1.
Het Gulden Cabinet
–
Written in the Dutch language, it contains artist biographies and panegyrics with engraved portraits of 16th- and 17th-century artists, predominantly from the Southern Netherlands. The work is an important source of information on the artists it describes. It formed the source of information for later art historians such as Arnold Houbraken. It was published in 1662, although the work also mentions 1661 as date of publication, Het Gulden Cabinet stands in a long tradition of artist biographies. This tradition goes back to Pliny and was revived during the Renaissance, in 1550, the Italian Giorgio Vasari published his Vite on the lives of famous artists. Karel van Mander was the first author to introduce this genre in the Dutch language with his Schilder-boeck of 1604, Cornelis de Bie explicitly placed himself in the tradition of van Mander and did what van Mander did for 15th and 16th Netherlandish artists for 17th-century artists. In his Het Gulden Cabinet, de Bie presents himself as a rederijker whose duty it is to broadcast the fame of the artists, the concept of Het Gulden Cabinet did not come from Cornelis de Bie himself, but from the Antwerp printer Jan Meyssen. In 1649 Meyssen had already published Image de divers hommes, which contained engraved portraits of men, including painters. Most of the artist portraits in Het Gulden Cabinet are taken from this Image de divers hommes, despite its title, the book also deals with artists from the 16th century. The work was dedicated to the Antwerp art collector Antoon van Leyen who had provided some of the information for the book, other persons who had provided information on contemporary artists included de Bie’s own father, Erasmus Quellinus II, Luigi Primo and Hendrick ter Brugghen’s son Richard. The first deals with artists who had died before de Bies time, the third part deals with artists who had been omitted in the first two parts and also includes engravers, sculptors, architects, and painters. A general treatise on the art of painting is woven into the entire work, the book is mainly written in verse, some of them in Latin, and is as a result rather difficult to read today. There are also some prose sections and it is over 500 pages long and contains engravings of more than 50 painters derived mainly from Meyssens earlier work. While The Gulden Cabinet never gained the level of popularity of van Mander’s Schilder-boeck, de Bie’s most important contribution was to provide a theoretical basis for his appreciation of less valued painting genres such as still lifes, genre painting, portraits and landscapes. He unreservedly praised the artists who practised in these genres, de Bie seems to have planned a second edition of the work, but this was never published. The hand-written manuscript of de Bie is still extant and is kept at the Royal Library of Belgium, in it de Bie mentioned his intention to have a second edition published. The reason why the second edition was never published is unclear and it may have been due to the fact that the publisher and promotor of the first edition Jan Meyssen had died in 1670 and de Bie had difficulty finding another publisher. Like Vasari and Van Mander before him, de Bies biographies are interspersed with amusing anecdotes, although such literary motifs belong to a long rhetorical tradition, many of these stories were labelled historically unreliable by leading historians in the 19th century
Het Gulden Cabinet
–
Title page of the Gulden Cabinet
Het Gulden Cabinet
–
Anthoine van Leyen, page 9
Het Gulden Cabinet
–
Adam van Oort, page 37
Het Gulden Cabinet
–
Abraham Bloemaert, page 45
2.
Leiden
–
Leiden is a city and municipality in the Dutch province of South Holland. Leiden is located on the Oude Rijn, at a distance of some 20 kilometres from The Hague to its south, the recreational area of the Kaag Lakes lies just to the northeast of Leiden. A university city since 1575, Leiden houses Leiden University, the oldest university of the Netherlands, Leiden is a city with a rich cultural heritage, not only in science, but also in the arts. One of the worlds most famous painters, Rembrandt, was born, other famous Leiden painters include Lucas van Leyden, Jan van Goyen and Jan van Steen. The city has one of Europes most prominent scientific centres for more than four centuries. Modern scientific medical research and teaching started in the early 18th century in Leiden with Boerhaave, many important scientific discoveries have been made here, giving rise to Leiden’s motto, ‘City of Discoveries’. It is twinned with Oxford, the location of the United Kingdoms oldest university, Leiden University and Leiden University of Applied Sciences together have around 35,000 students. Leiden is a university city, university buildings are scattered throughout the city. Leiden was formed on a hill at the confluence of the rivers Oude. In the oldest reference to this, from circa 860, the settlement was called Leithon, the name is said to be from Germanic *leitha- canal. Leiden has in the past erroneously been associated with the Roman outpost Lugdunum Batavorum and this particular castellum was thought to be located at the Burcht of Leiden, and the citys name was thought to be derived of the Latin name Lugdunum. However the castellum was in closer to the town of Katwijk. The landlord of Leiden, situated in a stronghold on the hill, was subject to the Bishop of Utrecht. This county got its name in 1101 from a domain near the stronghold, Leiden was sacked in 1047 by Emperor Henry III. Early 13th century, Ada, Countess of Holland took refuge here when she was fighting in a war against her uncle, William I. He besieged the stronghold and captured Ada, Leiden received city rights in 1266. In 1389, its population had grown to about 4,000 persons, burgrave Filips of Wassenaar and the other local noblemen of the Hook faction assumed that the duke would besiege Leiden first and send small units out to conquer the surrounding citadels. But John of Bavaria chose to attack the citadels first and he rolled the cannons with his army but one which was too heavy went by ship
Leiden
–
The Old Rhine in Leiden appears as a
gracht
Leiden
–
Windmill museum De Valk
Leiden
–
Otto van Veen: Relief of Leiden (1574), Inundated meadows allow the Dutch fleet access to the Spanish infantry positions.
Leiden
–
17th-century houses along the Herengracht.
3.
Brussels
–
Brussels, officially the Brussels-Capital Region, is a region of Belgium comprising 19 municipalities, including the City of Brussels which is the capital of Belgium. The Brussels-Capital Region is a part of both the French Community of Belgium and the Flemish Community, but is separate from the region of Flanders or Wallonia. The region has a population of 1.2 million and an area with a population of over 1.8 million. Brussels is the de facto capital of the European Union as it hosts a number of principal EU institutions, the secretariat of the Benelux and the headquarters of the North Atlantic Treaty Organization are also located in Brussels. Today, it is considered an Alpha global city, historically a Dutch-speaking city, Brussels has seen a language shift to French from the late 19th century onwards. Today, the majority language is French, and the Brussels-Capital Region is a bilingual enclave within the Flemish Region. All road signs, street names, and many advertisements and services are shown in both languages, Brussels is increasingly becoming multilingual with increasing numbers of migrants, expatriates and minority groups speaking their own languages. The most common theory of the origin of Brussels name is that it derives from the Old Dutch Broekzele or Broeksel, meaning marsh, Saint Vindicianus, the bishop of Cambrai made the first recorded reference to the place Brosella in 695 when it was still a hamlet. The origin of the settlement that was to become Brussels lies in Saint Gaugericus construction of a chapel on an island in the river Senne around 580. The official founding of Brussels is usually situated around 979, when Duke Charles of Lower Lotharingia transferred the relics of Saint Gudula from Moorsel to the Saint Gaugericus chapel, Charles would construct the first permanent fortification in the city, doing so on that same island. Lambert I of Leuven, Count of Leuven gained the County of Brussels around 1000 by marrying Charles daughter, as it grew to a population of around 30,000, the surrounding marshes were drained to allow for further expansion. The Counts of Leuven became Dukes of Brabant at about this time, in the 13th century, the city got its first walls. After the construction of the city walls in the early 13th century, to let the city expand, a second set of walls was erected between 1356 and 1383. Today, traces of it can still be seen, mostly because the small ring, Brabant had lost its independence, but Brussels became the Princely Capital of the prosperous Low Countries, and flourished. In 1516 Charles V, who had been heir of the Low Countries since 1506, was declared King of Spain in St. Michael and St. Gudula Cathedral in Brussels. Upon the death of his grandfather, Maximilian I, Holy Roman Emperor in 1519 and it was in the Palace complex at Coudenberg that Charles V abdicated in 1555. This impressive palace, famous all over Europe, had expanded since it had first become the seat of the Dukes of Brabant. In 1695, during the Nine Years War, King Louis XIV of France sent troops to bombard Brussels with artillery, together with the resulting fire, it was the most destructive event in the entire history of Brussels
Brussels
–
A
collage with several views of Brussels, Top: View of the
Northern Quarter business district, 2nd left: Floral carpet event in the
Grand Place, 2nd right:
Brussels City Hall and
Mont des Arts area, 3rd:
Cinquantenaire Park, 4th left:
Manneken Pis, 4th middle:
St. Michael and St. Gudula Cathedral, 4th right:
Congress Column, Bottom:
Royal Palace of Brussels
Brussels
–
Charles of Lorraine founded what would become Brussels c. 979
Brussels
–
Grand Place after
the 1695 bombardment by the French army
Brussels
–
Episode of the
Belgian Revolution of 1830,
Wappers (1834)
4.
Netherlands
–
The Netherlands is the main constituent country of the Kingdom of the Netherlands. It is a densely populated country located in Western Europe with three territories in the Caribbean. The European part of the Netherlands borders Germany to the east, Belgium to the south, and the North Sea to the northwest, sharing borders with Belgium, the United Kingdom. The three largest cities in the Netherlands are Amsterdam, Rotterdam and The Hague, Amsterdam is the countrys capital, while The Hague holds the Dutch seat of parliament and government. The port of Rotterdam is the worlds largest port outside East-Asia, the name Holland is used informally to refer to the whole of the country of the Netherlands. Netherlands literally means lower countries, influenced by its low land and flat geography, most of the areas below sea level are artificial. Since the late 16th century, large areas have been reclaimed from the sea and lakes, with a population density of 412 people per km2 –507 if water is excluded – the Netherlands is classified as a very densely populated country. Only Bangladesh, South Korea, and Taiwan have both a population and higher population density. Nevertheless, the Netherlands is the worlds second-largest exporter of food and agricultural products and this is partly due to the fertility of the soil and the mild climate. In 2001, it became the worlds first country to legalise same-sex marriage, the Netherlands is a founding member of the EU, Eurozone, G-10, NATO, OECD and WTO, as well as being a part of the Schengen Area and the trilateral Benelux Union. The first four are situated in The Hague, as is the EUs criminal intelligence agency Europol and this has led to the city being dubbed the worlds legal capital. The country also ranks second highest in the worlds 2016 Press Freedom Index, the Netherlands has a market-based mixed economy, ranking 17th of 177 countries according to the Index of Economic Freedom. It had the thirteenth-highest per capita income in the world in 2013 according to the International Monetary Fund, in 2013, the United Nations World Happiness Report ranked the Netherlands as the seventh-happiest country in the world, reflecting its high quality of life. The Netherlands also ranks joint second highest in the Inequality-adjusted Human Development Index, the region called Low Countries and the country of the Netherlands have the same toponymy. Place names with Neder, Nieder, Nether and Nedre and Bas or Inferior are in use in all over Europe. They are sometimes used in a relation to a higher ground that consecutively is indicated as Upper, Boven, Oben. In the case of the Low Countries / the Netherlands the geographical location of the region has been more or less downstream. The geographical location of the region, however, changed over time tremendously
Netherlands
–
The Netherlands in 5500 BC
Netherlands
–
Flag
Netherlands
–
The Netherlands in 500 BC
Netherlands
–
An oak figurine found in
Willemstad, North Brabant (4500 BC).
5.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
6.
Latin
–
Latin is a classical language belonging to the Italic branch of the Indo-European languages. The Latin alphabet is derived from the Etruscan and Greek alphabets, Latin was originally spoken in Latium, in the Italian Peninsula. Through the power of the Roman Republic, it became the dominant language, Vulgar Latin developed into the Romance languages, such as Italian, Portuguese, Spanish, French, and Romanian. Latin, Italian and French have contributed many words to the English language, Latin and Ancient Greek roots are used in theology, biology, and medicine. By the late Roman Republic, Old Latin had been standardised into Classical Latin, Vulgar Latin was the colloquial form spoken during the same time and attested in inscriptions and the works of comic playwrights like Plautus and Terence. Late Latin is the language from the 3rd century. Later, Early Modern Latin and Modern Latin evolved, Latin was used as the language of international communication, scholarship, and science until well into the 18th century, when it began to be supplanted by vernaculars. Ecclesiastical Latin remains the language of the Holy See and the Roman Rite of the Catholic Church. Today, many students, scholars and members of the Catholic clergy speak Latin fluently and it is taught in primary, secondary and postsecondary educational institutions around the world. The language has been passed down through various forms, some inscriptions have been published in an internationally agreed, monumental, multivolume series, the Corpus Inscriptionum Latinarum. Authors and publishers vary, but the format is about the same, volumes detailing inscriptions with a critical apparatus stating the provenance, the reading and interpretation of these inscriptions is the subject matter of the field of epigraphy. The works of several hundred ancient authors who wrote in Latin have survived in whole or in part and they are in part the subject matter of the field of classics. The Cat in the Hat, and a book of fairy tales, additional resources include phrasebooks and resources for rendering everyday phrases and concepts into Latin, such as Meissners Latin Phrasebook. The Latin influence in English has been significant at all stages of its insular development. From the 16th to the 18th centuries, English writers cobbled together huge numbers of new words from Latin and Greek words, dubbed inkhorn terms, as if they had spilled from a pot of ink. Many of these words were used once by the author and then forgotten, many of the most common polysyllabic English words are of Latin origin through the medium of Old French. Romance words make respectively 59%, 20% and 14% of English, German and those figures can rise dramatically when only non-compound and non-derived words are included. Accordingly, Romance words make roughly 35% of the vocabulary of Dutch, Roman engineering had the same effect on scientific terminology as a whole
Latin
–
Latin inscription, in the
Colosseum
Latin
–
Julius Caesar 's
Commentarii de Bello Gallico is one of the most famous classical Latin texts of the Golden Age of Latin. The unvarnished, journalistic style of this
patrician general has long been taught as a model of the urbane Latin officially spoken and written in the floruit of the
Roman republic.
Latin
–
A multi-volume Latin dictionary in the
University Library of Graz
Latin
–
Latin and Ancient Greek Language - Culture - Linguistics at
Duke University in 2014.
7.
Drawing
–
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. A drawing instrument releases small amount of material onto a surface, the most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything, the medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas, the wide availability of drawing instruments makes drawing one of the most common artistic activities. In addition to its artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering. A quick, freehand drawing, usually not intended as a work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, traditional drawings were monochrome, or at least had little colour, while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks, dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a medium, applied with brushes or pens. Drawing is often exploratory, with emphasis on observation, problem-solving. Drawing is also used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies, there are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as drawing, stippling, shading, the surrealist method of entopic graphomania. A quick, unrefined drawing may be called a sketch, in fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called drawings even when they have been transferred to another medium by printing. Drawing as a Form of Communication Drawing is one of the oldest forms of human expression and these drawings, known as pictograms, depicted objects and abstract concepts. The sketches and paintings produced in prehistoric times were eventually stylised and simplified, Drawing in the Arts Drawing is used to express ones creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise, initially, artists used and reused wooden tablets for the production of their drawings
Drawing
–
Pen and wash lion by
Rembrandt in the
Louvre
Drawing
–
A person drawing the
Barberini Faun in Munich
Drawing
–
Madame Palmyre with Her Dog, 1897.
Henri de Toulouse-Lautrec
Drawing
–
André Masson. Automatic Drawing. 1924. Ink on paper, 23.5 x 20.6 cm.
Museum of Modern Art, New York
8.
Humanism
–
The term was coined in 1808 by the early nineteenth century German educational reformer and theologian Friedrich Niethammer and gradually adopted into English. Niethammer had wished to introduce into German education the humane values of ancient Greece, the word Humanism is ultimately derived from the Latin concept humanitas, and, like most other words ending in -ism, entered English in the nineteenth century. Those who earnestly desire and seek after these are most highly humanized. For the desire to pursue of that kind of knowledge, and the training given by it, has granted to humanity alone of all the animals. Gellius says that in his day humanitas is commonly used as a synonym for philanthropy – or kindness and he himself was involved in public affairs. By assigning pride of place to Paideia in his comment on the etymology of humanitas, gelliuss writings fell into obscurity during the middle ages, but during the Italian Renaissance, Gellius became a favorite author. Teachers and scholars of Greek and Latin grammar, rhetoric, philosophy, during the French Revolution, and soon after, in Germany, humanism began to refer to an ethical philosophy centered on humankind, without attention to the transcendent or supernatural. The designation Religious Humanism refers to organized groups that sprang up during the late-nineteenth and it is similar to Protestantism, although centered on human needs, interests, and abilities rather than the supernatural. The first Humanist Manifesto was issued by a conference held at the University of Chicago in 1933, signatories included the philosopher John Dewey, but the majority were ministers and theologians. But in the century, during the French Enlightenment, a more ideological use of the term had come into use. In 1765, the author of an article in a French Enlightenment periodical spoke of The general love of humanity. A virtue hitherto quite nameless among us, and which we will venture to call humanism, for the time has come to create a word for such a beautiful and necessary thing. The latter part of the 18th and the early 19th centuries saw the creation of numerous philanthropic and benevolent societies dedicated to human betterment. Humanism began to acquire a negative sense, the Oxford English Dictionary records the use of the word humanism by an English clergyman in 1812 to indicate those who believe in the mere humanity of Christ, i. e. Unitarians and Deists. Human-centered philosophy that rejected the supernatural may also be found circa 1500 BCE in the Lokayata system of Indian philosophy, nasadiya Sukta, a passage in the Rig Veda, contains one of the first recorded assertions of agnosticism. Another instance of ancient humanism as a system of thought is found in the Gathas of Zarathustra. Zarathustras philosophy in the Gathas lays out a conception of humankind as thinking beings, dignified with choice, in China, Yellow Emperor is regarded as the humanistic primogenitor. Sage kings such as Yao and Shun are humanistic figures as recorded, king Wu of Zhou has the famous saying, Humanity is the Ling of the world
Humanism
–
An ideal society as conceived by Renaissance humanist Saint
Thomas More in his book
Utopia.
Humanism
Humanism
–
Portrait of
Petrarch painted in 1376
Humanism
–
Coluccio Salutati, Chancellor of Florence and disciple of Petrarch (1331–1406).
9.
Antwerp
–
Antwerp is a city in Belgium, the capital of Antwerp province in the region of Flanders. With a population of 510,610, it is the most populous city proper in Belgium and its metropolitan area houses around 1,200,000 people, which is second behind Brussels. Antwerp is on the River Scheldt, linked to the North Sea by the Westerschelde estuary, the Port of Antwerp is one of the biggest in the world, ranking second in Europe and within the top 20 globally. Antwerp has long been an important city in the Low Countries, the inhabitants of Antwerp are nicknamed Sinjoren, after the Spanish honorific señor or French seigneur, lord, referring to the Spanish noblemen who ruled the city in the 17th century. The city hosted the 1920 Summer Olympics, according to folklore, notably celebrated by a statue in front of the town hall, the city got its name from a legend about a giant called Antigoon who lived near the Scheldt river. He exacted a toll from passing boatmen, and for those who refused, he severed one of their hands, eventually the giant was killed by a young hero named Silvius Brabo, who cut off the giants own hand and flung it into the river. Hence the name Antwerpen, from Dutch hand werpen, akin to Old English hand and wearpan, a longstanding theory is that the name originated in the Gallo-Roman period and comes from the Latin antverpia. Antverpia would come from Ante Verpia, indicating land that forms by deposition in the curve of a river. Note that the river Scheldt, before a period between 600 and 750, followed a different track. This must have coincided roughly with the current ringway south of the city, however, many historians think it unlikely that there was a large settlement which would be named Antverpia, but more something like an outpost with a river crossing. However, John Lothrop Motley argues, and so do a lot of Dutch etymologists and historians, aan t werp is also possible. This warp is a hill or a river deposit, high enough to remain dry at high tide. Another word for werp is pol hence polders, historical Antwerp allegedly had its origins in a Gallo-Roman vicus. Excavations carried out in the oldest section near the Scheldt, 1952–1961, produced pottery shards, the earliest mention of Antwerp dates from the 4th century. In the 4th century, Antwerp was first named, having been settled by the Germanic Franks, the name was reputed to have been derived from anda and werpum. The Merovingian Antwerp was evangelized by Saint Amand in the 7th century, at the end of the 10th century, the Scheldt became the boundary of the Holy Roman Empire. Antwerp became a margraviate in 980, by the German emperor Otto I, in the 11th century Godfrey of Bouillon was for some years known as the marquis of Antwerp. In the 12th century, Norbert of Xanten established a community of his Premonstratensian canons at St. Michaels Abbey at Caloes
Antwerp
–
Antwerp Antwerpen
Antwerp
–
Coat of arms
Antwerp
–
The
Onze-Lieve-Vrouwekathedraal (Cathedral of our Lady) and the
Scheldt river.
Antwerp
–
Grote Markt
10.
Emblem book
–
An emblem book is a book collecting emblems with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries, but if someone asks me what Emblemata really are. Some early emblem books were unillustrated, particularly those issued by the French printer Denis de Harsy, with time, however, the reading public came to expect emblem books to contain picture-text combinations. The picture was subject to interpretations, only by reading the text could a reader be certain which meaning was intended by the author. Thus the books are related to the personal symbolic picture-text combinations called personal devices, known in Italy as imprese. Emblem books, both secular and religious, attained enormous popularity throughout continental Europe, though in Britain they did not capture the imagination of readers to quite the same extent, the books were especially numerous in the Netherlands, Belgium, Germany, and France. Early European studies of Egyptian hieroglyphs, like that of Athanasius Kircher, assumed that the hieroglyphs were emblems, a similar collection of emblems, but not in book form, is Lady Drurys Closet. Andrea Alciato Guillaume de La Perrière Georgette de Montenay Otto van Veen Jacob Cats Albert Flamen Dunn, breaking a tradition, Hester Pulter and the English emblem book. Stronks, E. Dutch religious love emblems, Reflections of faith, Literature in the Light of the Emblem, Structural Parallels Between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. University of Toronto Press The English Emblem Tradition. Volumes 1-5. University of Toronto Press Peter Maurice Daly, G. Richard Dimler, corpus Librorum Emblematum, Primary literature - The Jesuit Series. Parts 1 -5. University of Toronto Press Arthur Henkel & Albrecht Schöne, Emblemata, jahrhunderts, Verlag J. B. Metzler, Stuttgart - Weimar 1996, ISBN 3-476-01502-5. Massive catalog reproducing emblems with texts from all known 16th and 17th century emblem books, daniel Russell, The Emblem and Device in France, French Forum, Lexington, KY,1985
Emblem book
–
Wisdom - from
George Wither 's Book of Emblems (London 1635)
Emblem book
–
Woodcut from
Guillaume de La Perrière, Le Théâtre des bons engins, 1545.
11.
Peter Paul Rubens
–
Sir Peter Paul Rubens was a Flemish/Netherlandish draughtsman and painter. He is widely considered as the most notable artist of Flemish Baroque art school, the catalogue of his works by Michael Jaffé lists 1,403 pieces, excluding numerous copies made in his workshop. His commissioned works were mostly history paintings, which included religious and mythological subjects and he painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house and he also oversaw the ephemeral decorations of the royal entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not overly detailed and he also made great use of oil sketches as preparatory studies. For altarpieces he painted on slate to reduce reflection problems. Rubens was born in the city of Siegen to Jan Rubens and he was named in honour of Saint-Peter and Paul, because he was born on their solemnety. His father, a Calvinist, and mother fled Antwerp for Cologne in 1568, after increased religious turmoil and persecution of Protestants during the rule of the Spanish Netherlands by the Duke of Alba. Jan Rubens became the adviser of Anna of Saxony, the second wife of William I of Orange. Following Jan Rubens imprisonment for the affair, Peter Paul Rubens was born in 1577, the family returned to Cologne the next year. In 1589, two years after his fathers death, Rubens moved with his mother Maria Pypelincks to Antwerp, religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting. In Antwerp, Rubens received a Renaissance humanist education, studying Latin, by fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the leading painters of the time, the late Mannerist artists Adam van Noort. Much of his earliest training involved copying earlier works, such as woodcuts by Hans Holbein the Younger. Rubens completed his education in 1598, at time he entered the Guild of St. Luke as an independent master. In 1600 Rubens travelled to Italy and he stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The colouring and compositions of Veronese and Tintoretto had an effect on Rubenss painting. With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601, there, he studied classical Greek and Roman art and copied works of the Italian masters
Peter Paul Rubens
–
Self-portrait, 1623,
Royal Collection
Peter Paul Rubens
–
Rubens and
Isabella Brant, the
Honeysuckle Bower, c. 1609.
Alte Pinakothek
Peter Paul Rubens
–
The garden Rubens planned at
Rubenshuis, in
Antwerpen
Peter Paul Rubens
–
Portrait of a Young Scholar, from 1597
12.
Classical education movement
–
The curriculum and pedagogy of classical education was first developed during the Middle Ages by Martianus Capella, and systematized during the Renaissance by Petrus Ramus. Capellas original goal was to provide a systematic, memorable framework to all human knowledge. The term classical education has been used in Western culture for centuries, with each era modifying the definition. In the 20th and 21st centuries it is used to refer to a study of the liberal arts and sciences. There exist a number of groups and professional organizations which undertake the classical approach to classical education in earnest. Within the secular movement, in the 1930s Mortimer Adler. Also some public schools have structured their curricula and pedagogy around the trivium, within the classical Christian education movement, the Society for Classical Learning, the Association of Classical and Christian Schools, and the CiRCE Institute play a leading role. The University of Pennsylvania seal depicted the trivium as a stack of books providing the foundation for a modified quadrivium of mathematics, natural philosophy, astronomy, Classical education developed many of the terms now used to describe modern education. Western classical education has three phases, each with a different purpose, the phases are roughly coordinated with human development, and would ideally be exactly coordinated with each individual students development. Primary education teaches students how to learn, tertiary education then prepares a person to pursue an educated profession such as law, theology, military strategy, medicine or science. In classical terms, primary education was the trivium comprising grammar, logic, Logic and rhetoric were often taught in part by the Socratic method, in which the teacher raises questions and the class discusses them. By controlling the pace, the teacher can keep the very lively. Grammar consists of skills such as reading and the mechanics of writing. An important goal of grammar is to acquire as many words and manage as many concepts as possible so as to be able to express, in the modern renaissance of classical education, this period refers to the upper elementary school years. Logic is the process of correct reasoning, the traditional text for teaching logic was Aristotles Logic. Training in logic, both formal and informal, enables students to critically examine arguments and to analyze their own. Rhetorical debate and composition are taught to somewhat older students, who by this point in their education have the concepts and logic to criticize their own work, according to Aristotle Rhetoric is the counterpart of dialectic, concerned with finding all the available means of persuasion. The student now learns to articulate answers to important questions in his/her own words, to try to persuade others with these facts, the student learns to reason correctly in the Logic stage so that they can now apply those skills to Rhetoric
Classical education movement
–
UNC course catalog from June, 1819
Classical education movement
–
Seal of the
University of Pennsylvania from 1894
13.
Burgomaster
–
The name in English was derived from the Dutch burgemeester. In some cases, Burgomaster was the title of the head of state and head of government of a sovereign city-state, contemporary titles are commonly translated into English as mayor. Bürgermeister, in German, in Germany, Austria, and formerly in Switzerland, in Switzerland, the title was abolished mid-19th century, various current titles for roughly equivalent offices include Gemeindepräsident, Stadtpräsident, Gemeindeamtmann, and Stadtamtmann. Oberbürgermeister is the most common version for a mayor in a big city in Germany, the Ober- prefix is used in many ranking systems for the next level up including military designations. The mayors of cities, which comprise one of Germanys 112 urban districts usually bear this title. Urban districts are comparable to independent cities in the English-speaking world, however, also the mayors of some cities, which do not comprise an urban district, but often used to comprise one until the territorial reforms in the 1970s, bear the title Oberbürgermeister. In the Netherlands nominated by the council but appointed by the crown. In theory above the parties, in practice a high-profile party-political post, bourgmestre in Belgium, Luxembourg and the Democratic Republic of the Congo Bürgermeister Burmistras, derived from German. Burmistrz, a title, derived from German. The German form Oberbürgermeister is often translated as Nadburmistrz, the German-derived terminology reflects the involvement of German settlers in the early history of many Polish towns. Borgmästare, kommunalborgmästare, the title is not used in Sweden in present times, boargemaster Pormestari In history in many free imperial cities the function of burgomaster was usually held simultaneously by three persons, serving as an executive college. One of the three being burgomaster in chief for a year, the second being the prior burgomaster in chief, präsidierender Bürgermeister is now an obsolete formulation sometimes found in historic texts
Burgomaster
–
The Burgomaster's Family, possibly painted by
Gerard Donck c. 1640
Burgomaster
–
Arnold von Brauweiler, a German burgomaster, known in German as Bürgermeister
14.
Isaac Claesz van Swanenburg
–
Isaak Nicolai or Isaac Claesz van Swanenburg was a Dutch Renaissance painter and glazier active in Leiden and Gouda. He was a city council member from 1576 and became mayor of Leiden five times, according to Houbraken, Swanenburg was a very good painter, whose paintings hung in various council buildings of Leiden. Houbraken was surprised that Swanenburg was never mentioned in Karel van Manders Schilder-boeck, Houbraken was however mistaken, because Swanenburg is mentioned as one of more than 20 disciples of Frans Floris in Van Manders long list of pupils. According to the Netherlands Institute for Art History, Swanenburg was in Antwerp studying with Floris for 6–8 years in his youth and he briefly fled to Hamburg for a year during the Siege of Leiden, but had returned by 1574. He kept a large and respected workshop in Leiden, for oil- and his pupils were Jan van Goyen, Coenraet van Schilperoort, Otto van Veen, and his three sons. He was buried in the Pieterskerk, Leiden, Swanenburg created the cartoons for the stained glass windows no.25 and 26 from Leiden to the Janskerk in Gouda. This Clock was a probable relative, swanenburgs oldest son, Jacob Isaacsz Swanenburg, became a painter and a master of the young Rembrandt. Claes Isaacsz Swanenburg also became a painter and lived and worked in the Hague, the youngest son, Willem Isaacsz Swanenburg, became an engraver. Ute Elisabeth Flieger, Bürgerstolz und Wollgewerbe, der Bilderzyklus des Isaac Claesz. van Swanenburg in der Lakenhal von Leiden. ISBN 978-3-8309-2256-8 Rudolf E. O. Ekkart, Isaac Claesz. van Swanenburg, ISBN 90-400-9282-63 Painting by or after Isaac Claesz. van Swanenburg at the Art UK site site of the St. Janskerk with virtual tour
Isaac Claesz van Swanenburg
–
Self-portrait 1568
Isaac Claesz van Swanenburg
–
Detail of Glass 25, William of Orange freeing townspeople from Spanish tyranny after the
siege of Leiden
Isaac Claesz van Swanenburg
–
Spinning wool, a larger-than-life painting of the wool trade in Leiden with a view of two small workers' homes, 1595, by Isaac van Swanenburg
15.
Roman Catholicism
–
The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
Roman Catholicism
–
Saint Peter's Basilica,
Vatican City
Roman Catholicism
–
St. Peter's Basilica,
Vatican City
Roman Catholicism
–
Pope Francis, elected in the
papal conclave, 2013
Roman Catholicism
–
Traditional graphic representation of the Trinity: The earliest attested version of the diagram, from a manuscript of
Peter of Poitiers ' writings, c. 1210
16.
Dominicus Lampsonius
–
Dominicus Lampsonius was a Flemish humanist, poet and painter. A secretary to various Prince-Bishops of Liège, he maintained a correspondence with humanists and artists at home. HIs writings on Netherlandish artists formed an important contribution to the formation of the so-called Netherlandish canon, Lampsonius studied arts and sciences at the University of Leuven. In 1554 he went to England to serve as secretary to Reginald Pole, after Poles death in 1558, he traveled to Liège where he was secretary to the successive Prince-Bishops. He thus regularly collaborated with Laevinus Torrentius who was the vicar of the Prince-Bishops until 1586 after which he became Bishop of Antwerp. Lampsonius was for a while the teacher of Otto van Veen and he became friends and engaged in intensive correspondence with some of the leading humanists of his time such as Justus Lipsius, Janus Dousa, Johannes Livineius and Petrus Oranus. He was a correspondent of the Italian art historian Giorgio Vasari, in one of his letters to Vasari, Lampsonius defended Netherlandish art against some of the disparaging remarks that Vasari had made in his Vite. Lampsonius suggested that Northern engravers should collaborate with Italian artists to improve this and he also asked Vasari to include in the revised edition of the Vite treatises on the three arts of sculpture, painting and architecture, with drawings and information about the secrets of the arts. In 1572 Lampsonius published under his own name a set of 23 engraved portraits of artists from the Low Countries under the title Pictorum aliquot celebrium Germaniae inferioris effigies, Lampsonius provided poems in Latin to accompany the individual portraits. This work was under preparation by the leading Antwerp publisher Hieronymous Cock who died before it was completed and it was then published by Cocks widow Volcxken Dierix who continued the publishing business after her husbands death. The book includes a poem by Lampsonius dedicated to the memory of Hieronymus Cock, the portraits and texts present an honour roll of the earlier generations of Netherlandish artists. Lampsonius thus attempted to place Netherlandish art on the level as Italian art. He seems, however, to have resigned himself tacitly to the difference in rank between Italian and Netherlandish art and he writes in his poem on the painter Jan van Amstel that The Netherlanders are particularly praised as good painters of landscapes, the Italians of people or gods. No wonder, it stands to reason that the proverb says that the Italian has his brain in his head and the Netherlander in his diligent hand. The quality of the 23 prints was outstanding as they had made by some of the leading engravers of the time such as Jan Wierix, Adriaen Collaert. The portraits are rendered with a sharpness and brilliance. The prints constitute a visually harmonious series, hendrik Hondius I published in 1610 a book with almost the same title that contained 69 engraved portraits of painters. Hondius work included in its first part reworked versions of 22 of the portraits of the 1572 publication, Lampsonius wrote numerous poems and epigrams in Latin
Dominicus Lampsonius
–
Lampsonius, by
Hendrik Goltzius.
Dominicus Lampsonius
–
Crucifixion by Lampsonius in the Saint Quentin Cathedral in
Hasselt
17.
Rome
–
Rome is a special comune and the capital of Italy. Rome also serves as the capital of the Lazio region, with 2,873,598 residents in 1,285 km2, it is also the countrys largest and most populated comune and fourth-most populous city in the European Union by population within city limits. It is the center of the Metropolitan City of Rome, which has a population of 4.3 million residents, the city is located in the central-western portion of the Italian Peninsula, within Lazio, along the shores of the Tiber. Romes history spans more than 2,500 years, while Roman mythology dates the founding of Rome at only around 753 BC, the site has been inhabited for much longer, making it one of the oldest continuously occupied sites in Europe. The citys early population originated from a mix of Latins, Etruscans and it was first called The Eternal City by the Roman poet Tibullus in the 1st century BC, and the expression was also taken up by Ovid, Virgil, and Livy. Rome is also called the Caput Mundi, due to that, Rome became first one of the major centres of the Italian Renaissance, and then the birthplace of both the Baroque style and Neoclassicism. Famous artists, painters, sculptors and architects made Rome the centre of their activity, in 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic. Rome has the status of a global city, Rome ranked in 2014 as the 14th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy. Its historic centre is listed by UNESCO as a World Heritage Site, monuments and museums such as the Vatican Museums and the Colosseum are among the worlds most visited tourist destinations with both locations receiving millions of tourists a year. Rome hosted the 1960 Summer Olympics and is the seat of United Nations Food, however, it is a possibility that the name Romulus was actually derived from Rome itself. As early as the 4th century, there have been alternate theories proposed on the origin of the name Roma. There is archaeological evidence of occupation of the Rome area from approximately 14,000 years ago. Evidence of stone tools, pottery and stone weapons attest to about 10,000 years of human presence, several excavations support the view that Rome grew from pastoral settlements on the Palatine Hill built above the area of the future Roman Forum. Between the end of the age and the beginning of the Iron age. However, none of them had yet an urban quality, nowadays, there is a wide consensus that the city was gradually born through the aggregation of several villages around the largest one, placed above the Palatine. All these happenings, which according to the excavations took place more or less around the mid of the 8th century BC. Despite recent excavations at the Palatine hill, the view that Rome has been indeed founded with an act of will as the legend suggests in the middle of the 8th century BC remains a fringe hypothesis. Traditional stories handed down by the ancient Romans themselves explain the earliest history of their city in terms of legend and myth
Rome
Rome
Rome
Rome
18.
Federico Zuccari
–
Federico Zuccari, also known as Federico Zuccaro, was an Italian Mannerist painter and architect, active both in Italy and abroad. Zuccari was born at SantAngelo in Vado, near Urbino and his documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the decorations at the Villa Farnese at Caprarola. Zuccari was recalled to Rome by Pope Gregory XIII to continue in the Pauline chapel of the Vatican and he visited Brussels, and there made a series of cartoons for the tapestry-weavers. In 1574 he came to England, where he received a commission from Robert Dudley, Earl of Leicester to portray himself and he also painted Mary, Queen of Scots, Sir Nicholas Bacon, Sir Francis Walsingham, Lord High Admiral Howard. He painted a portrait of a Man with Two Dogs, in the Pitti Palace, in 1585, he accepted an offer by Philip II of Spain to decorate the new Escorial at a yearly salary of 2,000 crowns. He worked at the palace from January 1586 to end of 1588 and his paintings were disliked by Philip II and many were painted over. However the parting was amicable, We must not blame him and he was succeeded by Pellegrino Tibaldi. He there founded in 1595, under a charter confirmed by Pope Sixtus V, bartolomeo Carducci is said to have studied with him. Like his Giorgio Vasari a generation before, Zuccari aimed at being an art critic and his chief book, Lidea de Pittori, Scultori, ed Architetti, was far less popular. Zuccari was raised to the rank of cavaliere not long before his death, freedberg, Sydney J. Pelican History of Art, ed. The Zuccaro Scholarship Getty Museum Exhibition Taddeo and Federico Zuccari, Artist Brothers in Rome
Federico Zuccari
–
Self-portrait, after 1588
Federico Zuccari
–
Raising of Lazarus
Federico Zuccari
–
Last Judgment (detail). Dome of
Florence Cathedral.
Federico Zuccari
–
Zuccari's famed sketch of
Queen Elizabeth I.
19.
Carel van Mander
–
Karel van Mander or Carel van Mander I was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters, as an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic. It is not certain who wrote this sketch and various candidates have been proposed. Most recently it has argued that it was written by his son Karel van Mander the Younger. His son would have relied on information that Karel van Mander had written himself as well as on his own recollections. The information in the sketch is not entirely reliable but is still regarded as the best source of information on van Manders life. Van Mander was born into a family in Meulebeke, in the County of Flanders. He studied under Lucas de Heere in Ghent, and in 1568-1569 under Pieter Vlerick in Kortrijk, the next five years he devoted to the writing of religious plays for which he also painted the scenery. Then followed three years in Rome and his biographical sketch refers to van Mander as the discoverer of caves in Rome. This may be a reference to the Catacombs of Rome although the meaning of the reference is unclear. In Rome he may also have come into contact with fellow Fleming Bartholomeus Spranger and his patrons in Rome included several cardinals. On his return journey he passed through Vienna, where, together with Spranger, van Mander settled in Meulebeke in 1578 where he was active as a painter and writer. He married an 18-year-old local girl, with whom he had a son, in 1580 he left for Kortrijk due to religious troubles caused by Catholic zealots in Meulebeke. Karel van Mander had at some point become a Mennonite and was therefore a target of these zealots. In Kortrijk he got a commission for an altar piece, in Kortrijk another son was born. He left Kortrijk for Bruges in 1582 because of an outbreak of the plague, in Bruges, he worked with the painter Paul Weyts. Here he worked for 20 years on a commission by the Haarlem city fathers to inventory their art collection, the city of Haarlem had confiscated all Catholic religious art after the satisfactie van Haarlem, which gave Catholics equal rights to Protestants, had been overturned in 1578. Van Mander used his work on the commission in his Schilder-boeck, while in Haarlem he continued to paint, concentrating his energy on his favourite genre, historical allegories
Carel van Mander
–
Portrait of Karel van Mander from his book
Carel van Mander
–
Garden of Love, 1602,
Hermitage Museum
Carel van Mander
–
Landscape with snow and the Crucifixion, 1599, Private Collection
Carel van Mander
–
The Continence of Scipio, 1600,
Rijksmuseum, Amsterdam
20.
Rudolf II
–
Rudolf II was Holy Roman Emperor, King of Hungary and Croatia, King of Bohemia and Archduke of Austria. He was a member of the House of Habsburg, Rudolf was born in Vienna on 18 July 1552. Rudolf spent eight years, from age 11 to 19, in Spain. Rudolf would remain for the rest of his reserved, secretive. He suffered from bouts of melancholy, which was common in the Habsburg line. These became worse with age, and were manifested by a withdrawal from the world, like his contemporary, Elizabeth I of England, Rudolf dangled himself as a prize in a string of diplomatic negotiations for marriages, but never in fact married. It has been proposed by A. L. Rowse that he was homosexual, during his periods of self-imposed isolation, Rudolf reportedly had affairs with his court chamberlain, Wolfgang von Rumpf, and a series of valets. One of these, Philip Lang, ruled him for years and was hated by those seeking favour with the emperor, in addition, Rudolf was known to have had a succession of affairs with women, some of whom claimed to have been impregnated by him. He had several children with his mistress Catherina Strada. Their eldest son, Don Julius Caesar dAustria, was born between 1584 and 1586 and received an education and opportunities for political and social prominence from his father. In 1607, Rudolf sent Julius to live at Český Krumlov in Bohemia castle, Julius lived at Český Krumlov when in 1608 he reportedly abused and murdered the daughter of a local barber, who had been living in the castle, and then disfigured her body. Rudolf condemned his sons act and suggested that he should be imprisoned for the rest of his life, however, Julius died in 1609 after showing signs of schizophrenia, refusing to bathe, and living in squalor, his death was apparently caused by an ulcer that ruptured. Many artworks commissioned by Rudolf are unusually erotic, the emperor was the subject of a whispering campaign by his enemies in his family and the Catholic Church in the years before he was deposed. Sexual allegations may well have formed a part of the campaign against him, historians have traditionally blamed Rudolfs preoccupation with the arts, occult sciences, and other personal interests as the reason for the political disasters of his reign. Although raised in his uncles Catholic court in Spain, Rudolf was tolerant of Protestantism and he largely withdrew from Catholic observances, even in death denying last sacramental rites. He had little attachment to Protestants either, except as counter-weight to repressive Papal policies and he put his primary support behind conciliarists, irenicists, and humanists. His conflict with the Ottoman Empire was the cause of his undoing. Unwilling to compromise with the Turks, and stubbornly determined that he could all of Christendom with a new Crusade, he started a long
Rudolf II
–
Rudolf II
Rudolf II
–
Archduke Rudolf
Rudolf II
–
A portrait bust of Rudolf II in the collection of the
Antwerp City Hall, Belgium
Rudolf II
–
Engraving by
Aegidius Sadeler (1603)
21.
Prague
–
Prague is the capital and largest city of the Czech Republic. It is the 14th largest city in the European Union and it is also the historical capital of Bohemia. Situated in the north-west of the country on the Vltava river, the city has a temperate climate, with warm summers and chilly winters. Prague has been a political, cultural, and economic centre of central Europe with waxing and waning fortunes during its history and it was an important city to the Habsburg Monarchy and its Austro-Hungarian Empire. Prague is home to a number of cultural attractions, many of which survived the violence. Main attractions include the Prague Castle, the Charles Bridge, Old Town Square with the Prague astronomical clock, since 1992, the extensive historic centre of Prague has been included in the UNESCO list of World Heritage Sites. The city has more than ten major museums, along with theatres, galleries, cinemas. An extensive modern public transportation system connects the city, also, it is home to a wide range of public and private schools, including Charles University in Prague, the oldest university in Central Europe. Prague is classified as an Alpha- global city according to GaWC studies, Prague ranked sixth in the Tripadvisor world list of best destinations in 2016. Its rich history makes it a popular tourist destination, and the city more than 6.4 million international visitors annually. Prague is the fifth most visited European city after London, Paris, Istanbul, the region was settled as early as the Paleolithic age. In the last century BC, the Celts were slowly driven away by Germanic tribes, around the area where present-day Prague stands, the 2nd century map of Ptolemaios mentioned a Germanic city called Casurgis. In the following century, the Czech tribes built several fortified settlements in the area, most notably in Levý Hradec, Butovice and in the Šárka valley. The construction of what came to be known as the Prague Castle began near the end of the 9th century, the first masonry under Prague Castle dates from the year 885 at the latest. The other prominent Prague fort, the Přemyslid fort Vyšehrad, was founded in the 10th century, Prague Castle is dominated by the cathedral, which was founded in 1344, but completed in the 20th century. The legendary origins of Prague attribute its foundation to the 8th century Czech duchess and prophetess Libuše and her husband, Přemysl, legend says that Libuše came out on a rocky cliff high above the Vltava and prophesied, I see a great city whose glory will touch the stars. She ordered a castle and a town called Praha to be built on the site, a 17th century Jewish chronicler David Solomon Ganz, citing Cyriacus Spangenberg, claimed that the city was founded as Boihaem in c.1306 BC by an ancient king, Boyya. The region became the seat of the dukes, and later kings of Bohemia, under Roman Emperor Otto II the area became a bishopric in 973
Prague
–
Montage of Prague, clockwise from top: Panorama of
Prague Castle and
Charles Bridge,
Dancing House,
Star Villa,
Old Town Square,
Wenceslas Square,
Wallenstein Palace, Royal Garden at Prague Castle,
St. Vitus Cathedral and
Municipal House.
Prague
–
The mythological princess
Libuše prophesies the glory of Prague.
Prague
–
The
Prague astronomical clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest one still working.
Prague
–
A view of one of the bridge towers of the Charles Bridge
22.
William V of Bavaria
–
It can also refer to William II of Provence. William V, Duke of Bavaria, called the Pious, was Duke of Bavaria from 1579 to 1597, William was born in Landshut, the son of Albert V and Anna of Austria. He received a Jesuit education and showed keen attachment to the Jesuit Counter Reformation tenets and his title the Pious was given to him because he devoted his daily routine to masses, prayer, contemplation, and devotional reading. He took part in public devotions, processions, and pilgrimages and his residence as crown prince was the ancient fortified Wittelsbach seat Trausnitz Castle in Landshut. Like his Wittelsbach father and grandfather, William was a supporter of the counter-reformation. This dignity remained in the possession of the family for nearly 200 years, two of his sons also followed ecclesiastical careers, Philipp Wilhelm became the Bishop of Regensburg and eventually a Cardinal, and Ferdinand succeeded his uncle, to become Archbishop of Cologne. In 1591, Wilhelm also expelled Salzburg from the Berchtesgaden Provostry, William is responsible for numerous executions due to Witch-hunt in his duchy. The Jesuit St. Michaels Church and college of the Jesuits were built in Munich between 1583 and 1597 as spiritual centers for the counter-reformation, williams spending on Church-related projects, including funding missionaries outside Bavaria—as far away as Asia and the Americas—put tremendous strain on the Bavarian treasury. The Italian confidence man Marco Bragadino who was promising to make copious amounts of gold to erase the Dukess debts was called upon by William V in 1590, and executed after he had failed. William abdicated on 15 October 1597 in favour of his son, Maximilian I and retired into a monastery where he spent the remainder of his life in contemplation and he died in 1626 in Schleissheim Palace. He is buried in St. Michaels Church, Munich, already as crown prince in Landshut William patronised the arts. Michaels Church, of the college and of the palace Wilhelminische Veste in Munich. The sculptors Hans Krumpper and Hubert Gerhard along with painters Peter Candid, the history of Schleissheim Palace started with a renaissance country house and hermitage founded by William. In 1589 William initialized the Hofbräu Brewery, married Renata of Lorraine in Munich on 22 February 1568. Albert VI, in 1612 married Mechthilde v. Leuchtenberg Magdalene of Bavaria and her tomb is in Hofkirche Neuburg a. d. Donau), in 1613 married Wolfgang Wilhelm, Pfalzgraf von Neuburg Encyclopædia Britannica,1910 edition genealogy
William V of Bavaria
–
William V, Duke of Bavaria (portrait by
Hans von Aachen)
William V of Bavaria
–
Wilhelminische Veste (1860)
William V of Bavaria
–
William V, Duke of Bavaria and his wife,
Renata of Lorraine
23.
Munich
–
Munich is the capital and largest city of the German state of Bavaria, on the banks of River Isar north of the Bavarian Alps. Munich is the third largest city in Germany, after Berlin and Hamburg, the Munich Metropolitan Region is home to 5.8 million people. According to the Globalization and World Rankings Research Institute Munich is considered an alpha-world city, the name of the city is derived from the Old/Middle High German term Munichen, meaning by the monks. It derives from the monks of the Benedictine order who ran a monastery at the place that was later to become the Old Town of Munich, Munich was first mentioned in 1158. From 1255 the city was seat of the Bavarian Dukes, black and gold—the colours of the Holy Roman Empire—have been the citys official colours since the time of Ludwig the Bavarian, when it was an imperial residence. Following a final reunification of the Wittelsbachian Duchy of Bavaria, previously divided and sub-divided for more than 200 years, like wide parts of the Holy Roman Empire, the area recovered slowly economically. In 1918, during the German Revolution, the house of Wittelsbach, which governed Bavaria since 1180, was forced to abdicate in Munich. In the 1920s, Munich became home to political factions, among them the NSDAP. During World War II, Munich was heavily bombed and more than 50% of the entire city, the postwar period was characterised by American occupation until 1949 and a strong increase of population and economic power during the years of the Wirtschaftswunder after 1949. The city is home to corporations like BMW, Siemens, MAN, Linde, Allianz and MunichRE as well as many small. Munich is home to national and international authorities, major universities, major museums. Its numerous architectural attractions, international events, exhibitions and conferences. Munich is one of the most prosperous and fastest growing cities in Germany and it is a top-ranked destination for migration and expatriate location, despite being the municipality with the highest density of population in Germany. Munich nowadays hosts more than 530,000 people of foreign background, the year 1158 is assumed to be the foundation date, which is the earliest date the city is mentioned in a document. The document was signed in Augsburg, by that time the Guelph Henry the Lion, Duke of Saxony and Bavaria, had built a bridge over the river Isar next to a settlement of Benedictine monks—this was on the Old Salt Route and a toll bridge. In 1175, Munich was officially granted city status and received fortification, in 1180, with the trial of Henry the Lion, Otto I Wittelsbach became Duke of Bavaria and Munich was handed over to the Bishop of Freising. In 1240, Munich was transferred to Otto II Wittelsbach and in 1255, Duke Louis IV, a native of Munich, was elected German king in 1314 and crowned as Holy Roman Emperor in 1328. He strengthened the position by granting it the salt monopoly
Munich
–
From left to right: The
Munich Frauenkirche, the
Nymphenburg Palace, the
BMW Headquarters, the
New Town Hall, the
Munich Hofgarten and the
Allianz Arena.
Munich
–
Munich city
coat of arms
Munich
–
Banners with the colours of Munich (left) and Bavaria (right) with the
Frauenkirche in the background
Munich
–
Bombing damage to the Altstadt. Note the roofless and pockmarked Altes Rathaus looking up the Tal. The roofless Heilig-Geist-Kirche is on the right of the photo. Its spire, without the copper top, is behind the church. The Talbruck gate tower is missing completely.
24.
Low Countries
–
Most of the Low Countries are coastal regions bounded by the North Sea or the English Channel. The countries without access to the sea have linked themselves politically and economically to those with access to one union of port. The Low Countries were the scene of the northern towns, newly built rather than developed from ancient centres. In that period, they rivaled northern Italy for the most densely populated region of Europe, all of the regions mainly depended on trade, manufacturing and the encouragement of the free flow of goods and craftsmen. Germanic languages such as Dutch and Luxembourgish were the predominant languages, secondary languages included French, Romance-speaking Belgium, the Romance Flanders, and Namur. Governor Mary of Hungary used both the expressions les pays de par deça and Pays dEmbas, which evolved to Pays-Bas or Low Countries, today the term is typically fitted to modern political boundaries and used in the same way as the term Benelux, which also includes Luxembourg. The name of the country the Netherlands has the same meaning. The same name of countries can be found in other European languages, for example German Niederlande, French, les Pays-Bas, and so on. In the Dutch language itself no plural is used for the name of the modern country, so Nederland is used for the modern nation and de Nederlanden for the 16th century domains of Charles V. In Dutch, and to an extent in English, the Low Countries colloquially means the Netherlands and Belgium, sometimes the Netherlands. For example, a Derby der Lage Landen, is an event between Belgium and the Netherlands. Belgium was renamed only in 1830, after splitting from the Kingdom of the Netherlands, politically, before the Napoleonic wars, it was referred to as the Southern, Spanish or later Austrian Netherlands. It is still referred to as part of the low countries, the region politically had its origins in Carolingian empire, more precisely, most of it was within the Duchy of Lower Lotharingia. After the disintegration of Lower Lotharingia, the Low Countries were brought under the rule of various lordships until they came to be in the hands of the Valois Dukes of Burgundy. Hence, a part of the low countries came to be referred to as the Burgundian Netherlands also called the Seventeen Provinces up to 1581. Even after the secession of the autonomous Dutch Republic in the north. The Low Countries were part of the Roman provinces of Gallia Belgica, Germania Inferior and they were inhabited by Belgic and Germanic tribes. In the 4th and 5th century, Frankish tribes had entered this Roman region and they came to be ruled by the Merovingian dynasty, under which dynasty the southern part was re-Christianised
Low Countries
–
The Low Countries as seen from space with modern day boundaries drawn in thin blue.
25.
Court painter
–
A court painter was an artist who painted for the members of a royal or noble family, sometimes on a fixed salary and on an exclusive basis where the artist was not supposed to undertake other work. Especially in the late Middle Ages, they were given the office of valet de chambre. Usually they were given a salary and formal title, and often a pension for life, in England the role of Serjeant Painter was set up for this, leaving the Kings painter free to paint mostly portraits. See category of Italian art collectors for lists that included non-aristocratic patrons, some artists, like Jan van Eyck or Diego Velázquez, were used in other capacities at court, as diplomats, functionaries, or administrators. In Islamic cultures, especially between the 14th and 17th centuries, similar arrangements operated for miniaturists and artists in other media. In the Persian miniature, the shah and other rulers typically maintained a workshop or atelier, of calligraphers, miniaturists, binders and other crafts. The name by which Riza Abbasi is usually includes the honorific title Abbasi. Abd as-Samad, a Persian painter who moved to the Mughal Empire, was given a number of significant administrative jobs, the court remained the focus of patronage of painting in the sub-Mughal princely courts of India, whether Muslim or Hindu. At many periods rulers owned or controlled royal workshops or factories making high-quality tapestries, porcelain or pottery, silks and this was especially the case in China and in the Byzantine Empire. Le Brun dominated, and largely created, the style found throughout Louis XIVs palaces, by the 20th century court painters was an obsolete position. Commonly more artists were granted permission by royalty who would sit for official portraits whether for private of patron purposes, Artists of the Tudor Court 21st Century Court Artists Michael Levey, Painting at Court, Weidenfeld and Nicholson, London,1971
Court painter
–
Las Meninas,
Diego Velázquez, 1656, shows a princess watching her unseen parents as Velázquez paints them; the cross on his chest was added later, according to legend painted by the king himself, after the artist received the
Order of Santiago in 1659 (click on image and run cursor over to identify figures).
26.
Southern Netherlands
–
The Southern Netherlands, also called the Catholic Netherlands, was the part of the Low Countries largely controlled by Spain, later Austria, and occupied then annexed by France. The Southern Netherlands were part of the Holy Roman Empire until the area was annexed by Revolutionary France. As they were wealthy, the Netherlands in general were an important territory of the Habsburg crown which also ruled Spain. But unlike the other Habsburg dominions, they were led by a merchant class and it was the merchant economy which made them wealthy, and the Habsburg attempts at increasing taxation to finance their wars was a major factor in their defence of their privileges. This, together with resistance to penal laws enforced by the Habsburg monarchy that made heresy a capital crime, liège, Stavelot-Malmédy and Bouillon maintained their independence. The Habsburg Netherlands, passed to the Austrian Habsburgs after the War of the Spanish Succession in 1714, the Austrian Netherlands were ultimately lost to the French Revolutionary armies, and annexed to France in 1794. Following the war, Austrias loss of the territories was confirmed, the southeastern third of Luxembourg Province was made into the autonomous Grand Duchy of Luxembourg, because it was claimed by both the Netherlands and Prussia. In 1830 the predominantly Roman Catholic southern half became independent as the Kingdom of Belgium, in 1839 the final border between the kingdom of the Netherlands and Belgium was determined and the eastern part of Limburg returned to the Netherlands as the province of Limburg. The autonomy of Luxembourg was recognised in 1839, but an instrument to effect was not signed until 1867. The northwestern two-thirds of the original Luxembourg remains a province of Belgium, the Spanish Netherlands was a portion of the Low Countries controlled by Spain from 1556 to 1714, inherited from the Dukes of Burgundy. They often used the term Burgundy to refer to it, until 1794, when part of the Netherlands separated from Spanish rule and became the United Provinces in 1581 the remainder of the area became known as the Spanish Netherlands and remained under Spanish control. This region comprised modern Belgium, Luxembourg as well as part of northern France, in the early 17th century, there was a flourishing court at Brussels, which was under the government of King Philip IIIs half-sister Archduchess Isabella and her husband, Archduke Albert of Austria. Among the artists who emerged from the court of the Archdukes, by the Treaty of the Pyrenees of 1659 the French annexed Artois and Cambrai, and Dunkirk was ceded to the English. By the Treaties of Aix-la-Chapelle and Nijmegen, further territory up to the current Franco-Belgian border was ceded, including Walloon Flanders, later, in the War of the Reunions and the Nine Years War, France annexed other parts of the region. However, the Austrians themselves generally had little interest in the region, the area had, in fact, been given to Austria largely at British and Dutch insistence, as these powers feared potential French domination of the region. However the agreement was unimplemented and revoked by the Third Treaty of Versailles, however, the Emperors stance was far from militant, and he called off hostilities after the so-called Kettle War, known by that name because its only casualty was a kettle. The people of the Austrian Netherlands rebelled against Austria in 1788 as a result of Joseph IIs centralizing policies, the different provinces established the United States of Belgium. In the course of the French Revolution, the region was overrun by French armies after they won the Battle of Sprimont in 1794
Southern Netherlands
–
A map of the dominion of the
Habsburgs following the
Battle of Mühlberg (1547) as depicted in The Cambridge Modern History Atlas (1912); Habsburg lands are shaded green. From 1556 the dynasty's lands in the
Low Countries, the east of France, Italy, Sardinia, and Sicily were retained by the Spanish Habsburgs.
Southern Netherlands
–
The Low Countries (plus
Liège,
Stavelot-Malmedy and
Bouillon), the border between the Northern Netherlands and the Southern Netherlands is marked in red.
Southern Netherlands
–
Silver florin of
Emperor Charles V with the coat of arms of the House of Burgundy (Low Countries, etc.) c. 1553.
Southern Netherlands
–
Velázquez portrait of the
Cardinal-Infante Ferdinand, son of Philip III of Spain, Governor General of the Low Countries at age 25, in 1634, until his death in 1641.
27.
Alexander Farnese, Duke of Parma
–
Alexander Farnese was Duke of Parma, Piacenza and Castro from 1586 to 1592, and Governor of the Spanish Netherlands from 1578 to 1592. He is best known for his successful campaign 1578-1592 against the Dutch Revolt, in which he captured the cities in the south. His talents as a commander, strategist and organizer earned him the regard of his contemporaries. Alessandro was the son of Duke Ottavio Farnese of Parma and Margaret and he had a twin brother, Charles, who only lived one month. His mother was the half-sister of Philip II of Spain and John of Austria and he led a significant military and diplomatic career in the service of Spain under the service of his uncle the King. He fought in the Battle of Lepanto and then in the Netherlands against the rebels and he accompanied his mother to Brussels when she was appointed Governor of the Netherlands. In 1565 his marriage with Maria of Portugal was celebrated in Brussels with great splendour and it was seven years before he again had the opportunity to display his great military talents. During that time the provinces of the Netherlands had revolted against Spanish rule. In the autumn of 1577, Farnese was sent to join Don John at the head of reinforcements, shortly afterwards Don John, whose health had broken down, died. Phillip appointed Farnese to take his place, both as Captain-General of the Army of Flanders, and as Governor-General, Farnese was confronted with a difficult situation. Perceiving that his opponents were divided between Catholic and Protestant, Fleming and Walloon, he worked to exploit these divisions. By this means, he regained the allegiance of the Walloon provinces for the king, by the treaty of Arras, January 1579, he secured the support of the Malcontents for the royal cause. The rebels in the seven northern provinces then formed the Union of Utrecht, formally abjuring Phillips rule, as soon as he had secured a base of operations in Hainaut and Artois, Farnese set himself in earnest to the task of reconquering Brabant and Flanders by force of arms. Town after town fell under his control, tournai, Maastricht, Breda, Bruges, and Ghent opened their gates. In a war composed mostly of sieges rather than battles, he proved his mettle and he finally laid siege to the great seaport of Antwerp. The town was open to the sea, strongly fortified, and defended with resolute determination and they were led by the famous Marnix van St. Aldegonde and assisted by an ingenious Italian engineer named Federigo Giambelli. The siege began in 1584 and called all of Farneses military genius. He cut off all access to Antwerp from the sea by constructing a bridge of boats across the Scheldt from Calloo to Oordam, the terms offered included the clause that all Protestants had to leave the city within four years
Alexander Farnese, Duke of Parma
–
Portrait of Farnese by Jean Baptiste de Saive
Alexander Farnese, Duke of Parma
–
Coat of Arms of the Farnese as dukes of Parma. Alexander did not use the inescutcheon of Portugal but his successors did.
Alexander Farnese, Duke of Parma
–
Engraving of Alexander Farnese. The Netherlands, 1614
Alexander Farnese, Duke of Parma
–
Arrival of the funeral procession of the Duke of Parma in Brussels 1592. Print from 'The Wars of Nassau' by
Willem Baudartius.
28.
Guild of St. Luke
–
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the saint of artists. One of the most famous such organizations was founded in Antwerp and it continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where members could sell paintings in the city or have a shop. The guild of Saint Luke not only represented painters, sculptors, and other artists, but also—especially in the seventeenth century—dealers, amateurs. In traditional guild structures, house-painters and decorators were often in the same guild, however, as artists formed under their own specific guild of St. Luke, particularly in the Netherlands, distinctions were increasingly made. In general, guilds also made judgments on disputes between artists and other artists or their clients, in such ways, it controlled the economic career of an artist working in a specific city, while in different cities they were wholly independent and often competitive against each other. Although it did not become an artistic center until the sixteenth century, Antwerp was one of, if not the first. It is first mentioned in 1382, and was given privileges by the city in 1442. The registers, or Liggeren, from the guild exist, cataloging when artists became masters, who the dean for each year was, what their specialities were, and the names of any students. Perhaps because of this link, for a period they had a rule that all miniatures needed a tiny mark to identify the artist, only under special privileges, such as court artist, could an artist effectively practice their craft without holding membership in the guild. Membership also allowed members to sell works at the guild-owned showroom, Antwerp, for example, opened a market stall for selling paintings in front of the cathedral in 1460, and Bruges followed in 1482. Guilds of St. Luke in the Dutch Republic began to reinvent themselves as cities there changed over to Protestant rule, many St. Luke guilds reissued charters to protect the interests of local painters from the influx of southern talent from places like Antwerp and Bruges. Many cities in the republic became more important artistic centres in the late sixteenth. Amsterdam was the first city to reissue a St. Lukes charter after the reformation in 1579, and it included painters, sculptors, engravers, for example, Gouda, Rotterdam, and Delft, all founded guilds between 1609 and 1611. On the other hand, these distinctions did not take effect at that time in Amsterdam or Haarlem, in the Haarlem Guild of St. Luke, however, a strict hierarchy was attempted in 1631 with panel painters at the top, though this hierarchy was eventually rejected
Guild of St. Luke
–
Jan Gossaert, St. Luke Painting the Madonna, c. 1520-25).
Kunsthistorisches Museum, Vienna
Guild of St. Luke
–
Saint Luke Drawing the Virgin, c. 1435–1440. 137.5 x 110.8cm.
Museum of Fine Arts, Boston. This was the classic subject for paintings given to the guilds
Guild of St. Luke
–
The Governors of the
Haarlem Guild of St. Luke in 1675.
Jan de Bray painted himself second from the left. Surprisingly, fewer such group portraits exist for painters than other Guild occupations.
Guild of St. Luke
–
1730s engraving of the Delft Guild of St. Luke, by an unknown artist. Today the location of the
Vermeer Centre
29.
Cathedral of Our Lady, Antwerp
–
The Cathedral of Our Lady is a Roman Catholic cathedral in Antwerp, Belgium. Todays see of the Diocese of Antwerp started in 1352 and, in Gothic style, its architects were Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by such as Otto van Veen, Jacob de Backer. The belfry of the cathedral is included in the Belfries of Belgium, where the cathedral now stands, there was a small chapel of Our Lady from the 9th to the 12th century, which acquired the status of parish church in 1124. During the course of the century, it was replaced by a larger Romanesque church. In 1352, construction was begun on a new Our Lady’s church which would become the largest Gothic church in the Netherlands, in the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of Our Lady was ready, the south tower reached only as far as the third string course. During the night of 5–6 October 1533, the new church was gutted by fire. The completion of the tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, during the Iconoclasm of 20 August 1566, Protestants destroyed a large part of the cathedral interior. Later, when Antwerp came under Protestant administration in 1581, a number of treasures were once again destroyed, removed or sold. The restoration of Roman Catholic authority came in 1585 with the fall of Antwerp, in 1794 the French revolutionaries who conquered the region plundered Our Lady’s Cathedral and inflicted serious damage. Around 1798, the French administration intended to demolish the building but after each blow, in 1816, various important works of art were returned from Paris, including three Rubens masterpieces. And over the course of the 19th century, the church was restored and refurnished. Between 1965 and 1993, a restoration took place. At the beginning of the 15th century, the choir started developing an active musical life, and as a result. Johannes Ockeghem, one of the most important composers of the 15th century, served here as a vicar-singer in 1443, from 1725 to 1731 Willem de Fesch served as Kapelmeester followed from 1731 to 1737 by Joseph-Hector Fiocco. Lesser known, but locally important figures, such as Jacobus Barbireau and Andreas Pevernage, the churchs one finished spire is 123 metres high, the highest church tower in the Benelux
Cathedral of Our Lady, Antwerp
–
Cathedral of Our Lady
Cathedral of Our Lady, Antwerp
–
Artist vision of the completed cathedral (18th century)
Cathedral of Our Lady, Antwerp
–
Main nave
Cathedral of Our Lady, Antwerp
–
Stained glass window
30.
Antwerp City Hall
–
The Stadhuis of Antwerp, Belgium, stands on the western side of Antwerps Grote Markt. Erected between 1561 and 1565 after designs made by Cornelis Floris de Vriendt and several architects and artists. The Stadhuis is inscribed on UNESCOs World Heritage List along with the belfries of Belgium, in the 16th century Antwerp became one of the busiest trading ports and most prosperous cities in Northern Europe. The municipal authorities wished to replace Antwerps small medieval hall with a more imposing structure befitting the prosperity of the great port city. Antwerp architect Domien de Waghemakere drafted a plan for a new building in a typical of the monumental Gothic town halls of Flanders. But the threat of war prevented any progress on the project, the building materials intended for the Stadhuis were instead used to shore up the city defenses. Not until about 1560 new plans were developed, in the meantime Gothic architecture had gone out of fashion. The new designs for the Stadhuis were in the new Renaissance style, completed in 1565, the building lasted hardly a decade before being burnt to a shell in the Spanish Fury of 1576. It was restored three years later, the low arcaded ground story is of rusticated stone, and at one time housed little shops. Above are two stories with Doric and Ionic columns separating large mullioned windows, and a fourth story forming an open gallery, renovations during the late 19th century by architects Pierre Bruno Bourla, Joseph Schadde and Pieter Jan August Dens drastically modified the interior. Much of the decoration dates from this period, as does a roof over what was once an open-air inner courtyard. A number of the leading Antwerp historical painters were invited to assist with the decorations, henri Leys painted a series of murals depicting key events in Antwerps history and portraits of former Belgian rulers for the Leys Hall. The Antwerp Stadhuis became an exemplar for the new style in architecture in the Netherlands. Fletcher, History of Architecture Antwerp City Hall – detailed description and history Town Hall, Antwerp – overview and photo gallery Antwerp City Hall on BALaT - Belgian Art Links and Tools
Antwerp City Hall
–
Antwerp City Hall
Antwerp City Hall
–
Margaret of Parma hands over the keys to the city, by Henri Leys
Antwerp City Hall
–
Frontal view of the city hall
31.
Archduke Ernest of Austria
–
Archduke Ernest of Austria was an Austrian prince, the son of Maximilian II, Holy Roman Emperor and Maria of Spain. Born in Vienna, he was educated with his brother Rudolf II, Holy Roman Emperor, in 1573 and 1587, he was a candidate for the throne of Poland. From 1576 onwards, he was governor in the Archduchy of Austria, in 1590, he became governor of Inner Austria as regent for his young cousin Ferdinand, and from 1594 to 1595 he served as governor of the Spanish Netherlands. He died in Brussels in 1595
Archduke Ernest of Austria
–
Portrait of Archduke Ernest of Austria by
Alonso Sánchez Coello c. 1580
Archduke Ernest of Austria
–
Engraving of Archduke Ernest of Austria
32.
Hieronymus Bosch
–
Hieronymus Bosch was a Dutch/Netherlandish draughtsman and painter from Brabant. He is widely considered one of the most notable representatives of Early Netherlandish painting school and his work is known for its fantastic imagery, detailed landscapes, and illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, little is known of Boschs life, though there are some records. He spent most of it in the town of s-Hertogenbosch, where he was born in his grandfathers house, the roots of his forefathers are in Nijmegen and Aachen. His pessimistic and fantastical style cast a wide influence on art of the 16th century. His paintings have been difficult to translate from a point of view. Today he is seen as a hugely individualistic painter with deep insight into humanitys desires, attribution has been especially difficult, today only about 25 paintings are confidently given to his hand along with 8 drawings. Approximately another half dozen paintings are attributed to his workshop. His most acclaimed works consist of a few triptych altarpieces, the most outstanding of which is The Garden of Earthly Delights, Hieronymus Bosch was born Jheronimus van Aken. He signed a number of his paintings as Jheronimus Bosch, the name derives from his birthplace, s-Hertogenbosch, which is commonly called Den Bosch. Little is known of Boschs life or training, nothing is known of his personality or his thoughts on the meaning of his art. Boschs date of birth has not been determined with certainty and it is estimated at c.1450 on the basis of a hand drawn portrait made shortly before his death in 1516. The drawing shows the artist at an age, probably in his late sixties. Bosch was born and lived all his life in and near s-Hertogenbosch and his grandfather, Jan van Aken, was a painter and is first mentioned in the records in 1430. It is known that Jan had five sons, four of whom were also painters, Boschs father, Anthonius van Aken, acted as artistic adviser to the Illustrious Brotherhood of Our Blessed Lady. It is generally assumed that either Boschs father or one of his uncles taught the artist to paint, Bosch first appears in the municipal record on 5 April 1474, when he is named along with two brothers and a sister. In 1463,4,000 houses in the town were destroyed by a catastrophic fire and he became a popular painter in his lifetime and often received commissions from abroad. In 1488 he joined the highly respected Brotherhood of Our Lady, a religious group of some 40 influential citizens of s-Hertogenbosch
Hieronymus Bosch
–
Attributed to Jacques Le Boucq, Portrait of Hieronymus Bosch. c. 1550
Hieronymus Bosch
–
The Crucifixion of St Julia, c 1497
Hieronymus Bosch
–
The Garden of Earthly Delights in the
Museo del Prado in
Madrid
Hieronymus Bosch
–
The Last Judgment
33.
Pieter Bruegel the Elder
–
He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp and he does the same with the fantastic and anarchic world developed in Renaissance prints and book illustrations. He is sometimes referred to as Peasant Bruegel, to him from the many later painters in his family. From 1559, he dropped the h from his name and signed his paintings as Bruegel, the two main early sources for Bruegels biography are Lodovico Guicciardinis account of the Low Countries and Karel van Manders 1604 Schilder-boeck. Guicciardini recorded that Bruegel was born in Breda, but van Mander specified that Bruegel was born in a village near Breda called Brueghel, nothing at all is known of his family background. Van Mander seems to assume he came from a peasant background, in keeping with the over-emphasis on Bruegels peasant genre scenes given by van Mander and many art historians. Breda was already a significant centre as the base of the House of Orange-Nassau, with a population of some 8,000, from the fact that Bruegel entered the Antwerp painters guild in 1551, it is inferred that he was born between 1525 and 1530. His master, according to van Mander, was the Antwerp painter Pieter Coecke van Aelst, between 1545 and 1550 he was a pupil of Pieter Coecke, who died on 6 December 1550. Bruegel possibly got this work via the connections of Mayken Verhulst, maykens father and eight siblings were all artists or married an artist, and lived in Mechelen. In 1551 Bruegel became a master in the Guild of Saint Luke of Antwerp. He set off for Italy soon after, probably by way of France. He visited Rome and, rather adventurously for the period, by 1552 he had reached Reggio Calabria at the tip of the mainland. He probably continued to Sicily, but by 1553 was back in Rome, there he met the miniaturist Giulio Clovio, whose will of 1578 lists paintings by Bruegel, in one case a joint work. These works, apparently landscapes, have not survived, but marginal miniatures in manuscripts by Clovio are attributed to Bruegel, with one exception, Bruegel did not work the plates himself, but produced a drawing which Cocks specialists worked from. In 1563 he was married in Brussels, where he lived for the rest of his life, while Antwerp was the capital of Netherlandish commerce as well as the art market, Brussels was the centre of government. Van Mander tells a story that his mother-in-law pushed for the move to him from his established servant girl mistress. By now painting had become his main activity, and his most famous come from these years. His paintings were sought after, with patrons including wealthy Flemish collectors and Cardinal Granvelle, in effect the Habsburg chief minister
Pieter Bruegel the Elder
–
The Painter and The Connoisseur, c. 1565 is thought to be Bruegel's
self-portrait.
Pieter Bruegel the Elder
–
The Seven Deadly Sins or the Seven Vices - Anger, 1558
Pieter Bruegel the Elder
–
The Peasant Wedding, 1566–69, oil on panel
Pieter Bruegel the Elder
–
The Blind Leading the Blind, 1568
34.
Guild of Romanists
–
The Guild of Romanists or Confrérie van romanisten was a society which was active in Antwerp from the late 16th to the late 18th century. It was made up of notables and artists of Antwerp who had visited Rome, the Confrérie was established in 1572 in Antwerps Cathedral of Our Lady under the patronage of St. Paul and St. Peter and was therefore also known as the Broederschap van de HH. It was a condition of membership to have visited Rome, the membership included canons, prosperous merchants, members of the local nobility, aldermen and leading artists. Total membership was capped at 25 members, which accentuated the character of the society. Deans of the Confrérie were appointed annually, after 1680 the Confrérie went into decline. The Confrérie moved in 1681 for financial reasons to Antwerps St Georges Church and it was revived in 1716 when the true and approved relics of St. Peter and Paul were delivered to St Georges Church by a Roman cardinal. The Confrérie was finally abolished in 1785 under the rule of the Emperor Joseph II of Austria, a Magistrate Book, the LIBER CONFRATERNITATIS SANCTORUM PETRI ET PAULI EN ROMA is kept in the State Archives. The diversity of the membership offered artists an opportunity to meet with potential patrons. A similar social mediation role was played by the chambers of rhetoric and in particular the Violieren, membership assisted artists further in raising their profile and prestige in society at large as well as among their fellow artists since only renowned artists were invited to join. The non-artist members relied on membership of the Confrérie to consolidate their social standing since many of the artist members enjoyed an international reputation, the social role of the Confrérie was facilitated through the institution of an annual gastronomic dinner, with excellent wines and copious servings of food. The dinner was hosted at different locations, the Confrérie further allowed art-pilgrims to keep themselves up to date on news from Rome, whether it be on new painters or paintings, or newly discovered antiquities
Guild of Romanists
–
Saint Peter by Rubens
35.
Albert VII, Archduke of Austria
–
Albert VII was the ruling Archduke of Austria for a few months in 1619 and, jointly with his wife, Isabella Clara Eugenia, sovereign of the Habsburg Netherlands between 1598 and 1621. Prior to this, he had been a cardinal, archbishop of Toledo, viceroy of Portugal and he succeeded his brother Matthias as reigning archduke of Lower and Upper Austria, but abdicated in favor of Ferdinand II the same year, making it the shortest reign in Austrian history. Archduke Albert was the son of Holy Roman Emperor Maximilian II and Maria of Spain, daughter of Holy Roman Emperor Charles V. He was sent to the Spanish Court at the age of eleven, initially he was meant to pursue an ecclesiastical career. On 3 March 1577 he was appointed cardinal by Pope Gregory XIII, with a dispensation because of his age of eighteen, and was given Santa Croce in Gerusalemme as his titular church. Philip II planned to make Albert archbishop of Toledo as soon as possible, in the meantime Albert only took lower orders. He was never ordained priest or bishop, and thus he resigned the See of Toledo in 1598 and he resigned the cardinalate in 1598. His clerical upbringing did however have an influence on his lifestyle. After the dynastic union with Portugal, Albert became the first viceroy of the kingdom, at the same time he was appointed Papal Legate and Grand Inquisitor for Portugal. As viceroy of Portugal he took part in the organization of the Great Armada of 1588, in 1593 Philip II recalled him to Madrid, where he would take a leading role in the government of the Spanish Monarchy. Two years later, the rebellious Hugh ONeill, Earl of Tyrone, after the death of Archduke Ernst in 1595, Albert was sent to Brussels to succeed his elder brother as Governor General of the Habsburg Netherlands. He made his entry in Brussels on 11 February 1596 and his first priority was restoring Spains military position in the Low Countries. Spain was facing the forces of the Dutch Republic, England and France and had known nothing. During his first campaign season, Albert surprised his enemies by capturing Calais and nearby Ardres from the French and these successes were however offset by the third bankruptcy of the Spanish crown later that year. As a consequence,1597 was marked by a series of military disasters, stadholder Maurice of Orange captured the last Spanish strongholds that remained north of the great rivers, as well as the strategic town of Rheinberg in the Electorate of Cologne. Finally the Spanish Army of Flanders lost Amiens in September the same year to King Henry IV of France despite desperate efforts to relieve the place by Albert, with no more money to pay the troops, Albert was also facing a series of mutinies. While pursuing the war as well as he could, Albert made overtures for peace with Spains enemies, under the mediation of the papal legate Cardinal Alessandro deMedici — the future Pope Leo XI — Spain and France concluded the Peace of Vervins on 2 May 1598. Spain gave up its conquests, thereby restoring the situation of Cateau Cambrésis, France tacitly accepted the Spanish occupation of the prince-archbishopric of Cambray and pulled out of the war, but maintained the financial support for the Dutch Republic
Albert VII, Archduke of Austria
–
Archduke Albert by
Juan Pantoja de la Cruz
Albert VII, Archduke of Austria
–
Albert and Isabella Clara Eugenia, by an anonymous 17th century master, after originals by
Frans Pourbus the younger.
Albert VII, Archduke of Austria
–
Jeton with portraits of Albert VII, Archduke of Austria and
Infanta Isabella of Spain, struck in Antwerp 1612. Obv: Portraits of Albert and Isabella. Rev: Eagle holding balance, date 1612.
Albert VII, Archduke of Austria
–
Portrait of Albert VII (c. 1599-1600), by
Frans Pourbus the Younger.
Convent of Las Descalzas Reales collection in
Madrid.
36.
Infanta Isabella Clara Eugenia of Spain
–
Isabella Clara Eugenia was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France, together with her husband Albert VII, Archduke of Austria. In some sources, she is referred to as Clara Isabella Eugenia, by birth, she was an infanta of Spain and Portugal. Isabella Clara Eugenia of Austria was born in the Palacio del bosque de Valsaín, Segovia on 12 August 1566, daughter of Philip II of Spain and her paternal grandparents were Emperor Charles V and Isabella of Portugal. Her maternal grandparents were Henry II of France and Catherine de Medici and her father, Philip II, was reportedly overjoyed at her birth and declared himself to be happier on the occasion than he would have been at the birth of a son. Isabellas mother, Elisabeth of Valois, had originally been betrothed to Don Carlos, despite the significant age difference between them, Philip was very attached to Elisabeth, staying close by her side even when she was ill with smallpox. Elisabeths first pregnancy in 1564 ended in a miscarriage of twin daughters and she later gave birth to Isabella Clara Eugenia on 12 August 1566, and then to Isabellas younger sister Infanta Catherine Michelle of Spain 10 October 1567. Elisabeth miscarried a daughter in 1568 and died the same day, Isabella grew up with her sister Infanta Catherine Michelle of Spain, beloved by her father and her stepmother Anna of Austria, Queen of Spain, Philips fourth wife. Philip ultimately fathered five children by Anna, all of whom died in childhood except his heir. Isabella was also the person whom Philip permitted to help him with his work, sorting his papers. Since 1568, at the age of two, Isabella Clara Eugenia was promised to marry Rudolf II, Holy Roman Emperor, son of Maximilian II, Holy Roman Emperor, Maria was a daughter of her paternal grandparents Charles V, Holy Roman Emperor, and Isabella of Portugal. Isabella Clara Eugenia, however, had to wait for more than 20 years before the eccentric Rudolf declared that he had no intention of marrying anybody, at any rate, Isabella Clara Eugenias mother had ceded any claim to the French crown with her marriage to Philip II. However the Parlement de Paris, in power of the Catholic party and her father decided to cede the Spanish Netherlands to her on condition that she marry her cousin, Albert VII, Archduke of Austria. They were to reign over the Netherlands jointly as duke/count and duchess/countess and it was also stipulated that, should they have no children, the Netherlands would revert to the King of Spain upon the death of either spouse. On 18 April 1599, being 33 years old, she married Albert, Albert was the joint sovereign of the Seventeen Provinces and the former viceroy of Portugal. As Albert also was the Archbishop of Toledo, he had to be released from his religious commitments by Pope Clement VIII before the wedding could take place. Shortly before Philip II died on 13 September 1598, he renounced his rights to the Netherlands in favor of his daughter Isabella and her fiancé. Beginning in 1601, the couple ruled the Spanish Netherlands together, a false anecdote links Isabella, the siege of Ostend, and the horse coat colour isabelline. The reign of Albert and Isabella is considered the Golden Age of the Spanish Netherlands, the reign of the Archduke Albert of Austria and Archduchess Isabella Clara Eugenia is a key period in the history of the Spanish Netherlands
Infanta Isabella Clara Eugenia of Spain
–
Portrait by
Frans Pourbus the Younger
Infanta Isabella Clara Eugenia of Spain
–
Isabella and her
dwarf, c. 1599
Infanta Isabella Clara Eugenia of Spain
–
Isabella Clara Eugenia and Archduke Albert
Infanta Isabella Clara Eugenia of Spain
–
Jeton with portraits of
Albert VII, Archduke of Austria and Infanta Isabella of Spain, struck in Antwerp 1612. Obv: Portraits of Albert and Isabella. Rev: Eagle holding balance, date 1612.
37.
Batavians
–
The name is also applied to several military units employed by the Romans that were originally raised among the Batavi. The tribal name, probably a derivation from batawjō, refers to the regions fertility, finds of wooden tablets show that at least some were literate. The Batavi, or at least the Batavian island in the Rhine river, were mentioned by Julius Caesar in his commentary Commentarii de Bello Gallico, the islands easternmost point is at a split in the Rhine, one arm being the Waal the other the Lower Rhine/Old Rhine. Much later Tacitus wrote that they had originally been a tribe of the Chatti, a tribe in Germany never mentioned by Caesar and this view, however, is contradicted by the archeological evidence, which shows continuous habitation from at least the third century BC onward. The latter was in use until the Batavian revolt, archeological evidence suggests they lived in small villages, composed of six to 12 houses in the very fertile lands between the rivers, and lived by agriculture and cattle-raising. Finds of horse skeletons in graves suggest a strong equestrian preoccupation, on the south bank of the Waal a Roman administrative center was built, called Oppidum Batavorum. An Oppidum was a warehouse, where a tribes treasures were stored and guarded. This centre was razed during the Batavian Revolt, Tacitus described the Batavi as the bravest of the tribes of the area, hardened in the Germanic wars, with cohorts under their own commanders transferred to Britannia. Well regarded for their skills in horsemanship and swimming—for men and horses could cross the Rhine without losing formation, thence the Britons retired to the river Thames at a point near where it empties into the ocean and at flood-tide forms a lake. This they easily crossed because they knew where the ground and the easy passages in this region were to be found. However, the Germans swam across again and some others got over by a bridge a little way up-stream, after which they assailed the barbarians from several sides at once and it is uncertain how they were able to accomplish this feat. The late 4th century writer on Roman military affairs Vegetius mentions soldiers using reed rafts, drawn by leather leads, but the sources suggest the Batavi were able to swim across rivers actually wearing full armour and weapons. This would only have been possible by the use of some kind of buoyancy device, since the shields were wooden, they may have provided sufficient buoyancy The Batavi were used to form the bulk of the Emperors personal Germanic bodyguard from Augustus to Galba. They also provided a contingent for their successors, the Emperors horse guards. A Batavian contingent was used in an assault on Ynys Mon, taking the assembled Druids by surprise. Despite the alliance, one of the high-ranking Batavi, Julius Paullus and he managed to capture Castra Vetera, the Romans lost two legions while two others were controlled by the rebels. The rebellion became a threat to the Empire when the conflict escalated to northern Gaul. The Roman army retaliated and invaded the insula Batavorum, a bridge was built over the river Nabalia, where the warring parties approached each other on both sides to negotiate peace
Batavians
–
Funerary stela of one of
Nero 's Corporis Custodes, the imperial
Germanic bodyguard. The bodyguard, Indus, was of the Batavian tribe.
Batavians
Batavians
–
The Conspiracy of the Batavians under Claudius Civilis by
Rembrandt van Rijn
38.
Dutch Republic
–
It preceded the Batavian Republic, the Kingdom of Holland, the United Kingdom of the Netherlands, and ultimately the modern Kingdom of the Netherlands. Alternative names include the United Provinces, Seven Provinces, Federated Dutch Provinces, most of the Low Countries had come under the rule of the House of Burgundy and subsequently the House of Habsburg. In 1549 Holy Roman Emperor Charles V issued the Pragmatic Sanction, Charles was succeeded by his son, King Philip II of Spain. This was the start of the Eighty Years War, in 1579 a number of the northern provinces of the Low Countries signed the Union of Utrecht, in which they promised to support each other in their defence against the Spanish army. This was followed in 1581 by the Act of Abjuration, the declaration of independence of the provinces from Philip II. In 1582 the United Provinces invited Francis, Duke of Anjou to lead them, but after an attempt to take Antwerp in 1583. After the assassination of William of Orange, both Henry III of France and Elizabeth I of England declined the offer of sovereignty, however, the latter agreed to turn the United Provinces into a protectorate of England, and sent the Earl of Leicester as governor-general. This was unsuccessful and in 1588 the provinces became a confederacy, the Union of Utrecht is regarded as the foundation of the Republic of the Seven United Provinces, which was not recognized by the Spanish Empire until the Peace of Westphalia in 1648. During the Anglo-French war, the territory was divided into groups, the Patriots, who were pro-French and pro-American and the Orangists. The Republic of the United Provinces faced a series of revolutions in 1783–1787. During this period, republican forces occupied several major Dutch cities, initially on the defence, the Orangist forces received aid from Prussian troops and retook the Netherlands in 1787. After the French Republic became the French Empire under Napoleon, the Batavian Republic was replaced by the Napoleonic Kingdom of Holland, the Netherlands regained independence from France in 1813. In the Anglo-Dutch Treaty of 1814 the names United Provinces of the Netherlands, on 16 March 1815, the son of stadtholder William V crowned himself King William I of the Netherlands. Between 1815 and 1890 the King of the Netherlands was also in a union the Grand Duke of the sovereign Grand Duchy of Luxembourg. After Belgium gained its independence in 1830, the state became known as the Kingdom of the Netherlands. The County of Holland was the wealthiest and most urbanized region in the world, the free trade spirit of the time received a strong augmentation through the development of a modern, effective stock market in the Low Countries. The Netherlands has the oldest stock exchange in the world, founded in 1602 by the Dutch East India Company, while Rotterdam has the oldest bourse in the Netherlands, the worlds first stock exchange, that of the Dutch East-India Company, went public in six different cities. Later, a court ruled that the company had to reside legally in a city so Amsterdam is recognized as the oldest such institution based on modern trading principles
Dutch Republic
–
Dutch East-India trading ship 1600
Dutch Republic
–
Flag
Dutch Republic
–
Onrust Island near
Batavia, 1699
Dutch Republic
–
Courtyard of the Amsterdam Stock Exchange, 1653
39.
States-General of the Netherlands
–
The States General is the bicameral legislature of the Netherlands, consisting of the Senate and the House of Representatives. The parliament meets at the Binnenhof in The Hague, the States General originated in the 15th century as an assembly of all the provincial states of the Burgundian Netherlands. The States General were replaced by the National Assembly after the Batavian Revolution of 1795, only to be restored in 1814, the States General was divided into a Senate and a House of Representatives in 1815, with the establishment of the United Kingdom of the Netherlands. On exceptional occasions, the two form a joint session known as the United Assembly. The President of the Senate serves as President of the States General during a United Assembly, ankie Broekers-Knol has been President of the Senate since 2013. The archaic Dutch word staten originally related to the classes in which medieval European societies were stratified, the clergy, the nobility. The word eventually came to mean the political body in which the estates were represented. Each province in the Habsburg Netherlands had its own staten and these representative bodies in turn were represented in the assembly that came to be known as Staten-Generaal, or Algemene Staten. The English word states may have a meaning as the Dutch word staten. The English phrases States General is probably a translation of the Dutch word. Historically, the term was used for the name of other national legislatures as, for example, the Catalan and Valencian Generalitat. Several geographic place names are derived from the States General, in 1609, Henry Hudson established Dutch trade in Staten Island, New York City and named the island Staaten Eylandt after the States General. Isla de los Estados, now an Argentine island, was named after this institution. Abel Tasman originally gave the name Staten Landt to what would become New Zealand, Staaten River is a river in the Cape York Peninsula, Australia. Later, regular sessions were held at Coudenberg in Brussels, Brabant, the next important event was the convocation of the States General by the ducal Council for 3 February 1477 after the death of Charles the Bold. In this session the States General forced the grant of the Great Privilege by Mary of Burgundy in which the right of the States General to convene on their own initiative was recognised, in 1576 the States General as a whole, however, openly rebelled against the Spanish crown. In 1579 the States General split as a number of provinces, united in the Union of Arras returned to obedience, while other provinces. After the Act of Abjuration in 1581 the northern States General replaced Philip II as the authority of the northern Netherlands
States-General of the Netherlands
States-General of the Netherlands
–
States General Staten-Generaal
States-General of the Netherlands
–
The
Dutch senate (Eerste Kamer)
States-General of the Netherlands
–
The
Dutch House of Representatives (Tweede kamer)
40.
Pastel
–
A pastel is an art medium in the form of a stick, consisting of pure powdered pigment and a binder. The pigments used in pastels are the same as used to produce all colored art media, including oil paints. The color effect of pastels is closer to the natural dry pigments than that of any other process, Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel, Pastel used as a verb means to produce an artwork with pastels, as an adjective it means pale in color. Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual pastel stick depends on the type of pastel and it also varies by individual manufacturer. Dry pastels have historically used binders such as gum arabic and gum tragacanth, methyl cellulose was introduced as a binder in the twentieth century. Often a chalk or gypsum component is present and they are available in varying degrees of hardness, the softer varieties being wrapped in paper. Some pastel brands use pumice in the binder to abrade the paper, dry pastel media can be subdivided as follows, Soft pastels, This is the most widely used form of pastel. The sticks have a portion of pigment and less binder. The drawing can be readily smudged and blended, but it results in a proportion of dust. White chalk may be used as a filler in producing pale, Pan Pastels, These are formulated with a minimum of binder in flat compacts and applied with special Soft micropore sponge tools. A 21st-century invention, Pan Pastels can be used for the painting or in combination with soft. Hard pastels, These have a portion of binder and less pigment. These can be used with other pastels for drawing outlines and adding accents, hard pastels are traditionally used to create the preliminary sketching out of a composition. However, the colors are brilliant and are available in a restricted range in contrast to soft pastels. Pastel pencils, These are pencils with a pastel lead and they are useful for adding fine details. In addition, pastels using a different approach to manufacture have been developed, Oil pastels, These have a soft, buttery consistency and they are dense and fill the grain of paper and are slightly more difficult to blend than soft pastels, but do not require a fixative
Pastel
–
Commercial pastels
Pastel
–
A young woman with pastel box and painting
Pastel
–
Georg Anton Urlaub (1713–1759) holding a box of pastels in his hands. Selfportrait, 1735
Pastel
–
Ants Laikmaa Taebla landscape from 1936.
41.
Arnold Houbraken
–
Arnold Houbraken was a Dutch painter and writer from Dordrecht, now remembered mainly as a biographer of artists from the Dutch Golden Age. Houbraken was sent first to learn threadtwisting from Johannes de Haan, after two years he then studied art with Willem van Drielenburch, who he was with during the rampjaar, the year 1672. He then studied 9 months with Jacobus Leveck and finally, four years with Samuel van Hoogstraten, in 1685 he married Sara Sasbout, and around 1709 he moved from Dordrecht to Amsterdam. Arnold Houbraken painted mythological and religious paintings, portraits and landscapes and his first attempt at an instructive manual for artists was his Emblem book, Inhoud van t Sieraad der Afbeelding, which was meant as a guide of possible painting themes. His registered pupils were Matthijs Balen, Johan Graham, and his son Jacob and his son Jacobus Houbraken was an engraver of portraits and book illustrations, including books by his father. His daughter Antonina Houbraken also became an engraver for an Amsterdam publisher and his daughter Christina Houbraken was also an artist. Arnold Houbrakens books sold well during the entire 18th century. Jacob Campo Weyerman published his version in serial form that was published as a complete set in 1769. Houbrakens engravings of the artists are in cases the only surviving portraits of these people. The first to make a sequel to Houbrakens work was Johan van Gool in 1750-51. Houbraken was very careful to check and double check his sources, excepting those cases where the artist died quite young, or whose oeuvre was lost during various wars, very few artists were included in the Schouburg who do not hang in international museums today. The first modern art historian to publish an update of his work was Adriaan van der Willigen, since then he has remained a valuable resource for art historians. The Schouburgh is part of the Basic Library of the dbnl which contains the 1000 most important works in Dutch literature from the Middle Ages to today
Arnold Houbraken
–
Portrait by his son
Jacob Houbraken
Arnold Houbraken
–
Houbraken portrayal of the Commemoration of King Mausolus by Queen Artemisia.
Arnold Houbraken
–
Pallas Athene Visiting Apollo on the Parnassus (1703)
42.
Emblem books
–
An emblem book is a book collecting emblems with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries, but if someone asks me what Emblemata really are. Some early emblem books were unillustrated, particularly those issued by the French printer Denis de Harsy, with time, however, the reading public came to expect emblem books to contain picture-text combinations. The picture was subject to interpretations, only by reading the text could a reader be certain which meaning was intended by the author. Thus the books are related to the personal symbolic picture-text combinations called personal devices, known in Italy as imprese. Emblem books, both secular and religious, attained enormous popularity throughout continental Europe, though in Britain they did not capture the imagination of readers to quite the same extent, the books were especially numerous in the Netherlands, Belgium, Germany, and France. Early European studies of Egyptian hieroglyphs, like that of Athanasius Kircher, assumed that the hieroglyphs were emblems, a similar collection of emblems, but not in book form, is Lady Drurys Closet. Andrea Alciato Guillaume de La Perrière Georgette de Montenay Otto van Veen Jacob Cats Albert Flamen Dunn, breaking a tradition, Hester Pulter and the English emblem book. Stronks, E. Dutch religious love emblems, Reflections of faith, Literature in the Light of the Emblem, Structural Parallels Between the Emblem and Literature in the Sixteenth and Seventeenth Centuries. University of Toronto Press The English Emblem Tradition. Volumes 1-5. University of Toronto Press Peter Maurice Daly, G. Richard Dimler, corpus Librorum Emblematum, Primary literature - The Jesuit Series. Parts 1 -5. University of Toronto Press Arthur Henkel & Albrecht Schöne, Emblemata, jahrhunderts, Verlag J. B. Metzler, Stuttgart - Weimar 1996, ISBN 3-476-01502-5. Massive catalog reproducing emblems with texts from all known 16th and 17th century emblem books, daniel Russell, The Emblem and Device in France, French Forum, Lexington, KY,1985
Emblem books
–
Wisdom - from
George Wither 's Book of Emblems (London 1635)
Emblem books
–
Woodcut from
Guillaume de La Perrière, Le Théâtre des bons engins, 1545.
43.
Putti
–
A putto is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. However, in the Baroque period of art, the putto came to represent the omnipresence of God, a putto representing a cupid is also called an amorino. The more commonly found form putti is the plural of the Italian word putto, the Italian word comes from the Latin word putus, meaning boy or child. Today, in Italian, putto means either toddler winged angel or, rarely, toddler boy. It may have derived from the same Indo-European root as the Sanskrit word putra, Avestan puθra-, Old Persian puça-, Pahlavi pus and pusar, all meaning son. Putti, in the ancient classical world of art, were winged infants that were believed to influence human lives. Putti are a motif found primarily on child sarcophagi of the 2nd century. Since then, Donatello has been called the originator of the putto because of the contribution to art he made in restoring the form of putto. He gave putto a distinct character by infusing the form with Christian meanings, putti also began to feature in works showing figures from classical mythology, which became popular in the same period. Most Renaissance putti are essentially decorative and they ornament both religious and secular works, without taking any actual part in the events depicted in narrative paintings. There are two forms of the putto as the main subject of a work of art in 16th-century Italian Renaissance art, the sleeping putto. So many artists have depicted them that a list would be pointless, but among the best-known are the sculptor Donatello, the two relaxed and curious putti who appear at the foot of Raphaels Sistine Madonna are often reproduced. They also experienced a revival in the 19th century, where they gamboled through paintings by French academic painters. The iconography of putti is deliberately unfixed, so that it is difficult to tell the difference between putti, cupids, and various forms of angels and they have no unique, immediately identifiable attributes, so that putti may have many meanings and roles in the context of art. In popular culture, putto is also used as a decorative art found on buildings, gardens, a putto smoking a cigarette served as the cover art for Van Halens album 1984. A putto is the protagonist of the 2000 third person shooter Messiah, in the British TV series Doctor Who, infants of the species Weeping Angels appear as putti. In the 1st-person shooter Team Fortress 2, the Meet the Pyro video has the BLU Team appear as putti in Pyroland, in the 2003 video game Drakengard, a group of malevolent god-like figures known as the Watchers appear as putti. The historiography of this matter is very short
Putti
–
Sleeping Putto, by
Léon Bazille Perrault, 1882
Putti
–
Sarcophagus of the Museo Pio-Clementino (
Vatican Museums).
Putti
–
Putto on the ceiling of
Stirling Castle.
Putti
–
Tomb and monument of
Ilaria del Carretto by
Jacopo della Quercia, ca. 1413 (plaster cast in Moscow)
44.
The Tortoise and the Hare
–
The Tortoise and the Hare is one of Aesops Fables and is numbered 226 in the Perry Index. The account of a race between unequal partners has attracted conflicting interpretations and it is itself a variant of a common folktale theme in which ingenuity and trickery are employed to overcome a stronger opponent. The story concerns a Hare who ridicules a slow-moving Tortoise, tired of the Hares boastful behaviour, the Tortoise challenges him to a race. The hare soon leaves the tortoise behind and, confident of winning, when the Hare awakes however, he finds that his competitor, crawling slowly but steadily, has arrived before him. The later version of the story in La Fontaines Fables, while more long-winded, as in several other fables by Aesop, the lesson it is teaching appears ambiguous. In Classical times it was not the Tortoise’s plucky conduct in taking on a bully that was emphasised, an old Greek source comments that many people have good natural abilities which are ruined by idleness, on the other hand, sobriety, zeal and perseverance can prevail over indolence. When the fable entered the European emblem tradition, the precept to ‘hasten slowly’ was recommended to lovers by Otto van Veen in his Emblemata Amorum, using a relation of the story. There the infant figure of Eros is shown passing through a landscape and pointing to the tortoise as it overtakes the sleeping hare under the motto “perseverance winneth. ”Later interpreters too have asserted that the moral is the proverbial the more haste. In the 19th century and after the fable was given satirical interpretations, in the social commentary of Charles H. Bennetts The Fables of Aesop translated into Human Nature, the hare is changed to a thoughtful craftsman prostrate under the foot of a capitalist entrepreneur. Lord Dunsany brings out another view in his The True History of the Tortoise, there the hare realises the stupidity of the challenge and refuses to proceed any further. The obstinate tortoise continues to the line and is proclaimed the swiftest by his backers. But, continues Dunsany, the reason that this version of the race is not widely known is that few of those that witnessed it survived the great forest-fire that happened shortly after. It came up over the weald by night with a great wind, in Classical times the story was annexed to a philosophical problem by Zeno of Elea in one of many demonstrations that movement is impossible to define satisfactorily. The second of Zenos paradoxes is that of Achilles and the Tortoise, hence Achilles can never catch the Tortoise, no matter how fast he runs, since the Tortoise will always be moving ahead. The only satisfactory refutation has been mathematical and since then the name of the fable has been applied to the function described in Zenos paradox, in mathematics and computer science, the tortoise and the hare algorithm is an alternative name for Floyds cycle-finding algorithm. There is a Greek version of the fable but no early Latin version, for this reason it did not begin to appear in printed editions of Aesops fables until the 16th century, one of the earliest being Bernard Salomons Les Fables dEsope Phrygien, mises en Ryme Francoise. Versions followed from the Netherlands and Flanders but none in English before Francis Barlows edition of 1667, among the many illustrations of the fable, that by the French caricaturist Jean Grandville is novel in portraying the tortoise as running upright. This is also how he is shown in the Walt Disney cartoon version of The Tortoise, another departure from the ordinary in Grandvilles etching is the choice of a mole rather than, as usual, a fox as the judge at the finishing line
The Tortoise and the Hare
–
"The Tortoise and the Hare", from an edition of
Aesop's Fables illustrated by
Arthur Rackham, 1912
The Tortoise and the Hare
–
A 19th-century illustration of
La Fontaine's Fables by
Jean Grandville
45.
Aesop
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Aesop was a Greek fabulist and story teller credited with a number of fables now collectively known as Aesops Fables. Many of the tales are characterized by animals and inanimate objects that speak, solve problems, scattered details of Aesops life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. Older spellings of his name have included Esop and Isope, depictions of Aesop in popular culture over the last 2500 years have included many works of art and his appearance as a character in numerous books, films, plays, and television programs. The name of Aesop is as known as any that has come down from Graeco-Roman antiquity it is far from certain whether a historical Aesop ever existed. In the latter part of the fifth century something like a coherent Aesop legend appears, the earliest Greek sources, including Aristotle, indicate that Aesop was born around 620 BCE in Thrace at a site on the Black Sea coast which would later become the city Mesembria. A number of writers from the Roman imperial period say that he was born in Phrygia. The 3rd-century poet Callimachus called him Aesop of Sardis, and the later writer Maximus of Tyre called him the sage of Lydia. Before this fatal episode, Aesop met with Periander of Corinth, where Plutarch has him dining with the Seven Sages of Greece, sitting beside his friend Solon, whom he had met in Sardis. Like The Alexander Romance, The Aesop Romance became a folkbook, a work that belonged to no one, multiple, sometimes contradictory, versions of this work exist. Scholars long dismissed any historical or biographical validity in The Aesop Romance, in The Aesop Romance, Aesop is a slave of Phrygian origin on the island of Samos, and extremely ugly. After interpreting a portent for the people of Samos, Aesop is given his freedom, later he travels to the courts of Lycurgus of Babylon and Nectanabo of Egypt – both imaginary rulers – in a section that appears to borrow heavily from the romance of Ahiqar. The story ends with Aesops journey to Delphi, where he angers the citizens by telling insulting fables, is sentenced to death and, Aesop may not have written his fables. Scholars speculate that there existed in the fifth century a written book containing various fables of Aesop. Sophocles in a poem addressed to Euripides made reference to Aesops fable of the North Wind, Socrates while in prison turned some of the fables into verse, of which Diogenes Laertius records a small fragment. The early Roman playwright and poet Ennius also rendered at least one of Aesops fables in Latin verse, the body of work identified as Aesops Fables was transmitted by a series of authors writing in both Greek and Latin. Demetrius of Phalerum made a collection in ten books, probably in prose for the use of orators, next appeared an edition in elegiac verse, cited by the Suda, but the authors name is unknown. Phaedrus, a freedman of Augustus, rendered the fables into Latin in the 1st century CE, at about the same time Babrius turned the fables into Greek choliambics. A 3rd-century author, Titianus, is said to have rendered the fables into prose in a now lost
Aesop
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Hellenistic statue claimed to depict Aesop, Art Collection of
Villa Albani, Rome
Aesop
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A woodcut from La vida del Ysopet con sus fabulas historiadas (Spain, 1489) depicting a
hunchbacked Aesop surrounded by events from the stories in
Planudes ' version of his life
Aesop
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Aesop as depicted by
Francis Barlow in the 1687 edition of Aesop's Fables with His Life
Aesop
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Example of a coin image from ancient
Delphi thought by one antiquarian to represent Aesop.
46.
Karel van Mander
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Karel van Mander or Carel van Mander I was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters, as an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic. It is not certain who wrote this sketch and various candidates have been proposed. Most recently it has argued that it was written by his son Karel van Mander the Younger. His son would have relied on information that Karel van Mander had written himself as well as on his own recollections. The information in the sketch is not entirely reliable but is still regarded as the best source of information on van Manders life. Van Mander was born into a family in Meulebeke, in the County of Flanders. He studied under Lucas de Heere in Ghent, and in 1568-1569 under Pieter Vlerick in Kortrijk, the next five years he devoted to the writing of religious plays for which he also painted the scenery. Then followed three years in Rome and his biographical sketch refers to van Mander as the discoverer of caves in Rome. This may be a reference to the Catacombs of Rome although the meaning of the reference is unclear. In Rome he may also have come into contact with fellow Fleming Bartholomeus Spranger and his patrons in Rome included several cardinals. On his return journey he passed through Vienna, where, together with Spranger, van Mander settled in Meulebeke in 1578 where he was active as a painter and writer. He married an 18-year-old local girl, with whom he had a son, in 1580 he left for Kortrijk due to religious troubles caused by Catholic zealots in Meulebeke. Karel van Mander had at some point become a Mennonite and was therefore a target of these zealots. In Kortrijk he got a commission for an altar piece, in Kortrijk another son was born. He left Kortrijk for Bruges in 1582 because of an outbreak of the plague, in Bruges, he worked with the painter Paul Weyts. Here he worked for 20 years on a commission by the Haarlem city fathers to inventory their art collection, the city of Haarlem had confiscated all Catholic religious art after the satisfactie van Haarlem, which gave Catholics equal rights to Protestants, had been overturned in 1578. Van Mander used his work on the commission in his Schilder-boeck, while in Haarlem he continued to paint, concentrating his energy on his favourite genre, historical allegories
Karel van Mander
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Portrait of Karel van Mander from his book
Karel van Mander
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Garden of Love, 1602,
Hermitage Museum
Karel van Mander
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Landscape with snow and the Crucifixion, 1599, Private Collection
Karel van Mander
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The Continence of Scipio, 1600,
Rijksmuseum, Amsterdam
47.
RKD
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The Netherlands Institute for Art History or RKD is located in The Hague and is home to the largest art history center in the world. The center specializes in documentation, archives, and books on Western art from the late Middle Ages until modern times, all of this is open to the public, and much of it has been digitized and is available on their website. The main goal of the bureau is to collect, categorize, via the available databases, the visitor can gain insight into archival evidence on the lives of many artists of past centuries. The library owns approximately 450,000 titles, of which ca.150,000 are auction catalogs, there are ca.3,000 magazines, of which 600 are currently running subscriptions. Though most of the text is in Dutch, the record format includes a link to library entries and images of known works. The RKD also manages the Dutch version of the Art and Architecture Thesaurus, the original version is an initiative of the Getty Research Institute in Los Angeles, California. Their bequest formed the basis for both the art collection and the library, which is now housed in the Koninklijke Bibliotheek. Though not all of the holdings have been digitised, much of its metadata is accessible online. The website itself is available in both a Dutch and an English user interface, in the artist database RKDartists, each artist is assigned a record number. To reference an artist page directly, use the code listed at the bottom of the record, usually of the form, https, for example, the artist record number for Salvador Dalí is 19752, so his RKD artist page can be referenced. In the images database RKDimages, each artwork is assigned a record number, to reference an artwork page directly, use the code listed at the bottom of the record, usually of the form, https, //rkd. nl/en/explore/images/ followed by the artworks record number. For example, the record number for The Night Watch is 3063. The Art and Architecture Thesaurus also assigns a record for each term, rather, they are used in the databases and the databases can be searched for terms. For example, the painting called The Night Watch is a militia painting, the thesaurus is a set of general terms, but the RKD also contains a database for an alternate form of describing artworks, that today is mostly filled with biblical references. To see all images that depict Miriams dance, the associated iconclass code 71E1232 can be used as a search term. Official website Direct link to the databases The Dutch version of the Art and Architecture Thesaurus
RKD
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As the logos on the window show, the RKD shares the same building located at
Den Haag Centraal with the National Archives, the Nederlands Letterkundig Museum (nl) (LM), the
Huygens ING, the
Netherlands Music Institute (NMI) and the
Koninklijke Bibliotheek.
48.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
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A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
49.
Oxford University Press
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Oxford University Press is the largest university press in the world, and the second oldest after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics appointed by the known as the delegates of the press. They are headed by the secretary to the delegates, who serves as OUPs chief executive, Oxford University has used a similar system to oversee OUP since the 17th century. The university became involved in the print trade around 1480, and grew into a printer of Bibles, prayer books. OUP took on the project became the Oxford English Dictionary in the late 19th century. Moves into international markets led to OUP opening its own offices outside the United Kingdom, by contracting out its printing and binding operations, the modern OUP publishes some 6,000 new titles around the world each year. OUP was first exempted from United States corporation tax in 1972, as a department of a charity, OUP is exempt from income tax and corporate tax in most countries, but may pay sales and other commercial taxes on its products. The OUP today transfers 30% of its surplus to the rest of the university. OUP is the largest university press in the world by the number of publications, publishing more than 6,000 new books every year, the Oxford University Press Museum is located on Great Clarendon Street, Oxford. Visits must be booked in advance and are led by a member of the archive staff, displays include a 19th-century printing press, the OUP buildings, and the printing and history of the Oxford Almanack, Alice in Wonderland and the Oxford English Dictionary. The first printer associated with Oxford University was Theoderic Rood, the first book printed in Oxford, in 1478, an edition of Rufinuss Expositio in symbolum apostolorum, was printed by another, anonymous, printer. Famously, this was mis-dated in Roman numerals as 1468, thus apparently pre-dating Caxton, roods printing included John Ankywylls Compendium totius grammaticae, which set new standards for teaching of Latin grammar. After Rood, printing connected with the university remained sporadic for over half a century, the chancellor, Robert Dudley, 1st Earl of Leicester, pleaded Oxfords case. Some royal assent was obtained, since the printer Joseph Barnes began work, Oxfords chancellor, Archbishop William Laud, consolidated the legal status of the universitys printing in the 1630s. Laud envisaged a unified press of world repute, Oxford would establish it on university property, govern its operations, employ its staff, determine its printed work, and benefit from its proceeds. To that end, he petitioned Charles I for rights that would enable Oxford to compete with the Stationers Company and the Kings Printer and these were brought together in Oxfords Great Charter in 1636, which gave the university the right to print all manner of books. Laud also obtained the privilege from the Crown of printing the King James or Authorized Version of Scripture at Oxford and this privilege created substantial returns in the next 250 years, although initially it was held in abeyance. The Stationers Company was deeply alarmed by the threat to its trade, under this, the Stationers paid an annual rent for the university not to exercise its full printing rights – money Oxford used to purchase new printing equipment for smaller purposes
Oxford University Press
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Oxford University Press on
Walton Street.
Oxford University Press
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2008 conference booth
50.
Virtual International Authority File
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The Virtual International Authority File is an international authority file. It is a joint project of national libraries and operated by the Online Computer Library Center. The project was initiated by the US Library of Congress, the German National Library, the National Library of France joined the project on October 5,2007. The project transitions to a service of the OCLC on April 4,2012, the aim is to link the national authority files to a single virtual authority file. In this file, identical records from the different data sets are linked together, a VIAF record receives a standard data number, contains the primary see and see also records from the original records, and refers to the original authority records. The data are available online and are available for research and data exchange. Reciprocal updating uses the Open Archives Initiative Protocol for Metadata Harvesting protocol, the file numbers are also being added to Wikipedia biographical articles and are incorporated into Wikidata. VIAFs clustering algorithm is run every month, as more data are added from participating libraries, clusters of authority records may coalesce or split, leading to some fluctuation in the VIAF identifier of certain authority records
Virtual International Authority File
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Screenshot 2012
Media related to Otto van Veen at Wikimedia Commons
