1.
Athens
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Athens is the capital and largest city of Greece. In modern times, Athens is a cosmopolitan metropolis and central to economic, financial, industrial, maritime. In 2015, Athens was ranked the worlds 29th richest city by purchasing power, Athens is recognised as a global city because of its location and its importance in shipping, finance, commerce, media, entertainment, arts, international trade, culture, education and tourism. It is one of the biggest economic centres in southeastern Europe, with a financial sector. The municipality of Athens had a population of 664,046 within its limits. The urban area of Athens extends beyond its administrative city limits. According to Eurostat in 2011, the Functional urban areas of Athens was the 9th most populous FUA in the European Union, Athens is also the southernmost capital on the European mainland. The city also retains Roman and Byzantine monuments, as well as a number of Ottoman monuments. Athens is home to two UNESCO World Heritage Sites, the Acropolis of Athens and the medieval Daphni Monastery, Athens was the host city of the first modern-day Olympic Games in 1896, and 108 years later it welcomed home the 2004 Summer Olympics. In Ancient Greek, the name of the city was Ἀθῆναι a plural, in earlier Greek, such as Homeric Greek, the name had been current in the singular form though, as Ἀθήνη. It was possibly rendered in the later on, like those of Θῆβαι and Μυκῆναι. During the medieval period the name of the city was rendered once again in the singular as Ἀθήνα, an etiological myth explaining how Athens has acquired its name was well known among ancient Athenians and even became the theme of the sculpture on the West pediment of the Parthenon. The goddess of wisdom, Athena, and the god of the seas, Poseidon had many disagreements, in an attempt to compel the people, Poseidon created a salt water spring by striking the ground with his trident, symbolizing naval power. However, when Athena created the tree, symbolizing peace and prosperity. Different etymologies, now rejected, were proposed during the 19th century. Christian Lobeck proposed as the root of the name the word ἄθος or ἄνθος meaning flower, ludwig von Döderlein proposed the stem of the verb θάω, stem θη- to denote Athens as having fertile soil. In classical literature, the city was referred to as the City of the Violet Crown, first documented in Pindars ἰοστέφανοι Ἀθᾶναι. In medieval texts, variant names include Setines, Satine, and Astines, today the caption η πρωτεύουσα, the capital, has become somewhat common
2.
Ancient Greece
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Ancient Greece was a civilization belonging to a period of Greek history from the Greek Dark Ages of the 12th-9th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and this was followed by the period of Classical Greece, an era that began with the Greco-Persian Wars, lasting from the 5th to 4th centuries BC. Due to the conquests by Alexander the Great of Macedonia, Hellenistic civilization flourished from Central Asia to the end of the Mediterranean Sea. Classical Greek culture, especially philosophy, had a influence on ancient Rome. For this reason Classical Greece is generally considered to be the culture which provided the foundation of modern Western culture and is considered the cradle of Western civilization. Classical Antiquity in the Mediterranean region is considered to have begun in the 8th century BC. Classical Antiquity in Greece is preceded by the Greek Dark Ages and this period is succeeded, around the 8th century BC, by the Orientalizing Period during which a strong influence of Syro-Hittite, Jewish, Assyrian, Phoenician and Egyptian cultures becomes apparent. The end of the Dark Ages is also dated to 776 BC. The Archaic period gives way to the Classical period around 500 BC, Ancient Periods Astronomical year numbering Dates are approximate, consult particular article for details The history of Greece during Classical Antiquity may be subdivided into five major periods. The earliest of these is the Archaic period, in which artists made larger free-standing sculptures in stiff, the Archaic period is often taken to end with the overthrow of the last tyrant of Athens and the start of Athenian Democracy in 508 BC. It was followed by the Classical period, characterized by a style which was considered by observers to be exemplary, i. e. classical, as shown in the Parthenon. This period saw the Greco-Persian Wars and the Rise of Macedon, following the Classical period was the Hellenistic period, during which Greek culture and power expanded into the Near and Middle East. This period begins with the death of Alexander and ends with the Roman conquest, Herodotus is widely known as the father of history, his Histories are eponymous of the entire field. Herodotus was succeeded by authors such as Thucydides, Xenophon, Demosthenes, Plato, most of these authors were either Athenian or pro-Athenian, which is why far more is known about the history and politics of Athens than those of many other cities. Their scope is limited by a focus on political, military and diplomatic history, ignoring economic. In the 8th century BC, Greece began to emerge from the Dark Ages which followed the fall of the Mycenaean civilization, literacy had been lost and Mycenaean script forgotten, but the Greeks adopted the Phoenician alphabet, modifying it to create the Greek alphabet. The Lelantine War is the earliest documented war of the ancient Greek period and it was fought between the important poleis of Chalcis and Eretria over the fertile Lelantine plain of Euboea. Both cities seem to have suffered a decline as result of the long war, a mercantile class arose in the first half of the 7th century BC, shown by the introduction of coinage in about 680 BC
3.
Stadium
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Pausanias noted that for about half a century the only event at the ancient Greek Olympic festival was the race that comprised one length of the stade at Olympia, where the word stadium originated. In modern times, a stadium is officially a stadium when at least 50% of the capacity is an actual building. If the majority of the capacity is formed by grasshills, the venue is not officially considered a stadium. Most of the stadiums with a capacity of at least 10,000 are used for football, or soccer. A large amount of sports venues are also used for concerts. Stadium is the Latin form of the Greek word stadion, a measure of length equalling the length of 600 human feet, as feet are of variable length the exact length of a stadion depends on the exact length adopted for 1 foot at a given place and time. Although in modern terms 1 stadion =600 ft, in a historical context it may actually signify a length up to 15% larger or smaller. The equivalent Roman measure, the stadium, had a similar length — about 185 m -, the English use of stadium comes from the tiered infrastructure surrounding a Roman track of such length. Most dictionaries provide for both stadiums and stadia as valid English plurals, although etymological purists sometimes apply stadia only to measures of length in excess of 1 stadium. The oldest known stadium is the one in Olympia, in the western Peloponnese, Greece, initially the Games consisted of a single event, a sprint along the length of the stadium. The stadion, a measure of length, may be related to the Stadium, Greek and Roman stadiums have been found in numerous ancient cities, perhaps the most famous being the Stadium of Domitian, in Rome. The excavated and refurbished ancient Panathenaic stadium hosted a version of the Olympic Games in 1870,1875,1896 and 1906. The excavation and refurbishment of the stadium was part of the legacy of the Greek national benefactor Evangelos Zappas, the first stadiums to be built in the modern era were basic facilities, designed for the single purpose of fitting as many spectators in as possible. One such early stadium was the Lansdowne Road Stadium, the brainchild of Henry Dunlop, banned from locating sporting events at Trinity College, Dunlop built the stadium in 1872. Some 300 cartloads of soil from a trench beneath the railway were used to raise the ground, other early stadiums from this period in the UK include the Stamford Bridge stadium and Anfield stadium. In the U. S. However, many of these caught fire. All of the 19th-century wooden parks were replaced, some only a few years. Goodison Park was the first purpose-built football stadium in the world, walton-based building firm Kelly brothers were instructed to erect two uncovered stands that could each accommodate 4,000 spectators
4.
Ancient Olympic Games
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The Olympic Games were a series of athletic competitions among representatives of city-states and one of the Panhellenic Games of Ancient Greece. They were held in honor of Zeus, and the Greeks gave them a mythological origin, the first Olympics is traditionally dated to 776 BC. The games were held four years, or olympiad, which became a unit of time in historical chronologies. During the celebration of the games, an Olympic Truce was enacted so that athletes could travel from their cities to the games in safety, the prizes for the victors were olive leaf wreaths or crowns. The games became a tool used by city-states to assert dominance over their rivals. Politicians would announce political alliances at the games, and in times of war, the games were also used to help spread Hellenistic culture throughout the Mediterranean. The Olympics also featured religious celebrations, the statue of Zeus at Olympia was counted as one of the seven wonders of the ancient world. Sculptors and poets would congregate each olympiad to display their works of art to would-be patrons, the ancient Olympics had fewer events than the modern games, and only freeborn Greek men were allowed to participate, although there were victorious women chariot owners. The games were held at Olympia rather than moving between different locations as is the practice with the modern Olympic Games. Victors at the Olympics were honored, and their feats chronicled for future generations, to the Greeks, it was important to root the Olympic Games in mythology. During the time of the ancient games their origins were attributed to the gods and these origin traditions have become nearly impossible to untangle, yet a chronology and patterns have arisen that help people understand the story behind the games. The earliest myths regarding the origin of the games are recounted by the Greek historian, according to the story, the dactyl Heracles and four of his brothers, Paeonaeus, Epimedes, Iasius and Idas, raced at Olympia to entertain the newborn Zeus. He crowned the victor with an olive wreath, which also explains the four year interval. The other Olympian gods would also engage in wrestling, jumping and running contests, another myth of the origin of the games is the story of Pelops, a local Olympian hero. The story of Pelops begins with Oenomaus, the king of Pisa, Greece, according to an oracle, the king would be killed by her husband. Now, the kings chariot horses were a present from the god Poseidon and were therefore supernaturally fast, Pelops was a very handsome young man and the kings daughter fell in love with him. Before the race, she persuaded her fathers charioteer Myrtilus to replace the bronze axle pins of the chariot with wax ones. Naturally, during the race the wax melted and the fell from his chariot and was killed
5.
Parthenon
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The Parthenon is a former temple, on the Athenian Acropolis, Greece, dedicated to the goddess Athena, whom the people of Athens considered their patron. Construction began in 447 BC when the Athenian Empire was at the peak of its power and it was completed in 438 BC although decoration of the building continued until 432 BC. It is the most important surviving building of Classical Greece, generally considered the zenith of the Doric order and its decorative sculptures are considered some of the high points of Greek art. The Parthenon is regarded as an symbol of Ancient Greece, Athenian democracy and western civilization. The Greek Ministry of Culture is currently carrying out a programme of restoration and reconstruction to ensure the stability of the partially ruined structure. The Parthenon itself replaced a temple of Athena, which historians call the Pre-Parthenon or Older Parthenon. The temple is aligned to the Hyades. While a sacred building dedicated to the patron goddess, the Parthenon was actually used primarily as a treasury. For a time, it served as the treasury of the Delian League, in the final decade of the sixth century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary. After the Ottoman conquest, it was turned into a mosque in the early 1460s, on 26 September 1687, an Ottoman ammunition dump inside the building was ignited by Venetian bombardment. The resulting explosion damaged the Parthenon and its sculptures. From 1800 to 1803, Thomas Bruce, 7th Earl of Elgin removed some of the sculptures with the alleged permission of the Ottoman Empire. These sculptures, now known as the Elgin Marbles or the Parthenon Marbles, were sold in 1816 to the British Museum in London, since 1983, the Greek government has been committed to the return of the sculptures to Greece. The Liddell–Scott–Jones Greek–English Lexicon states that this room was the western cella of the Parthenon, jamauri D. Christopher Pelling asserts that Athena Parthenos may have constituted a discrete cult of Athena, intimately connected with, but not identical to, that of Athena Polias. According to this theory, the name of the Parthenon means the temple of the virgin goddess and it has also been suggested that the name of the temple alludes to the maidens, whose supreme sacrifice guaranteed the safety of the city. Parthénos has also applied to the Virgin Mary, Parthénos Maria. The first instance in which Parthenon definitely refers to the building is found in the writings of the 4th century BC orator Demosthenes. In 5th-century building accounts, the structure is simply called ho naos, because the Parthenon was dedicated to the Greek goddess Athena, it has sometimes been referred to as the Temple of Minerva, the Roman name for Athena, particularly during the 19th century
6.
Peplos
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A peplos is a body-length garment established as typical attire for women in ancient Greece by 500 BC. It was a long, tubular cloth with the top folded down about halfway, so that what was the top of the tube was now draped below the waist. The garment was gathered about the waist and the folded top edge pinned over the shoulders. The folded-down top of the tube provided the appearance of a piece of clothing. The peplos was draped and open on one side of the body and it should not be confused with the Ionic chiton, which was a piece of fabric folded over and sewn together along the longer side to form a tube. The Classical garment is represented in Greek vase painting from the 5th century BC, spartan women continued to wear the peplos much later in history than other Greek cultures, causing other Greeks to call them phainomērídes the thigh-showers. They had to weave a theme of Athenas defeat of Enkelados, the peplos of the statue was changed each year during the Plynteria. The peplos played a role in the Athenian festival of the Great Panathenaea, nine months before the festival, at the arts and crafts festival titled Chalkeia, a special peplos would begin to be woven by young women. This peplos was placed on the statue of Athena during the festival procession, the peplos had myths and stories woven into its material and usually consisted of purple and saffron yellow cloth. Chiton Clothing in ancient Greece Clothing in the ancient world Peplos Greek Dress Peplum dresses
7.
Athena
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Athena or Athene, often given the epithet Pallas, is the goddess of wisdom, craft, and war in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena, Athena is known for her calm temperament, as she moves slowly to anger. She is noted to have fought for just reasons. Athena is portrayed as a companion of heroes and is the patron goddess of heroic endeavour. She is the patroness of Athens. The Athenians founded the Parthenon on the Acropolis of her city, Athens. Veneration of Athena was so persistent that archaic myths about her were recast to adapt to cultural changes, in her role as a protector of the city, many people throughout the Greek world worshipped Athena as Athena Polias. While the city of Athens and the goddess Athena essentially bear the same name, Athena is associated with Athens, a plural name, because it was the place where she presided over her sisterhood, the Athenai, in earliest times. Mycenae was the city where the Goddess was called Mykene, at Thebes she was called Thebe, and the city again a plural, Thebae. Similarly, at Athens she was called Athena, and the city Athenae, Athena had a special relationship with Athens, as is shown by the etymological connection of the names of the goddess and the city. According to mythical lore, she competed with Poseidon and she won by creating the olive tree, the Athenians would accept her gift and name the city after her. In history, the citizens of Athens built a statue of Athena as a temple to the goddess, which had piercing eyes, a helmet on her head, attired with an aegis or cuirass, and an extremely long spear. It also had a shield with the head of the Gorgon on it. A large snake accompanied her and she held Nike, the goddess of victory, therefore, Mylonas believes that Athena was a Mycenaean creation. On the other hand, Nilsson claims that she was the goddess of the palace who protected the king, a-ta-no-dju-wa-ja is also found in Linear A Minoan, the final part being regarded as the Linear A Minoan equivalent of the Linear B Mycenaean di-u-ja or di-wi-ja. Divine Athena also was a weaver and the deity of crafts, whether her name is attested in Eteocretan or not will have to wait for decipherment of Linear A. Perhaps, however, the name Theonoe may mean she who knows divine things better than others. Thus for Plato her name was to be derived from Greek Ἀθεονόα, Plato also noted that the citizens of Sais in Egypt worshipped a goddess whose Egyptian name was Neith, and which was identified with Athena. Neith was the war goddess and huntress deity of the Egyptians since the ancient Pre-Dynastic period, in addition, ancient Greek myths reported that Athena had visited many mythological places such as Libyas Triton River in North Africa and the Phlegraean plain
8.
Parthenon Frieze
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The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c.443 and 438 BC, most likely under the direction of Pheidias, of the 524 feet of the original frieze,420 feet survives—some 80 percent. The rest is known only from the attributed to French artist Jacques Carrey in 1674. At present, the majority of the frieze is at the British Museum in London, the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere. Plutarch’s Life of Pericles,13. 4–9, informs us “the man who directed all the projects and was overseer for him was Phidias. Almost everything was under his supervision, and, as we have said, he was in charge, owing to his friendship with Perikles, the description was not architekton, the term usually given to the creative influence behind a building project, rather episkopos. The frieze consists of 378 figures and 245 animals and it was 160 meters in length when complete, as well as 1 meter in height, and it projects 5.6 cm forward at its maximum depth. It is composed of 114 blocks of an average 1.22 meters in length and it was a particular novelty of the Parthenon that the cella carries an Ionic frieze over the hexastyle pronaos rather than Doric metopes, as would have been expected of a Doric temple. The marble was quarried from Mt. Pentelikon and transported 19 km to the acropolis of Athens, a persistent question has been whether it was carved in situ. Additionally, on grounds it is easier to move a sculptor than a sculpture. It was finished with metal detailing and painted, no colour, however, survives, but perhaps the background was blue, judging by comparison with grave stelae and the paint remnants on the frieze of the Hephaisteion. Possibly figures held objects that were rendered in paint such as Poseidon’s trident. The many drill holes found in Hera’s and Apollos heads indicate that a bronze wreath would probably have crowned the deities. The system of numbering the frieze blocks dates back to Adolf Michaeliss 1871 work Der Parthenon, the narrative of the frieze begins at the southwest corner where the procession appears to divide into two separate files. The first third of the west frieze is not part of the procession, the following ranks W21–1 along with N75–136 and S1–61 are all of horsemen and constitute 46% of the whole frieze. They are divided into two lines of ten ranks – the same number as that of the Attic tribes, next are the four-horse chariots, each with charioteer and armed passenger, there are ten on the south frieze and eleven on the north. Since these passengers are sometimes depicted as dismounting they may be taken to represent the apobatai, participants in the race found in Attica
9.
Panathenaic amphora
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Panathenaic amphorae were the amphorae, large ceramic vessels, that contained the olive oil given as prizes in the Panathenaic Games. Some were ten gallons and 60-70 cm high and this oil came from the sacred grove of Athena at Akademia. On the back of the vase was a representation of the event for which it was an award, sometimes roosters are depicted perched on top of the columns. The significance of the remains a mystery. Later amphorae also had that years archons name written on it making finds of those vases archaeologically important, the vases were commissioned by the state from the leading pottery workshops of the day in large numbers. Their canonical shape was set by 530 BCE, but the earliest known example is the Burgon amphora and this may mean that the vase predates the festivals reorganization in 566 since it is not an athletic event. The cock column is first seen on a panathenaic by Exekias, by the early fourth century the inclusion of the archons name appears on these vases, the earliest almost intact one being Asteios 373/2 BCE. There is a fragment that bears the name Hippodamas of 375/4 BCE, however, which may also be a panathenaic, as the century progressed the profile of the vases became elongated and the decoration more mannered. Some vases were used as grave goods by the families of the victors, some were dedicated to sanctuaries, the survival rate of Greek pottery as a whole may be calculated from the remnant of panathenaic amphorae that exist. After approximately 350 BCE at least 1450 vases were awarded four years in the greater Panathenaia. 25% of all Greek vases awarded are still extant. Basel, Vereinigung der Freunde Antiker Kunst 1998 ISBN 3-909064-18-3 Martin Bentz, Norbert Eschbach, Panathenaïka, ISBN 3-8053-2708-0 S. A. Callisen, The Iconography of the Cock on the Column, The Art Bulletin, Vol.21, No
