Otto Ludwig Preminger was an Austrian-American theatre and film director, film producer, and actor. He directed more than 35 feature films in a five-decade career after leaving the theatre. He first gained attention for film noir mysteries such as Laura (1944) and Fallen Angel (1945), while in the 1950s and 1960s, he directed high-profile adaptations of popular novels and stage works. Several of these later films pushed the boundaries of censorship by dealing with themes which were then taboo in Hollywood, such as drug addiction, rape and homosexuality. He was twice nominated for the Academy Award for Best Director. He also had several acting roles.
Preminger in 1976, photographed by Allan Warren
Preminger (sitting) with (left to right) Liane Haid, Oskar Karlweis, Paul Abraham, Tibor Halmay, and Rosy Barsony in 1934.
Preminger and author John D. Voelker in the trailer for Anatomy of a Murder
The niche of Otto Preminger in Woodlawn Cemetery (Bronx, New York)
Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.
Two silhouetted figures in The Big Combo (1955). The film's cinematographer, John Alton, is sometimes credited as the creator of many of film noir's stylized images.
The October 1934 issue of Black Mask featured the first appearance of the detective character whom Raymond Chandler developed into the famous Philip Marlowe.
Out of the Past (1947) directed by Jacques Tourneur, features many of the genre's hallmarks: a cynical private detective as the protagonist, a femme fatale, multiple flashbacks with voiceover narration, dramatically shadowed photography, and a fatalistic mood leavened with provocative banter. Pictured are noir icons Robert Mitchum and Jane Greer.
A scene from In a Lonely Place (1950), directed by Nicholas Ray and based on a novel by noir fiction writer Dorothy B. Hughes. Two of noir's defining actors, Gloria Grahame and Humphrey Bogart, portray star-crossed lovers in the film.