1.
Vienna
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Vienna is the capital and largest city of Austria and one of the nine states of Austria. Vienna is Austrias primary city, with a population of about 1.8 million, and its cultural, economic and it is the 7th-largest city by population within city limits in the European Union. Today, it has the second largest number of German speakers after Berlin, Vienna is host to many major international organizations, including the United Nations and OPEC. The city is located in the part of Austria and is close to the borders of the Czech Republic, Slovakia. These regions work together in a European Centrope border region, along with nearby Bratislava, Vienna forms a metropolitan region with 3 million inhabitants. In 2001, the city centre was designated a UNESCO World Heritage Site, apart from being regarded as the City of Music because of its musical legacy, Vienna is also said to be The City of Dreams because it was home to the worlds first psycho-analyst – Sigmund Freud. The citys roots lie in early Celtic and Roman settlements that transformed into a Medieval and Baroque city and it is well known for having played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. The historic centre of Vienna is rich in architectural ensembles, including Baroque castles and gardens, Vienna is known for its high quality of life. In a 2005 study of 127 world cities, the Economist Intelligence Unit ranked the city first for the worlds most liveable cities, between 2011 and 2015, Vienna was ranked second, behind Melbourne, Australia. Monocles 2015 Quality of Life Survey ranked Vienna second on a list of the top 25 cities in the world to make a base within, the UN-Habitat has classified Vienna as being the most prosperous city in the world in 2012/2013. Vienna regularly hosts urban planning conferences and is used as a case study by urban planners. Between 2005 and 2010, Vienna was the worlds number-one destination for international congresses and it attracts over 3.7 million tourists a year. The English name Vienna is borrowed from the homonymous Italian version of the name or the French Vienne. The etymology of the name is still subject to scholarly dispute. Some claim that the name comes from Vedunia, meaning forest stream, which produced the Old High German Uuenia. A variant of this Celtic name could be preserved in the Czech and Slovak names of the city, the name of the city in Hungarian, Serbo-Croatian and Ottoman Turkish has a different, probably Slavonic origin, and originally referred to an Avar fort in the area. Slovene-speakers call the city Dunaj, which in other Central European Slavic languages means the Danube River, evidence has been found of continuous habitation since 500 BC, when the site of Vienna on the Danube River was settled by the Celts. In 15 BC, the Romans fortified the city they called Vindobona to guard the empire against Germanic tribes to the north
2.
Austrian Empire
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The Austrian Empire was an empire in Central Europe created out of the realms of the Habsburgs by proclamation in 1804. It was an empire and one of Europes great powers. Geographically it was the second largest country in Europe after the Russian Empire and it was also the third most populous after Russia and France, as well as the largest and strongest country in the German Confederation. Proclaimed in response to the First French Empire, it overlapped with the Holy Roman Empire until the dissolution in 1806. The Ausgleich of 1867 elevated Hungarys status and it became a separate entity from the Empire entirely, joining with it in the dual monarchy of Austria-Hungary. Changes shaping the nature of the Holy Roman Empire took place during conferences in Rastatt, on 24 March 1803, the Imperial Recess was declared, which reduced the number of ecclesiastical states from 81 to only 3 and the free imperial cities from 51 to 6. This measure was aimed at replacing the old constitution of the Holy Roman Empire, taking this significant change into consideration, the German Emperor Francis II created the title Emperor of Austria, for himself and his successors. In 1804 the Holy Roman Emperor Francis II, who was ruler of the lands of the Habsburg Monarchy, founded the Empire of Austria. In doing so he created a formal overarching structure for the Habsburg Monarchy, to safeguard his dynastys imperial status he adopted the additional hereditary title of Emperor of Austria. Hungarys affairs remained administered by its own institutions as they had been beforehand, thus under the new arrangements no Imperial institutions were involved in its internal government. The fall and dissolution of the Holy Roman Empire was accelerated by French intervention in the Empire in September 1805, on 20 October 1805, an Austrian army led by general Karl Mack von Leiberich was defeated by French armies near the town of Ulm. The French victory resulted in the capture of 20,000 Austrian soldiers, Napoleons army won another victory at Austerlitz on 2 December 1805. Francis was forced into negotiations with the French from 4 to 6 December 1805, the French victories encouraged rulers of certain imperial territories to assert their formal independence from the Empire. On 10 December 1805, the prince-elector Duke of Bavaria proclaimed himself King, finally, on 12 December, the Margrave of Baden was given the title of Grand Duke. In addition, each of these new countries signed a treaty with France, the Treaty of Pressburg between France and Austria, signed in Pressburg on 26 December, enlarged the territory of Napoleons German allies at the expense of defeated Austria. Certain Austrian holdings in Germany were passed to French allies—the King of Bavaria, the King of Württemberg, Austrian claims on those German states were renounced without exception. On 12 July 1806, the Confederation of the Rhine was established, comprising 16 sovereigns and this confederation, under French influence, put an end to the Holy Roman Empire. On 6 August 1806, even Francis recognized the new state of things and proclaimed the dissolution of the Holy Roman Empire, as he did not want Napoleon to succeed him
3.
Austria-Hungary
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The union was a result of the Austro-Hungarian Compromise of 1867 and came into existence on 30 March 1867. Austria-Hungary consisted of two monarchies, and one region, the Kingdom of Croatia-Slavonia under the Hungarian crown. It was ruled by the House of Habsburg, and constituted the last phase in the evolution of the Habsburg Monarchy. Following the 1867 reforms, the Austrian and the Hungarian states were co-equal, Foreign affairs and the military came under joint oversight, but all other governmental faculties were divided between respective states. Austria-Hungary was a state and one of the worlds great powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at 621,538 km2, the Empire built up the fourth-largest machine building industry of the world, after the United States, Germany, and the United Kingdom. After 1878, Bosnia and Herzegovina was under Austro-Hungarian military and civilian rule until it was annexed in 1908. The annexation of Bosnia also led to Islam being recognized as a state religion due to Bosnias Muslim population. Austria-Hungary was one of the Central Powers in World War I and it was already effectively dissolved by the time the military authorities signed the armistice of Villa Giusti on 3 November 1918. The realms full, official name was The Kingdoms and Lands Represented in the Imperial Council, each enjoyed considerable sovereignty with only a few joint affairs. Certain regions, such as Polish Galicia within Cisleithania and Croatia within Transleithania, enjoyed autonomous status, the division between Austria and Hungary was so marked that there was no common citizenship, one was either an Austrian citizen or a Hungarian citizen, never both. This also meant that there were always separate Austrian and Hungarian passports, however, neither Austrian nor Hungarian passports were used in the Kingdom of Croatia-Slavonia-Dalmatia. Instead, the Kingdom issued its own passports which were written in Croatian and French and it is not known what kind of passports were used in Bosnia-Herzegovina, which was under the control of both Austria and Hungary. The Kingdom of Hungary had always maintained a separate parliament, the Diet of Hungary, the administration and government of the Kingdom of Hungary remained largely untouched by the government structure of the overarching Austrian Empire. Hungarys central government structures remained well separated from the Austrian imperial government, the country was governed by the Council of Lieutenancy of Hungary – located in Pressburg and later in Pest – and by the Hungarian Royal Court Chancellery in Vienna. The Hungarian government and Hungarian parliament were suspended after the Hungarian revolution of 1848, despite Austria and Hungary sharing a common currency, they were fiscally sovereign and independent entities. Since the beginnings of the union, the government of the Kingdom of Hungary could preserve its separated. After the revolution of 1848–1849, the Hungarian budget was amalgamated with the Austrian, from 1527 to 1851, the Kingdom of Hungary maintained its own customs controls, which separated her from the other parts of the Habsburg-ruled territories
4.
Austrian Postal Savings Bank
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The Austrian Postal Savings Bank building is a famous modernist building in Vienna, designed and built by the architect Otto Wagner. The building is regarded as an important early work of architecture, representing Wagners first move away from Art Nouveau. It was constructed between 1904 and 1906 using reinforced concrete, the building houses the headquarters of the Österreichische Postsparkasse bank, formerly the k. k. It is located at Georg-Coch-Platz 2, in the first district Innere Stadt, up to eight stories high, the building occupies an entire city block. The massively simplified facade of the bank clearly owes something to classicism, Wagners key idea was to celebrate modern materials by developing new forms. The entire facade is covered with marble plates. These are attached to the brick structure with mortar and ornamented with iron bolts with aluminum caps. The buildings harmonious synthesis between form and functionality was highly acclaimed by critics, the metal rivets do not obstruct the facade but resemble decorative elements. The use of marble also makes the maintenance and cleaning of the very easy and inexpensive. The architect kept the design very minimalistic and simple, his aim was to convey the sense of a strong, impenetrable bank in which customers would know their money was safe. Only at the part of the exterior, near the roof, did Wagner add more elaborate decorations. These were sculpted by frequent Wagner collaborator and fellow Secessionist Othmar Schimkowitz, through the main entrance at Georg-Coch-Platz the visitor ascends a flight of stairs to the grand Kassenhalle, where customer services are located. The main hall is thus effectively on the first floor, the hall is designed like an atrium, with a large glass skylight allowing natural light to enter the heart of the building at all times. Natural light is not used only for reasons, but also to reduce the cost of electric lighting. Even the floor of the hall is constructed of glass tiles, allowing natural light to reach further down to the floor below. Wagner kept decoration in the hall to a constrained minimum, using only glass. The decorative effect is created by the simple but elegant use of the material itself, the frosted glass skylight is pierced by steel columns, their slim design making them as unobstructive to the falling light as possible. The hall is one of Otto Wagners most famous masterpieces, the buildings office space is divided according to the axis of the outside windows, again making use of natural light as much as possible
5.
Rumbach Street Synagogue
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The Rumbach Street synagogue is located in Belváros, the inner city of the historical old town of Pest, in the eastern section of Budapest. The synagogue in Rumbach Street was built in 1872 to the design of the Viennese architect Otto Wagner and it served the more conservative members of the Neológ community of Pest. It was built not as a replica of, but as an homage to the style of the octagonal. The synagogue sometimes hosts plays and photo exhibits*, there is some labeling of items in the synagogue many of which are in a state of ruin*. The Rabbi of the Rumbach Street synagogue was Rabbi Shloime Boruch Schmalhausen until the Holocaust, Synagogues built in the Moorish Revival style, Leopoldstädter Tempel, Vienna, Austria Central Synagogue, New York City, United States See Moorish Revival Synagogues for more examples. Moorish Style, Orientalism, the Jews, and Synagogue Architecture, Jewish Social Studies History Culture and Society. The Gozsdu Court in the Jewish Triangle and this article incorporates text from a publication now in the public domain, Gotthard Deutsch, Alexander Büchler. New York, Funk & Wagnalls Company, Jewish. hu - The Synagogue Triangle Kaufman, Rachelle Kaufman An American Jew in Budapest 2015 Media related to Rumbach Street Synagogue at Wikimedia Commons
6.
Wiener Stadtbahn
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The Wiener Stadtbahn was a public transportation system operated under this name from 1898 to 1989. Today, the Vienna U-Bahn lines U4 and U6 and the Vienna S-Bahn run on its former lines. The name derives from the usage of the term around the turn of the 19th/20th century to denote a full-scale railway in an urban area and it is not related to the usage of the term Stadtbahn in post-World War II Germany. The Stadtbahn is one of Viennas better-known examples of early Art Nouveau architecture, other preserved historical stations are the elevated stations along the Gürtel and in some of the suburbs. The Stadtbahn was built between 1894 and 1901 along with the regulation of the Wien River and the Danube Canal. Of the lines that were not built, two lines should have crossed the city, and one would have extended the Gürtel line along the southern Gürtel road to Südbahnhof railway station. These would have helped the Stadtbahn be an appealing and useful transportation system. When the lines opened, in four stages between 1898 and 1901, they failed to attract mass riders due to costs, affluent passengers were discouraged by dirt from engine smokestacks. While primarily a railway line, some trains continued on the mainlines to the north. In 1918, services came to a due to the coal shortage after World War I. Subsequently, the Wiental, Donaukanal, and Gürtel lines were leased by the city of Vienna and they were electrified and reopened in 1925 under the name Wiener Elektrische Stadtbahn. Under the new scheme, each line was assigned a single letter which could be combined with other letters to indicate the lines served. Also notable is line 18G, which was operated until 1945 and ran from Heiligenstadt to Gumpendorfer Strasse station, many stations and numerous sections of the lines were destroyed in World War II. Reconstruction of the lines took until 1955, and some of the stations were never rebuilt. In 1968 it was decided to integrate the Stadtbahn lines into the new subway system. Conversion of line WD to line U4 was completed in 1981, conversion of lines G, since then, the term Stadtbahn has disappeared from official use. A special type of engine, kkStB class 30, was designed by the Austrian engineer Karl Gölsdorf specifically for use on the Stadtbahn. The engine was optimized for quick acceleration, to suit the tight curves and steep inclines of the lines, and to emit a minimum of smoke, the passenger cars were 2-axle trailers that were rather freely based on a design by Otto Wagner
7.
Academy of Fine Arts Vienna
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The Academy of Fine Arts Vienna is a public art school of higher education in Vienna, Austria. In 1701 he was ennobled by Emperor Joseph I as Freiherr of the Empire, with his death in 1714, the academy temporarily closed. On 20 January 1725, Emperor Charles VI appointed the Frenchman Jacob van Schuppen as Prefect and Director of the Academy, hofakademie der Maler, Bildhauer und Baukunst. Upon Charles death in 1740, the academy at first declined, however during the rule of his daughter Empress Maria Theresa, a new statute reformed the academy in 1751. The prestige of the academy grew during the deanships of Michelangelo Unterberger and Paul Troger, in 1772, there were further reforms to the organisational structure. Chancellor Wenzel Anton Kaunitz integrated all existing art schools into the k. k. vereinigten Akademie der bildenden Künste, the word vereinigten was later dropped. In 1822 the art cabinet grew significantly with the bequest of honorary member Anton Franz de Paula Graf Lamberg-Sprinzenstein and his collection still forms the backbone of the art on display. In 1872 Emperor Franz Joseph I of Austria approved a statute making the academy the supreme government authority for the arts, a new building was constructed according to plans designed by the faculty Theophil Hansen in the course of the layout of the Ringstraße boulevard. On 3 April 1877, the building on Schillerplatz in the Innere Stadt district was inaugurated. In 1907 and 1908, young Adolf Hitler, who had come from Linz, was denied admission to the drawing class. He stayed in Vienna, subsisting on his allowance. Soon he had withdrawn into poverty and started selling amateur paintings, mostly watercolours, during the Austrian Anschluss to Nazi Germany from 1938–1945, the academy was forced to heavily reduce its number of Jewish staff. After World War II, the academy was reconstituted in 1955 and it has had university status since 1998, but retained its original name. It is currently the only Austrian university that doesnt have the university in its name. The Academy currently has about 900 students, almost a quarter of which are foreign students and its faculty includes stars such as Peter Sloterdijk. 110,000 volumes and its etching cabinet has about 150,000 drawings, the collection is one of the biggest in Austria, and is used for academic purposes, although portions are also open to the general public. Official website website of the Media Server Study in Austria, A Guide
8.
Art Nouveau
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Art Nouveau is an international style of art, architecture and applied art, especially the decorative arts, that was most popular between 1890 and 1910. A reaction to the art of the 19th century, it was inspired by natural forms and structures, particularly the curved lines of plants. English uses the French name Art Nouveau, according to the philosophy of the style, art should be a way of life. For many well-off Europeans, it was possible to live in an art nouveau-inspired house with art nouveau furniture, silverware, fabrics, ceramics including tableware, jewellery, cigarette cases, artists desired to combine the fine arts and applied arts, even for utilitarian objects. By 1910, Art Nouveau was already out of style and it was replaced as the dominant European architectural and decorative style first by Art Deco and then by Modernism. Art Nouveau took its name from the Maison de lArt Nouveau, in France, Art Nouveau was also sometimes called by the British term Modern Style due to its roots in the Arts and Crafts Movement, Style moderne, or Style 1900. It was also sometimes called Style Jules Verne, Le Style Métro, Art Belle Époque, in Belgium, where the architectural movement began, it was sometimes termed Style nouille or Style coup de fouet. In Britain, it was known as the Modern Style, or, because of the arts and crafts movement led by Charles Rennie Mackintosh in Glasgow, as the Glasgow style. In Italy, because of the popularity in Italy of designs from Londons Liberty & Co department store, in the United States, due to its association with Louis Comfort Tiffany, it was often called the Tiffany style. In Germany and Scandinavia, a style emerged at about the same time, it was called Jugendstil. In Catalonia the related style was known as Modernisme, in Spain as Modernismo, Arte joven, in Russia, it was called Modern, and Jugendstil, and Nieuwe Kunst in the Netherlands. Some names refer specifically to the forms that were popular with the Art Nouveau artists, Stile Floreal in France, Paling Stijl in the Netherlands. The new art movement had its roots in Britain, in the designs of William Morris. Early prototypes of the include the Red House of Morris. In France, the style combined several different tendencies, in architecture, it was influenced by the architectural theorist and historian Eugène Viollet-le-Duc, a declared enemy of the historical Beaux-Arts architectural style. For each function its material, for each material its form and this book influenced a generation of architects, including Louis Sullivan, Victor Horta, Hector Guimard, and Antoni Gaudí. The French painters Maurice Denis, Pierre Bonnard and Édouard Vuillard played an important part in integrating fine arts painting with decoration, I believe that before everything a painting must decorate, Denis wrote in 1891. The choice of subjects or scenes is nothing and it is by the value of tones, the colored surface and the harmony of lines that I can reach the spirit and wake up the emotions
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Gustav Klimt
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Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, Klimts primary subject was the female body, and his works are marked by a frank eroticism. In addition to his works, which include allegories and portraits. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art, early in his artistic career, he was a successful painter of architectural decorations in a conventional manner. He subsequently accepted no more commissions, but achieved a new success with the paintings of his golden phase. Klimts work was an important influence on his younger contemporary Egon Schiele, Gustav Klimt was born in Baumgarten, near Vienna in Austria-Hungary, the second of seven children—three boys and four girls. His mother, Anna Klimt, had an ambition to be a musical performer. His father, Ernst Klimt the Elder, formerly from Bohemia, was a gold engraver, all three of their sons displayed artistic talent early on. Klimts younger brothers were Ernst Klimt and Georg Klimt, Klimt lived in poverty while attending the Vienna School of Arts and Crafts, where he studied architectural painting until 1883. He revered Viennas foremost history painter of the time, Hans Makart, Klimt readily accepted the principles of a conservative training, his early work may be classified as academic. In 1877 his brother, Ernst, who, like his father, would become an engraver, the two brothers and their friend, Franz Matsch, began working together and by 1880 they had received numerous commissions as a team that they called the Company of Artists. They also helped their teacher in painting murals in the Kunsthistorisches Museum in Vienna, Klimt began his professional career painting interior murals and ceilings in large public buildings on the Ringstraße, including a successful series of Allegories and Emblems. In 1888 Klimt received the Golden Order of Merit from Emperor Franz Josef I of Austria for his contributions to murals painted in the Burgtheater in Vienna and he also became an honorary member of the University of Munich and the University of Vienna. In 1892 Klimts father and brother Ernst both died, and he had to assume responsibility for his fathers and brothers families. The tragedies also affected his vision and soon he would move towards a new personal style. Historians believe that Klimt with the nuda veritas denounced both the policy of the Habsburgs and the Austrian society, which ignored all political and social problems of that time. In the early 1890s Klimt met Austrian fashion designer Emilie Louise Flöge who was to be his companion until the end of his life and his painting, The Kiss, is thought to be an image of them as lovers. He designed many costumes she created and modeled in his works, during this period Klimt fathered at least fourteen children
10.
Joseph Maria Olbrich
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Joseph Maria Olbrich was an Austrian architect and co-founder of the Vienna Secession. Olbrich was born in Opava, Austrian Silesia, the child of Edmund. He had two sisters, who died before he was born, and two brothers, John and Edmund. His father was a confectioner and wax manufacturer who also owned a brick works. Olbrich studied architecture at the University of Applied Arts Vienna and the Academy of Fine Arts Vienna and these included the Prix de Rome, for which he traveled in Italy and North Africa. In 1893, he started working for Otto Wagner, the Austrian architect, in 1897, Gustav Klimt, Olbrich, Josef Hoffmann and Koloman Moser founded the Vienna Secession artistic group. Olbrich designed their exhibition building, the famous Secession Hall, which became the movements landmark, in 1899, Ernest Louis, Grand Duke of Hesse, founded the Darmstadt Artists Colony, for which Olbrich designed many houses and several exhibition buildings. Olbrich gained Hessian citizenship in 1900 and was appointed to a professorship by the Grand Duke, in 1903, he married Claire Morawe. In the following years, Olbrich executed diverse architectural commissions and experimented in applied arts and he designed pottery, furniture, book bindings, and musical instruments. His courtyard and interiors at the St. Louis Worlds Fair won the highest prize at the exhibition, at the time, the St. Louis Post-Dispatch wrote of his pavilion, The interior decorators of the United States are now talking about the Olbrich Pavilion. It is already indicated as one of the things at the Worlds Fair which will leave a permanent mark upon American life and he was subsequently appointed corresponding member of the American Institute of Architects. His architectural works, especially his exhibition buildings for the Vienna, shortly after his daughter Mariannes birth on July 19,1908, Olbrich died from leukemia in Düsseldorf on August 8, aged 40
11.
Josef Hoffmann
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Josef Hoffmann was an Austrian architect and designer of consumer goods. Hoffmann was born in Pirnitz / Brtnice, Moravia, Austria-Hungary and he studied at the Higher State Crafts School in Brno / Brünn beginning in 1887 and then worked with the local military planning authority in Würzburg, Germany. Thereafter he studied at the Academy of Fine Arts Vienna with Karl Freiherr von Hasenauer and Otto Wagner, in Wagners office, he met Joseph Maria Olbrich, and together they founded the Vienna Secession in 1897 along with artists Gustav Klimt, and Koloman Moser. Beginning of 1899, he taught at the Kunstgewerbeschule, now University of Applied Arts Vienna, with the Secession, Hoffmann developed strong connections with other artists. He designed installation spaces for Secession exhibitions and a house for Moser which was built from 1901-1903, with the banker Fritz Wärndorfer and the artist Koloman Moser he established the Wiener Werkstätte, which was to last until 1932. Hoffmanns style eventually became sober and abstract and it was limited increasingly to functional structures. In 1906, Hoffmann built his first great work on the outskirts of Vienna, compared to the Moser House, with its rusticated vernacular roof, this was a great advancement towards abstraction and a move away from traditional Arts and Crafts and historicism. This project served as a precedent and inspiration for the modern architecture that would develop in the first half of the 20th century. It had the clarity, simplicity, and logic that foreshadowed Neue Sachlichkeit and this masterpiece of Secession Style, was an example of Gesamtkunstwerk, replete with murals in the dining room by Klimt and four copper figures on the tower by Franz Metzner. In 1907, Hoffmann was co-founder of the Deutscher Werkbund, after World War II, he took on official tasks, that of an Austrian general commissioner with the Venice Biennale and a membership in the art senate. Some of Hoffmanns domestic designs can still be found in production today, originally produced in silver the range is now produced in high quality stainless steel. Another example of Hoffmann’s strict geometrical lines and the theme is the iconic Kubus Armchair. Designed in 1910, it was presented at the International Exhibition held in Buenos Aires on the centennial of Argentinean Independence known as May Revolution, Hoffmanns constant use of squares and cubes earned him the nickname Quadratl-Hoffmann. Although he said little to his students, Hoffmann was an esteemed and admired teacher. He tried to bring out the best in each member of his class by means of challenging assignments, and Gladys Aschermann and Louise Brigham. German designer Anni Schaad was another of his students, Le Corbusier was offered a job in his office, Schiele was helped financially and Kokoschka was given work in the Wiener Werkstätte. Hoffmann had voted for the union of Austria with Germany and, following its use by the British Government from 1945 to 1955 it was demolished. Hoffmann died in Vienna, aged 85, the critical reception of Hoffmann’s oeuvre has faithfully mirrored the changing tastes and ideologies in the history of 20th-century architecture
12.
Koloman Moser
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Born in Vienna, he studied at the Wiener Akademie and the Kunstgewerbeschule, where he also taught from 1899. His designs in architecture, furniture, jewellery, graphics, Moser drew upon the clean lines and repetitive motifs of classical Greek and Roman art and architecture in reaction to the Baroque decadence of his turn-of-the-century Viennese surroundings. In 1901/1902, he published a portfolio titled Die Quelle of elegant graphic designs for such things as tapestries, fabrics, in 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna. In 1905, together with the Klimt group, he separated from the Vienna Secession, the same year, he married Editha Mautner von Markhof, the daughter to one of Austrias great industry fortunes. In 1907 Moser, due to conflicts and as his plans for reorganising the Werkstätte werent realised. Koloman was one of the designers for Austrias leading art journal Ver Sacrum and this art journal paid great attention to design and was designed mainly by Moser, Gustav Klimt and Josef Hoffmann. His design for the cover of one edition of the art journal was later plagiarized by well known street artist and designer, on the reverse of the coin, the Koloman Moser stained glass window over the main entrance can be seen. In the centre of the window is God the Father seated on a throne, the window is flanked with a pair of bronze angels in Jugendstil style, originally designed by Othmar Schimkowitz. Each plate was double sided, with a design on one side. It sold for a record price of $12,600. Koloman Moser, Master of Viennese Modernism, catalog of the Kolo Moser exhibition in the Leopold Museum. Paris, Editions de la Réunion des musées nationaux, media related to Koloman Moser at Wikimedia Commons Wiener Werkstätte Koloman Moser at WOKA Koloman Moser article in cosmopolis. ch Biography, Literature and Works by Koloman Moser
listen); 13 July 1841 – 11 April 1918) was an Austrian architect and urban planner, known for his lasting impact on the appearance of his home town Vienna, to which he contributed many landmarks.
