1.
Mausoleum
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A mausoleuma is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or people. A monument without the interment is a cenotaph, a mausoleum may be considered a type of tomb, or the tomb may be considered to be within the mausoleum. A Christian mausoleum sometimes includes a chapel, the word derives from the Mausoleum at Halicarnassus, the grave of King Mausolus, the Persian satrap of Caria, whose large tomb was one of the Seven Wonders of the Ancient World. Historically, mausolea were, and still may be, large, however, smaller mausolea soon became popular with the gentry and nobility in many countries. In the Roman Empire, these were often ranged in necropoles or along roadsides, however, when Christianity became dominant, mausoleums were out of use. Later, mausolea became particularly popular in Europe and its colonies during the modern and modern periods. A single mausoleum may be permanently sealed, a mausoleum encloses a burial chamber either wholly above ground or within a burial vault below the superstructure. This contains the body or bodies, probably within sarcophagi or interment niches, modern mausolea may also act as columbaria with additional cinerary urn niches. Mausolea may be located in a cemetery, a churchyard or on private land, in the United States, the term may be used for a burial vault below a larger facility, such as a church. The Cathedral of Our Lady of the Angels in Los Angeles, California, for example, has 6,000 sepulchral and it is known as the crypt mausoleum. In Europe, these vaults are sometimes called crypts or catacombs. Mausoleum of Mohammed V Bourguiba mausoleum The Dr. John Garang De Mabior mausoleum in Juba, agostinho Netos Mausoleum in Luanda, Angola. Omar Bongos Mausoleum in Franceville, Gabon, kwame Nkrumah Mausoleum Marien Ngouabis mausoleum and Pierre Savorgnan de Brazzas mausoleum in Brazzaville, The Republic of Congo. Mausoleum of the late president Felix Houphouet-Boigny in Yamoussoukro, Côte dIvoire, laurent Kabilas mausoleum in Kinshasa, The Democratic Republic of Congo. The pyramids of ancient Egypt and Nubian pyramids are also types of mausolea, Abdel Nasser Mosque, is the Mausoleum of Gamal Abdel Nasser, in Cairo, Egypt. Unknown Soldier Memorial Royal Mausoleum of Mauretania Al Hussein Mosque, Cairo – Holy Shrine and mausoleum, Qalawun Mausoleum is the Mausoleum of Qalawun, Located in Cairo, Egypt, it was regarded by scholars as the second most beautiful medieval mausoleum ever to be built. Jedars - thirteen ancient monumental Berber mausoleums located south of Tiaret, Late President Eyademas Family Mausoleum in Kara, Togo. Kamuzu Banda Mausoleum, in Lilongwe, Malawi, Dr. Bingu wa Mutharika, President of Malawi built a mausoleum in which his late first wife and Bingu himself are buried
2.
Neoclassicism
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The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th, European Neoclassicism in the visual arts began c.1760 in opposition to the then-dominant Baroque and Rococo styles. Each neo-classicism selects some models among the range of classics that are available to it. They ignored both Archaic Greek art and the works of Late Antiquity, the Rococo art of ancient Palmyra came as a revelation, through engravings in Woods The Ruins of Palmyra. While the movement is described as the opposed counterpart of Romanticism. The case of the main champion of late Neoclassicism, Ingres, demonstrates this especially well. The revival can be traced to the establishment of formal archaeology, the writings of Johann Joachim Winckelmann were important in shaping this movement in both architecture and the visual arts. With the advent of the Grand Tour, a fad of collecting antiquities began that laid the foundations of many great collections spreading a Neoclassical revival throughout Europe, Neoclassicism in each art implies a particular canon of a classical model. In English, the term Neoclassicism is used primarily of the arts, the similar movement in English literature. This, which had been dominant for decades, was beginning to decline by the time Neoclassicism in the visual arts became fashionable. Though terms differ, the situation in French literature was similar, in music, the period saw the rise of classical music, and Neoclassicism is used of 20th-century developments. Ingress coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, much Neoclassical painting is more classicizing in subject matter than in anything else. A fierce, but often very badly informed, dispute raged for decades over the merits of Greek and Roman art, with Winckelmann. The work of artists, who could not easily be described as insipid, combined aspects of Romanticism with a generally Neoclassical style. Unlike Carstens unrealized schemes, the etchings of Giovanni Battista Piranesi were numerous and profitable and his main subject matter was the buildings and ruins of Rome, and he was more stimulated by the ancient than the modern. Neoclassicism in painting gained a new sense of direction with the success of Jacques-Louis Davids Oath of the Horatii at the Paris Salon of 1785. Despite its evocation of republican virtues, this was a commission by the royal government, David managed to combine an idealist style with drama and forcefulness. David rapidly became the leader of French art, and after the French Revolution became a politician with control of government patronage in art
3.
Paris
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Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
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France
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France, officially the French Republic, is a country with territory in western Europe and several overseas regions and territories. The European, or metropolitan, area of France extends from the Mediterranean Sea to the English Channel and the North Sea, Overseas France include French Guiana on the South American continent and several island territories in the Atlantic, Pacific and Indian oceans. France spans 643,801 square kilometres and had a population of almost 67 million people as of January 2017. It is a unitary republic with the capital in Paris. Other major urban centres include Marseille, Lyon, Lille, Nice, Toulouse, during the Iron Age, what is now metropolitan France was inhabited by the Gauls, a Celtic people. The area was annexed in 51 BC by Rome, which held Gaul until 486, France emerged as a major European power in the Late Middle Ages, with its victory in the Hundred Years War strengthening state-building and political centralisation. During the Renaissance, French culture flourished and a colonial empire was established. The 16th century was dominated by civil wars between Catholics and Protestants. France became Europes dominant cultural, political, and military power under Louis XIV, in the 19th century Napoleon took power and established the First French Empire, whose subsequent Napoleonic Wars shaped the course of continental Europe. Following the collapse of the Empire, France endured a succession of governments culminating with the establishment of the French Third Republic in 1870. Following liberation in 1944, a Fourth Republic was established and later dissolved in the course of the Algerian War, the Fifth Republic, led by Charles de Gaulle, was formed in 1958 and remains to this day. Algeria and nearly all the colonies became independent in the 1960s with minimal controversy and typically retained close economic. France has long been a centre of art, science. It hosts Europes fourth-largest number of cultural UNESCO World Heritage Sites and receives around 83 million foreign tourists annually, France is a developed country with the worlds sixth-largest economy by nominal GDP and ninth-largest by purchasing power parity. In terms of household wealth, it ranks fourth in the world. France performs well in international rankings of education, health care, life expectancy, France remains a great power in the world, being one of the five permanent members of the United Nations Security Council with the power to veto and an official nuclear-weapon state. It is a member state of the European Union and the Eurozone. It is also a member of the Group of 7, North Atlantic Treaty Organization, Organisation for Economic Co-operation and Development, the World Trade Organization, originally applied to the whole Frankish Empire, the name France comes from the Latin Francia, or country of the Franks
5.
Jacques-Germain Soufflot
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Jacques-Germain Soufflot was a French architect in the international circle that introduced neoclassicism. His most famous work is the Panthéon in Paris, built from 1755 onwards, Soufflot was born in Irancy, near Auxerre. In the 1730s he attended the French Academy in Rome, where young French students in the 1750s would later produce the first full-blown generation of Neoclassical designers. Soufflots models were less the picturesque Baroque being built in modern Rome, with the Temple du Change, he was entrusted with completely recasting a 16th-century market exchange building housing a meeting space housed above a loggia. Soufflots newly made loggia is an unusually severe arcading tightly bound between flat Doric pilasters, with horizontal lines. He was accepted into the Lyon Academy, on this trip Soufflot made a special study of theaters. In 1755 Marigny, the new Director General of Royal Buildings, in the same year, he was admitted to the Royal Academy of Architecture. In 1756 his opera house opened in Lyon, the Panthéon is his most famous work, but the Hôtel Marigny built for his young patron across from the Élysée Palace, is a better definition of Soufflots personal taste. Soufflot died in Paris in 1780, like all the architects of his day, Soufflot considered the classical idiom essential. Jacques-Gabriel Soufflot information at Structurae Jacques-Germain Soufflot at Find a Grave
6.
Greek language
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Greek is an independent branch of the Indo-European family of languages, native to Greece and other parts of the Eastern Mediterranean. It has the longest documented history of any living language, spanning 34 centuries of written records and its writing system has been the Greek alphabet for the major part of its history, other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic and many other writing systems. Together with the Latin texts and traditions of the Roman world, during antiquity, Greek was a widely spoken lingua franca in the Mediterranean world and many places beyond. It would eventually become the official parlance of the Byzantine Empire, the language is spoken by at least 13.2 million people today in Greece, Cyprus, Italy, Albania, Turkey, and the Greek diaspora. Greek roots are used to coin new words for other languages, Greek. Greek has been spoken in the Balkan peninsula since around the 3rd millennium BC, the earliest written evidence is a Linear B clay tablet found in Messenia that dates to between 1450 and 1350 BC, making Greek the worlds oldest recorded living language. Among the Indo-European languages, its date of earliest written attestation is matched only by the now extinct Anatolian languages, the Greek language is conventionally divided into the following periods, Proto-Greek, the unrecorded but assumed last ancestor of all known varieties of Greek. The unity of Proto-Greek would have ended as Hellenic migrants entered the Greek peninsula sometime in the Neolithic era or the Bronze Age, Mycenaean Greek, the language of the Mycenaean civilisation. It is recorded in the Linear B script on tablets dating from the 15th century BC onwards, Ancient Greek, in its various dialects, the language of the Archaic and Classical periods of the ancient Greek civilisation. It was widely known throughout the Roman Empire, after the Roman conquest of Greece, an unofficial bilingualism of Greek and Latin was established in the city of Rome and Koine Greek became a first or second language in the Roman Empire. The origin of Christianity can also be traced through Koine Greek, Medieval Greek, also known as Byzantine Greek, the continuation of Koine Greek in Byzantine Greece, up to the demise of the Byzantine Empire in the 15th century. Much of the written Greek that was used as the language of the Byzantine Empire was an eclectic middle-ground variety based on the tradition of written Koine. Modern Greek, Stemming from Medieval Greek, Modern Greek usages can be traced in the Byzantine period and it is the language used by the modern Greeks, and, apart from Standard Modern Greek, there are several dialects of it. In the modern era, the Greek language entered a state of diglossia, the historical unity and continuing identity between the various stages of the Greek language is often emphasised. Greek speakers today still tend to regard literary works of ancient Greek as part of their own rather than a foreign language and it is also often stated that the historical changes have been relatively slight compared with some other languages. According to one estimation, Homeric Greek is probably closer to demotic than 12-century Middle English is to modern spoken English, Greek is spoken by about 13 million people, mainly in Greece, Albania and Cyprus, but also worldwide by the large Greek diaspora. Greek is the language of Greece, where it is spoken by almost the entire population
7.
Genevieve
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Saint Genevieve, is the patron saint of Paris in the Roman Catholic and Eastern Orthodox traditions. Her feast day is kept on January the 3rd and she was born in Nanterre and moved to Paris after encountering Germanus of Auxerre and Lupus of Troyes and dedicated herself to a Christian life. In 451 she led a prayer marathon that was said to have saved Paris by diverting Attilas Huns away from the city. When Childeric I besieged the city in 464 and conquered it and her following and her status as patron saint of Paris were promoted by Clotilde, who may have commissioned the writing of her vita. This was most likely written in Tours, where Clotilde retired after her husbands death, Genevieve is the principal of a school in Belfast. Though there is a vita that purports to be written by a contemporary and she was described as a peasant girl born in Nanterre to Severus and Geroncia. On his way to Britain, Germanus of Auxerre stopped at Nanterre and he encouraged her and at the age of fifteen, Genevieve became a nun. These mortifications she continued for thirty years, till her ecclesiastical superiors thought it their duty to make her diminish her austerities. She encountered opposition and criticism for her activities, both before and after she was visited by Germanus. Geneviève had frequent visions of saints and angels. She reported her visions and prophecies, until her enemies conspired to drown her in a lake of fire, through the intervention of Germanus, their animosity was finally overcome. The Bishop of Paris appointed her to look after the welfare of the dedicated to God. Shortly before the attack of the Huns under Attila in 451 on Paris, Genevieve and Germanus archdeacon, persuaded the people of Paris not to leave their homes. It is claimed that the intercession of Genevieves prayers caused Attilas army to go to Orléans instead, during Childerics siege and blockade of Paris in 464, Geneviève passed through the siege lines in a boat to Troyes, bringing grain to the city. She also pleaded to Childeric for the welfare of prisoners-of-war, through her influence, Childeric and Clovis displayed unwonted clemency towards the citizens. Clovis I founded an abbey where Genevieve might minister, and where she herself was later buried, under the care of the Benedictines, who established a monastery there, the church witnessed numerous miracles wrought at her tomb. Genevieve was canonised and the church was rededicated in her name and it was plundered by the Vikings in 847 and was partially rebuilt, but was completed only in 1177. In 1129, when the city was suffering from an epidemic of ergot poisoning and this was repeated annually with the relics being brought to the cathedral, Mme de Sévigné gave a description of the pageant in one of her letters
8.
Chasse (casket)
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A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. From the sides there are therefore triangular gable areas. The casket usually stands on straight stumpy feet, and there is an opening to allow access, either one of the panels. The word derives, via the French châsse, from the Latin capsa, in English the word may or may not be italicised, and if it is may use the French circumflex, châsse. These are less often described as chasses in English, though they are likely to be so termed in French, in larger chasses the shape may be more complex, as in the Shrine of the Three Kings in Cologne, which has side-roofs like an aisled church. The enamel chasse was developed to exploit these new possibilities, Limoges was on one of the main pilgrim routes to Santiago de Compostela, which probably helped distribution. The flat panels were fired before the box was assembled around the core, using assembling marks on the wood. In the late 14th century a new method of construction was developed, with chasses fitted together by an ingenious system of slots, lugs. There were sometimes gems, usually in fact made of glass, set on the faces, and especially into the roof-ridge, which often has finials and a row of keyhole shaped openings. Though still luxury products, enamel chasses were cheap compared to an object from a goldsmith. A group from the end of the 12th century with some sixty survivals have enamelled figures, often, as in the examples illustrated, the heads alone were modelled in relief, but sometimes whole figures, usually by hammering from behind into a mould. After several decades they were being produced by workshops in large numbers, using standard patterns, the shape was used for other purposes, and secular designs were made, although far fewer of these have survived. Production was already in decline, but the industry never recovered from the sack of Limoges in 1370 by the English under Edward, figures of saints on chasses often lack identifying attributes, enabling purchasers to identify them with whatever saints they chose, or needed to match their relics. Binski, Paul in, Jonathan Alexander & Paul Binski, Age of Chivalry, Art in Plantagenet England, 1200-1400, Royal Academy/Weidenfeld & Nicholson, London 1987 Distelberger, Rudolf. Western Decorative Arts, Medieval, Renaissance, and historicizing styles, including metalwork, enamels, in Sears E. Frederick, Quantity Production of Limoges Champlevé Enamels, The Art Bulletin, Vol.17, No. 3, JSTOR V&A Reliquary chasse from the Victoria & Albert Museum V&A plaque Plaque showing murder of St Thomas Becket J. P. ONeill and T. Egan, Enamels of Limoges, 1100-1350, Yale 1996 Champlevé enamelling 1100–1250
9.
Facade
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A façade is generally one exterior side of a building, usually, but not always, the front. It is a loan word from the French façade, which means frontage or face. In architecture, the façade of a building is often the most important aspect from a design standpoint, from the engineering perspective of a building, the façade is also of great importance due to its impact on energy efficiency. For historical façades, many local zoning regulations or other laws restrict or even forbid their alteration. The word comes from the French foreign loan word façade, which in turn comes from the Italian facciata, from faccia meaning face, the earliest usage recorded by the Oxford English Dictionary is 1656. It was quite common in the Georgian period for existing houses in English towns to be given a fashionable new façade, in modern highrise building, the exterior walls are often suspended from the concrete floor slabs. Examples include curtain walls and precast concrete walls, the façade can at times be required to have a fire-resistance rating, for instance, if two buildings are very close together, to lower the likelihood of fire spreading from one building to another. In general, the systems that are suspended or attached to the precast concrete slabs will be made from aluminium or stainless steel. In recent years more lavish materials such as titanium have sometimes been used, whether rated or not, fire protection is always a design consideration. The melting point of aluminium,660 °C, is reached within minutes of the start of a fire. Firestops for such building joints can be qualified, too, putting fire sprinkler systems on each floor has a profoundly positive effect on the fire safety of buildings with curtain walls. Some building codes also limit the percentage of area in exterior walls. When the exterior wall is not rated, the slab edge becomes a junction where rated slabs are abutting an unrated wall. For rated walls, one may also choose rated windows and fire doors, on a film set and within most themed attractions, many of the buildings are only façades, which are far cheaper than actual buildings, and not subject to building codes. In film sets, they are held up with supports from behind. Within theme parks, they are usually decoration for the interior ride/attraction/restaurant, by Ulrich Knaack, Tillmann Klein, Marcel Bilow and Thomas Auer. ISBN 978-3-7643-7961-2 ISBN 978-3-7643-7962-9 Giving buildings an illusion of grandeur Poole, the article outlines the development of the façade in ecclesiastical architecture from the early Christian period to the Renaissance
10.
Pantheon, Rome
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The Pantheon is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus. The present building was completed by the emperor Hadrian and probably dedicated about 126 AD and he retained Agrippas original inscription, which has confused its date of construction as the original Pantheon burnt down so it is not certain when the present one was built. The building is circular with a portico of large granite Corinthian columns under a pediment, a rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening to the sky. Almost two thousand years after it was built, the Pantheons dome is still the worlds largest unreinforced concrete dome, the height to the oculus and the diameter of the interior circle are the same,43.3 metres. Mary and the Martyrs but informally known as Santa Maria Rotonda, the square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a property, ruled by Italys Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio. The Pantheons large circular domed cella, with a temple portico front, is unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, Pantheon is derived from the Ancient Greek Pantheion meaning of, relating to, or common to all the gods. His uncertainty strongly suggests that Pantheon was merely a nickname, not the name of the building. In fact, the concept of a dedicated to all the gods is questionable. The only definite pantheon recorded earlier than Agrippas was at Antioch in Syria and it seems highly significant that Dio does not quote the simplest explanation for the name—that the Pantheon was dedicated to all the gods. Godfrey and Hemsoll maintain that the word Pantheon need not denote a group of gods, or, indeed, even all the gods. Certainly the word pantheus or pantheos, could be applicable to individual deities…, bearing in mind also that the Greek word θεῖος need not mean of a god but could mean superhuman, or even excellent. It seems likely that the Pantheon and the Basilica of Neptune were Agrippas sacra privata and this less solemn designation would help explain how the building could have so easily lost its original name and purpose in such a relatively short period of time. However, archaeological excavations have shown that the Pantheon of Agrippa had been destroyed except for the façade. Lise Hetland argues that the present construction began in 114, under Trajan and her argument is particularly interesting in light of Heilmeyers argument that, based on stylistic evidence, Apollodorus of Damascus, Trajans architect, was the obvious architect. The form of Agrippas Pantheon is debated and this description was widely accepted until the late 20th century. The only passages referring to the decoration of the Agrippan Pantheon written by an eyewitness are in Plinys Natural History, from him we know that the capitals, too, of the pillars, which were placed by M
11.
Dome
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A dome is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy, there are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives, a lantern may cover an oculus and may itself have another dome. Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have developed over time. Domes have been found from early Mesopotamia, which may explain the forms spread and they are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. They were popular in Byzantine and medieval Islamic architecture, and there are examples from Western Europe in the Middle Ages. The Renaissance style spread from Italy in the Early modern period, advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the world can be found over religious buildings, legislative chambers, sports stadiums. The English word dome ultimately derives from the Latin domus —which, up through the Renaissance, labeled a revered house, such as a Domus Dei, or House of God, the French word dosme came to acquire the meaning of a cupola vault, specifically, by 1660. A dome is a rounded vault made of either curved segments or a shell of revolution, sometimes called false domes, corbel domes achieve their shape by extending each horizontal layer of stones inward slightly farther than the lower one until they meet at the top. A false dome may also refer to a wooden dome, true domes are said to be those whose structure is in a state of compression, with constituent elements of wedge-shaped voussoirs, the joints of which align with a central point. The validity of this is unclear, as domes built underground with corbelled stone layers are also in compression from the surrounding earth, as with arches, the springing of a dome is the level from which the dome rises. The top of a dome is the crown, the inner side of a dome is called the intrados and the outer side is called the extrados. The haunch is the part of an arch that lies halfway between the base and the top. The word cupola is another word for dome, and is used for a small dome upon a roof or turret. Cupola has also used to describe the inner side of a dome. Drums, also called tholobates, are cylindrical or polygonal walls with or without windows that support a dome, a tambour or lantern is the equivalent structure over a domes oculus, supporting a cupola
12.
Donato Bramante
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Donato Bramante, born as Donato di Pascuccio dAntonio and also known as Bramante Lazzari, was an Italian architect. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome and his Tempietto marked the beginning of the High Renaissance in Rome when Pope Julius II appointed him to build a sanctuary over the spot where Peter was allegedly crucified. Bramante was born under the name Donato dAugnolo, Donato di Pascuccio dAntonio, here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltros ducal palace. Around 1474, Bramante moved to Milan, a city with a deep Gothic architectural tradition, and built several churches in the new Antique style. The Duke, Ludovico Sforza, made him virtually his court architect, beginning in 1476, space was limited, and Bramante made a theatrical apse in bas-relief, combining the painterly arts of perspective with Roman details. There is a sacristy, surmounted by a dome. In Milan, Bramante also built the tribune of Santa Maria delle Grazie, other works include the Cloisters of SantAmbrogio, Milan. However, in 1499, with his Sforza patron driven from Milan by an invading French army, Bramante made his way to Rome, in Rome, he was soon recognized by Cardinal Della Rovere, shortly to become Pope Julius II. Despite its small scale, the construction has all the proportions and symmetry of Classical structures, surrounded by slender Doric columns. According to an engraving by Sebastiano Serlio, Bramante planned to set it within a colonnaded courtyard. In November 1503, Julius engaged Bramante for the construction of the grandest European architectural commission of the 16th century, the cornerstone of the first of the great piers of the crossing was laid with ceremony on 17 April 1506. Very few drawings by Bramante survive, though some by his assistants do, Bramantes plan envisaged four great chapels filling the corner spaces between the equal transepts, each one capped with a smaller dome surrounding the great dome over the crossing. So Bramantes original plan was much more Romano-Byzantine in its forms than the basilica that was actually built. Bramante also worked on other commissions. Among his earliest works in Rome, before the Basilicas construction was under way, is the cloister of Santa Maria della Pace near Piazza Navona, Santa Maria presso San Satiro, Milan, ca. Palazzo Caprini, Rome, started around 1510 Leon Battista Alberti Giorgio Vasari Davies, Paul, Bramante, Donato, The Dictionary of Art, Vol. IV, New York, Grove, pp. 642–653, ISBN9781884446009. Bramante, Encyclopædia Britannica, 9th ed. Vol. IV, New York, Charles Scribners Sons,1878, Bramante, Encyclopædia Britannica, 11th ed. Vol. IV, Cambridge, Cambridge University Press,1911, p.418. Donato Bramante Source Information, Pictures & Documentaries about Donato
13.
San Pietro in Montorio
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San Pietro in Montorio is a church in Rome, Italy, which includes in its courtyard the Tempietto, a small commemorative martyrium built by Donato Bramante. The Church of San Pietro in Montorio was built on the site of an earlier 9th-century church dedicated to Saint Peter on Romes Janiculum hill, according to tradition, it was the site of his crucifixion. In the 15th century, the ruins were given to the Amadist friars, a branch of the Franciscans, founded by the Blessed Amadeus of Portugal. Commissioned by Ferdinand and Isabella of Spain and it is a titular church, whose current title holder, since 1 March 2008, is Cardinal James Francis Stafford. The church is decorated with artworks by prominent 16th- and 17th-century masters, the first chapel on the right contains Sebastiano del Piombos Flagellation and Transfiguration. Michelangelo, who had befriended Sebastiano in Rome, supplied figure drawings that were incorporated into the Flagellation, the second chapel has a fresco by Niccolò Circignani, some Renaissance frescoes from the school of Pinturicchio, and an allegorical sibyl and virtue attributed to Baldassarre Peruzzi. The fourth chapel has a fresco by Giorgio Vasari. The ceiling of the chapel contains another fresco, the Conversion of St. Paul. The altarpiece is attributed to Giulio Mazzoni, while the monument of Innocenzo Ciocchi Del Monte, Cardinal Giovanni Maria Del Monte. Until 1797, Raphaels final masterpiece, the Transfiguration graced the high altar, the altar currently displays a copy by Cammuccini of Guido Renis Crucifixion of St. Peter. The last chapel on the left contains a Baptism of Christ, attributed to Daniele da Volterra, a pupil of Antoniazzo Romano frescoed the third chapel with the Saint Anne, Virgin, and Child. Dirck van Baburen, a figure of the Dutch Caravaggisti, painted the Entombment for the Pietà Chapel. Baburen worked with another Dutch artist, David de Haen in this chapel, the two other paintings, The Mocking of Christ and The Agony in the Garden are variously attributed to either or both of the artists. The second chapel on the left, the Raimondi Chapel, was designed by Gian Lorenzo Bernini and it includes Francesco Barattas Saint Francis in Ecstasy and sculptures by Andrea Bolgi and Niccolò Sale. Rory ODonnell, Lord Tyrconnell, died in 1608, his brother Cathbharr and Hugh, the cause of death in all cases was fever, probably malaria. Their tombs are covered with marble inscribed slabs with coloured borders, crests and they are about 12 feet from the altar on the left as you face it and are normally covered by a carpet. Hugh ONeill, Earl of Tyrone, himself died in 1616 and was buried in the church with much less solemnity, the original simple tombstone was lost in about 1849, but the text of the short inscription was copied, D. O. M. In 1989, Cardinal Tomás Ó Fiaich laid a new plaque with the same inscription in approximately the original place
14.
5th arrondissement of Paris
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The 5th arrondissement of Paris is one of the 20 arrondissements of the capital city of France. Situated on the bank of the River Seine, it is one of the central arrondissements of the capital. The arrondissement is notable for being the location of the Quartier Latin, a district dominated by universities, colleges, the 5th arrondissement is also one of the oldest districts of the city, dating back to ancient times. Traces of the areas past survive in such sites as the Arènes de Lutèce, a Roman amphitheatre, and the Thermes de Cluny, the 5th arrondissement covers some 2.541 km² in central Paris. The population of the arrondissement peaked in 1911 when the population density reached almost 50,000 inhabitants per km², in 1999, the population was 58,849, while 48,909 worked in the arrondissement. The Ve arrondissement is the oldest arrondissement in Paris, and was first built by the Romans. The construction of the Roman town Lutetia dates back from the 1st century BC, the Ministry of Higher Education and Research has its head office in the arrondissement. As part of the Latin Quarter, the 5th arrondissement is known for its concentration of educational
15.
Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
16.
Louis XV of France
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Louis XV, known as Louis the Beloved, was a monarch of the House of Bourbon who ruled as King of France and Navarre from 1 September 1715 until his death. He succeeded his great-grandfather Louis XIV at the age of five, Cardinal Fleury was his chief minister from 1726 until the Cardinals death in 1743, at which time the young king took sole control of the kingdom. During his reign, Louis returned the Austrian Netherlands, territory won at the Battle of Fontenoy of 1745, Louis also ceded New France in North America to Spain and Great Britain at the conclusion of the Seven Years War in 1763. He incorporated the territories of Lorraine and Corsica into the kingdom of France and he was succeeded by his grandson Louis XVI in 1774. French culture and influence were at their height in the first half of the eighteenth century, however, many scholars believe that Louis XVs decisions damaged the power of France, weakened the treasury, discredited the absolute monarchy, and made it more vulnerable to distrust and destruction. Evidence for this view is provided by the French Revolution, which broke out 15 years after his death, norman Davies characterized Louis XVs reign as one of debilitating stagnation, characterized by lost wars, endless clashes between the Court and Parliament, and religious feuds. A few scholars defend Louis, arguing that his negative reputation was based on propaganda meant to justify the French Revolution. Jerome Blum described him as a perpetual adolescent called to do a mans job, Louis XV was born in the Palace of Versailles on 15 February 1710 during the reign of Louis XIV. His grandfather, Louis Le Grand Dauphin, had three sons with his wife Marie Anne Victoire of Bavaria, Louis, Duke of Burgundy, Philippe, Duke of Anjou, and Charles, Duke of Berry. Louis XV was the son of the Duke of Burgundy and his wife Marie Adélaïde of Savoy, the eldest daughter of Victor Amadeus II, Duke of Savoy. At birth, Louis XV received a title for younger sons of the French royal family. In April 1711, Louis Le Grand Dauphin suddenly died, making Louis XVs father, the Duke of Burgundy, at that time, Burgundy had two living sons, Louis, Duke of Brittany and his youngest son, the future Louis XV. A year later, Marie Adélaïde, Duchess of Burgundy, contracted smallpox and her husband, said to be heartbroken by her death, died the same week, also having contracted smallpox. Within a week of his death, it was clear that the two children had also been infected. The elder son was treated by bloodletting in an unsuccessful effort to save him. Fearing that the Dauphin would die, the Court had both the Dauphin and the Duke of Anjou baptised, the Dauphin died the same day,8 March 1712. His younger brother, the Duke of Anjou, was treated by his governess, Madame de Ventadour. The two year old Dauphin survived the smallpox, on 1 September 1715, Louis XIV died of gangrene, having reigned for 72 years
17.
Abbey of St Genevieve
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The Abbey of St Genevieve was a monastery in Paris, suppressed at the time of the French Revolution. Later Saint Geneviève was in the habit of coming to pray, at her death in 512, her remains were interred at the abbey church, near the tomb of Clovis. In 1147 secular canons officiated in the church, king Louis VII of France and Pope Eugene III, having witnessed some disorders, determined to restore discipline. At the request of Suger and Bernard of Clairvaux, Gildwin, the first Abbot of St-Victor, sent Odo, there were difficulties, but order finally prevailed and some of the canons joined the reform, the Abbey becoming a house of Canons Regular. Among these was the young William of Paris and he founded another monastery, which he dedicated to the Holy Paraclete. He died in 1206, and was canonized by Pope Honorius III and it was natural that close relations should exist between Ste-Geneviève and its foundations in Denmark. Like the Abbey of St-Victor, Ste-Geneviève became a seat of learning. St-Victor, Ste-Geneviève, and Notre-Dame were the cradles of the University of Paris, in later centuries this abbey fell into the hands of abbots in commendam. In the early seventeenth century Cardinal de La Rochefoucauld undertook the reforms required by the Council of Trent and he brought from Senlis Charles Faure, who had already restored the canonical rule in the ancient Abbey of Silvanect. By the middle of the century the abbot-general of the congregation had under his jurisdiction more than one hundred abbeys. The astronomer Alexandre Guy Pingré was librarian of Sainte-Geneviève, in the mid-18th century, a project of reconstruction was begun. An immense abbey church over the old crypt was built, to designs by Jacques-Germain Soufflot, in part rebuilt, when in 1790 the revolutionary assembly declared all religious vows void, and evicted all of the residents of the monasteries, there were thirty-nine canons at Ste-Genevièves. This was the end of the abbey and school, to run the new rue Clovis through the site, the building was demolished shortly after 1800, except for the bell tower, called the Tour Clovis. The Lycée Henri-IV, built in part with elements of the abbey buildings, attribution This article incorporates text from a publication now in the public domain, Herbermann, Charles, ed. Abbey of Sainte-Geneviève. The entry cites, Bonnard, Histoire de labbaye de St-Victor de Paris Gautier, Adam de St-Victor Marion, Histoire de lEglise Vuillemin, Vie de S. Pierre Fourier Sophie Peltier-Le Dinh, Danielle Michel-Chich, André Arnold-Peltier, Le Lycée Henri-IV, entre potaches et moines copistes, Éditions PIPPA, collection Itinérances 14€90
18.
Corinthian order
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The Corinthian order is the last developed of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order, when classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders, characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and it was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the order of the Basilica Ulpia and the arch at Ancona the column of Phocas. The Corinthian order is named for the Greek city-state of Corinth, however, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket. Its earliest use can be traced back to the Late Classical Period, the earliest Corinthian capital was found in Bassae, dated at 427 BC. In its proportions, the Corinthian column is similar to the Ionic column, though it is more slender, the abacus upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman Colosseum, holding up the least weight and their height to width ratio is about 10,1. One variant is the Tivoli Order, found at the Temple of Vesta, the Tivoli Orders Corintinan Capital has two rows of Acanthus and its abacus is decorated with oversize fleuron in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops, the frieze exhibits fruit swag suspended between bucrania. Above each swag is a rosette, the cornice does not have modillions. Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent and these capitals are typically dated to the 1st centuries of our era, and constitute important elements of Greco-Buddhist art of Gandhara. The classical design was adapted, usually taking a more elongated form. Indo-Corinthian capitals also incorporated figures of the Buddha or Bodhisattvas, usually as central figures surrounded, the Corinthian architrave is divided in two or three sections, which may be equal, or they may bear interesting proportional relationships, one with another. Above the plain, unadorned architrave lies the frieze, which may be carved with a continuous design or left plain. At the Capitol the proportions of architrave to frieze are exactly 1,1, above that, the profiles of the cornice moldings are like those of the Ionic order. If the cornice is deep, it may be supported by brackets or modillions. The Corinthian column is almost always fluted, if it is not, it is often worth pausing to unravel the reason why
19.
Voltaire
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Voltaire was a versatile writer, producing works in almost every literary form, including plays, poems, novels, essays, and historical and scientific works. He wrote more than 21,000 letters and over two books and pamphlets. He was an advocate of civil liberties, despite the risk this placed him in under the strict censorship laws of the time. As a satirical polemicist, he made use of his works to criticize intolerance, religious dogma. Some speculation surrounds Voltaires date of birth, because he claimed he was born on 20 February 1694 as the son of a nobleman. Two of his older brothers—Armand-François and Robert—died in infancy and his brother, Armand. Nicknamed Zozo by his family, Voltaire was baptized on 22 November 1694, with François de Castagnère, abbé de Châteauneuf, and Marie Daumard, the wife of his mothers cousin, standing as godparents. He was educated by the Jesuits at the Collège Louis-le-Grand, where he was taught Latin, theology, and rhetoric, later in life he became fluent in Italian, Spanish, and English. By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father out, he sent Voltaire to study law. Nevertheless, he continued to write, producing essays and historical studies, Voltaires wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Châteauneuf, at The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer. Their scandalous affair was discovered by de Châteauneuf and Voltaire was forced to return to France by the end of the year, Most of Voltaires early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government and these activities were to result in two imprisonments and a temporary exile to England. One satirical verse, in which Voltaire accused the Régent of incest with his own daughter, the Comédie-Française had agreed in January 1717 to stage his debut play, Œdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation, both the Régent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation. He mainly argued for tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects peoples rights, the author adopted the name Voltaire in 1718, following his incarceration at the Bastille
20.
Bank of France
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The Bank of France known in French as the Banque de France, headquartered in Paris, is the central bank of France, it is linked to the European Central Bank. Founded in 1800, it helped resolve the crisis of 1848. Its main charge is to implement the interest rate policy of the European System of Central Banks. In 1800, financial power in France was in the hands of ten to fifteen banking houses whose founders, in most cases. These bankers, mostly Protestant, were involved in the agitations leading up to the French Revolution. When the revolutionary violence got out of hand, they orchestrated the rise of Napoleon, as a reward for their support, Napoleon, in 1800, gave the bankers a monopoly over French finance by giving them control of the new Bank of France. For the first fifteen years it was the issuer of bank notes in Paris, and this privilege was extended to other financially important towns. On 1 June 1998, a new institution was created, the European Central Bank, the body formed by the ECB, and the national central banks of all the member states of the European Union, constitute the European System of Central Banks. The ESCB is a framework of a single monetary policy for the euro. According to the Bank of Frances website, the sharing of responsibilities between the ECB and the NCBs is based upon significant decentralization of the conduct of the ESCBs single monetary policy,22 April 1806, a new law replaced the Central Committee with a Governor and two Deputy Governors. All three were appointed by the Emperor, decree dated 16 January 1808 set out the Basic Statutes, which were to govern the Banks operations until 1936. Decree on 6 March 1808 authorized the Bank to purchase the mansion of the Count of Toulouse in the rue de la Vrillière in Paris for its headquarters. This reform cleared the path for the European monetary union, economy of France Euro French franc Governor of the Bank de France Bouvier, Jean. The Banque de France and the State from 1850 to the Present Day, in Fausto Vicarelli, et al. eds. Central banks independence in historical perspective pp 73–104, crises et Apprentissage, La Banque de France en 1848, Entreprises et Histoire Issue 69, pp 27–37 Plessis, Alain. The history of banks in France, in Pohl, Manfred, and Sabine Freitag, eds. Handbook on the history of European banks pp, 185-296, online Official site of Bank of France Beginnings of Banque de France The directors of Bank of France between 1800 and 1815
21.
Victor Hugo
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Victor Marie Hugo was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best-known French writers, outside France, his best-known works are the novels Les Misérables,1862, and The Hunchback of Notre-Dame,1831. In France, Hugo is known primarily for his collections, such as Les Contemplations. He produced more than 4,000 drawings and also campaigned for causes such as the abolition of capital punishment. He is buried in the Panthéon in Paris and his legacy has been honoured in many ways, including his portrait being placed on French currency. Victor Hugo was the son of Joseph Léopold Sigisbert Hugo and Sophie Trébuchet, his brothers were Abel Joseph Hugo. He was born in 1802 in Besançon in the region of Franche-Comté. Hugos childhood was a period of political turmoil. Napoleon was proclaimed Emperor of the French two years after Hugos birth, and the Bourbon Monarchy was restored before his 13th birthday, since Hugos father was an officer, the family moved frequently and Hugo learned much from these travels. On a childhood trip to Naples, Hugo saw the vast Alpine passes and the snowy peaks, the magnificently blue Mediterranean. Though he was five years old at the time, he remembered the six-month-long trip vividly. They stayed in Naples for a few months and then headed back to Paris, at the beginning of her marriage, Hugos mother Sophie followed her husband to posts in Italy and Spain. Thereafter she dominated Hugos education and upbringing, as a result, Hugos early work in poetry and fiction reflect her passionate devotion to both King and Faith. It was only later, during the leading up to Frances 1848 Revolution. Young Victor fell in love and, against his mothers wishes, because of his close relationship with his mother, Hugo waited until after her death to marry Adèle in 1822. Adèle and Victor Hugo had their first child, Léopold, in 1823, on 28 August 1824, the couples second child, Léopoldine was born, followed by Charles on 4 November 1826, François-Victor on 28 October 1828, and Adèle on 24 August 1830. Hugos eldest and favourite daughter, Léopoldine, died aged 19 in 1843, on 4 September, she drowned in the Seine at Villequier, pulled down by her heavy skirts when a boat overturned. Her young husband also died trying to save her, the death left her father devastated, Hugo was travelling with his mistress at the time in the south of France, and first learned about Léopoldines death from a newspaper he read in a café
22.
Christian cross variants
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This is a list of Christian cross variants. The Christian cross, with or without a figure of Christ included, is the religious symbol of Christianity. A cross with figure of Christ affixed to it is termed a crucifix, the term Greek cross designates a cross with arms of equal length, as in a plus sign, while the term Latin cross designates a cross with an elongated descending arm. Numerous other variants have developed during the medieval period. Christian crosses are used widely in churches, on top of buildings, on bibles, in heraldry, in personal jewelry, on hilltops. Crosses are a prominent feature of Christian cemeteries, either carved on gravestones or as sculpted stelae, roman Catholic, Anglican and Lutheran depictions of the cross are often crucifixes, in order to emphasize that it is Jesus that is important, rather than the cross in isolation. Large crucifixes are a prominent feature of some Lutheran churches, as illustrated in the article Rood, several Christian cross variants are available in computer-displayed text. The Latin cross symbol is included in the character set as 271D. For others, see Religious and political symbols in Unicode, basic variants, or early variants widespread since antiquity
23.
Portico
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A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was used in Ancient Greece and has influenced many cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome, porticos are sometimes topped with pediments. Bologna, Italy, is famous for its porticos, in total, there are over 45 km of arcades, some 38 in the city center. The longest portico in the world, about 3.5 km, in Bologna, Italy, porticos stretch for 18 km. Palladio was a pioneer of using temple-fronts for secular buildings, in the UK, the temple-front applied to The Vyne, Hampshire was the first portico applied to an English country house. A pronaos is the area of the portico of a Greek or Roman temple. Roman temples commonly had an open pronaos, usually with only columns and no walls, the word pronaos is Greek for before a temple. In Latin, a pronaos is also referred to as an anticum or prodomus, the different variants of porticos are named by the number of columns they have. The style suffix comes from the Greek στῦλος, column, the tetrastyle has four columns, it was commonly employed by the Greeks and the Etruscans for small structures such as public buildings and amphiprostyles. Roman provincial capitals also manifested tetrastyle construction, such as the Capitoline Temple in Volubilis, the North Portico of the White House is perhaps the most notable four-columned portico in the United States. Hexastyle buildings had six columns and were the standard façade in canonical Greek Doric architecture between the archaic period 600–550 BC up to the Age of Pericles 450–430 BC. With the colonization by the Greeks of Southern Italy, hexastyle was adopted by the Etruscans, Roman taste favoured narrow pseudoperipteral and amphiprostyle buildings with tall columns, raised on podiums for the added pomp and grandeur conferred by considerable height. The Maison Carrée at Nîmes, France, is the best-preserved Roman hexastyle temple surviving from antiquity, octastyle buildings had eight columns, they were considerably rarer than the hexastyle ones in the classical Greek architectural canon. The best-known octastyle buildings surviving from antiquity are the Parthenon in Athens, built during the Age of Pericles, and the Pantheon in Rome. The destroyed Temple of Divus Augustus in Rome, the centre of the Augustan cult, is shown on Roman coins of the 2nd century AD as having built in octastyle. The decastyle has ten columns, as in the temple of Apollo Didymaeus at Miletus, the temple of Venus and Rome, built by Hadrian in Rome about 130 A. D. was decastyle, the only known example in Roman architecture. Classical architecture List of classical architecture terms Hypostyle Loggia Stoa Greek architecture, Encyclopædia Britannica,1968 Stierlin, Greece, From Mycenae to the Parthenon, TASCHEN,2004, Editor-in-chief Angelika Taschen, Cologne, ISBN 3-8228-1225-0 Stierlin, Henri
24.
Crypt
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A crypt is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics, originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the level, such as St Michaels Church in Hildesheim. Crypt developed as a form of the Latin vault as it was carried over into Late Latin. It also served as a vault for storing important and/or sacred items, crypta, however, is also the female form of crypto hidden. The earliest known origin of both is in the Ancient Greek κρύπτω, the first person singular indicative of the verb to conceal, first known in the early Christian period, in particular North Africa at Chlef and Djemila in Algeria, and Byzantium at Saint John Studio in Constantinople. Where Christian churches have been built over mithraea, the mithraeum has often been adapted to serve as a crypt, crypts were introduced into Frankish church building in the mid-8th century, as a feature of its Romanization. Their popularity then spread widely in western Europe under Charlemagne. Examples from this period are most common in the early medieval West, for example in Burgundy at Dijon, after the 10th century the early medieval requirements of a crypt faded, as church officials permitted relics to be held in the main level of the church. By the Gothic period crypts were built, however burial vaults continued to be constructed beneath churches. In more modern terms, a crypt is most often a stone chambered burial vault used to store the deceased, crypts are usually found in cemeteries and under public religious buildings, such as churches or cathedrals, but are also occasionally found beneath mausolea or chapels on personal estates. Wealthy or prestigious families will often have a family crypt or vault in which all members of the family are interred, many royal families, for example, have vast crypts containing the bodies of dozens of former royalty. In some localities an above ground crypt is more commonly called a mausoleum, there was a trend in the 19th century of building crypts on medium to large size family estates, usually subtly placed on the edge of the grounds or more commonly incorporated into the cellar. After a change of owner these are often blocked up and the house deeds will not allow this area to be re-developed, catacomb Mausoleum Tumulus Ossuary Tomb Cemetery Media related to Crypt at Wikimedia Commons Chisholm, Hugh, ed. Crypt
25.
Oculus
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An oculus is a circular opening in the centre of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and Neoclassical architecture and it is also known as an œil de boeuf from the French, or simply a bulls-eye. The oculus was used by the Romans, one of the finest examples being that in the dome of the Pantheon, open to the weather, it allows rain to enter and fall to the floor, where it is carried away through drains. Though the opening looks small, it actually has a diameter of 27 ft allowing it to light the building just as the sun lights the earth, the rain also keeps the building cool during the hot summer months. Pliny in his Natural history call counters also oculus, oculi, the oculus was widely used in the architecture of the Byzantine Empire. It was applied to buildings in Syria in the 5th and 6th centuries, in Constantinoples Myrelaion Church, there are two oculi above the stringcourse on both lateral facades. Early examples of the oculus in Renaissance architecture can be seen in Florence Cathedral, in the nave clerestorey, since the revival of dome construction beginning in the Italian Renaissance, open oculi have been replaced by light-transmitting cupolas and other round windows, openings, and skylights. They can be seen in the pediments of Palladios Villa Rotonda, use of oculus windows became more popular in Baroque architecture. Widely used by Neo-Palladian architects including Colen Campbell, one can be seen in the dome of Thomas Jeffersons Rotunda at the University of Virginia
26.
Coffer
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A coffer in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. For centuries, it was thought that wooden coffers were first made by crossing the wooden beams of a ceiling in the Loire Valley châteaux of the early Renaissance. In 2012, however, archaeologists working under Andrew Wallace-Hadrill at the House of the Telephus in Herculaneum discovered that wooden coffered ceilings were constructed in Roman times. Experimentation with the shapes in coffering, which solve problems of mathematical tiling. The more complicated problems of diminishing the scale of the coffers were presented by the requirements of curved surfaces of vaults. A prominent example of Roman coffering, employed to lighten the weight of the dome, can be found in the ceiling of the dome in the Pantheon. In ancient Chinese wooden architecture, coffering is known as zaojing, dome Dropped ceiling Cove ceiling Beam ceiling U. S. National Capitol
27.
Antoine Gros
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Antoine-Jean Gros, also known as Baron Gros, was both a French history and neoclassical painter. Born in Paris, Gros began to learn to draw at the age of six from his father, Jean-Antoine Gros, who was a miniature painter, and showed himself as a gifted artist. The death of his father, whose circumstances had been embarrassed by the French Revolution, threw Gros, in 1791 and he now devoted himself wholly to his profession, and competed in 1792 for the grand prix. He supported himself at Genoa by the means, producing a great quantity of miniatures and fixes. He visited Florence, but returned to Genoa where he made the acquaintance of Joséphine de Beauharnais and he followed her to Milan, where he was well received by her husband, Napoleon Bonaparte. On 15 November 1796, Gros was present with the army near Arcola when Bonaparte planted the French tricolor on the bridge, Gros seized on this incident, and showed by his treatment of it that he had found his vocation. In 1799, having escaped from the city of Genoa, Gros made his way to Paris. Les Pestiférés de Jaffa was followed by The Battle of Aboukir,1806, at the Salon of 1804, Gros debuted his painting Bonaparte Visiting the Plague Victims of Jaffa. The painting launched his career as a successful painter and it depicts Bonaparte in Jaffa visiting soldiers infected with the bubonic plague. He is portrayed reaching out to one of the sick, unfazed by the illness, while Bonaparte did actually visit the pesthouse, later, as his army prepared to withdraw from Syria, he ordered the poisoning of about fifty of his plague-infected men. The painting was commissioned as damage control when word spread of his actions, the painting is in the Neo-Classical style, though it shows elements such as the lighting and a taste for the exotic that are precursors to the upcoming Romantic ideals. In 1810, his Madrid and Napoleon at the Pyramids show that his star had deserted him, again citing Britannica, Exasperated by criticism and the consciousness of failure, Gros sought refuge in the gros pleasures of life. On 25 June 1835, he was drowned on the shores of the Seine at Meudon. From a paper which he had placed in his hat, it known that tired of life. Gros was decorated and named Baron of the Empire by Napoleon, after the Salon of 1808, the number of Gross pupils was very great, and was considerably augmented when, in 1815, David quit Paris and gave over his own classes to him. He became a member of the Institute, professor at the École des Beaux Arts, Gros had also been an inspiration to Eugene Delacroix, especially with his work in lithography. The two both worked in the time period, and both did portraits of Napoleon. Though at one point, Gros had referred to Delacroixs Chios, G. Dargenty produced a book titled Les Artistes Celebres Le Baron Gros GILBERT WOOD & Co
28.
Flying buttress
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As a lateral-support system, the flying buttress was developed during late antiquity and later flourished during the Gothic period of architecture. Ancient examples of the flying buttress can be found on the Basilica of San Vitale in Ravenna, the advantage of such lateral-support systems is that the outer walls do not have to be massive and heavy in order to resist the lateral-force thrusts of the vault. Instead, the surface could be reduced, because the vertical mass is concentrated onto external buttresses. The architectural design of Late Gothic buildings featured flying buttresses, some of which featured flyers decorated with crockets, in the event, the architecture of the Renaissance eschewed the lateral support of the flying buttress in favour of thick-wall construction. By relieving the load-bearing walls of excess weight and thickness, in the way of an area of contact. To build the flying buttress, it was first necessary to construct temporary wooden frames, the centering would support the weight of the stones and help maintain the shape of the arch until the mortar was cured. The centering was first built on the ground, by the carpenters, once that was done, they would be hoisted into place and fastened to the piers at the end of one buttress and at the other. These acted as flying buttresses until the actual, stone arch was complete. Buttress Cathedral architecture Flying arch Gothic architecture Seismic retrofit Chisholm, Hugh, ed. Flying buttress
29.
French Revolution
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Through the Revolutionary Wars, it unleashed a wave of global conflicts that extended from the Caribbean to the Middle East. Historians widely regard the Revolution as one of the most important events in human history, the causes of the French Revolution are complex and are still debated among historians. Following the Seven Years War and the American Revolutionary War, the French government was deeply in debt, Years of bad harvests leading up to the Revolution also inflamed popular resentment of the privileges enjoyed by the clergy and the aristocracy. Demands for change were formulated in terms of Enlightenment ideals and contributed to the convocation of the Estates-General in May 1789, a central event of the first stage, in August 1789, was the abolition of feudalism and the old rules and privileges left over from the Ancien Régime. The next few years featured political struggles between various liberal assemblies and right-wing supporters of the intent on thwarting major reforms. The Republic was proclaimed in September 1792 after the French victory at Valmy, in a momentous event that led to international condemnation, Louis XVI was executed in January 1793. External threats closely shaped the course of the Revolution, internally, popular agitation radicalised the Revolution significantly, culminating in the rise of Maximilien Robespierre and the Jacobins. Large numbers of civilians were executed by revolutionary tribunals during the Terror, after the Thermidorian Reaction, an executive council known as the Directory assumed control of the French state in 1795. The rule of the Directory was characterised by suspended elections, debt repudiations, financial instability, persecutions against the Catholic clergy, dogged by charges of corruption, the Directory collapsed in a coup led by Napoleon Bonaparte in 1799. The modern era has unfolded in the shadow of the French Revolution, almost all future revolutionary movements looked back to the Revolution as their predecessor. The values and institutions of the Revolution dominate French politics to this day, the French Revolution differed from other revolutions in being not merely national, for it aimed at benefiting all humanity. Globally, the Revolution accelerated the rise of republics and democracies and it became the focal point for the development of all modern political ideologies, leading to the spread of liberalism, radicalism, nationalism, socialism, feminism, and secularism, among many others. The Revolution also witnessed the birth of total war by organising the resources of France, historians have pointed to many events and factors within the Ancien Régime that led to the Revolution. Over the course of the 18th century, there emerged what the philosopher Jürgen Habermas called the idea of the sphere in France. A perfect example would be the Palace of Versailles which was meant to overwhelm the senses of the visitor and convince one of the greatness of the French state and Louis XIV. Starting in the early 18th century saw the appearance of the sphere which was critical in that both sides were active. In France, the emergence of the public sphere outside of the control of the saw the shift from Versailles to Paris as the cultural capital of France. In the 1750s, during the querelle des bouffons over the question of the quality of Italian vs, in 1782, Louis-Sébastien Mercier wrote, The word court no longer inspires awe amongst us as in the time of Louis XIV
30.
National Constituent Assembly (France)
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The National Constituent Assembly was formed from the National Assembly on 9 July 1789 during the first stages of the French Revolution. It dissolved on 30 September 1791 and was succeeded by the Legislative Assembly, the Estates-General of 1789, made up of representatives of the three estates, which had not been convoked since 1614, convened on 5 May 1789. The Estates-General reached a deadlock in its deliberations by 6 May, the representatives of the Third Estate attempted to make the whole body more effective and so met separately from 11 May as the Communes. On 12 June, the Communes invited the other Estates to join them, on 17 June 1789, the Communes approved the motion made by Sieyès that declared themselves the National Assembly by a vote of 490 to 90. The Third Estate now believed themselves to be an authority equal to that of the King. A legislative and political agenda unfolded, there were soon attempts by King Louis XVI and the Second Estate to prevent the delegates from meeting, as well as misunderstandings on both sides about each others intentions. Failing to disperse the delegates, Louis started to recognize their validity on 27 June, the Assembly renamed itself the National Constituent Assembly on 9 July and began to function as a governing body and a constitution-drafter. However, it is common to refer to the body even after then as the National Assembly or the Constituent Assembly, following the storming of the Bastille on 14 July, the National Constituent Assembly became the effective government of France. In the words of historian François Mignet, The assembly had acquired the power, the corporations depended on it. The royal power, though existing of right, was in a suspended, since it was not obeyed. The number of the Estates-General increased significantly during the election period, according to Timothy Tackett, there were a total of 1,177 deputies in the Assembly by mid-July 1789. Among them,278 belonged to the nobility,295 to the clergy, for the entire duration of the Assembly, a total of 1,315 deputies were certified,330 clerics,322 nobles, and 663 deputies of the Third Estate. Tackett noted that the majority of the Second Estate had a background. In the early period, its most notable leaders included Honoré Mirabeau, the Marquis de Lafayette, lameths brother Charles also belonged to this group. For a partial list of members of the National Constituent Assembly, in the summer of 1791, the National Constituent Assembly decided that the king needed to be restored to the throne if he accepted the constitution. The decision was made after the failed attempt to flee to Varennes. That decision enraged many Parisians into protesting, and one major protest devolved into the Champ de Mars Massacre, after surviving the vicissitudes of a revolutionary two years, the National Constituent Assembly dissolved itself on 30 September 1791. The following day, the Constitution of 1791 went into effect and this article incorporates text from the public domain History of the French Revolution from 1789 to 1814, by François Mignet, as made available by Project Gutenberg
31.
Jean Guillaume Moitte
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Jean-Guillaume Moitte was a French sculptor. Moitte was the son of Pierre-Etienne Moitte and he became the sculptor of Pigalle then Jean-Baptiste Lemoyne. He won the Prix de Rome for sculpture in 1768 with David carrying the head of Goliath in triumph and he then entered the École royale des élèves protégés before a stay at the Rome, though it was cut short due to illness. He worked for the kings goldsmith Auguste and participated in works for monuments in capital. He was a member of the Institut de France, the Légion dhonneur, i- Le musée, Réunion des musées nationaux, Paris,1993. Pierre Kjellberg, Le Nouveau guide des statues de Paris, La Bibliothèque des Arts, catalogue d’exposition, Skulptur aus dem Louvre. 1760 -1830, Paris, musée du Louvre,23 mai -3 septembre 1990, jean Guillaume Moitte on base joconde. Jean Guillaume Moitte in American public collections, on the French Sculpture Census website
32.
Bourbon Restoration
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The Bourbon Restoration was the period of French history following the fall of Napoleon in 1814 until the July Revolution of 1830. The brothers of executed Louis XVI of France reigned in highly conservative fashion, and they were nonetheless unable to reverse most of the changes made by the French Revolution and Napoleon. At the Congress of Vienna they were treated respectfully, but had to give up all the gains made since 1789. King Louis XVI of the House of Bourbon had been overthrown and executed during the French Revolution, a coalition of European powers defeated Napoleon in the War of the Sixth Coalition, ended the First Empire in 1814, and restored the monarchy to the brothers of Louis XVI. The Bourbon Restoration lasted from 6 April 1814 until the uprisings of the July Revolution of 1830. There was an interlude in spring 1815—the Hundred Days—when the return of Napoleon forced the Bourbons to flee France, when Napoleon was again defeated by the Seventh Coalition they returned to power in July. During the Restoration, the new Bourbon regime was a monarchy, unlike the absolutist Ancien Régime. The period was characterized by a conservative reaction, and consequent minor but consistent occurrences of civil unrest. It also saw the reestablishment of the Catholic Church as a power in French politics. The eras of the French Revolution and Napoleon brought a series of changes to France which the Bourbon Restoration did not reverse. First of all, France became highly centralized, with all decisions made in Paris, the political geography was completely reorganized and made uniform. France was divided more than 80 departments, which have endured into the 21st century. Each department had an administrative structure, and was tightly controlled by a prefect appointed by Paris. The Catholic Church lost all its lands and buildings during the Revolution, the bishop still ruled his diocese, and communicated with the pope through the government in Paris. Bishops, priests, nuns and other people were paid salaries by the state. All the old rites and ceremonies were retained, and the government maintained the religious buildings. The Church was allowed to operate its own seminaries and to some extent local schools as well, bishops were much less powerful than before, and had no political voice. However, the Catholic Church reinvented itself and put a new emphasis on personal religiosity that gave it a hold on the psychology of the faithful, education was centralized, with the Grand Master of the University of France controlling every element of the entire educational system from Paris
33.
David d'Angers
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Pierre-Jean David was a French sculptor and medallist. He was born in Angers in 1788 and his father was a wood carver and ornamental sculptor, who had joined the volunteer Republican army as a musketeer, fighting against the Chouans of La Vendée. He studied in the studio of Jean-Jacques Delusse and in 1808 traveled to Paris to study in the studio of Philippe-Laurent Roland, while in Paris he did work both on the Arc de Triomphe and the exterior of the Louvre. In 1810 he succeeded in taking the second prize at the École des Beaux-Arts for his Othryades. In 1811 Davids La Douleur won the competition for tête dexpression followed by his taking of the Prix de Rome for his Epaminondas in the same year. He spent five years in Rome, during which time he frequented the studio of Antonio Canova and made trips around Italy to Venice, Naples. Here John Flaxman and others took him to task for the sins of David the painter. With great difficulty he made his way to Paris again, where a comparatively prosperous career opened before him and his medallions and busts were in much request, as well as orders for monumental works. Davids fame rests firmly on his pediment of the Pantheon, his marble Wounded Philopoemen in the Louvre and his equestrian monument to General Jacques-Nicolas Gobert in Père Lachaise Cemetery. In addition to that of Gobert, he did sculptures for seven other tombs at Père Lachaise, including the bronze busts of the writer, Honoré de Balzac and physician Samuel Hahnemann. In the Musée David in Angers is an almost complete collection of his works either in the form of copies or in the original moulds, David dAngers in American public collections, on the French Sculpture Census website
34.
Foucault pendulum
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The Foucault pendulum, or Foucaults pendulum, named after the French physicist Léon Foucault, is a simple device conceived as an experiment to demonstrate the rotation of the Earth. While it had long known that the Earth rotates, the introduction of the Foucault pendulum in 1851 was the first simple proof of the rotation in an easy-to-see experiment. Today, Foucault pendulums are popular displays in museums and universities. The first public exhibition of a Foucault pendulum took place in February 1851 in the Meridian of the Paris Observatory. A few weeks later, Foucault made his most famous pendulum when he suspended a 28-kg brass-coated lead bob with a 67-m-long wire from the dome of the Panthéon, Paris. The plane of the pendulums swing rotated clockwise approximately 11. 3° per hour, the original bob used in 1851 at the Panthéon was moved in 1855 to the Conservatoire des Arts et Métiers in Paris. A second temporary installation was made for the 50th anniversary in 1902, during museum reconstruction in the 1990s, the original pendulum was temporarily displayed at the Panthéon, but was later returned to the Musée des Arts et Métiers before it reopened in 2000. On April 6,2010, the cable suspending the bob in the Musée des Arts et Métiers snapped, causing damage to the pendulum. An exact copy of the pendulum had been swinging permanently since 1995 under the dome of the Panthéon. The pendulum has since been reinstalled, so, relative to Earth, the plane of oscillation of a pendulum at the North Pole undergoes a full clockwise rotation during one day, a pendulum at the South Pole rotates counterclockwise. When a Foucault pendulum is suspended at the equator, the plane of oscillation remains fixed relative to Earth, for example, a Foucault pendulum at 30° south latitude, viewed from above by an earthbound observer, rotates counterclockwise 360° in two days. To demonstrate rotation directly rather than indirectly via the swinging pendulum, the instrument could be observed either with a microscope viewing a tenth of a degree scale or by a long pointer. At least three copies of a Foucault gyro were made in convenient travelling and demonstration boxes and copies survive in the UK, France. A Foucault pendulum requires care to set up because imprecise construction can cause additional veering which masks the terrestrial effect, a pendulum day is the time needed for the plane of a freely suspended Foucault pendulum to complete an apparent rotation about the local vertical. This is one day divided by the sine of the latitude. From the perspective of a frame moving in tandem with Earth, but not sharing its rotation. If the plane of swing was north-south at the outset, it is east-west one sidereal day later and this implies that there has been exchange of momentum, the Earth and the pendulum bob have exchanged momentum. The Earth is so much more massive than the pendulum bob that the Earths change of momentum is unnoticeable, nonetheless, since the pendulum bobs plane of swing has shifted, the conservation laws imply that an exchange must have occurred
35.
Monument historique
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The term monument historique is a designation given to some national heritage sites in France. Both public and privately owned structures may be listed in this way, as of 2012 there were 44,236 monuments listed. Buildings may be given the classification for both their exteriors or interiors, including a buildings décor, its furniture, a single room, or even a staircase. An example is the Monument Historique classification of the décor in the café Deux Garçons in Aix-en-Provence whose patrons once included Alphonse de Lamartine, Émile Zola, since the 1990s, a significant number of places have been given the designation because of their historical importance to science. The MH designation traces its roots to the French Revolution when the government appointed Alexandre Lenoir to specify, though the first classifications were given in the 19th century by the writer Prosper Mérimée, inspector-general of historical monuments, by a first list established in 1840. In 1851, Mérimée organized the Missions Héliographiques to document Frances medieval architecture, a monument historique may be marked by the official logo of the Union REMPART, a French historical restoration association. It consists of a representing the labyrinth that used to be in Reims Cathedral. Use of the logo is optional and these two levels of protection are determined after a thorough historical study by the préfet for the région, or by the Minister of Culture for the national level. They are aided by the advice of a commission named Commission régionale du patrimoine et des sites, many of the Châteaux of the Loire Valley carry the MH designation as do the renowned gardens at Château de Villandry. Prosper Mérimée 1803-1870 The monuments historiques inspector Prosper Mérimée established the first list of monuments classés in 1840, rules and regulations on monuments historiques Monumental parks and monuments historiques in need of work Les Monuments Historiques de la France, bulletin trimestriel. Paris, Caisse Nationale des Monuments Historiques
36.
Auguste Rodin
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François Auguste René Rodin, known as Auguste Rodin, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past and he was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Pariss foremost school of art. Sculpturally, Rodin possessed an ability to model a complex, turbulent. Many of his most notable sculptures were roundly criticized during his lifetime and they clashed with predominant figurative sculpture traditions, in which works were decorative, formulaic, or highly thematic. Rodins most original work departed from traditional themes of mythology and allegory, modeled the human body with realism, Rodin was sensitive to the controversy surrounding his work, but refused to change his style. Successive works brought increasing favor from the government and the artistic community, by 1900, he was a world-renowned artist. Wealthy private clients sought Rodins work after his Worlds Fair exhibit and he married his lifelong companion, Rose Beuret, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, Rodin remains one of the few sculptors widely known outside the visual arts community. Rodin was born in 1840 into a family in Paris, the second child of Marie Cheffer and Jean-Baptiste Rodin. He was largely self-educated, and began to draw at age ten, between ages 14 and 17, Rodin attended the Petite École, a school specializing in art and mathematics, where he studied drawing and painting. His drawing teacher, Horace Lecoq de Boisbaudran, believed in first developing the personality of his students so that they observed with their own eyes, Rodin still expressed appreciation for his teacher much later in life. It was at Petite École that he first met Jules Dalou, in 1857, Rodin submitted a clay model of a companion to the École des Beaux-Arts in an attempt to win entrance, he did not succeed, and two further applications were also denied. Given that entrance requirements at the Grande École were not particularly high, Rodins inability to gain entrance may have been due to the judges Neoclassical tastes, while Rodin had been schooled in light, 18th-century sculpture. Leaving the Petite École in 1857, Rodin earned a living as a craftsman, Rodins sister Maria, two years his senior, died of peritonitis in a convent in 1862. Rodin was anguished and felt guilty because he had introduced Maria to an unfaithful suitor, turning away from art, he briefly joined a Catholic order, the Congregation of the Blessed Sacrament. Saint Peter Julian Eymard, founder and head of the congregation, recognized Rodins talent and, sensing his lack of suitability for the order and he returned to work as a decorator, while taking classes with animal sculptor Antoine-Louis Barye. The teachers attention to detail – his finely rendered musculature of animals in motion – significantly influenced Rodin, in 1864, Rodin began to live with a young seamstress named Rose Beuret, with whom he would stay – with ranging commitment – for the rest of his life. The couple had a son, Auguste-Eugène Beuret and that year, Rodin offered his first sculpture for exhibition, and entered the studio of Albert-Ernest Carrier-Belleuse, a successful mass producer of objets dart
37.
The Thinker
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The Thinker is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work shows a male figure of over life-size sitting on a rock with his chin resting on one hand as though deep in thought and is often used as an image to represent philosophy. Rodin first conceived the figure as part of work in 1880. Originally named The Poet, The Thinker was initially a figure in a commission, begun in 1880. Rodin based this on The Divine Comedy of Dante, and most of the figures in the work represented the main characters in the epic poem. The sculpture is nude, as Rodin wanted a heroic figure in the tradition of Michelangelo and this detail from the Gates of Hell was first named The Thinker by foundry workers, who noted its similarity to Michelangelos statue of Lorenzo de Medici called Il Penseroso. Rodin decided to treat the figure as an independent work, at a larger size, the figure was designed to be seen from below, and is normally displayed on a fairly high plinth, though the heights chosen by the various owners for these vary considerably. The Thinker has been cast in multiple versions and is found around the world, about 28 monumental-sized bronze casts of the sculpture are in museums and public places. In addition, there are sculptures of different study size scales, some newer castings have been produced posthumously and are not considered part of the original production. Rodin made the first small plaster version around 1880, the first large-scale bronze casting was finished in 1902 but not presented to the public until 1904. It became the property of the city of Paris thanks to a subscription organized by Rodin admirers, in 1922, it was moved to the Hôtel Biron, which had been transformed into the Rodin Museum. The first cast sculpture can be found in front of Grawemeyer Hall on the University of Louisville Belknap Campus in Louisville, made in Paris, it was first displayed at the St. Louis Worlds Fair in 1904 and was then given to the city. This sculpture was the only cast created by the casting method. Gerald Cantor Collection, a full text exhibition catalog from The Metropolitan Museum of Art, which material on The Thinker The Penseur. Link to The Thinker at the official Web site of the Musée Rodin, the Thinker Inspiration, Analysis and Critical Reception The Thinker project, Munich. Discussion of the history of the casts of this artwork. Gerald Cantor Center for Visual Arts at Stanford University, Object Number 1988.106, bronze cast No
38.
Ernesto Neto
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Ernesto Saboia de Albuquerque Neto is a contemporary visual artist. Ernesto Neto began exhibiting in Scotland in 1988 and has had solo exhibitions abroad since 1995 and he represented with Vik Muniz their country in 2001 Venice Biennale, his installations were featured in Brazils national pavilion and in the international group exhibition at the Arsenale. Netos work has described as beyond abstract minimalism. His installations are large, soft, biomorphic sculptures that fill a space that viewers can touch, poke. They are made of white, stretchy material -- amorphous forms stuffed with Styrofoam pellets or, on occasion, in some installations, he has also used this material to create translucent scrims that transform the spaces walls and floor. His sculptures can be regarded as expression of abstract form. One of his most acclaimed installation is at the Panthéon in Paris called Léviathan Thot, in 2009 Neto exhibited a new work at New Yorks Park Avenue Armory called anthropodino. Filling the 55, 000-square-foot hall, the aim is to help the Armory reposition itself as a destination like the Turbine Hall in Londons Tate Modern. In 2012 they exhibited The tongue of Ernesto at the College of San Ildefonso, soares, Valeska, Meireles, Cildo, Neto, Ernesto
