraved letters, the word hieroglyph has become a noun in English, standing for an individual hieroglyphic character. As used in the sentence, the word hieroglyphic is an adjective. Hieroglyphs emerged from the artistic traditions of Egypt. For example, symbols on Gerzean pottery from c.4000 BC have been argued to resemble hieroglyphic writing, proto-hieroglyphic symbol systems develop in the second half of the 4th millennium BC, such as the clay labels of a Predynastic ruler called Scorpion I recovered at Abydos in 1998. The first full sentence written in hieroglyphs so far discovered was found on a seal found in the tomb of Seth-Peribsen at Umm el-Qaab. There are around 800 hieroglyphs dating back to the Old Kingdom, Middle Kingdom, by the Greco-Roman period, there are more than 5,000. However, given the lack of evidence, no definitive determination has been made as to the origin of hieroglyphics in ancient Egypt. Since the 1990s, and discoveries such as the Abydos glyphs, as writing developed and became more widespread among the Egyptian people, simplified glyph forms developed, resulting in the hieratic and demotic scripts. These variants were more suited than hieroglyphs for use on papyrus. Hieroglyphic writing was not, however, eclipsed, but existed alongside the other forms, especially in monumental, the Rosetta Stone contains three parallel scripts – hieroglyphic, demotic, and Greek. Hieroglyphs continued to be used under Persian rule, and after Alexander the Greats conquest of Egypt, during the ensuing Ptolemaic and Roman periods. It appears that the quality of comments from Greek and Roman writers about hieroglyphs came about, at least in part. Some believed that hieroglyphs may have functioned as a way to distinguish true Egyptians from some of the foreign conquerors, another reason may be the refusal to tackle a foreign culture on its own terms, which characterized Greco-Roman approaches to Egyptian culture generally
Egyptian hieroglyphs
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A section of the
Papyrus of Ani showing cursive hieroglyphs.
Egyptian hieroglyphs
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Hieroglyphs on a funerary stela in
Manchester Museum
Egyptian hieroglyphs
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The
Rosetta Stone in the
British Museum
Egyptian hieroglyphs
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Hieroglyphs typical of the Graeco-Roman period
3.
Abydos, Egypt
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Abydos /əˈbaɪdɒs/ is one of the oldest cities of ancient Egypt, and also of the eighth nome in Upper Egypt, of which it was the capital city. It is located about 11 kilometres west of the Nile at latitude 26°10 N, in the ancient Egyptian language, the city was called Abdju. The English name Abydos comes from the Greek Ἄβυδος, a name borrowed by Greek geographers from the city of Abydos on the Hellespont. These tombs began to be seen as extremely significant burials and in times it became desirable to be buried in the area. Today, Abydos is notable for the temple of Seti I. It is a chronological list showing cartouches of most dynastic pharaohs of Egypt from Menes until Seti Is father, the Great Temple and most of the ancient town are buried under the modern buildings to the north of the Seti temple. Many of the structures and the artifacts within them are considered irretrievable and lost. Abydos was occupied by the rulers of the Predynastic period, whose town, temple, the temple and town continued to be rebuilt at intervals down to the times of the thirtieth dynasty, and the cemetery was used continuously. The pharaohs of the first dynasty were buried in Abydos, including Narmer, who is regarded as founder of the first dynasty and it was in this time period that the Abydos boats were constructed. Some pharaohs of the dynasty were also buried in Abydos. The temple was renewed and enlarged by these pharaohs as well, funerary enclosures, misinterpreted in modern times as great forts, were built on the desert behind the town by three kings of the second dynasty, the most complete is that of Khasekhemwy. From the fifth dynasty, the deity Khentiamentiu, foremost of the Westerners, Pepi I constructed a funerary chapel which evolved over the years into the Great Temple of Osiris, the ruins of which still exist within the town enclosure. Abydos became the centre of the worship of the Isis and Osiris cult, during the First Intermediate Period, the principal deity of the area, Khentiamentiu, began to be seen as an aspect of Osiris, and the deities gradually merged and came to be regarded as one. Khentiamentius name became an epithet of Osiris, King Mentuhotep II was the first one building a royal chapel. In the twelfth dynasty a gigantic tomb was cut into the rock by Senusret III, associated with this tomb was a cenotaph, a cult temple and a small town known as Wah-Sut, that was used by the workers for these structures. Next to that cenotaph were buried kings of the Thirteenth Dynasty, the building during the eighteenth dynasty began with a large chapel of Ahmose I. The Pyramid of Ahmose I was also constructed at Abydos—the only pyramid in the area, thutmose III built a far larger temple, about 130 ft ×200 ft. He also made a way leading past the side of the temple to the cemetery beyond
Abydos, Egypt
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Façade of the
Temple of Seti I in Abydos
Abydos, Egypt
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Part of the Abydos King List
Abydos, Egypt
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Tomb relief depicting the vizier Nespeqashuty and his wife, KetjKetj, making the journey of the dead to the holy city of Abydos – from
Deir el-Bahri,
Late Period,
twenty-sixth dynasty of Egypt, reign of
Psammetichus I
Abydos, Egypt
–
Panel from the
Osiris temple:
Horus presents royal regalia to a worshipping pharaoh.
4.
Crook and flail
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The crook and flail are symbols used in Ancient Egyptian society. They were originally the attributes of the deity Osiris that became insignia of pharaonic authority, the shepherds crook stood for kingship and the flail for the fertility of the land. The earliest known example of a crook is from the Gerzeh culture. By late Predynastic times, the crook was already an established symbol of rule. The flail initially remained separate, being depicted alone on some earliest representations of royal ceremonial, approximately by the time of the Second Dynasty the crook and flail became paired. The only extant pharaonic examples of both the crook and flail come from the tomb of Tutankhamun and their staffs are made of heavy bronze covered with alternating stripes of blue glass, obsidian, and gold, while the flails beads are made of gilded wood. Traditionally crossed over the chest when held, they represented the ruler as a shepherd whose beneficence is formidably tempered with might. Still another interpretation, by E. A. Wallis Budge, is that the flail is what was used to thresh grain, sekhem scepter Was scepter Pharaoh-seated, with flail & red crown
Crook and flail
–
The crook and flail on the coffinette of
Tutankhamun
5.
Atef crown
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Atef is the specific feathered white crown of the Egyptian deity Osiris. It combines the Hedjet, the crown of Upper Egypt, with curly red ostrich feathers on side of the crown for the Osiris cult. The feathers are identified as ostrich from their curl or curve at the upper ends and they are the same feather as worn by Maat. The crown is worn by Sobek. They may be compared with the tail feathers in two-feather crowns, such as those of Amun which are more narrow. The Atef crown identifies Osiris in ancient Egyptian painting, Osiris wears the Atef crown as a symbol of the ruler of the underworld. The tall bulbous white piece in the center of the crown is between two ostrich feathers, the feathers represent truth, justice, morality, and balance. The Atef crown is similar, save for the feathers, to the white crown used in the Predynastic Period. An Egyptian Hieroglyphic Dictionary, E. A. Wallace Budge, c 1978, Dover edition,1978
Atef crown
–
v
Atef crown
–
Atef crown
6.
Ostrich
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The ostrich or common ostrich is either one or two species of large flightless birds native to Africa, the only living member of the genus Struthio, which is in the ratite family. In 2014, the Somali ostrich was recognized as a distinct species, the common ostrich shares the order Struthioniformes with the kiwis, emus, rheas, and cassowaries. However, phylogenetic studies have shown that it is the group to all other members of Palaeognathae. It is distinctive in its appearance, with a neck and legs, and can run at up to about 70 km/h. The common ostrich is the largest living species of bird and lays the largest eggs of any living bird, the common ostrichs diet consists mainly of plant matter, though it also eats invertebrates. It lives in groups of 5 to 50 birds. When threatened, the ostrich will either hide itself by lying flat against the ground, if cornered, it can attack with a kick of its powerful legs. Mating patterns differ by region, but territorial males fight for a harem of two to seven females. The common ostrich is farmed around the world, particularly for its feathers and its skin is used for leather products and its meat is marketed commercially, with its leanness a common marketing point. Common ostriches usually weigh from 63 to 145 kilograms, or as much as two adult humans, ostriches of the East African race averaged 115 kg in males and 100 kg in females, while the nominate subspecies was found to average 111 kg in unsexed adults. Exceptional male ostriches can weigh up to 156.8 kg, at sexual maturity, male common ostriches can be from 2.1 to 2.8 m in height, while female common ostriches range from 1.7 to 2.0 m tall. New chicks are fawn in colour, with brown spots. During the first year of life, chicks grow at about 25 cm per month, at one year of age, common ostriches weigh approximately 45 kilograms. Their lifespan is up to 40–45 years, the feathers of adult males are mostly black, with white primaries and a white tail. However, the tail of one subspecies is buff, females and young males are greyish-brown and white. The head and neck of both male and female ostriches is nearly bare, with a layer of down. The skin of the neck and thighs is pinkish gray. The eyes are shaded from sunlight from above, However, the head and bill are relatively small for the birds huge size, with the bill measuring 12 to 14.3 cm
Ostrich
Ostrich
–
Close-up of head: Note the highly modified feathers
Ostrich
–
Close-up of head: Note the long eyelashes to protect the eyes
Ostrich
–
Foot: Note the frequently missing nail on the outer toe
7.
Isis
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Isis is a goddess from the polytheistic pantheon of Egypt. She was first worshiped in ancient Egyptian religion, and later her worship spread throughout the Roman Empire, Isis was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, Isis is often depicted as the mother of Horus, the falcon-headed deity associated with king and kingship. Isis is also known as protector of the dead and goddess of children, as the personification of the throne, she was an important representation of the pharaohs power. The pharaoh was depicted as her child, who sat on the throne she provided. Her cult was popular throughout Egypt, but her most important temples were at Behbeit El Hagar in the Nile delta, and, beginning in the reign with Nectanebo I, on the island of Philae in Upper Egypt. In the typical form of her myth, Isis was the first daughter of Geb, god of the Earth, and Nut, goddess of the Sky and she married her brother, Osiris, and she conceived Horus with him. Isis was instrumental in the resurrection of Osiris when he was murdered by Set, using her magical skills, she restored his body to life after having gathered the body parts that had been strewn about the earth by Set. This myth became very important during the Greco-Roman period, for example, it was believed that the Nile River flooded every year because of the tears of sorrow which Isis wept for Osiris. Osiriss death and rebirth was relived each year through rituals, the worship of Isis eventually spread throughout the Greco-Roman world, continuing until the suppression of paganism in the Christian era. The popular motif of Isis suckling her son Horus, however, the Greek name version of Isis is close to her original, Egyptian name spelling. Isis name was written with the signs of a throne seat. The grammar, spelling and used signs of Isis name never changed during time in any way, however, the symbolic and metaphoric meaning of Isis name remains unclear. The throne seat sign in her name might point to a role as a goddess of kingship. Thus, her name could mean she of the kings throne, but all other Egyptian deities have names that point to clear cosmological or nature elemental roles, thus the name of Isis shouldnt be connected to the king himself. The throne seat symbol might alternatively point to a meaning as throne-mother of the gods and this in turn would supply a very old existence of Isis, long before her first mentioning during the late Old Kingdom, but this hypothesis remains unproven. A third possible meaning might be hidden in the egg-symbol, that was used in Isis name. The egg-symbol always represented motherhood, implying a role of Isis
Isis
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Isis depicted with outstretched wings (wall painting, c. 1360 BCE)
Isis
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Isis nursing Horus (
Louvre)
Isis
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Temple of Isis at Philae. The Court. 1893. Wilbour Library of Egyptology,
Brooklyn Museum
Isis
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Philae, Egypt. Temple of Isis., n.d.
Brooklyn Museum Archives
8.
Min (god)
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Min is an ancient Egyptian god whose cult originated in predynastic times. He was represented in different forms, but was often represented in male human form, shown with an erect penis which he holds in his left hand. As Khem or Min, he was the god of reproduction, as Khnum, he was the creator of all things, the maker of gods and men. His cult was strongest in Coptos and Akhmim, where in his honour great festivals were held celebrating his “coming forth” with a procession and presentation of offerings. His other associations include the desert and links to the god Horus. Flinders Petrie excavated two statues of Min at Qift which are now in the Ashmolean Museum and it is thought by some that they are pre-dynastic. Although not mentioned by name a reference to he whose arm is raised in the East in the Pyramid Texts is thought to refer to Min and his importance grew in the Middle Kingdom when he became even more closely linked with Horus as the deity Min-Horus. By the New Kingdom he was fused with Amun in the deity Min-Amun-kamutef. Mins shrine was crowned with a pair of bull horns, as the central deity of fertility and possibly orgiastic rites Min became identified by the Greeks with the god Pan. He also had connections with Nubia, however, his main centres of worship were Qift and Akhmim. In Egyptian art, Min was depicted as being covered in shrouds, wearing a crown with feathers, and often holding his penis erect in his left hand and a flail in his upward facing right hand. Around his forehead, Min wears a red ribbon that trails to the ground, even some war goddesses were depicted with the body of Min, and this also led to depictions, ostensibly of Min, with the head of a lioness. In the 19th century, there was an erroneous transcription of the Egyptian for Min as ḫm. Since Khem was worshipped most significantly in Akhmim, the identity of Khem was reinforced. However, Akhmim is a corruption of ḫm-mnw, meaning Shrine of Min. In Hymn to Min it is said, Min, Lord of the Processions, God of the High Plumes, Son of Osiris and Isis, mins wives were Iabet and Repyt. The God Min to the End of the Old Kingdom, ISBN9780856686788 Media related to Min at Wikimedia Commons Site on Min, with some pictures
Min (god)
–
The dark-skinned fertility god Min, with an
erect penis and a
flail
9.
Horus
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Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
Horus
–
Horus,
(Louvre Museum),
Shen rings in his grasp
Horus
Horus
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Figure of a Horus Falcon, between circa 300 and circa 250 BC (Greco-Roman). The Walters Art Museum.
Horus
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Horus, patron deity of Hierakonpolis (near
Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. (6th dynasty).
10.
Nut (goddess)
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Nut, also known by various other transcriptions, is the goddess of the sky in the Ennead of ancient Egyptian religion. She was seen as a nude woman arching over the earth. The pronunciation of ancient Egyptian is uncertain because vowels were long omitted from its writing and her name Nwt, itself also meaning Sky, is usually transcribed as Nut but also sometimes appears as Nunut, Nenet, Naunet, Newet, and the certainly erroneous Nuit. She also appears in the record by a number of epithets. Nut is a daughter of Shu and Tefnut and her brother and husband is Geb. She had four or five children, Osiris, Set, Isis, Nephthys and she is considered one of the oldest deities among the Egyptian pantheon, with her origin being found on the creation story of Heliopolis. She was originally the goddess of the sky, but eventually became referred to as simply the sky goddess. Her headdress was the hieroglyphic of part of her name, a pot, which may also symbolize the uterus. Mostly depicted in human form, Nut was also sometimes depicted in the form of a cow whose great body formed the sky and heavens. A sacred symbol of Nut was the used by Osiris to enter her heavenly skies. This ladder-symbol was called maqet and was placed in tombs to protect the deceased, Nut and her brother, Geb, may be considered enigmas in the world of mythology. In direct contrast to most other mythologies which usually develop a sky father associated with an Earth mother, she personified the sky, Osiris is killed by his brother Set and scattered over the Earth in 14 pieces which Isis gathers up and puts back together. Osiris then climbs a ladder into his mother Nut for safety, a huge cult developed about Osiris that lasted well into Roman times. Isis was her husbands queen in the underworld and the basis for the role of the queen on earth. It can be said that she was a version of the great goddess Hathor, like Hathor she not only had death and rebirth associations, but was the protector of children and the goddess of childbirth. Ra, the sun god, was the second to rule the world, Ra was a strong ruler but he feared anyone taking his throne. When he discovered that Nut was to have children, he was furious and he decreed, Nut shall not give birth any day of the year. At that time, the year was only 360 days, Nut spoke to Thoth, god of wisdom, and he had a plan
Nut (goddess)
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Great goddess Nut with her wings stretched across a coffin
Nut (goddess)
–
The sky goddess Nut depicted as a
cow
Nut (goddess)
–
Nut, goddess of sky supported by Shu the god of air, and the ram-headed Heh deities, while the earth god
Geb reclines beneath.
11.
Set (mythology)
–
Set /sɛt/ or Seth is a god of the desert, storms, disorder, violence, and foreigners in ancient Egyptian religion. In Ancient Greek, the name is given as Sēth. Set is not, however, a god to be ignored or avoided, he has a role where he is employed by Ra on his solar boat to repel Apep. Set had a role as a reconciled combatant. He was lord of the red land where he was the balance to Horus role as lord of the black land, in Egyptian mythology, Set is portrayed as the usurper who killed and mutilated his own brother Osiris. Osiris wife Isis reassembled Osiris corpse and resurrected him long enough to conceive his son, Horus sought revenge upon Set, and the myths describe their conflicts. This Osiris myth is a prominent theme in Egyptian mythology, Sets siblings are Osiris, Isis, and Nephthys. He married Nephthys and fathered Anubis, and in some accounts he had relationships with the foreign goddesses Anat, some early Egyptologists proposed that it was a stylised representation of the giraffe, owing to the large flat-topped horns which correspond to a giraffes ossicones. The Egyptians themselves, however, made a distinction between the giraffe and the Set animal, during the Late Period, Set is depicted as a donkey or as having a donkeys head. The earliest representations of what might be the Set animal comes from a dating to the Naqada I phase of the Predynastic Period. If these are ruled out, then the earliest Set animal appears on a head of the King Scorpion. The head and the tail of the Set animal are clearly present. In the mythology of Heliopolis, Set was born of the sky goddess Nut, Sets sister and wife was Nephthys. Nut and Geb also produced two children who became husband and wife, the divine Osiris and Isis, whose son was Horus. The Chester Beatty Papyrus No.1 contains the known as The Contendings of Horus. Classical authors also recorded the story, notably Plutarchs De Iside et Osiride and these myths generally portray Osiris as a wise lord, king, and bringer of civilization, happily married to his sister, Isis. Set was envious of his brother, and he killed and dismembered Osiris, Isis reassembled Osiris corpse and embalmed him. As the archetypal mummy, Osiris reigned over the afterworld as a king among deserving spirits of the dead, Osiris son Horus was conceived by Isis with Osiris corpse
Set (mythology)
–
Set spearing Apep
Set (mythology)
–
Set
Set (mythology)
–
Set and Horus adoring Ramesses in the small temple at Abu Simbel
12.
Nephthys
–
Nephthys or Nebthet or Neber-Het was a goddess in ancient Egyptian religion. A member of the Great Ennead of Heliopolis in Egyptian mythology, she was a daughter of Nut, Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Nephthys is the Greek form of an epithet and this is a pervasive error repeated in many commentaries concerning this deity. Her name means specifically, Lady of the Enclosure which associates her with the role of priestess. Along with her sister Isis, Nephthys represented the temple pylon or trapezoidal tower gateway entrance to the temple which also displayed the flagstaff and this entrance way symbolised the horizon or akhet. At the time of the Fifth Dynasty Pyramid Texts, Nephthys appears as a goddess of the Heliopolitan Ennead and she is the sister of Isis and companion of the war-like deity, Set. As sister of Isis and especially Osiris, Nephthys is a goddess who symbolizes the death experience. Nephthys was known in some ancient Egyptian temple theologies and cosmologies as the Useful Goddess or the Excellent Goddess and these late Ancient Egyptian temple texts describe a goddess who represented divine assistance and protective guardianship. Nephthys is regarded as the mother of the funerary-deity Anubis in some myths, alternatively Anubis appears as the son of Bastet or Isis. As the primary nursing mother of the incarnate Pharaonic-god, Horus, though other goddesses could assume this role, Nephthys was most usually portrayed in this function. In contrast Nephthys is sometimes featured as a ferocious and dangerous divinity. Nephthys was typically paired with her sister Isis in funerary rites because of their role as protectors of the mummy and the god Osiris and as the sister-wife of Set. Less well understood than her sister Isis, Nephthys was no less important in Egyptian Religion as confirmed by the work of E. Hornung, along with the work of noted scholars. Ascend and descend, descend with Nephthys, sink into darkness with the Night-bark, ascend and descend, ascend with Isis, rise with the Day-bark. Pyramid Text Utterance 222 line 210, in the funerary role, Nephthys often was depicted as a kite, or as a woman with falcon wings, usually outstretched as a symbol of protection. Nephthyss association with the kite or the Egyptian hawk evidently reminded the ancients of the lamentations usually offered for the dead by wailing women, in this capacity, it is easy to see how Nephthys could be associated with death and putrefaction in the Pyramid Texts. Nephthys was clearly viewed as a force of heavenly transition, i. e. the Pharaoh becomes strong for his journey to the afterlife through the intervention of Isis. The same divine power could be applied later to all of the dead and it should here be noted that Nephthys was not necessarily viewed as the polar opposite of Isis, but rather as a different reflection of the same reality, eternal life in transition
Nephthys
–
Nephthys - Musée du Louvre, Paris, France
Nephthys
–
Triad of Isis, Nephthys, and
Harpocrates. Early Greco-Roman.
Walters Museum
13.
Horus the Elder
–
Horus is one of the most significant ancient Egyptian deities. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom, different forms of Horus are recorded in history and these are treated as distinct gods by Egyptologists. He was most often depicted as a falcon, most likely a falcon or peregrine falcon. In another tradition Hathor is regarded as his mother and sometimes as his wife, Horus served many functions, most notably being a god of the sky, war and hunting. Horus is recorded in Egyptian hieroglyphs as ḥr. w Falcon, additional meanings are thought to have been the distant one or one who is above, over. As the language changed over time, it appeared in Coptic dialects variously as hoːɾ or ħoːɾ and was adopted into ancient Greek as Ὧρος Hōros and it also survives in Late Egyptian and Coptic theophoric names such as Har-si-ese Horus, Son of Isis. Nekheny may have been another falcon god worshipped at Nekhen, city of the falcon, Horus may be shown as a falcon on the Narmer Palette, dating from about the 31st century BC. In early Egypt, Horus was the brother of Isis, Osiris, Set, as different cults formed, he became the son of Isis and Osiris. Isis remained the sister of Osiris, Set and Nephthys, the Pyramid Texts describe the nature of the pharaoh in different characters as both Horus and Osiris. The pharaoh as Horus in life became the pharaoh as Osiris in death, New incarnations of Horus succeeded the deceased pharaoh on earth in the form of new pharaohs. The lineage of Horus, the product of unions between the children of Atum, may have been a means to explain and justify pharaonic power. The gods produced by Atum were all representative of cosmic and terrestrial forces in Egyptian life, the notion of Horus as the pharaoh seems to have been superseded by the concept of the pharaoh as the son of Ra during the Fifth Dynasty. Once Isis knew she was pregnant with Horus, she fled to the Nile Delta marshlands to hide from her brother Set, who jealously killed Osiris, there Isis bore a divine son, Horus. Since Horus was said to be the sky, he was considered to contain the sun. It became said that the sun was his eye and the moon his left, and that they traversed the sky when he. Later, the reason that the moon was not as bright as the sun was explained by a tale, known as the The Contendings of Horus and Seth. As Horus was the victor he became known as ḥr. w wr Horus the Great. In the struggle, Set had lost a testicle, explaining why the desert, Horus left eye had also been gouged out, then a new eye was created by part of Khonsu, the moon god, and was replaced
Horus the Elder
–
Horus,
(Louvre Museum),
Shen rings in his grasp
Horus the Elder
–
Horus was often the ancient Egyptians' national
patron god. He was usually depicted as a falcon-headed man wearing the
pschent, or a red and white crown, as a symbol of kingship over the entire kingdom of Egypt.
Horus the Elder
–
Figure of a Horus Falcon, between circa 300 and circa 250 BC (Greco-Roman). The Walters Art Museum.
Horus the Elder
–
Horus, patron deity of Hierakonpolis (near
Edfu), the predynastic capital of Upper Egypt. Its head was executed by means of beating the gold then connecting it with the copper body. A uraeus is fixed to the diadem which supports two tall openwork feathers. The eyes are inlaid with obsidian. (6th dynasty).
14.
Brooklyn Museum
–
The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At 560,000 square feet, the museum is New York Citys third largest in physical size, the museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is represented, starting at the Colonial period. Artists represented in the collection include Mark Rothko, Edward Hopper, Norman Rockwell, Winslow Homer, Edgar Degas, Georgia OKeeffe, the museum also has a Memorial Sculpture Garden which features salvaged architectural elements from throughout New York City. The roots of the Brooklyn Museum extend back to the 1823 founding by Augustus Graham of the Brooklyn Apprentices’ Library in Brooklyn Heights, in 1890, under its director Franklin Hooper, Institute leaders reorganized as the Brooklyn Institute of Arts and Sciences and began planning the Brooklyn Museum. The initial design for the Brooklyn Museum was four times as large as the actualized version, Daniel Chester French, the noted sculptor of the Lincoln Memorial, was the principal designer of the pediment sculptures and the monolithic 12. 5-foot figures along the cornice. The figures were created by 11 sculptors and carved by the Piccirilli Brothers, by 1920, the New York City Subway reached the museum with a subway station, this greatly improved access to the once-isolated museum from Manhattan and other outer boroughs. The Brooklyn Institutes director Franklin Hooper was the museums first director and he was followed by Philip Newell Youtz, Laurance Page Roberts, Isabel Spaulding Roberts, Charles Nagel, Jr. and Edgar Craig Schenck. Thomas S. Buechner became the director in 1960, making him one of the youngest directors in the country. Buechner oversaw a major transformation in the way the museum displayed art and brought some one thousand works that had languished in the museums archives and put them on display. Buechner played a role in rescuing the Daniel Chester French sculptures from destruction due to an expansion project at the Manhattan Bridge in the 1960s. The Brooklyn Museum changed its name to Brooklyn Museum of Art in 1997, on March 12,2004, the museum announced that it would revert to its previous name. In April 2004, the museum opened the James Polshek-designed entrance pavilion on the Eastern Parkway façade, in September 2014, Lehman announced that he was planning to retire around June 2015. In May 2015, Creative Time president and artistic director Anne Pasternak was named the Museums next director, member institutions occupy land or buildings owned by the City of New York and derive part of their yearly funding from the City. The Brooklyn Museum also supplements its earned income with funding from Federal and State governments, as well as donations by individuals. Major benefactors include Frank Lusk Babbott, the museum is the site of the annual Brooklyn Artists Ball which has included celebrity hosts such as Sarah Jessica Parker and Liv Tyler. The Brooklyn Museum exhibits collections that seek to embody the rich heritage of world cultures
Brooklyn Museum
–
Brooklyn Museum
Brooklyn Museum
–
Replica of the
Statue of Liberty in back lot.
Brooklyn Museum
–
Book of the Dead of the Goldworker of Amun, Sobekmose, 31.1777e
Brooklyn Museum
–
Brooklyn Papyrus 664-332 BCE
15.
Ancient Egyptian deities
–
Ancient Egyptian deities are the gods and goddesses worshipped in ancient Egypt. The beliefs and rituals surrounding these gods formed the core of ancient Egyptian religion, the gods complex characteristics were expressed in myths and in intricate relationships between deities, family ties, loose groups and hierarchies, and combinations of separate gods into one. Deities diverse appearances in art—as animals, humans, objects, and combinations of different forms—also alluded, through symbolism, to their essential features. In different eras, various gods were said to hold the highest position in society, including the solar deity Ra, the mysterious god Amun. The highest deity was usually credited with the creation of the world, some scholars have argued, based in part on Egyptian writings, that the Egyptians came to recognize a single divine power that lay behind all things and was present in all the other deities. Gods were assumed to be present throughout the world, capable of influencing natural events, people interacted with them in temples and unofficial shrines, for personal reasons as well as for larger goals of state rites. Egyptians prayed for help, used rituals to compel deities to act. Humans relations with their gods were a part of Egyptian society. The beings in ancient Egyptian tradition who might be labeled as deities are difficult to count, Egyptian texts list the names of many deities whose nature is unknown and make vague, indirect references to other gods who are not even named. The Egyptologist James P. Allen estimates that more than 1,400 deities are named in Egyptian texts, the Egyptian languages terms for these beings were nṯr, god, and its feminine form nṯrt, goddess. Scholars have tried to discern the nature of the gods by proposing etymologies for these words, but none of these suggestions has gained acceptance. The hieroglyphs that were used as ideograms and determinatives in writing these words show some of the traits that the Egyptians connected with divinity, the most common of these signs is a flag flying from a pole. Similar objects were placed at the entrances of temples, representing the presence of a deity, other such hieroglyphs include a falcon, reminiscent of several early gods who were depicted as falcons, and a seated male or female deity. The feminine form could also be written with an egg as determinative, connecting goddesses with creation and birth, or with a cobra, the Egyptians distinguished nṯrw, gods, from rmṯ, people, but the meanings of the Egyptian and the English terms do not match perfectly. The term nṯr may have applied to any being that was in some way outside the sphere of everyday life, Egyptian religious art also depicts places, objects, and concepts in human form. These personified ideas range from deities that were important in myth and ritual to obscure beings, only mentioned once or twice, confronting these blurred distinctions between gods and other beings, scholars have proposed various definitions of a deity. One widely accepted definition, suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, according to a different definition, by Dimitri Meeks, nṯr applied to any being that was the focus of ritual. From this perspective, gods included the king, who was called a god after his coronation rites, and deceased souls, likewise, the preeminence of the great gods was maintained by the ritual devotion that was performed for them across Egypt
Ancient Egyptian deities
–
The gods
Osiris,
Anubis, and
Horus
Ancient Egyptian deities
–
Isis, a
mother goddess and a patroness of kingship, holds Pharaoh
Seti I in her lap.
Ancient Egyptian deities
–
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Ancient Egyptian deities
–
Deities personifying
provinces of Egypt
16.
Egyptian afterlife
–
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
Egyptian afterlife
–
The gods Osiris, Anubis, and Horus, in order from left to right
Egyptian afterlife
–
Amun-Ra kamutef, wearing the plumed headdress of Amun and the sun disk representing Ra
Egyptian afterlife
–
The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
17.
Khenti-Amentiu
–
Khenti-Amentiu, also Khentiamentiu, Khenti-Amenti, Kenti-Amentiu and many other spellings, is an ancient Egyptian deity whose name was also used as a title for Osiris and Anubis. The name means Foremost of the Westerners or Chief of the Westerners, Khenti-Amentiu was depicted as a jackal-headed deity at Abydos in Upper Egypt, who stood guard over the city of the dead. Khenti-Amentiu is attested early at Abydos, perhaps earlier than the unification of Egypt at the start of the Early Dynastic Period. A temple dating to predynastic times was also founded in Abydos for this god, toby Wilkinson suggests that, even at this early stage, Khenti-Amentius name may have been simply an epithet of Osiris. The roles of Khenti-Amentiu, Osiris, and Anubis underwent considerable changes in the late Old Kingdom, originally, only Anubis name appeared in the offering formula that was believed to allow the dead to partake of the offerings they were given to sustain them in the afterlife. In the Fifth Dynasty, many started to appear in the formula, including Osiris, whose name does not appear in any texts before the start of the dynasty. In the course of the late Old Kingdom, the Khenti-Amentiu title becomes more connected with Osiris. If this is the case, Khenti-Amentiu would have begun to be treated as an independent deity in the Fifth Dynasty. Most inscriptions from that time show Osiris and Khenti-Amentiu were already closely connected, beginning in the First Intermediate Period, Khenti-Amentius temple in Abydos was explicitly dedicated to Osiris and became his major cult center
Khenti-Amentiu
–
v
18.
Moon
–
The Moon is an astronomical body that orbits planet Earth, being Earths only permanent natural satellite. It is the fifth-largest natural satellite in the Solar System, following Jupiters satellite Io, the Moon is second-densest satellite among those whose densities are known. The average distance of the Moon from the Earth is 384,400 km, the Moon is thought to have formed about 4.51 billion years ago, not long after Earth. It is the second-brightest regularly visible celestial object in Earths sky, after the Sun and its surface is actually dark, although compared to the night sky it appears very bright, with a reflectance just slightly higher than that of worn asphalt. Its prominence in the sky and its cycle of phases have made the Moon an important cultural influence since ancient times on language, calendars, art. The Moons gravitational influence produces the ocean tides, body tides, and this matching of apparent visual size will not continue in the far future. The Moons linear distance from Earth is currently increasing at a rate of 3.82 ±0.07 centimetres per year, since the Apollo 17 mission in 1972, the Moon has been visited only by uncrewed spacecraft. The usual English proper name for Earths natural satellite is the Moon, the noun moon is derived from moone, which developed from mone, which is derived from Old English mōna, which ultimately stems from Proto-Germanic *mǣnōn, like all Germanic language cognates. Occasionally, the name Luna is used, in literature, especially science fiction, Luna is used to distinguish it from other moons, while in poetry, the name has been used to denote personification of our moon. The principal modern English adjective pertaining to the Moon is lunar, a less common adjective is selenic, derived from the Ancient Greek Selene, from which is derived the prefix seleno-. Both the Greek Selene and the Roman goddess Diana were alternatively called Cynthia, the names Luna, Cynthia, and Selene are reflected in terminology for lunar orbits in words such as apolune, pericynthion, and selenocentric. The name Diana is connected to dies meaning day, several mechanisms have been proposed for the Moons formation 4.51 billion years ago, and some 60 million years after the origin of the Solar System. These hypotheses also cannot account for the angular momentum of the Earth–Moon system. This hypothesis, although not perfect, perhaps best explains the evidence, eighteen months prior to an October 1984 conference on lunar origins, Bill Hartmann, Roger Phillips, and Jeff Taylor challenged fellow lunar scientists, You have eighteen months. Go back to your Apollo data, go back to computer, do whatever you have to. Dont come to our conference unless you have something to say about the Moons birth, at the 1984 conference at Kona, Hawaii, the giant impact hypothesis emerged as the most popular. Afterward there were only two groups, the giant impact camp and the agnostics. Giant impacts are thought to have been common in the early Solar System, computer simulations of a giant impact have produced results that are consistent with the mass of the lunar core and the present angular momentum of the Earth–Moon system
Moon
–
Full moon as seen from Earth's
northern hemisphere
Moon
–
The Moon, tinted reddish, during a
lunar eclipse
Moon
–
Near side of the Moon
Moon
–
Far side of the Moon
19.
Pyramid Texts
–
The Pyramid Texts are a collection of ancient Egyptian religious texts from the time of the Old Kingdom. Written in Old Egyptian, the texts were carved on the walls. The oldest of the texts have been dated to between ca, unlike the later Coffin Texts and Book of the Dead, the pyramid texts were reserved only for the pharaoh and were not illustrated. The spells delineate all of the ways the pharaoh could travel, including the use of ramps, stairs, ladders, the spells could also be used to call the gods to help, even threatening them if they did not comply. The texts were first discovered in 1881 by Gaston Maspero, and translations were made by Kurt Heinrich Sethe, Louis Speleers, Raymond O. Faulkner, Samuel A. B. The oldest version consists of 228 spells and comes from the Pyramid of Unas, Pyramid Texts were also discovered on fragments of wood within in the tomb of queen Meretites II. Kurt Sethes first edition of the texts contained 714 distinct spells. No single collection uses all recorded spells, after death, the king must first rise from his tomb. Take your head, collect your bones, Gather your limbs, take your bread that rots not, your beer that sours not, Stand at the gates that bar the common people. The gatekeeper comes out to you, he grasps your hand, Takes you into heaven and he rejoices at your coming, gives you his hands, Kisses you, caresses you, Sets you before the spirits, the imperishable stars. The texts then describe several ways for the pharaoh to reach the heavens, in utterance 304 the king says, Hail, daughter of Anubis, above the hatches of heaven, Comrade of Thoth, above the ladders rails, Open Unass path, let Unas pass. If the boatman refuses to him, the king has other plans, If you fail to ferry Unas, He will leap and sit on the wing of Thoth. Apart from the burial of Unas, only the Pyramid of Teti displays the Cannibal Hymn, a god who lives on his fathers, who feeds on his mothers. Unas is the bull of heaven Who rages in his heart, Who lives on the being of every god, Who eats their entrails When they come, the cannibal hymn later reappeared in the Coffin Texts as Spell 573. It was dropped by the time the Book of the Dead was being copied, in the first scene of Philip Glasss opera Akhnaten, the phrase Open are the double doors of the horizon is a quotation from the Pyramid Texts. More specifically, it seems to come from Utterance 220, the American death metal band Nile made a song, Unas Slayer of the Gods which contains many references to the Pyramid Texts, including the Cannibal Hymn. In the 2001 action-adventure movie, The Mummy Returns, when Imhotep gets a jar full of dust and blows it, he part of the Utterance 373. In neuer deutscher Uebersetzung, vollständig bearbeitet und herausgegeben von Wolfgang Kosack Christoph Brunner, Berlin 2012, a New Concordance of the Pyramid Texts
Pyramid Texts
–
Pyramid texts from
Teti I's pyramid.
20.
Shabaka Stone
–
The Shabaka Stone, sometimes Shabaqo, is a relic incised with an ancient Egyptian religious text, which dates from the 25th dynasty. It is a composition of breccia measuring 91 cm on the left in height and 95 cm on the right as well as 137 cm in width. The text claims to contain the content of a worm-ridden. In later years, the stone is believed to have used as a millstone damaging the hieroglyphics. This damage is accompanied by other intentional defacements, leaving the hieroglyphics in poor condition, the stone was once placed within the Temple of Ptah in Memphis in the 8th century BCE. It was removed at an unknown date, in 1805, the stone was a donation by George John, 2nd earl of Spencer, to the British Museum where it has been located since. It is known prior to coming to England it was in Alexandria. Since this stone was meant to be a preservation of an older text, attempts to attribute a definite date for the original text have been inconclusive. Some scholars claimed it originated in the Old Kingdom while others said it went further back, today, scholars feel it is clear that it cannot predate the Nineteenth Dynasty. The text includes two divisions with a short introduction and an ending summary. The first division relates the unification of Upper and Lower Egypt, Ptah works through Horus to accomplish this unification. The other is a story that establishes Ptah as the creator of all things. Ptah also centers in all such as the heart and tongue of his creations. The manner of creation came by Ptahs thoughts in his heart that were then uttered by his tongue and this creation story is sometimes referred to as a Memphite Theology. The Shabaka Stone, translation from An introduction to the history and culture of Pharaonic Egypt
Shabaka Stone
–
Shabaka Stone on display in The
British Museum. (0.66 m tall by 1.37 m wide, not high resolution)
21.
Plutarch
–
Plutarch was a Greek biographer and essayist, known primarily for his Parallel Lives and Moralia. He is classified as a Middle Platonist, Plutarchs surviving works were written in Greek, but intended for both Greek and Roman readers. Plutarch was born to a prominent family in the town of Chaeronea, about 80 km east of Delphi. The name of Plutarchs father has not been preserved, but based on the common Greek custom of repeating a name in alternate generations, the name of Plutarchs grandfather was Lamprias, as he attested in Moralia and in his Life of Antony. His brothers, Timon and Lamprias, are mentioned in his essays and dialogues. Rualdus, in his 1624 work Life of Plutarchus, recovered the name of Plutarchs wife, Timoxena, from internal evidence afforded by his writings. A letter is still extant, addressed by Plutarch to his wife, bidding her not to grieve too much at the death of their two-year-old daughter, interestingly, he hinted at a belief in reincarnation in that letter of consolation. The exact number of his sons is not certain, although two of them, Autobulus and the second Plutarch, are often mentioned. Plutarchs treatise De animae procreatione in Timaeo is dedicated to them, another person, Soklarus, is spoken of in terms which seem to imply that he was Plutarchs son, but this is nowhere definitely stated. Plutarch studied mathematics and philosophy at the Academy of Athens under Ammonius from 66 to 67, at some point, Plutarch took Roman citizenship. He lived most of his life at Chaeronea, and was initiated into the mysteries of the Greek god Apollo. For many years Plutarch served as one of the two priests at the temple of Apollo at Delphi, the site of the famous Delphic Oracle, twenty miles from his home. By his writings and lectures Plutarch became a celebrity in the Roman Empire, yet he continued to reside where he was born, at his country estate, guests from all over the empire congregated for serious conversation, presided over by Plutarch in his marble chair. Many of these dialogues were recorded and published, and the 78 essays, Plutarch held the office of archon in his native municipality, probably only an annual one which he likely served more than once. He busied himself with all the matters of the town. The Suda, a medieval Greek encyclopedia, states that Emperor Trajan made Plutarch procurator of Illyria, however, most historians consider this unlikely, since Illyria was not a procuratorial province, and Plutarch probably did not speak Illyrian. Plutarch spent the last thirty years of his serving as a priest in Delphi. He thus connected part of his work with the sanctuary of Apollo, the processes of oracle-giving
Plutarch
–
Ruins of the Temple of
Apollo at
Delphi, where Plutarch served as one of the priests responsible for interpreting the predictions of the
oracle.
Plutarch
–
Parallel Lives,
Amyot translation, 1565
Plutarch
–
Plutarch's bust at
Chaeronea, his home town.
Plutarch
–
A page from the 1470 Ulrich Han printing of Plutarch's
Parallel Lives.
22.
Diodorus Siculus
–
Diodorus Siculus or Diodorus of Sicily was a Greek historian. He is known for writing the monumental universal history Bibliotheca historica, much of which survives and it is arranged in three parts. The first covers mythic history up to the destruction of Troy, arranged geographically, describing regions around the world from Egypt, India and Arabia to Greece, the second covers the Trojan War to the death of Alexander the Great. The third covers the period to about 60 BC, Bibliotheca, meaning library, acknowledges that he was drawing on the work of many other authors. According to his own work, he was born at Agyrium in Sicily, with one exception, antiquity affords no further information about his life and doings beyond in his work. Only Jerome, in his Chronicon under the year of Abraham 1968, writes, Diodorus of Sicily and it was divided into three sections. In the next section, he recounts the history of the world from the Trojan War down to the death of Alexander the Great, the last section concerns the historical events from the successors of Alexander down to either 60 BC or the beginning of Julius Caesars Gallic Wars. He selected the name Bibliotheca in acknowledgment that he was assembling a composite work from many sources. His account of gold mining in Nubia in eastern Egypt is one of the earliest extant texts on the topic, pappus of Alexandria wrote a Commentary on Diodoruss Analemma. The now lost Analemma applied geometrical constructions in a plane to solve some astronomy related problems of spherical geometry and it contained, for example, a discussion of sundial theory. They are also boasters and threateners and are fond of pompous language, pliny the Elder Strabo Acadine Ambaglio, Dino, Franca Landucci Gattinoni and Luigi Bravi. Diodoro Siculo, Biblioteca storica, commento storico, introduzione generale, aspects of Greek History 750-323 BC, A Source-based Approach. Library of History, Loeb Classical Library, Siculus, Diodorus, G. Booth, H. Valesius, I. The Historical Library of Diodorus the Sicilian in Fifteen Books to which are added the Fragments of Diodorus, siculi, Diodori, Peter Wesseling, L. Rhodoman, G. Heyn, N. Eyring. Bibliothecae Historicae Libri Qui Supersunt, Nova Editio, Diodorus Siculus, the manuscripts of the Bibliotheca Historica
Diodorus Siculus
–
Diodoro siculo
23.
Duat
–
Duat was the realm of the dead in ancient Egyptian mythology. It was the realm of the deity Osiris and the residence of other gods, the Duat was the region through which the sun god Ra traveled from west to east during the night, and where he battled Apep. It was also the place where peoples souls went after death for judgement, burial chambers formed touching-points between the mundane world and the Duat, and spirits could use tombs to travel back and forth from the Duat. What is known of the Duat derives principally from funerary texts such as the Book of Gates, the Book of Caverns, the Coffin Texts, the Amduat, and the Book of the Dead. Each of these fulfilled a different purpose and gave a different perspective on the Duat. Surviving texts differ in age and origin, and there likely was never a single interpretation of the Duat. The geography of Duat is similar in outline to the world the Egyptians knew, there are realistic features like rivers, islands, fields, lakes, mounds and caverns, along with fantastic lakes of fire, walls of iron and trees of turquoise. In the Book of Two Ways, one of the Coffin Texts, the Book of the Dead and Coffin Texts were intended to guide people who had recently died through the Duats dangerous landscape and to a life as an akh or blessed spirit amongst the gods. The dead person must pass a series of gates guarded by dangerous spirits, depicted as human bodies with heads of animals, insects. These beings have equally grotesque names, for instance Blood-drinker who comes from the Slaughterhouse or One who eats the excrement of his hindquarters, other features emphasised in these texts are mounds and caverns, inhabited by gods or supernatural animals, which threatened the spirits of the dead. The purpose of the books is not to lay out a geography, if the deceased successfully passed these unpleasant demons, he or she would reach the Weighing of the Heart. In this ritual, the heart of the deceased was weighed by Anubis, using a feather, representing Maat, any hearts heavier than her feather were rejected and eaten by the Ammit, the Devourer of Souls. Those souls that were lighter than a feather passed the test would be allowed to travel toward the paradise of Aaru, in spite of the unpleasant inhabitants of the Duat, this was no Hell to which souls were condemned, the nature of Duat is more complex than that. The grotesque spirits of the underworld were not evil, but under the control of the Gods. The Duat was also a residence of gods themselves, as well as Osiris, Anubis, Thoth, Horus, Hathor and Maat all appear as a dead soul makes its way toward judgement. It was also in the underworld that the sun, Ra, travelled under the Earth upon his Atet barge from west to east and was transformed from its aged Atum form into Khepri, the new dawning Sun. Just as a person faced many challenges in the Duat. The Egyptian Book of the Dead, The Book of Going Forth by Day, chronicle Books,2000 Pinch, G. Magic in Ancient Egypt
Duat
–
A section of the Egyptian
Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where
Anubis can be seen on the far right, the scales are shown with the feather balance, and
Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth.
Duat
–
Mictlan
Duat
24.
Nile River
–
The Nile is a major north-flowing river in northeastern Africa. It is generally regarded as the longest river in the world, in particular, the Nile is the primary water source of Egypt and Sudan. The Nile has two tributaries, the White Nile and Blue Nile. The White Nile is considered to be the headwaters and primary stream of the Nile itself, the Blue Nile, however, is the source of most of the water and silt. The White Nile is longer and rises in the Great Lakes region of central Africa and it flows north through Tanzania, Lake Victoria, Uganda and South Sudan. The Blue Nile begins at Lake Tana in Ethiopia and flows into Sudan from the southeast, the two rivers meet just north of the Sudanese capital of Khartoum. The northern section of the river flows north almost entirely through the Sudanese desert to Egypt, then ends in a large delta, Egyptian civilization and Sudanese kingdoms have depended on the river since ancient times. Most of the population and cities of Egypt lie along those parts of the Nile valley north of Aswan, in the ancient Egyptian language, the Nile is called Ḥpī or Iteru, meaning river. In Coptic, the words piaro or phiaro meaning the river come from the ancient name. The English name Nile and the Arabic names en-Nîl and an-Nîl both derive from the Latin Nilus and the Ancient Greek Νεῖλος, beyond that, however, the etymology is disputed. One possible etymology derives it from a Semitic Nahal, meaning river, the standard English names White Nile and Blue Nile, to refer to the rivers source, derive from Arabic names formerly applied only to the Sudanese stretches which meet at Khartoum. Above Khartoum, the Nile is also known as the White Nile, at Khartoum the river is joined by the Blue Nile. The White Nile starts in equatorial East Africa, and the Blue Nile begins in Ethiopia, both branches are on the western flanks of the East African Rift. The drainage basin of the Nile covers 3,254,555 square kilometers, the source of the Nile is sometimes considered to be Lake Victoria, but the lake has feeder rivers of considerable size. It is either the Ruvyironza, which emerges in Bururi Province, Burundi, or the Nyabarongo, the two feeder rivers meet near Rusumo Falls on the Rwanda-Tanzania border. Gish Abay is reportedly the place where the water of the first drops of the Blue Nile develop. The Nile leaves Lake Nyanza at Ripon Falls near Jinja, Uganda and it flows north for some 130 kilometers, to Lake Kyoga. For the remaining part it flows westerly through the Murchison Falls until it reaches the very northern shores of Lake Albert where it forms a significant river delta
Nile River
–
The river in Uganda
Nile River
–
The Nile at
Dendera, as seen from the
SPOT satellite
Nile River
–
The Nile near
Beni Suef
Nile River
–
Composite satellite image of the White Nile.
25.
New Kingdom
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Radiocarbon dating places the exact beginning of the New Kingdom between 1570–1544 BC. The New Kingdom followed the Second Intermediate Period and was succeeded by the Third Intermediate Period and it was Egypt’s most prosperous time and marked the peak of its power. The later part of period, under the Nineteenth and Twentieth Dynasties is also known as the Ramesside period. It is named after the pharaohs that took the name of Ramesses I. Egyptian armies fought Hittite armies for control of modern-day Syria, the Eighteenth Dynasty contained some of Egypts most famous Pharaohs, including Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. Queen Hatshepsut concentrated on expanding Egypts external trade by sending an expedition to the land of Punt. Thutmose III expanded Egypts army and wielded it with success to consolidate the empire created by his predecessors. This resulted in a peak in Egypts power and wealth during the reign of Amenhotep III, during the reign of Thutmose III, Pharaoh, originally referring to the kings palace, became a form of address for the person who was king. Akhenatens religious fervor is cited as the reason why he was written out of Egyptian history. Under his reign, in the 14th century BC, Egyptian art flourished and attained a level of realism. Towards the end of the 18th Dynasty, the situation had changed radically, Ramesses II sought to recover territories in the Levant that had been held by the 18th Dynasty. His campaigns of reconquest culminated in the Battle of Kadesh, where he led Egyptian armies against those of the Hittite king Muwatalli II. Ramesses was caught in historys first recorded military ambush, although he was able to rally his troops, the outcome of the battle was undecided with both sides claiming victory at their home front, ultimately resulting in a peace treaty between the two nations. The last great pharaoh from the New Kingdom is widely considered to be Ramesses III, in the eighth year of his reign the Sea Peoples invaded Egypt by land and sea. Ramesses III defeated them in two great land and sea battles and he incorporated them as subject peoples and settled them in Southern Canaan although there is evidence that they forced their way into Canaan. Their presence in Canaan may have contributed to the formation of new states, such as Philistia and he was also compelled to fight invading Libyan tribesmen in two major campaigns in Egypts Western Delta in his sixth year and eleventh year respectively. The heavy cost of this warfare slowly drained Egypts treasury and contributed to the decline of the Egyptian Empire in Asia. Something in the air prevented much sunlight from reaching the ground, one proposed cause is the Hekla 3 eruption of the Hekla volcano in Iceland but the dating of this remains disputed
New Kingdom
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New Kingdom at its maximum territorial extent in the 15th century BC.
New Kingdom
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Relief of a Nobleman, ca. 1295-1070 B.C.E.
Brooklyn Museum
New Kingdom
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Queen Ahmose-Nefertari
26.
Orion (constellation)
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Orion is a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognizable constellations in the night sky and it was named after Orion, a hunter in Greek mythology. Its brightest stars are Rigel and Betelgeuse, a blue-white and a red supergiant, the earliest depiction that has been linked to the constellation of Orion is a prehistoric mammoth ivory carving found in a cave in the Ach valley in West Germany in 1979. Archaeologists have estimated it to have been fashioned approximately 32,000 to 38,000 years ago, the distinctive pattern of Orion has been recognized in numerous cultures around the world, and many myths have been associated with it. It has also used as a symbol in the modern world. The Babylonian star catalogues of the Late Bronze Age name Orion MULSIPA. ZI. AN. NA, the Babylonian constellation was sacred to Papshukal and Ninshubur, both minor gods fulfilling the role of messenger to the gods. In ancient Egypt, the stars of Orion were regarded as a god, because Orion rises before Sirius, the star whose heliacal rising was the basis for the Solar Egyptian calendar, Sah was closely linked with Sopdet, the goddess who personified Sirius. The god Sopdu was said to be the son of Sah, Sah was syncretized with Osiris, while Sopdet was syncretized with Osiris mythological wife, Isis. In the Pyramid Texts, from the 24th and 23rd centuries BC, the Armenians identified their legendary patriarch and founder Hayk with Orion. Hayk is also the name of the Orion constellation in the Armenian translation of the Bible, the Bible mentions Orion three times, naming it Kesil. e. Job 9,9, Job 38,31, and Amos 5,8, in ancient Aram, the constellation was known as Nephîlā′, the Nephilim may have been Orions descendants. One myth recounts Gaias rage at Orion, who dared to say that he would kill every animal on the planet, the angry goddess tried to dispatch Orion with a scorpion. This is given as the reason that the constellations of Scorpius, however, Ophiuchus, the Serpent Bearer, revived Orion with an antidote. This is said to be the reason that the constellation of Ophiuchus stands midway between the Scorpion and the Hunter in the sky. The constellation is mentioned in Horaces Odes, Homers Odyssey and Iliad, and Virgils Aeneid In medieval Muslim astronomy, Orion was known as al-jabbar, Orions sixth brightest star, Saiph, is named from the Arabic, saif al-jabbar, meaning sword of the giant. In China, Orion was one of the 28 lunar mansions Sieu （宿） and it is known as Shen （參）, literally meaning three, for the stars of Orions Belt. The Rig Veda refers to the Orion Constellation as Mriga, the Mriga means Deer, locally known as Harnu in folk parlance. There are many folk songs narrating the Harnu, the Malay called Orion Belt Bintang Tiga Beradik
Orion (constellation)
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Click on to see large image
Orion (constellation)
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List of stars in Orion
Orion (constellation)
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Star formation in the constellation Orion as photographed in
infrared by
NASA 's
Spitzer Space Telescope
Orion (constellation)
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Orion in the 9th century
Leiden Aratea
27.
Sirius
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Sirius is a star system and the brightest star in the Earths night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the system has the Bayer designation Alpha Canis Majoris. The distance separating Sirius A from its companion varies between 8.2 and 31.5 AU, Sirius appears bright because of its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs, as determined by the Hipparcos astrometry satellite, Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to increase and it will become fainter, Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun but has a lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old and it was originally composed of two bright bluish stars. Sirius is also known colloquially as the Dog Star, reflecting its prominence in its constellation, the brightest star in the night sky, Sirius is recorded in the earliest astronomical records. Every year, it disappears for seventy days before returning to the sky just before sunrise. This occurs at Cairo on 19 July, placing it just prior to the summer solstice, the ancient Greeks observed that the appearance of Sirius heralded the hot and dry summer and feared that it caused plants to wilt, men to weaken, and women to become aroused. Due to its brightness, Sirius would have been noted to twinkle more in the weather conditions of early summer. To Greek observers, this signified certain emanations which caused its malignant influence, anyone suffering its effects was said to be star-struck. It was described as burning or flaming in literature, the season following the stars reappearance came to be known as the dog days. The inhabitants of the island of Ceos in the Aegean Sea would offer sacrifices to Sirius and Zeus to bring cooling breezes, if it rose clear, it would portend good fortune, if it was misty or faint then it foretold pestilence. Coins retrieved from the island from the 3rd century BC feature dogs or stars with emanating rays, ptolemy of Alexandria mapped the stars in Books VII and VIII of his Almagest, in which he used Sirius as the location for the globes central meridian. He depicted it as one of six red-coloured stars, the other five are class M and K stars, such as Arcturus and Betelgeuse. Bright stars were important to the ancient Polynesians for navigation between the islands and atolls of the Pacific Ocean. Low on the horizon, they acted as stellar compasses and they also served as latitude markers, the declination of Sirius matches the latitude of the archipelago of Fiji at 17°S and thus passes directly over the islands each night
Sirius
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A simulated image of Sirius A and B using
Celestia
Sirius
Sirius
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The image of Sirius A and Sirius B taken by the
Hubble Space Telescope. The white dwarf can be seen to the lower left. The
diffraction spikes and concentric rings are
instrumental effects.
Sirius
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A
Chandra X-ray Observatory image of the Sirius star system, where the spike-like pattern is due to the support structure for the transmission grating. The bright source is Sirius B. Credit: NASA/SAO/CXC.
28.
Ancient Egyptian religion
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Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals which were an integral part of ancient Egyptian society. It centered on the Egyptians interaction with many deities who were believed to be present in, and in control of, rituals such as prayers and offerings were efforts to provide for the gods and gain their favor. Formal religious practice centered on the pharaoh, the king of Egypt and he acted as the intermediary between his people and the gods and was obligated to sustain the gods through rituals and offerings so that they could maintain order in the universe. The state dedicated enormous resources to Egyptian rituals and to the construction of the temples, individuals could interact with the gods for their own purposes, appealing for their help through prayer or compelling them to act through magic. These practices were distinct from, but closely linked with, the formal rituals, the popular religious tradition grew more prominent in the course of Egyptian history as the status of the Pharaoh declined. Another important aspect was the belief in the afterlife and funerary practices, the Egyptians made great efforts to ensure the survival of their souls after death, providing tombs, grave goods, and offerings to preserve the bodies and spirits of the deceased. The religion had its roots in Egypts prehistory and lasted for more than 3,000 years, the details of religious belief changed over time as the importance of particular gods rose and declined, and their intricate relationships shifted. At various times, certain gods became preeminent over the others, including the sun god Ra, the creator god Amun, for a brief period, in the theology promulgated by the Pharaoh Akhenaten, a single god, the Aten, replaced the traditional pantheon. Ancient Egyptian religion and mythology left behind many writings and monuments, along with significant influences on ancient, the beliefs and rituals now referred to as ancient Egyptian religion were integral within every aspect of Egyptian culture. Their language possessed no single term corresponding to the modern European concept of religion, the characteristics of the gods who populated the divine realm were inextricably linked to the Egyptians understanding of the properties of the world in which they lived. The Egyptians believed that the phenomena of nature were divine forces in and these deified forces included the elements, animal characteristics, or abstract forces. The Egyptians believed in a pantheon of gods, which were involved in all aspects of nature and their religious practices were efforts to sustain and placate these phenomena and turn them to human advantage. This polytheistic system was complex, as some deities were believed to exist in many different manifestations. Conversely, many forces, such as the sun, were associated with multiple deities. The diverse pantheon ranged from gods with vital roles in the universe to minor deities or demons with very limited or localized functions. It could include gods adopted from foreign cultures, and sometimes humans, deceased Pharaohs were believed to be divine, and occasionally, distinguished commoners such as Imhotep also became deified. The depictions of the gods in art were not meant as representations of how the gods might appear if they were visible. Instead, these depictions gave recognizable forms to the deities by using symbolic imagery to indicate each gods role in nature
Ancient Egyptian religion
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The gods Osiris, Anubis, and Horus, in order from left to right
Ancient Egyptian religion
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Amun-Ra kamutef, wearing the plumed headdress of Amun and the sun disk representing Ra
Ancient Egyptian religion
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The air god Shu, assisted by other gods, holds up Nut, the sky, as Geb, the earth, lies beneath.
Ancient Egyptian religion
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Colossal statue of the Pharaoh
Ramesses II
29.
State church of the Roman Empire
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Nicene Christianity became the state church of the Roman Empire with the Edict of Thessalonica in 380 CE, when Emperor Theodosius I made it the Empires sole authorized religion. A series of ecumenical councils met during the 4th and 5th centuries, but Christianity continued to suffer rifts and schisms surrounding the issues of Arianism, Nestorianism, and Miaphysitism. However, apart from the aforementioned schisms, the church as an institution persisted in communion, if not without tension, in the 6th century the Byzantine armies of the Eastern Roman Emperor Justinian I recovered Italy and other sections of the western Mediterranean shore. The Eastern Roman Empire soon lost most of gains, but it held Rome, as part of the Exarchate of Ravenna, until 751. Pope Gregory III became the last Bishop of Rome to ask the Byzantine ruler to ratify his election, by then, the Roman Empires state church as originally conceived had ceased to exist. The Eastern Roman Empire finally collapsed with the Fall of Constantinople to the Islamic Ottoman Turks in 1453, Western missionary activities created a communion of churches that extended beyond the empire, the beginnings of which predated the establishment of the state church. The legacy of the idea of a universal church polity carries on, directly or indirectly, in todays Catholic Church and Eastern Orthodox Church, as well as in others, before the end of the 1st century, the Roman authorities recognized Christianity as a separate religion from Judaism. Pliny the Younger, when propraetor in Bithynia in 103, assumes in his letters to Trajan that because Christians do not pay the tax and their refusal to worship the Roman gods or to pay homage to the emperor as divine resulted at times in persecution and martyrdom. Church Father Tertullian, for instance, attempted to argue that Christianity was not inherently treasonous, Christians accounted for approximately 10% of the Roman population by 300, according to some estimates. In 301, the Kingdom of Armenia, which Rome considered de jure a client kingdom though yielded de facto to the Parthians, Constantine began to utilize Christian symbols such as the Chi-Rho early in his reign but still encouraged traditional Roman religious practices including sun worship. In 330, Constantine established the city of Constantinople as the new capital of the Roman Empire, the city would gradually come to be seen as the intellectual and cultural center of the Christian world. Over the course of the 4th century the Christian body became consumed by debates surrounding orthodoxy, a church synod, or council, was held in Rome in 313, followed by another in Arles in 314, the latter presided over by Constantine while still a junior emperor. However, during the reign of Emperor Julian the Apostate, the Donatists, Christian scholars and populace within the Empire were increasingly embroiled in debates regarding christology. Opinions ranged from belief that Jesus was entirely human to belief that he was entirely divine, emperors thereby became ever more involved with the increasingly divided Church. Constantine was of divided opinions, but he backed the Athanasian side. His successor Constantius II supported a Semi-Arian position, Emperor Julian returned to the traditional Roman/Greek religion, quickly quashed by his successor Jovian, a supporter of the Athanasian side. A Council of Rimini in 359 supported the Arian view, a Council of Constantinople in 360 supported a compromise. The Council of Constantinople in 381, called by Emperor Theodosius I reasserted the Nicene or Athanasian view and this council further refined the definition of orthodoxy, issuing, according to tradition, the Niceno-Constantinopolitan Creed
State church of the Roman Empire
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Emperor
Theodosius I, who made Nicene Christianity the state church of the Roman Empire.
State church of the Roman Empire
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Icon depicting
Constantine and the bishops of the
Council of Nicaea (325), with the Emperor holding the Creed of the
First Council of Constantinople (381). The Emperor, considered to be a saint, is given more prominence than the bishops.
State church of the Roman Empire
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The
Hagia Sophia basilica in Constantinople, for centuries the largest church building in the world.
State church of the Roman Empire
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Odoacer's kingdom in 480, after annexing Dalmatia and most of Sicily.
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