1.
Italian language
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By most measures, Italian, together with Sardinian, is the closest to Latin of the Romance languages. Italian is a language in Italy, Switzerland, San Marino, Vatican City. Italian is spoken by minorities in places such as France, Montenegro, Bosnia & Herzegovina, Crimea and Tunisia and by large expatriate communities in the Americas. Many speakers are native bilinguals of both standardized Italian and other regional languages, Italian is the fourth most studied language in the world. Italian is a major European language, being one of the languages of the Organisation for Security and Cooperation in Europe. It is the third most widely spoken first language in the European Union with 65 million native speakers, including Italian speakers in non-EU European countries and on other continents, the total number of speakers is around 85 million. Italian is the working language of the Holy See, serving as the lingua franca in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian is known as the language of music because of its use in musical terminology and its influence is also widespread in the arts and in the luxury goods market. Italian has been reported as the fourth or fifth most frequently taught foreign language in the world, Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Its development was influenced by other Italian languages and to some minor extent. Its vowels are the second-closest to Latin after Sardinian, unlike most other Romance languages, Italian retains Latins contrast between short and long consonants. As in most Romance languages, stress is distinctive, however, Italian as a language used in Italy and some surrounding regions has a longer history. What would come to be thought of as Italian was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante is still credited with standardizing the Italian language, and thus the dialect of Florence became the basis for what would become the language of Italy. Italian was also one of the recognised languages in the Austro-Hungarian Empire. Italy has always had a dialect for each city, because the cities. Those dialects now have considerable variety, as Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. Even in the case of Northern Italian languages, however, scholars are not to overstate the effects of outsiders on the natural indigenous developments of the languages
2.
Assisi
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Assisi is a town and comune of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio. The 19th-century Saint Gabriel of Our Lady of Sorrows was also born in Assisi, around 1000 BC a wave of immigrants settled in the upper Tiber valley as far as the Adriatic Sea, and also in the neighborhood of Assisi. These were the Umbrians, living in fortified settlements on high ground. From 450 BC these settlements were taken over by the Etruscans. The Romans took control of central Italy after the Battle of Sentinum in 295 BC and they built the flourishing municipium Asisium on a series of terraces on Monte Subasio. Roman remains can still be found in Assisi, city walls, the forum, a theatre, an amphitheatre, in 1997, the remains of a Roman villa were also discovered containing several well-preserved rooms with frescoes and mosaics in a condition rarely found outside sites such as Pompei. In 238 AD Assisi was converted to Christianity by bishop Rufino, according to tradition, his remains rest in the Cathedral Church of San Rufino in Assisi. The Ostrogoths of king Totila destroyed most of the town in 545, Assisi then came under the rule of the Lombards as part of the Lombard and then Frankish Duchy of Spoleto. The thriving commune became an independent Ghibelline commune in the 11th century, the city, which had remained within the confines of the Roman walls, began to expand outside these walls in the 13th century. In this period the city was under papal jurisdiction, the city went into a deep decline through the plague of the Black Death in 1348. The city came again under papal jurisdiction under the rule of Pope Pius II, in 1569 construction was started of the Basilica of Santa Maria degli Angeli. During the Renaissance and in later centuries, the city continued to develop peacefully, as the 17th-century palazzi of the Bernabei, now the site of many a pilgrimage, Assisi is linked in legend with its native son, St. Francis. The gentle saint founded the Franciscan order and shares honors with St. Catherine of Siena as the saint of Italy. He is remembered by many, even non-Christians, as a lover of nature, Assisi was hit by two devastating earthquakes, that shook Umbria in September 1997. But the recovery and restoration have been remarkable, although much remains to be done, massive damage was caused to many historical sites, but the major attraction, the Basilica di San Francesco, reopened less than 2 years later. UNESCO collectively designated the Franciscan structures of Assisi as a World Heritage Site in 2000, the Basilica of San Francesco dAssisi. The Franciscan monastery, il Sacro Convento, and the lower and upper church of St Francis were begun immediately after his canonization in 1228, and completed in 1253. The Basilica was badly damaged by an earthquake on 26 September 1997, during part of the vault collapsed, killing four people inside the church
3.
Italy
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Italy, officially the Italian Republic, is a unitary parliamentary republic in Europe. Located in the heart of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia, San Marino, Italy covers an area of 301,338 km2 and has a largely temperate seasonal climate and Mediterranean climate. Due to its shape, it is referred to in Italy as lo Stivale. With 61 million inhabitants, it is the fourth most populous EU member state, the Italic tribe known as the Latins formed the Roman Kingdom, which eventually became a republic that conquered and assimilated other nearby civilisations. The legacy of the Roman Empire is widespread and can be observed in the distribution of civilian law, republican governments, Christianity. The Renaissance began in Italy and spread to the rest of Europe, bringing a renewed interest in humanism, science, exploration, Italian culture flourished at this time, producing famous scholars, artists and polymaths such as Leonardo da Vinci, Galileo, Michelangelo and Machiavelli. The weakened sovereigns soon fell victim to conquest by European powers such as France, Spain and Austria. Despite being one of the victors in World War I, Italy entered a period of economic crisis and social turmoil. The subsequent participation in World War II on the Axis side ended in defeat, economic destruction. Today, Italy has the third largest economy in the Eurozone and it has a very high level of human development and is ranked sixth in the world for life expectancy. The country plays a prominent role in regional and global economic, military, cultural and diplomatic affairs, as a reflection of its cultural wealth, Italy is home to 51 World Heritage Sites, the most in the world, and is the fifth most visited country. The assumptions on the etymology of the name Italia are very numerous, according to one of the more common explanations, the term Italia, from Latin, Italia, was borrowed through Greek from the Oscan Víteliú, meaning land of young cattle. The bull was a symbol of the southern Italic tribes and was often depicted goring the Roman wolf as a defiant symbol of free Italy during the Social War. Greek historian Dionysius of Halicarnassus states this account together with the legend that Italy was named after Italus, mentioned also by Aristotle and Thucydides. The name Italia originally applied only to a part of what is now Southern Italy – according to Antiochus of Syracuse, but by his time Oenotria and Italy had become synonymous, and the name also applied to most of Lucania as well. The Greeks gradually came to apply the name Italia to a larger region, excavations throughout Italy revealed a Neanderthal presence dating back to the Palaeolithic period, some 200,000 years ago, modern Humans arrived about 40,000 years ago. Other ancient Italian peoples of undetermined language families but of possible origins include the Rhaetian people and Cammuni. Also the Phoenicians established colonies on the coasts of Sardinia and Sicily, the Roman legacy has deeply influenced the Western civilisation, shaping most of the modern world
4.
Christian denomination
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A Christian denomination is a distinct religious body within Christianity, identified by traits such as a name, organisation, leadership and doctrine. Individual bodies, however, may use alternative terms to describe themselves, groups of denominations—often sharing broadly similar beliefs, practices, and historical ties—are sometimes known as branches of Christianity or denominational families. Individual Christian groups vary widely in the degree to which they recognize one another, several groups claim to be the direct and sole authentic successor of the church founded by Jesus Christ in the 1st century AD. Others, however, believe in denominationalism, where some or all Christian groups are legitimate churches of the same regardless of their distinguishing labels, beliefs. Because of this concept, some Christian bodies reject the term denomination to describe themselves, however, the Catholic Church does not view itself as a denomination, but as the original pre-denominational church. This view is rejected by other Christian denominations, Protestant denominations account for approximately 37 percent of Christians worldwide. Together, Catholicism and Protestantism comprise Western Christianity, Western Christian denominations prevail in Western, Northern, Central and Southern Europe, Sub-Saharan Africa, the Americas and Oceania. The Eastern Orthodox Church, with an estimated 225–300 million adherents, is the second-largest Christian organization in the world, unlike the Catholic Church, the Eastern Orthodox Church is itself a communion of fully independent autocephalous churches that mutually recognize each other to the exclusion of others. The Eastern Orthodox Church, together with Oriental Orthodoxy and the Assyrian Church of the East, Eastern Christian denominations are represented mostly in Eastern Europe, North Asia, the Middle East and Northeast Africa. Christians have various doctrines about the Church and about how the church corresponds to Christian denominations. Both Catholics and Eastern Orthodox hold that their own organizations faithfully represent the One Holy catholic and Apostolic Church to the exclusion of the other, sixteenth-century Protestants separated from the Catholic Church because of theologies and practices that they considered to be in violation of their own interpretation. But some non-denominational Christians do not follow any particular branch, though regarded as Protestants. Each group uses different terminology to discuss their beliefs and this section will discuss the definitions of several terms used throughout the article, before discussing the beliefs themselves in detail in following sections. A denomination within Christianity can be defined as an autonomous branch of the Christian Church, major synonyms include religious group, sect, Church. Some traditional and evangelical Protestants draw a distinction between membership in the church and fellowship within the local church. Becoming a believer in Christ makes one a member of the universal church, a related concept is denominationalism, the belief that some or all Christian groups are legitimate churches of the same religion regardless of their distinguishing labels, beliefs, and practices. Protestant leaders differ greatly from the views of the leaders of the Roman Catholic Church and the Eastern Orthodox Church, each church makes mutually exclusive claims for itself to be the direct continuation of the Church founded by Jesus Christ, from whom other denominations later broke away. These churches, and a few others, reject denominationalism, Christianity can be taxonomically divided into five main groups, the Church of the East, Oriental Orthodoxy, Eastern Orthodoxy, Roman Catholicism, and Protestantism
5.
Roman Catholic
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The Catholic Church, also known as the Roman Catholic Church or the Universal Church, is the largest Christian church, with more than 1.28 billion members worldwide. As one of the oldest religious institutions in the world, it has played a prominent role in the history, headed by the Bishop of Rome, known as the Pope, the churchs doctrines are summarised in the Nicene Creed and the Apostles Creed. Its central administration is located in Vatican City, enclaved within Rome, the Catholic Church is notable within Western Christianity for its sacred tradition and seven sacraments. It teaches that it is the one church founded by Jesus Christ, that its bishops are the successors of Christs apostles. The Catholic Church maintains that the doctrine on faith and morals that it declares as definitive is infallible. The Latin Church, the Eastern Catholic Churches, as well as such as mendicant orders and enclosed monastic orders. Among the sacraments, the one is the Eucharist, celebrated liturgically in the Mass. The church teaches that through consecration by a priest the sacrificial bread and wine become the body, the Catholic Church practises closed communion, with only baptised members in a state of grace ordinarily permitted to receive the Eucharist. The Virgin Mary is venerated in the Catholic Church as Queen of Heaven and is honoured in numerous Marian devotions. The Catholic Church has influenced Western philosophy, science, art and culture, Catholic spiritual teaching includes spreading the Gospel while Catholic social teaching emphasises support for the sick, the poor and the afflicted through the corporal and spiritual works of mercy. The Catholic Church is the largest non-government provider of education and medical services in the world, from the late 20th century, the Catholic Church has been criticised for its doctrines on sexuality, its refusal to ordain women and its handling of sexual abuse cases. Catholic was first used to describe the church in the early 2nd century, the first known use of the phrase the catholic church occurred in the letter from Saint Ignatius of Antioch to the Smyrnaeans, written about 110 AD. In the Catechetical Discourses of Saint Cyril of Jerusalem, the name Catholic Church was used to distinguish it from other groups that call themselves the church. The use of the adjective Roman to describe the Church as governed especially by the Bishop of Rome became more widespread after the Fall of the Western Roman Empire and into the Early Middle Ages. Catholic Church is the name used in the Catechism of the Catholic Church. The Catholic Church follows an episcopal polity, led by bishops who have received the sacrament of Holy Orders who are given formal jurisdictions of governance within the church. Ultimately leading the entire Catholic Church is the Bishop of Rome, commonly called the pope, in parallel to the diocesan structure are a variety of religious institutes that function autonomously, often subject only to the authority of the pope, though sometimes subject to the local bishop. Most religious institutes only have male or female members but some have both, additionally, lay members aid many liturgical functions during worship services
6.
Consecration
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Consecration is the solemn dedication to a special purpose or service, usually religious. The word consecration literally means association with the sacred, persons, places, or things can be consecrated, and the term is used in various ways by different groups. A synonym for to consecrate is to sanctify, a distinct antonym is to desecrate, consecration is used in the Catholic Church as the setting apart for the service of God of both persons and objects. The ordination of a new bishop is called a consecration. While the term episcopal ordination is now common, consecration was the preferred term from the Middle Ages through the period including the Second Vatican Council. The Vatican II document Constitution on the Sacred Liturgy n.76 states, Both the ceremonies, the address given by the bishop at the beginning of each ordination or consecration may be in the mother tongue. When a bishop is consecrated, the laying of hands may be done by all the bishops present, the life of those who enter religious institutes and similar institutes is also described as Consecrated life. The rite of consecration of virgins can be traced back at least to the fourth century, by the time of the Second Vatican Council, the bestowal of the consecration was limited to cloistered nuns only. The Council directed that this should be revised, two similar versions were prepared, one for women living in monastic orders, another for consecrated virgins living in the world. An English translation of the rite for those living in the world is available on the web site of the United States Association of Consecrated Virgins, Chrism, an anointing oil, is olive oil consecrated by a bishop. Objects such as patens and chalices, used for the Sacrament of the Eucharist, also used to be consecrated by a bishop, using chrism. Before a new priest is ordained, the day there is a vigil. A more solemn rite exists for what used to be called the consecration of an altar, the rite is now called the dedication. Since it would be contradictory to dedicate to the service of God a mortgage-burdened building, to consecrate the bread and wine, the priest speaks the Words of Institution. It can also be used to describe the change of the bread and wine into the Body, the Chrism used at Chrismation and the Antimension placed on the Holy Table are also said to be consecrated. A person may be consecrated for a role within a religious hierarchy. In particular, the ordination of a bishop is called a consecration. In churches that follow the doctrine of succession, the bishops who consecrate a new bishop are known as the consecrators
7.
Major basilica
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The Archbasilica of St. John in the Lateran is the seat of the Pope and the site of the Papal Cathedra, and is the oldest and first in rank of the Major Basilicas. All other churches that have the title of basilica are minor basilicas, the title of major basilica was introduced in 1300 by Pope Boniface VIII. With the promulgation of the bull Antiquorum fida relatio, he instituted the Holy Year, Boniface VIII renewed certain great remissions and indulgences for sins which were to be obtained by visiting the city of Rome and the venerable basilica of the Prince of the Apostles. Peter and St. Paul, the burial sites of the Apostles Pope St. Peter. In the second year in 1350, Pope Clement VI designated as a third major basilica St. John in the Lateran. He encouraged the faithful to make visits to St. John in the Lateran, besides those to the Basilicas of St. Peter. Finally, for the jubilee year in 1390, the Basilica of St. Mary Major. Visiting these four churches has remained one of the conditions for gaining the Roman Jubilee indulgence, thus, while of the Major Basilicas, the Basilica of St. Consequently, all four of the Major Basilicas are patrolled internally by police agents of Vatican City State. These properties, located across Rome, are deemed to be essential institutions necessary to the character. Upon relinquishing the title of Patriarch of the West in 2006, in addition, there is a multitude of minor basilicas throughout the world which have not been granted the official appellation Papal as the aforementioned three have. To this class belong the four ancient churches of Rome, Archbasilica of St. John Lateran, also called the Lateran Archbasilica, is the cathedral of the Bishop of Rome. It is the one called an archbasilica. Its full official name is Papal Archbasilica of the Most Holy Saviour and of Saints John the Baptist, St. Peters Basilica, also called the Vatican Basilica, is a major pilgrimage site, built over the burial place of Saint Peter. Perhaps the largest church in the world, it is used for most of the religious ceremonies in which the Pope participates. Its official name is the Papal Basilica of Saint Peter in the Vatican, Basilica of Saint Paul Outside the Walls, also known as the Ostian Basilica because it is situated on the road that led to Ostia, is built over the burial place of Paul the Apostle. Its official name is the Papal Basilica of Saint Paul Outside the Walls. e and its official name is the Papal Basilica of Saint Mary Major. These four major basilicas are distinguished by their having a door and for being prescribed as destinations for visits as one of the conditions for gaining the Roman Jubilee. Only the Pope and his delegatees may celebrate mass at the high altar, until recently, the four churches were open 24 hours a day, their staff included a college of priests to be continually available to hear confessions
8.
Architect
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An architect is someone who plans, designs, and reviews the construction of buildings. Etymologically, architect derives from the Latin architectus, which derives from the Greek, practical, technical, and academic requirements for becoming an architect vary by jurisdiction. The terms architect and architecture are used in the disciplines of landscape architecture, naval architecture. In most jurisdictions, the professional and commercial uses of the terms architect, throughout ancient and medieval history, most architectural design and construction was carried out by artisans—such as stone masons and carpenters, rising to the role of master builder. Until modern times, there was no distinction between architect and engineer. In Europe, the architect and engineer were primarily geographical variations that referred to the same person. It is suggested that various developments in technology and mathematics allowed the development of the gentleman architect. Paper was not used in Europe for drawing until the 15th century, pencils were used more often for drawing by 1600. The availability of both allowed pre-construction drawings to be made by professionals, until the 18th-century, buildings continued to be designed and set out by craftsmen with the exception of high-status projects. In most developed countries, only qualified people with appropriate license, certification, or registration with a relevant body, such licensure usually requires an accredited university degree, successful completion of exams, and a training period. To practice architecture implies the ability to independently of supervision. In many places, independent, non-licensed individuals may perform design services outside the professional restrictions, such design houses, in the architectural profession, technical and environmental knowledge, design and construction management, and an understanding of business are as important as design. However, design is the force throughout the project and beyond. An architect accepts a commission from a client, the commission might involve preparing feasibility reports, building audits, the design of a building or of several buildings, structures, and the spaces among them. The architect participates in developing the requirements the client wants in the building, throughout the project, the architect co-ordinates a design team. Structural, mechanical, and electrical engineers and other specialists, are hired by the client or the architect, the architect hired by a client is responsible for creating a design concept that meets the requirements of that client and provides a facility suitable to the required use. In that, the architect must meet with and question the client to ascertain all the requirements, often the full brief is not entirely clear at the beginning, entailing a degree of risk in the design undertaking. The architect may make proposals to the client which may rework the terms of the brief
9.
Galeazzo Alessi
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Galeazzo Alessi was an Italian architect from Perugia, known throughout Europe for his distinctive style based on his enthusiasm for ancient architecture. He studied drawing for civil and military architecture under the direction of Giovanni Battista Caporali, for a number of years he lived in Genoa. He was involved in the lay-out of the streets and the restoration of the city walls, as well as being responsible for many of its impressive palazzi, now a part of the World Heritage List. His work can be found in many other Italian cities, including in Ferrara, Bologna, Naples and Milan, with Vignola, he designed the Basilica of Santa Maria degli Angeli in Assisi, the seventh largest Christian church at the time. Elsewhere in Europe, he designed churches and palaces in France, Germany and he produced designs for El Escorial in Spain, but age and health prevented him from carrying them out. San Barnaba Auditorium of the Scuole Canobiane Santa Maria presso San Celso San Raffaele Various projects in the Duomo di Milano and this article incorporates text from a publication now in the public domain, Chisholm, Hugh, ed. Alessi, Galeazzo
10.
Giacomo Barozzi da Vignola
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Giacomo Barozzi da Vignola was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits Church of the Gesù in Rome, the three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. Giacomo Barozzi was born at Vignola, near Modena and he began his career as architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made a first trip to Rome in 1536 to make measured drawings of Roman temples, then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio, after his return to Italy, he designed the Palazzo Bocchi in Bologna. Here he worked for Pope Julius III and, after the death, he was taken up by the papal family of the Farnese and worked with Michelangelo. In 1558, he was in Piacenza to revise the designs of Palazzo Farnese, commissioned by Margaret of Austria, wife of the Duke Ottavio Farnese, from 1564 Vignola carried on Michelangelos work at St Peters Basilica, and constructed the two subordinate domes according to Michelangelos plans. Giacomo Barozzi died in Rome in 1573, in 1973 his remains were reburied in the Pantheon, Rome. Vignolas main works include, Villa Giulia for Pope Julius III, here Vignola was working with Ammanati, who designed the nymphaeum and other garden features under the general direction of Vasari, with guidance from the knowledgeable pope and Michelangelo. A medal of 1553 shows Vignolas main villa substantially as it was completed, Palazzo dei Banchi, Bologna Palazzo Farnese, Piacenza. This was a project of a vast palace on a scale paralleled only by the Vatican Palace in Italy. Ten arches on the sides and seven on the short are sustained by pilasters with Tuscan style ornamentation that rise from high plinths. A simple frieze with triglyphs and metopes separates the lower from the upper levels. Like many other architects, Vignola submitted his plans for completing the facade of San Petronio, the clarity and ease of use of Vignolas treatise caused it to become in succeeding centuries the most published book in architectural history. Vignolas second treatise, the posthumously-published Due regole della prospettiva pratica, Vignola presented— without theoretical obscurities— practical applications which could be understood by a prospective patron. Egnatio Danti, Les deux règles de la pratique de Vignole,1583, Pascal Dubourg Glatigny, Paris,2003. Website Architectura, Centre détudes supérieures de la Renaissance, Tours Brief biographical sketch Paolo Zauli on Vignola from a Bolognese perspective Vignolas effect on garden design
11.
Sacred architecture
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Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity, conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public. Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, while the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms, religious buildings increasingly became centres of worship, prayer, the Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry, iconography, and the use of sophisticated semiotics such as signs, symbols, Sacred and/or religious architecture is sometimes called sacred space. Architect Norman L. Koonce has suggested that the goal of sacred architecture is to make transparent the boundary between matter and mind, flesh and the spirit, meanwhile, Richard Kieckhefer suggests that entering into a religious building is a metaphor for entering into spiritual relationship. Sacred architecture spans a number of ancient architectural styles including Neolithic architecture, ancient Egyptian architecture, ancient religious buildings, particularly temples, were often viewed as the dwelling place, the temenos, of the gods and were used as the site of various kinds of sacrifice. Ancient tombs and burial structures are examples of architectural structures reflecting religious beliefs of their various societies. The Temple of Karnak at Thebes, Egypt was constructed across a period of 1300 years, ancient Egyptian religious architecture has fascinated archaeologists and captured the public imagination for millennia. Around 600 BCE the wooden columns of the Temple of Hera at Olympia were replaced by stone columns, with the spread of this process to other sanctuary structures a few stone buildings have survived through the ages. Greek architecture preceded Hellenistic and Roman periods, since temples are the only buildings which survive in numbers, most of our concept of classical architecture is based on religious structures. The Parthenon which served as a building as well as a place for veneration of deity, is widely regarded as the greatest example of classical architecture. Indian architecture is related to the history and religions of the time periods as well as to the geography, the diversity of Indian culture is represented in its architecture. Indian architecture comprises a blend of ancient and varied native traditions, with building types, forms and technologies from West, Central Asia, buddhist architecture developed in South Asia beginning in the third century BCE. Two types of structures are associated with early Buddhism, viharas and stupas, an existing example is at Nalanda. The initial function of the stupa was the veneration and safe-guarding of the relics of the Buddha, the earliest existing example of a stupa is in Sanchi. In accordance with changes in practice, stupas were gradually incorporated into chaitya-grihas. These reached their highpoint in the first century BCE, exemplified by the cave complexes of Ajanta, the pagoda is an evolution of the Indian stupa that is marked by a tiered tower with multiple eaves common in China, Japan, Korea, Nepal and other parts of Asia
12.
Mannerism
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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century, stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, Mannerism is notable for its intellectual sophistication as well as its artificial qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting, Mannerism in literature and music is notable for its highly florid style and intellectual sophistication. The definition of Mannerism and the phases within it continue to be a subject of debate among art historians, for example, some scholars have applied the label to certain early modern forms of literature and music of the 16th and 17th centuries. The term is used to refer to some late Gothic painters working in northern Europe from about 1500 to 1530. Mannerism also has been applied by analogy to the Silver Age of Latin literature, the word mannerism derives from the Italian maniera, meaning style or manner. Like the English word style, maniera can either indicate a type of style or indicate an absolute that needs no qualification. Vasari was also a Mannerist artist, and he described the period in which he worked as la maniera moderna, james V. Mirollo describes how bella maniera poets attempted to surpass in virtuosity the sonnets of Petrarch. This notion of bella maniera suggests that artists thus inspired looked to copying and bettering their predecessors, in essence, bella maniera utilized the best from a number of source materials, synthesizing it into something new. As a stylistic label, Mannerism is not easily defined, “High Renaissance” connoted a period distinguished by harmony, grandeur and the revival of classical antiquity. The term Mannerist was redefined in 1967 by John Shearman following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. The label “Mannerism” was used during the 16th century to comment on social behaviour, however, for later writers, such as the 17th-century Gian Pietro Bellori, la maniera was a derogatory term for the perceived decline of art after Raphael, especially in the 1530s and 1540s. From the late 19th century on, art historians have used the term to describe art that follows Renaissance classicism. By the end of the High Renaissance, young artists experienced a crisis, no more difficulties, technical or otherwise, remained to be solved. The young artists needed to find a new goal, and they sought new approaches, at this point Mannerism started to emerge. The new style developed between 1510 and 1520 either in Florence, or in Rome, or in both cities simultaneously and this period has been described as a natural extension of the art of Andrea del Sarto, Michelangelo, and Raphael. Michelangelo from an early age had developed a style of his own, one of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it
13.
Baroque architecture
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It was characterized by new explorations of form, light and shadow, and dramatic intensity. Baroque architecture and its embellishments were on the one hand more accessible to the emotions and on the other hand, the new style manifested itself in particular in the context of the new religious orders, like the Theatines and the Jesuits who aimed to improve popular piety. The architecture of the High Roman Baroque can be assigned to the reigns of Urban VIII, Innocent X and Alexander VII. Dissemination of Baroque architecture to the south of Italy resulted in variations such as Sicilian Baroque architecture or that of Naples. To the north, the Theatine architect Camillo-Guarino Guarini, Bernardo Vittone and Sicilian born Filippo Juvarra contributed Baroque buildings to the city of Turin and the Piedmont region. A synthesis of Bernini, Borromini and Cortona’s architecture can be seen in the late Baroque architecture of northern Europe which paved the way for the more decorative Rococo style. During the 17th century, Baroque architecture spread through Europe and Latin America, michelangelos late Roman buildings, particularly St. Peters Basilica, may be considered precursors to Baroque architecture. Colonialism required the development of centralized and powerful governments with Spain and France, the initial mismanagement of colonial wealth by the Spaniards bankrupted them in the 16th century, recovering only slowly in the following century. While this was good for the industries and the arts, the new wealth created an inflation. Rome was known just as much for its new sumptuous churches as for its vagabonds, one of the first Roman structures to break with the Mannerist conventions exemplified in the Gesù, was the church of Santa Susanna, designed by Carlo Maderno. The dynamic rhythm of columns and pilasters, central massing, there is an incipient playfulness with the rules of classic design, but it still maintains rigor. These concerns are more evident in his reworking of Santa Maria della Pace. Probably the most well known example of such an approach is Saint Peters Square, the piazza, designed by Gian Lorenzo Bernini, is formed principally by two colonnades of free standing columns centred on an Egyptian obelisk. Berninis own favourite design was his church of SantAndrea al Quirinale decorated with polychome marbles. His secular architecture included the Palazzo Barberini based on plans by Maderno, Berninis rival, the architect Francesco Borromini, produced designs that deviated dramatically from the regular compositions of the ancient world and Renaissance. His building plans were based on geometric figures, his architectural forms were unusual and inventive. Borrominis architectural spaces seem to expand and contract when needed, showing some affinity with the style of Michelangelo. A later work, the church of SantIvo alla Sapienza, displays the same playful inventiveness and antipathy to the flat surface, following the death of Bernini in 1680, Carlo Fontana emerged as the most influential architect working in Rome
14.
Dome
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A dome is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy, there are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives, a lantern may cover an oculus and may itself have another dome. Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have developed over time. Domes have been found from early Mesopotamia, which may explain the forms spread and they are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. They were popular in Byzantine and medieval Islamic architecture, and there are examples from Western Europe in the Middle Ages. The Renaissance style spread from Italy in the Early modern period, advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the world can be found over religious buildings, legislative chambers, sports stadiums. The English word dome ultimately derives from the Latin domus —which, up through the Renaissance, labeled a revered house, such as a Domus Dei, or House of God, the French word dosme came to acquire the meaning of a cupola vault, specifically, by 1660. A dome is a rounded vault made of either curved segments or a shell of revolution, sometimes called false domes, corbel domes achieve their shape by extending each horizontal layer of stones inward slightly farther than the lower one until they meet at the top. A false dome may also refer to a wooden dome, true domes are said to be those whose structure is in a state of compression, with constituent elements of wedge-shaped voussoirs, the joints of which align with a central point. The validity of this is unclear, as domes built underground with corbelled stone layers are also in compression from the surrounding earth, as with arches, the springing of a dome is the level from which the dome rises. The top of a dome is the crown, the inner side of a dome is called the intrados and the outer side is called the extrados. The haunch is the part of an arch that lies halfway between the base and the top. The word cupola is another word for dome, and is used for a small dome upon a roof or turret. Cupola has also used to describe the inner side of a dome. Drums, also called tholobates, are cylindrical or polygonal walls with or without windows that support a dome, a tambour or lantern is the equivalent structure over a domes oculus, supporting a cupola
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Diocese
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The word diocese is derived from the Greek term διοίκησις meaning administration. When now used in a sense, it refers to a territorial unit of administration. This structure of governance is known as episcopal polity. The word diocesan means relating or pertaining to a diocese and it can also be used as a noun meaning the bishop who has the principal supervision of a diocese. An archdiocese is more significant than a diocese, an archdiocese is presided over by an archbishop whose see may have or have had importance due to size or historical significance. The archbishop may have authority over any other suffragan bishops. In the Latter Day Saint movement, the bishopric is used to describe the bishop himself. Especially in the Middle Ages, some bishops held political as well as religious authority within their dioceses, in the later organization of the Roman Empire, the increasingly subdivided provinces were administratively associated in a larger unit, the diocese. With the adoption of Christianity as the Empires official religion in the 4th century, a formal church hierarchy was set up, parallel to the civil administration, whose areas of responsibility often coincided. With the collapse of the Western Empire in the 5th century, a similar, though less pronounced, development occurred in the East, where the Roman administrative apparatus was largely retained by the Byzantine Empire. In modern times, many dioceses, though later subdivided, have preserved the boundaries of a long-vanished Roman administrative division, modern usage of diocese tends to refer to the sphere of a bishops jurisdiction. As of January 2015, in the Catholic Church there are 2,851 regular dioceses,1 papal see,641 archdioceses and 2,209 dioceses in the world, in the Eastern rites in communion with the Pope, the equivalent unit is called an eparchy. Eastern Orthodoxy calls dioceses metropoleis in the Greek tradition or eparchies in the Slavic tradition, after the Reformation, the Church of England retained the existing diocesan structure which remains throughout the Anglican Communion. The one change is that the areas administered under the Archbishop of Canterbury and Archbishop of York are properly referred to as provinces and this usage is relatively common in the Anglican Communion. Certain Lutheran denominations such as the Church of Sweden do have individual dioceses similar to Roman Catholics and these dioceses and archdioceses are under the government of a bishop. Other Lutheran bodies and synods that have dioceses and bishops include the Church of Denmark, the Evangelical Lutheran Church of Finland, the Evangelical Church in Germany, rather, it is divided into a middle judicatory. The Lutheran Church-International, based in Springfield, Illinois, presently uses a traditional diocesan structure and its current president is Archbishop Robert W. Hotes. The Church of God in Christ has dioceses throughout the United States, in the COGIC, each state is divided up into at least three dioceses that are all led by a bishop, but some states as many as seven dioceses
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Santa Maria degli Angeli (Assisi)
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Santa Maria degli Angeli is a frazione of the comune of Assisi in the Province of Perugia, Umbria, central Italy. It stands at an elevation of 218 metres above sea level, at the time of the Istat census of 2001 it had 6665 inhabitants, and is located c.4 km south from Assisi. The name of the city was used by the Spanish Franciscan missionaries as the name of Los Angeles and it is home to the Basilica of Santa Maria degli Angeli, which includes the Porziuncola, the most sacred place of the various Franciscan Orders. St. Francis of Assisi himself died here
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Porziuncola
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It is the place from where the Franciscan movement started. The name Porziuncola was first mentioned in a document from 1045, the same legend relates that the chapel passed into the possession of Benedict of Nursia in 516. The chapel was located on a portion of land belonging to the Order of Saint Benedict of Monte Subasio. Later, the name of the passed to the little church itself. It was in bad condition, lying abandoned in a wood of oak trees. Francis took this literally to mean the church in which he was presently praying. His father Pietro, highly indignant, attempted to change his mind, first with threats, after a final interview in the presence of the bishop, Francis renounced his father and his patrimony, laying aside even the garments he had received from him. For the next couple of months he lived as a beggar in the region of Assisi, returning to the town for two years this time, he restored several ruined churches, among them the Porziuncola, little chapel of St Mary of the Angels, just outside the town. Francis built himself a hut near the Chapel of Our Lady of the Angels and was soon joined by others. Around 1211 the small chapel was given to Francis of Assisi by the abbot of Saint Benedict of Monte Subasio on condition of making it the house of his religious family. Adjoining this humble sanctuary, already dear to Francis, the first Franciscan convent was formed by the erection of a few small huts or cells of wattle, straw, and mud, and enclosed by a hedge. On Palm Sunday 1211 St. Francis received in this church Clare of Assisi, the General Chapters, the annual meetings of the friars, were held in this church usually during Pentecost. Feeling his end approaching, St. Francis asked to be back to the Porziuncola in September 1226. On his death-bed St. Francis recommended the chapel to the faithful protection and he died, in his cell, not fifteen yards from the church, at sunset on Saturday,3 October 1226. However this may be, here or in this neighbourhood was the cradle of the Franciscan Order, after the death of Francis, the spiritual value and the charisma of the Porziuncola became even greater. St. Francis himself pointed out the Portiuncola as a source of inspiration. Shortly after 1290, the chapel, which measured only about 5.5 by 3.2 m, the altar piece, an Annunciation, was painted by the priest Hilarius of Viterbo in 1393. The monastery was at most the residence, only for a short time, in 1415 it first became associated with the Regular Observance, in the care of which it remains to the present day
18.
Francis of Assisi
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Saint Francis of Assisi, born Giovanni di Pietro di Bernardone, informally named as Francesco, was an Italian Roman Catholic friar and preacher. He founded the mens Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis, Francis is one of the most venerated religious figures in history. Pope Gregory IX canonized Francis on 16 July 1228, along with Saint Catherine of Siena, he was designated Patron saint of Italy. In 1219, he went to Egypt in an attempt to convert the Sultan to put an end to the conflict of the Crusades, by this point, the Franciscan Order had grown to such an extent that its primitive organizational structure was no longer sufficient. He returned to Italy to organize the Order, once his community was authorized by the Pope, he withdrew increasingly from external affairs. Francis is also known for his love of the Eucharist, in 1223, Francis arranged for the first Christmas live nativity scene. He died during the hours of 3 October 1226, while listening to a reading he had requested of Psalm 142. Pietro was in France on business when Francis was born in Assisi, upon his return to Assisi, Pietro took to calling his son Francesco, possibly in honor of his commercial success and enthusiasm for all things French. Since the child was renamed in infancy, the change can hardly have had anything to do with his aptitude for learning French, as some have thought. While going off to war in 1202, Francis had a vision that directed him back to Assisi, in 1205, Francis left for Apulia to enlist in the army of Walter III, Count of Brienne. Francis lived the high-spirited life typical of a young man. In 1201, he joined an expedition against Perugia and was taken as a prisoner at Collestrada. It is possible that his conversion was a gradual process rooted in this experience. Upon his return to Assisi in 1203, Francis returned to his carefree life, in 1204, a serious illness led him to a spiritual crisis. A strange vision made him return to Assisi, deepening his ecclesiastical awakening, on a pilgrimage to Rome, he joined the poor in begging at St. Peters Basilica, an experience that moved him to live in poverty. Francis returned home, began preaching on the streets, and soon gathered followers and his Order was authorized by Pope Innocent III in 1210. He then founded the Order of Poor Clares, which became a religious order for women. As a youth, Francesco became a devotee of troubadours and was fascinated with all things Transalpine, in this account, he was selling cloth and velvet in the marketplace on behalf of his father when a beggar came to him and asked for alms
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Franciscans
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The Franciscans are a group of related mendicant religious orders within the Catholic Church, founded in 1209 by Francis of Assisi. These orders include the Order of Friars Minor, the Order of Saint Clare, Francis began preaching around 1207 and traveled to Rome to seek approval from the Pope in 1209. The original Rule of Saint Francis approved by the Pope disallowed ownership of property, the austerity was meant to emulate the life and ministry of Jesus Christ. Franciscans traveled and preached in the streets, while boarding in church properties, Saint Clare, under Franciss guidance, founded the Poor Clares in 1212, which remains a Second Order of the Franciscans. The extreme poverty required of members was relaxed in final revision of the Rule in 1223, the degree of observance required of members remained a major source of conflict within the order, resulting in numerous secessions. The Order of Friars Minor, previously known as the Observant branch, is one of the three Franciscan First Orders within the Catholic Church, the others being the Capuchins and Conventuals. The Order of Friars Minor, in its current form, is the result of an amalgamation of smaller orders completed in 1897 by Pope Leo XIII. The latter two, the Capuchin and Conventual, remain distinct religious institutes within the Catholic Church, observing the Rule of Saint Francis with different emphases, Franciscans are sometimes referred to as minorites or greyfriars because of their habit. In Poland and Lithuania they are known as Bernardines, after Bernardino of Siena, the name of original order, Friars Minor, means lesser brothers, and stems from Francis of Assisis rejection of extravagance. Francis was the son of a cloth merchant, but gave up his wealth to pursue his faith more fully. Francis adopted of the tunic worn by peasants as the religious habit for his order. Those who joined him became the original Order of Friars Minor and they all live according to a body of regulations known as the Rule of St Francis. First Order The First Order or the Order of Friars Minor are commonly called simply the Franciscans and this Order is a mendicant religious order of men, some of whom trace their origin to Francis of Assisi. Their official Latin name is the Ordo Fratrum Minorum, St. Francis thus referred to his followers as Fraticelli, meaning Little Brothers. Franciscan brothers are informally called friars or the Minorites and they all live according to a body of regulations known as the Rule of St Francis. These are The Order of Friars Minor, known as the Observants, most commonly simply called Franciscan friars, official name, the Order of Friars Minor Capuchin or simply Capuchins, official name, Friars Minor Capuchin. The Conventual Franciscans or Minorites, official name, Friars Minor Conventual, Second Order The Second Order, most commonly called Poor Clares in English-speaking countries, consists of religious sisters. The order is called the Order of St. Clare, but in the century, prior to 1263, this order was referred to as The Poor Ladies, The Poor Enclosed Nuns
20.
Pope Pius V
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Pope Saint Pius V, born Antonio Ghislieri, was Pope from 8 January 1566 to his death in 1572. He is venerated as a saint of the Roman Catholic Church and he is chiefly notable for his role in the Council of Trent, the Counter-Reformation, and the standardization of the Roman rite within the Latin Church. Pius V declared Thomas Aquinas a Doctor of the Church, as a cardinal, Ghislieri gained a reputation for putting orthodoxy before personalities, prosecuting eight French bishops for heresy. By means of the bull of 1570, Regnans in Excelsis, Pius V excommunicated Elizabeth I of England for heresy. He also arranged the formation of the Holy League, an alliance of Catholic states, although outnumbered, the Holy League famously defeated the Ottoman Empire, which had threatened to overrun Europe, at the Battle of Lepanto. Pius V attributed the victory to the intercession of the Blessed Virgin Mary, biographers report that as the Battle of Lepanto ended, Pius rose and went over to a window, where he stood gazing toward the East. Then, turning around, he exclaimed The Christian fleet is victorious. Antonio Ghislieri was born 17 January 1504 in Bosco in the Duchy of Milan, Italy. At the age of fourteen he entered the Dominican Order, taking the name Michele, passing from the monastery of Voghera to that of Vigevano, ordained priest at Genoa in 1528, he was sent by his order to Pavia, where he lectured for sixteen years. At Parma he advanced thirty propositions in support of the papal chair and he became master of novices and was on several occasions elected prior of more than one Dominican priory. During a time of moral laxity, he insisted on discipline. He fasted, did penance, passed long hours of the night in meditation and prayer, traveled on foot without a cloak in deep silence, in 1556 he was made Bishop of Sutri by Pope Paul IV and was selected as inquisitor of the faith in Milan and Lombardy. In 1557 he was made a cardinal and named inquisitor general for all Christendom and his defense of the Archbishop of Toledo, who had been suspected of heresy by the Spanish Inquisition in earned him a rebuff from the Pope. Under Pope Pius IV he became bishop of Mondovi in Piedmont, frequently called to Rome, he displayed his unflinching zeal in all the affairs on which he was consulted. Thus he offered an insurmountable opposition to Pius IV when the latter wished to admit Ferdinand de Medici, then thirteen years old. His opposition to the pontiff procured his dismissal from the palace, before Michele Ghislieri could return to his episcopate, Pope Pius IV died. On 8 January 1566, Ghislieri, with the influential backing Charles Borromeo was elected to the papal throne and he was crowned ten days later, on his 62nd birthday by the protodeacon. His pontificate saw him dealing with reform of the Church, the spread of Protestant doctrines in the West. Three national synods were held during his pontificate at Naples under Alfonso Cardinal Caraffa, at Milan under Saint Charles Borromeo, accordingly, in order to implement a decision of that council, he standardised the Holy Mass by promulgating the 1570 edition of the Roman Missal
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Nave
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The nave /ˈneɪv/ is the central aisle of a basilica church, or the main body of a church between its western wall and its chancel. It is the zone of a church accessible by the laity, the nave extends from the entry — which may have a separate vestibule — to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave and it provides the central approach to the high altar. The term nave is from medieval Latin navis, a ship was an early Christian symbol. The term may also have suggested by the keel shape of the vaulting of a church. The earliest churches were built when builders were familiar with the form of the Roman basilica and it had a wide central area, with aisles separated by columns, and with windows near the ceiling. Old St. Peters Basilica in Rome is a church which had this form. It was built in the 4th century on the orders of Roman emperor Constantine I, the nave, the main body of the building, is the section set apart for the laity, while the chancel is reserved for the clergy. In medieval churches the nave was separated from the chancel by the rood screen, medieval naves were divided into bays, the repetition of form giving an effect of great length, and the vertical element of the nave was emphasized. During the Renaissance, in place of dramatic effects there were more balanced proportions, longest nave in Denmark, Aarhus Cathedral,93 metres. Longest nave in England, St Albans Cathedral, St Albans,84 metres, longest nave in Ireland, St Patricks Cathedral, Dublin,91 metres. Longest nave in France, Bourges Cathedral,91 metres, including choir where a crossing would be if there were transepts, longest nave in Germany, Cologne cathedral,58 metres, including two bays between the towers. Longest nave in Italy, St Peters Basilica in Rome,91 metres, longest nave in Spain, Seville,60 metres, in five bays. Longest nave in the United States, Cathedral of Saint John the Divine, New York City, highest vaulted nave, Beauvais Cathedral, France,48 metres high but only one bay of the nave was actually built but choir and transepts were completed to the same height. Highest completed nave, Rome, St. Peters, Italy,46 metres high, abbey, with architectural discussion and groundplans Cathedral architecture Cathedral diagram List of highest church naves
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Apse
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In architecture, an apse is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an Exedra. Smaller apses may also be in other locations, especially shrines, an apse is a semicircular recess covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, in relation to church architecture it is generally the name given to where the altar is placed or where the clergy are seated. An apse is occasionally found in a synagogue, e. g. Maoz Haim Synagogue, the apse is separated from the main part of the church by the transept. Smaller apses are sometimes built in other than the east end. The domed apse became a part of the church plan in the early Christian era. In the Eastern Orthodox tradition, the apse is known as diaconicon. Various ecclesiastical features of which the apse may form part are drawn here, The chancel, directly to the east beyond the choir contains the High Altar. This area is reserved for the clergy, and was formerly called the presbytery. Hemi-cyclic choirs, first developed in the East, came to use in France in 470, famous northern French examples of chevets are in the Gothic cathedrals of Amiens, Beauvais and Reims. The word ambulatory refers to an aisle in the apse that passes behind the altar and choir. An ambulatory may refer to the passages that enclose a cloister in a monastery, or to other types of aisles round the edge of a church building
23.
Luigi Poletti (architect)
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Luigi Poletti was an Italian architect, active in a neoclassical style. He initially obtained a doctorate in Mathematics and Philosophy in Bologna and he returns to Modena and becomes engineer of the Garfagnana, and professor of Mechanics and Hydraulics at the University. He then received a stipend to study in Rome, there he studied under Raffaele Stern. In 1823, the ancient Basilica of San Paolo fuori le Mura, one of the seven pilgrimage churches of Rome, was destroyed by fire. When plans for a new church were announced, a great hue arose from the adherents of the past, such as Carlo Fea. Initially Pasquale Belli was hired, but soon after was replaced by Poletti who promised a closer replica, Poletti also added a choir to the Pantheon in 1840 and built the theaters in Fano, Rimini and Terni. He rebuilt the church of San Venanzio in Camerino, which had fallen in the earthquake of 1792, after the damage from an earthquake in 1832, he rebuilt the Basilica of Santa Maria degli Angeli in Assisi. He built the Cathedral of Montalto delle Marche on the foundations that had started under Pope Sixtus V. He designed the church of San Filippo in the town of Nocera and he completed the chapel and altar of Santissima Maria in San Francesco in Rimini. He built a chapel in Fossombrone. He designed the lighthouse and arsenal in the port of Ripa Grande and he designed the Palazzo Ceccopieri in Via di Monte Catino. He also reconstructed SantAndrea degli Scozzesi in Rome and he also helped design the Column of the Immaculate Conception, Rome. Www. italycyberguide. com Ashton Rollins Willard, History of modern Italian art, Longmans, Green & Co
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Neoclassical architecture
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Neoclassical architecture is an architectural style produced by the neoclassical movement that began in the mid-18th century. In its purest form, it is a style derived from the architecture of classical antiquity, the Vitruvian principles. In form, Neoclassical architecture emphasizes the wall rather than chiaroscuro, Neoclassical architecture is still designed today, but may be labelled New Classical Architecture for contemporary buildings. In Central and Eastern Europe, the style is referred to as Classicism. Many early 19th-century neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée, the many graphite drawings of Boullée and his students depict spare geometrical architecture that emulates the eternality of the universe. There are links between Boullées ideas and Edmund Burkes conception of the sublime, the baroque style had never truly been to the English taste. The most popular was the four-volume Vitruvius Britannicus by Colen Campbell, the book contained architectural prints of famous British buildings that had been inspired by the great architects from Vitruvius to Palladio. At first the book featured the work of Inigo Jones. Palladian architecture became well established in 18th-century Britain, at the forefront of the new school of design was the aristocratic architect earl, Richard Boyle, 3rd Earl of Burlington, in 1729, he and William Kent, designed Chiswick House. This House was a reinterpretation of Palladios Villa Capra, but purified of 16th century elements and this severe lack of ornamentation was to be a feature of the Palladianism. In 1734 William Kent and Lord Burlington designed one of Englands finest examples of Palladian architecture with Holkham Hall in Norfolk, the main block of this house followed Palladios dictates quite closely, but Palladios low, often detached, wings of farm buildings were elevated in significance. This classicising vein was also detectable, to a degree, in the Late Baroque architecture in Paris. This shift was even visible in Rome at the redesigned façade for S, by the mid 18th century, the movement broadened to incorporate a greater range of Classical influences, including those from Ancient Greece. The shift to neoclassical architecture is conventionally dated to the 1750s, in France, the movement was propelled by a generation of French art students trained in Rome, and was influenced by the writings of Johann Joachim Winckelmann. The style was adopted by progressive circles in other countries such as Sweden. A second neoclassic wave, more severe, more studied and more consciously archaeological, is associated with the height of the Napoleonic Empire, in France, the first phase of neoclassicism was expressed in the Louis XVI style, and the second in the styles called Directoire or Empire. The Scottish architect Charles Cameron created palatial Italianate interiors for the German-born Catherine II the Great in St. Petersburg, indoors, neoclassicism made a discovery of the genuine classic interior, inspired by the rediscoveries at Pompeii and Herculaneum. These had begun in the late 1740s, but only achieved an audience in the 1760s
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Ferdinando Marinelli Artistic Foundry
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The Ferdinando Marinelli Artistic Foundry is one of the last remaining Florentine foundries, producing works in bronze utilizing the Renaissance technique of lost-wax. A large number of bronze sculptures produced in Florence over the last century come from this artistic foundry, one of the most famous and popular works in Florence, the La Fontana del Porcellino, was cast by the Marinelli Foundry in 1988 and replaced the antique in 1998. As early as 1929, Marinelli Foundry was present internationally and it produced the monumental sculpture ‘La Carretta dei Pioneri’ carved by the Uruguayan artist José Belloni. It may still be today in Montevideo. In 1932, the panels of the staircase at the entrance of the Vatican Museums by Antonio Maraini were cast. A more recent achievement is the ‘Warrior on horseback’ in Skopje, the capital of Macedonia, inaugurated in 2011, the history of the Fonderia Artistica Ferdinando Marinelli begins in 1905 with the opening of a small shop on Florence’s Via de’ Giudei by Ferdinando Marinelli. In 1915, he was employed by the Fonderia of Alessandro Biagiotti, after World War I, Ferdinando took over the Gabellini foundry on Via del Romito. In 1925, the Foundry executed the monument to the painter Giovanni Fattori donated to the city of Livorno by Valmore Gemignani, Marinelli Foundry received important commissions thanks to the esteem with which Ferdinando was held by the sculptor Antonio Maraini. Maraini choose him as his caster when he received the commission from Pope Pius XI to execute the panels that decorate the newly built large staircase at the entrance to the Vatican Museums. In 1945, Ferdinando Marinelli leaves the Foundry to his sons Aldo, upon Marino’s death, the company passes on to his son Ferdinando Jr. who maintains the ancient tradition of lost-wax casting. Marinelli Foundry remains to this day one of the last artistic workshops practicing this technique, the antique work was moved to the Museo Bardini in 2004. In addition, again for Florence, it executed replicas of Giambolognas Bacchus in Borgo San Jacopo, the new workshops were equipped with up to date furnaces and kilns however leaving all of the traditional production phases unaltered. As already mentioned, the esteem of Antonio Maraini permitted the Marinelli Foundry to establish a relationship with the Vatican State. Peter’s Basilica carved by Maestro Vico Consorti, such collaborations subsequently permitted Marinelli to receive additional commissions from churches in Rome. These include the doors of the Basilica of Santa Maria Maggiore, after the drawings of Ludovico Pogliaghi, and in 1951. The collaboration has continued recently, it has produced the bronze handrail of the new flight of stairs at the Vatican Museums inaugurated in 2000 by Pope John Paul II. C. The monument is the work of the American sculptor, Leo Friedlander and this project, conceived in the late twenties and delayed due to the Great Depression, was resumed in 1938 and only completed at the end of World War II. The monument was a gift of Ambassador Alberto Tarchiani on behalf of Italy and its inauguration took place on December 26,1951
26.
Pope Pius X
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Pope Saint Pius X, born Giuseppe Melchiorre Sarto, was Pope from August 1903 to his death in 1914. Pius X is known for vigorously opposing modernist interpretations of Catholic doctrine, promoting traditional devotional practices and his most important reform was to order the codification of the first Code of Canon Law, which collected the laws of the Church into one volume for the first time. He was also considered a pastoral pope, in the sense of encouraging personal holiness, piety and he was born in the town of Riese, which would later append Pio X to the towns name. Pius X believed that there was no surer or more direct road than by the Virgin Mary to achieve this goal. His immediate predecessor, Pope Leo XIII, had promoted a synthesis between the Catholic Church and secular culture, faith and science, and divine revelation and reason. Pius X defended the Catholic faith against popular 19th-century attitudes and views such as indifferentism and relativism which his predecessors had warned against as well and he followed the example of Leo XIII by promoting Thomas Aquinas and Thomism as the principal philosophical method to be taught in Catholic institutions. Pius X vehemently opposed modernism, which claimed that Roman Catholic dogma should be modernized and blended with nineteenth-century philosophies and he viewed modernism as an import of secular errors affecting three areas of Roman Catholic belief, theology, philosophy, and dogma. Personally, Pius X combined within himself a strong sense of compassion, benevolence and poverty, but also stubbornness and he wanted to be pastoral in the sense that he was the only pope in the 20th century who gave Sunday homily sermons in the pulpit every week. After the 1908 Messina earthquake he filled the Apostolic Palace with refugees and he rejected any kind of favours for his family, his brother remained a postal clerk, his favourite nephew stayed on as village priest, and his three sisters lived together close to poverty in Rome. He often referred to his own origins, taking up the causes of poor people. I was born poor, I have lived poor, and I wish to die poor, considered a holy person by many, public veneration of Pope Pius X began soon after his death. Numerous petitions resulted in a process of beatification which started in the 1920s. The Society of Saint Pius X, a Traditionalist Catholic group, is named in his honor, a gigantic statue of him is enshrined within Saint Peters Basilica, while the town of his birthplace was also renamed after his canonization. Giuseppe Melchiorre Sarto was born in Riese, Kingdom of Lombardy-Venetia and he was the second born of ten children of Giovanni Battista Sarto and Margarita Sanson. He was baptised 3 June 1835, giuseppes childhood was one of poverty, being the son of the village postman. Though poor, his parents valued education, and Giuseppe walked 3.75 miles to each day. At a young age, Giuseppe studied Latin with his village priest, on 18 September 1858, Sarto was ordained a priest, and became chaplain at Tombolo. While there, Father Sarto expanded his knowledge of theology, studying both Saint Thomas Aquinas and canon law, while carrying out most of the functions of the parish pastor, in 1867, he was named archpriest of Salzano
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Patriarchal basilica
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The Archbasilica of St. John in the Lateran is the seat of the Pope and the site of the Papal Cathedra, and is the oldest and first in rank of the Major Basilicas. All other churches that have the title of basilica are minor basilicas, the title of major basilica was introduced in 1300 by Pope Boniface VIII. With the promulgation of the bull Antiquorum fida relatio, he instituted the Holy Year, Boniface VIII renewed certain great remissions and indulgences for sins which were to be obtained by visiting the city of Rome and the venerable basilica of the Prince of the Apostles. Peter and St. Paul, the burial sites of the Apostles Pope St. Peter. In the second year in 1350, Pope Clement VI designated as a third major basilica St. John in the Lateran. He encouraged the faithful to make visits to St. John in the Lateran, besides those to the Basilicas of St. Peter. Finally, for the jubilee year in 1390, the Basilica of St. Mary Major. Visiting these four churches has remained one of the conditions for gaining the Roman Jubilee indulgence, thus, while of the Major Basilicas, the Basilica of St. Consequently, all four of the Major Basilicas are patrolled internally by police agents of Vatican City State. These properties, located across Rome, are deemed to be essential institutions necessary to the character. Upon relinquishing the title of Patriarch of the West in 2006, in addition, there is a multitude of minor basilicas throughout the world which have not been granted the official appellation Papal as the aforementioned three have. To this class belong the four ancient churches of Rome, Archbasilica of St. John Lateran, also called the Lateran Archbasilica, is the cathedral of the Bishop of Rome. It is the one called an archbasilica. Its full official name is Papal Archbasilica of the Most Holy Saviour and of Saints John the Baptist, St. Peters Basilica, also called the Vatican Basilica, is a major pilgrimage site, built over the burial place of Saint Peter. Perhaps the largest church in the world, it is used for most of the religious ceremonies in which the Pope participates. Its official name is the Papal Basilica of Saint Peter in the Vatican, Basilica of Saint Paul Outside the Walls, also known as the Ostian Basilica because it is situated on the road that led to Ostia, is built over the burial place of Paul the Apostle. Its official name is the Papal Basilica of Saint Paul Outside the Walls. e and its official name is the Papal Basilica of Saint Mary Major. These four major basilicas are distinguished by their having a door and for being prescribed as destinations for visits as one of the conditions for gaining the Roman Jubilee. Only the Pope and his delegatees may celebrate mass at the high altar, until recently, the four churches were open 24 hours a day, their staff included a college of priests to be continually available to hear confessions
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Basilica
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The Latin word basilica has three distinct applications in modern English. The word was used to describe an ancient Roman public building where courts were held, as well as serving other official. To a large extent these were the halls of ancient Roman life. The basilica was centrally located in every Roman town, usually adjacent to the main forum, later, the term came to refer specifically to a large and important Roman Catholic church that has been given special ceremonial rights by the Pope. Roman Catholic basilicas are Catholic pilgrimage sites, receiving tens of millions of visitors per year. In December 2009 the Basilica of Our Lady of Guadalupe in Mexico City set a new record with 6.1 million pilgrims during Friday and Saturday for the anniversary of Our Lady of Guadalupe. The Roman basilica was a public building where business or legal matters could be transacted. The first basilicas had no function at all. The central aisle tended to be wide and was higher than the flanking aisles, the oldest known basilica, the Basilica Porcia, was built in Rome in 184 BC by Cato the Elder during the time he was Censor. Other early examples include the basilica at Pompeii, probably the most splendid Roman basilica is the one begun for traditional purposes during the reign of the pagan emperor Maxentius and finished by Constantine I after 313 AD. In the 3rd century AD, the elite appeared less frequently in the forums. They now tended to dominate their cities from opulent palaces and country villas, rather than retreats from public life, however, these residences were the forum made private. Seated in the tribune of his basilica, the man would meet his dependent clientes early every morning. A private basilica excavated at Bulla Regia, in the House of the Hunt and its reception or audience hall is a long rectangular nave-like space, flanked by dependent rooms that mostly also open into one another, ending in a semi-circular apse, with matching transept spaces. Clustered columns emphasised the crossing of the two axes, the remains of a large subterranean Neopythagorean basilica dating from the 1st century AD were found near the Porta Maggiore in Rome in 1915. The ground-plan of Christian basilicas in the 4th century was similar to that of this Neopythagorean basilica, the usable model at hand, when Constantine wanted to memorialise his imperial piety, was the familiar conventional architecture of the basilicas. In, and often also in front of, the apse was a platform, where the altar was placed. Constantine built a basilica of this type in his complex at Trier, later very easily adopted for use as a church
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Transept
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A transept is a transverse part of any building, which lies across the main body of the edifice. In churches, a transept is an area set crosswise to the nave in a building within the Romanesque. Each half of a transept is known as a semitransept, the transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis, upon its four piers, the crossing may support a spire, a central tower or a crossing dome. Since the altar is located at the east end of a church. The north and south end walls often hold decorated windows of stained glass, such as rose windows, occasionally, the basilicas and the church and cathedral planning that descended from them were built without transepts, sometimes the transepts were reduced to matched chapels. More often, the transepts extended well beyond the sides of the rest of the building, forming the shape of a cross and this design is called a Latin cross ground plan, and these extensions are known as the arms of the transept. A Greek cross ground plan, with all four extensions the same length, when churches have only one transept, as at Pershore Abbey, there is generally a historical disaster, fire, war or funding problem, to explain the anomaly. At Beauvais only the chevet and transepts stand, the nave of the cathedral was never completed after a collapse of the daring high vaulting in 1284. At St. Vitus Cathedral, Prague, only the choir, in a metro station or similar construction, a transept is a space over the platforms and tracks of a station with side platforms, containing the bridge between the platforms. Placing the bridge in a rather than an enclosed tunnel allows passengers to see the platforms. Aisle Apse Cathedral architecture Cathedral diagram Glossary of the Catholic Church Transom
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Choir (architecture)
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A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, in modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir or retro-choir is a space behind the altar in the choir of a church. In the Early Church, the sanctuary was connected directly to the nave, the choir was simply the east part of the nave, and was fenced off by a screen or low railing, called cancelli, which is where the English word chancel comes from. The word choir is first used by members of the Latin Church, isidore of Seville and Honorius of Autun write that the term is derived from the corona, the circle of clergy or singers who surrounded the altar. When first introduced, the choir was attached to the bema, the platform in the center of the nave on which were placed seats for the higher clergy. This arrangement can still be observed at the Basilica of St. Mary Major in Rome, over time, the bema and choir moved eastward to their current position. In some churches the choir is arranged in the apse behind the altar, the architectural details of the choir developed in response to its function as the place where the Divine Office was chanted by the monastic brotherhood or the chapter of canons. The chancel was regarded as the part of the church. The pulpit and lectern are also found at the front of the choir. The organ may be located here, or in a loft elsewhere in the church, some cathedrals have a retro-choir behind the High Altar, opening eastward towards the chapels in the eastern extremity. After the Reformation Protestant churches generally moved the forward, typically to the front of the chancel. The choir and rear of deep chancels became little used in churches surviving from the Middle Ages, with the emphasis on sermons, and their audibility, some churches simply converted their chancels to seat part of the congregation. The choir area is occupied by sometimes finely carved and decorated wooden seats known as choir stalls, the choir may be furnished either with long benches or individual choir stalls. There may be several rows of seating running parallel to the walls of the church, the use of choir stalls is more traditional in monasteries and collegiate churches. Monastic choir stalls are often fitted with seats that fold up when the monastics stand, often the hinged seat will have a misericord on the underside on which he can lean while standing during the long services. The upper part of the stall is so shaped as to provide a headrest while sitting
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Cathedra
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A cathedra or bishops throne is the seat of a bishop. It is a symbol of the teaching authority in the Catholic Church, the Orthodox Church. A church into which a bishops official cathedra is installed is called a cathedral, the definitive example of a cathedra is that encased within the Triumph of the cathedra Petri designed by Gian Lorenzo Bernini in 1657 and completed and installed in 1666. It is a Byzantine throne with framed fragments of wood encased in the oak carcass. It was long believed to have used by the Apostle Saint Peter. Several rings facilitated its transportation during processions, Pope Alexander VII commissioned Bernini to build a monument to display this relic in a triumphant manner. Berninis gilded bronze throne, richly ornamented with bas-reliefs, encloses the relic, on January 17,1666 it was solemnly set above the altar of Saint Peters Basilica in Vatican City. Greater than life-sized sculptures of four Doctors of the Church form a guard, St. Ambrose and St. Athanasius on the left. Celebrated on February 22 in accordance with the calendar of saints, the Chair of St. Augustine represents one of the most ancient extant cathedrae in use. Named after the first Archbishop of Canterbury, St. Augustine of Canterbury, it is made of Purbeck Marble or Bethesda marble and those who argue for an older date suggest that it may have been used to crown the kings of Kent. Canterbury Cathedral, in which the cathedra is housed, maintains that the chair was once part of the furnishings of the shrine of St. Thomas Becket, since the Middle Ages, it has always been used in the triple enthronement of an Archbishop of Canterbury. He is seated on the throne in the quire as Diocesan Bishop, in the house as titular abbot. This is the occasion in which the cathedra is used. A second cathedra is used for other occasions at which the archbishop is present, the term ex cathedra, meaning from the chair, is used to designate official pronouncements of the pope intended for a world audience. The cathedra symbolizes the bishops authority to teach. According to Catholic dogma, the popes statements ex cathedra are infallible in matters of faith, the traditional position of the cathedra was in the apse, behind the high altar. It had been the position of the magistrate in the apse of the Roman basilica which provided the model type—and sometimes were adapted as the structures—for early Christian basilicas. In the Middle Ages, as came to be placed against the wall of the apse
32.
Antonio Circignani
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Antonio Circignani was an Italian painter of the late-Renaissance period and early Baroque. Born in Pomarance, he is also as Antonio Pomarancio. He was the son of the painter Niccolò Circignani, and with his father and he was featured in the Vite published by Giovanni Baglione. One of his most famous paintings, Wedding of the Virgin, is found in the Saint Mary of Angels Basilica in Assisi, Italy. Other works include a Four Evangelists, in Museo di San Francesco, San Marino, hobbes, James R. Picture collectors manual adapted to the professional man, and the amateur. T&W Boone,29 Bond Street, Digitized by Googlebooks, le Vite de’ Pittori, Scultori, Architetti, ed Intagliatori dal Pontificato di Gregorio XII del 1572. Fino a’ tempi de Papa Urbano VIII. nel 1642
33.
Ventura Salimbeni
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Ventura di Archangelo Salimbeni was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci. During 1590-1591, he received a commission from Cardinal Bonifazio Bevilacqua Aldobrandini for paintings in the Roman Jesuit Church of the Gesù and these paintings show the influence of Cavalier DArpino and the Counter-Mannerist Barocci pupil Andrea Lillio. Salimbeni returned to Siena in 1595, here he persisted in a Reformist or Counter-Maniera style. He completed painting cycles for Sienese churches such as the Oratory of Santa Trinità and he is known for detailed preparatory drawings, most of which are now in the Uffizi in Florence or the Fine Arts Museum of San Francisco. At around 1600, he began painting the Life of St Hyacinth for the Sienese church of Santo Spirito and these paintings show the innovative perspective and style of the Florentine Reformers Ludovico Cigoli Cigoli and Domenico Passignano Domenico Passignano. He continued to create paintings for churches throughout Italy, including Florence, at the Basilica della Santissima Annunziata di Firenze, he frescoed lunettes illustrating events in the history of the Servite Order. In the Duomo di San Salvatore, he executed a magnificent John the Baptist, in 1603, Salimbeni was commissioned to paint frescoes with scenes from the churchs patron saints Quiricus and Julietta for the church of Ss Quirico e Giulitta, one of the oldest churches in Siena. As in the church of Santa Trinità, he worked alongside the painter Alessandro Casolari. At the same time he was painting the Vision of Gregory the Great and he was even authorized from now on to name himself Cavalieri Bevilacqua. He painted the canvas of the Ascension of the Virgin for San Frediano, in 1612 he painted the Life of Saint Galganus for the Church of the Santuccio in Siena with the hermit saint set in a wooded landscape. His last work of art was the oil painting the Marriage of the Virgin for the Seminario Diocesano in Foligno in 1613 and he was influenced by Federico Barocci, Domenico Beccafumi and by the rich and harmonious palette of Lodovico Cigoli. Among his pupils was Alessandro Casolani, in the period between 1589 and 1594 he also made in Rome some etchings, of which seven survive. They are among the finest Italian prints of the period, the earliest dated, and the largest, is the Baptism of Christ of 1589, which he produced in collaboration with the more experienced Ambrogio Brambilla. St. Peter and St. Bernard, Study for an Altarpiece Saint Caterina acceca con lo sguardo and Florentine Soldiers Saint Lorenzo, video Church of San Pietro and artwork by Ventura Salimbeni
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Order of Saint Benedict
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Each community within the order maintains its own autonomy, while the order itself represents their mutual interests. Internationally, the order is governed by the Benedictine Confederation, a body, established in 1883 by Pope Leo XIIIs Brief Summum semper, individuals whose communities are members of the order generally add the initials OSB after their names. The monastery at Subiaco in Italy, established by Saint Benedict of Nursia circa 529, was the first of the monasteries he founded. He later founded the Abbey of Monte Cassino, there is no evidence, however, that he intended to found an order and the Rule of Saint Benedict presupposes the autonomy of each community. It was from the monastery of St. Andrew in Rome that Augustine, the prior, at various stopping places during the journey, the monks left behind them traditions concerning their rule and form of life, and probably also some copies of the Rule. Lérins Abbey, for instance, founded by Honoratus in 375, probably received its first knowledge of the Benedictine Rule from the visit of St. Augustine, in Gaul and Switzerland, it supplemented the much stricter Irish or Celtic Rule introduced by Columbanus and others. In many monasteries it eventually displaced the earlier codes. Largely through the work of Benedict of Aniane, it became the rule of choice for monasteries throughout the Carolingian empire, Monastic scriptoria flourished from the ninth through the twelfth centuries. Sacred Scripture was always at the heart of every monastic scriptorium, as a general rule those of the monks who possessed skill as writers made this their chief, if not their sole active work. In the Middle Ages monasteries were founded by the nobility. Cluny Abbey was founded by William I, Duke of Aquitaine in 910, the abbey was noted for its strict adherence to the Rule of St. Benedict. The abbot of Cluny was the superior of all the daughter houses, one of the earliest reforms of Benedictine practice was that initiated in 980 by Romuald, who founded the Camaldolese community. The English Benedictine Congregation is the oldest of the nineteen Benedictine congregations, Augustine of Canterbury and his monks established the first English Benedictine monastery at Canterbury soon after their arrival in 597. Many of the sees of England were founded and governed by the Benedictines. Monasteries served as hospitals and places of refuge for the weak, the monks studied the healing properties of plants and minerals to alleviate the sufferings of the sick. Germany was evangelized by English Benedictines, willibrord and Boniface preached there in the seventh and eighth centuries and founded several abbeys. In the English Reformation, all monasteries were dissolved and their lands confiscated by the Crown, during the 19th century they were able to return to England, including to Selby Abbey in Yorkshire, one of the few great monastic churches to survive the Dissolution. St. Mildreds Priory, on the Isle of Thanet, Kent, was built in 1027 on the site of an abbey founded in 670 by the daughter of the first Christian King of Kent, currently the priory is home to a community of Benedictine nuns
35.
Johann Friedrich Overbeck
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Johann Friedrich Overbeck was a German painter and member of the Nazarene movement. Born in Lübeck, his ancestors for three generations had been Protestant pastors, his father Christian Adolph Overbeck was doctor of law, poet, mystic pietist and burgomaster of Lübeck. The young artist left Lübeck in March 1806, and entered as student the academy of Vienna, while Overbeck clearly accrued some of the polished technical aspects of the neoclassic painters, he was alienated by lack of religious spirituality in the themes chosen by his masters. After four years, their differences between his group and others in the academy had grown so irreconcilable, that Overbeck and his followers were expelled and he left for Rome, where he arrived in 1810, carrying his half-finished canvas of Christs Entry into Jerusalem. Rome became for 59 years the centre of his labor, Overbeck in 1813 joined the Roman Catholic Church, and thereby he believed that his art received Christian baptism. The subjects which fell to the lot of Overbeck were the Seven Years of Famine and Joseph sold by his Brethren, after ten years delay, the overtaxed and enfeebled painter delegated the completion of the frescoes to his friend Joseph von Führich. Overbeck was elected a Foreign Honorary Member of the American Academy of Arts and he was interred in the church of San Bernardo alle Terme. Portrait of the Painter Franz Pforra Vittoria Caldoni Christs Entry into Jerusalem, christus am Ölberg Italy and Germany Christs Agony in the Garden, in the great hospital, Hamburg. Lo Sposalizio, Muzeum Narodowe, Poznań, Poland, the Triumph of Religion in the Arts, in the Städel Institute, Frankfurt. Lamentation of Christ The Incredulity of St. Thomas, first in the possession of Beresford Hope, London, now in the Schäfer collection, Schweinfurt, the Assumption of the Madonna, in Cologne Cathedral. The Ascension of the Virgin Mary Christ Delivered from the Jews, tempera, the Seven Sacraments Baptism 1862–64, Neue Pinakothek, Munich Drawings for the frescoes for the Cathedral of St. Peter and St. Paul in Đakovo. His nephew Johannes Overbeck, a professor of archaeology at the University of Leipzig, was noted for his work in art history, in 1843 the Church of St. John the Baptist, Penymynydd, North Wales was built by the Glynne Family of Hawarden, Flintshire. The first vicar, Rev. Lionel Gossman, “Making of a Romantic Icon, The Religious Context of Friedrich Overbeck’s ‘Italia und Germania. ’” American Philosophical Society,2007. At dianepub. wordpress. com This article incorporates text from a now in the public domain, Chisholm, Hugh, ed. Overbeck. Thurston, H. T. Colby, F. M. eds, Johann Friedrich Overbeck in the History of Art Italy and Germany Reproduction Overbeck by J
36.
Umbria
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Umbria, is a region of historic and modern central Italy. It is the only Italian region having neither a coastline nor a border with other countries and it includes the Lake Trasimeno, Marmores Falls, and is crossed by the River Tiber. Umbria is known for its landscapes, traditions, history, culinary delights, artistic legacy, and influence on culture. Contained within Umbria is Cospaia, a republic created by accident that existed from 1440 to 1826 Umbria is bordered by Tuscany to the west, Marche to the east. It is the only Italian region having neither a coastline nor a border with other countries. The commune of Città di Castello has an exclave named Monte Ruperto within Marche. Umbria is crossed by two valleys, the Umbrian valley, stretching from Perugia to Spoleto, and the Tiber Valley, west of the first one, the Tiber River forms the approximate border with Lazio, although its source is just over the Tuscan border. The Tibers three principal tributaries flow southward through Umbria, the Chiascio basin is relatively uninhabited as far as Bastia Umbra. About 10 kilometres farther on, it joins the Tiber at Torgiano, the third river is the Nera, flowing into the Tiber further south, at Terni, its valley is called the Valnerina. The upper Nera cuts ravines in the mountains, the lower, in antiquity, the plain was covered by a pair of shallow, interlocking lakes, the Lacus Clitorius and the Lacus Umber. They were drained by the Romans over several hundred years, an earthquake in the 4th century and the political collapse of the Roman Empire resulted in the refilling of the basin. The eastern part of the region, being crossed by many faults, has often hit by earthquakes, the last ones have been that of 1997. In literature, Umbria is referred to as il cuore verde dItalia, the phrase is taken from a poem by Giosuè Carducci, the subject of which is the source of the Clitunno River in Umbria. The region is named for the Umbri people, an Italic people which was absorbed by the expansion of the Romans, the Umbris capital city was Gubbio, where today is housed the longest and most important document of any of the Osco-Umbrian group of languages, the Iguvine Tablets. In fact, they belonged to a family of neighbouring peoples with similar roots. Their language was Umbrian, one of the Italic languages, related to Latin, the Etruscans were the chief enemies of the Umbri. The Etruscan invasion went from the western seaboard towards the north and east, eventually driving the Umbrians towards the Apennine uplands, nevertheless, the Umbrian population does not seem to have been eradicated in the conquered districts. The border between Etruria and Umbria was the Tiber river, the ancient name of Todi, Tular, after the downfall of the Etruscans, Umbrians aided the Samnites in their struggle against Rome
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Gothic architecture
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Gothic architecture is a style of architecture that flourished in Europe during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture and its characteristics include the pointed arch, the ribbed vault and the flying buttress. Gothic architecture is most familiar as the architecture of many of the cathedrals, abbeys. It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, for this reason a study of Gothic architecture is largely a study of cathedrals and churches. A series of Gothic revivals began in mid-18th-century England, spread through 19th-century Europe and continued, largely for ecclesiastical and university structures, the term Gothic architecture originated as a pejorative description. Hence, François Rabelais, also of the 16th century, imagines an inscription over the door of his utopian Abbey of Thélème, Here enter no hypocrites, slipping in a slighting reference to Gotz and Ostrogotz. Authorities such as Christopher Wren lent their aid in deprecating the old medieval style, the Company disapproved of several of these new manners, which are defective and which belong for the most part to the Gothic. Gothic architecture is the architecture of the medieval period, characterised by use of the pointed arch. As an architectural style, Gothic developed primarily in ecclesiastical architecture, the greatest number of surviving Gothic buildings are churches. The Gothic style is most particularly associated with the cathedrals of Northern France. At the end of the 12th century, Europe was divided into a multitude of city states, norway came under the influence of England, while the other Scandinavian countries and Poland were influenced by trading contacts with the Hanseatic League. Angevin kings brought the Gothic tradition from France to Southern Italy, throughout Europe at this time there was a rapid growth in trade and an associated growth in towns. Germany and the Lowlands had large flourishing towns that grew in comparative peace, in trade and competition with other, or united for mutual weal. Civic building was of importance to these towns as a sign of wealth. England and France remained largely feudal and produced grand domestic architecture for their kings, dukes and bishops, the Catholic Church prevailed across Europe at this time, influencing not only faith but also wealth and power. Bishops were appointed by the lords and they often ruled as virtual princes over large estates. The early Medieval periods had seen a growth in monasticism, with several different orders being prevalent. Foremost were the Benedictines whose great abbey churches vastly outnumbered any others in France, a part of their influence was that towns developed around them and they became centers of culture, learning and commerce
38.
Pietro Perugino
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Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil, Pietro Perugino was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Marie Vannucci. Pietros nickname characterizes him as from Perugia, the city of Umbria. Scholars continue to dispute the status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty and his exact date of birth is not known, although, based on his age at the death mentioned by Vasari and Giovanni Santi, he is suspected to be born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo, the date of this first Florentine sojourn is unknown, some make it as early as 1466/1470, others push the date to 1479. According to Vasari, he apprenticed in the workshop of Andrea del Verrocchio alongside Leonardo da Vinci, Domenico Ghirlandaio, Lorenzo di Credi, Filippino Lippi, piero della Francesca is thought to have taught him perspective form. In 1472 he must have completed his apprenticeship, for he was enrolled as a master in the Confraternity of St Luke, Pietro, although very talented was not extremely enthusiastic about his work. Perugino was one of the earliest Italian practitioners of oil painting, a good specimen of his early style in tempera is the tondo in the Musée du Louvre of the Virgin and Child Enthroned between Saints. Perugino returned from Florence to Perugia, where his Florentine training showed in the Adoration of the Magi for the church of Santa Maria dei Servi of Perugia, in about 1480, he was called to Rome by Sixtus IV to paint fresco panels for the Sistine Chapel walls. The frescoes he executed there included Moses and Zipporah, the Baptism of Christ, pinturicchio accompanied Perugino to Rome, and was made his partner, receiving a third of the profits. He may have some of the Zipporah subject. The Sistine frescoes were the major high Renaissance commission in Rome, the altar wall was also painted with the Assumption, the Nativity, and Moses in the Bulrushes. He had a studio in Florence, and received a great number of commissions. His Pietà in the Uffizi is an uncharacteristically stark work that avoids Peruginos sometimes too easy sentimental piety, in 1499 the guild of the cambio of Perugia asked him to decorate their audience-hall, the Sala delle Udienze del Collegio del Cambio. The humanist Francesco Maturanzio acted as his consultant, on the mid-pilaster of the hall Perugino placed his own portrait in bust-form. It is probable that Raphael, who in boyhood, towards 1496, had been placed by his uncles under the tuition of Perugino, Perugino was made one of the priors of Perugia in 1501. On one occasion Michelangelo told Perugino to his face that he was a bungler in art, Vannucci brought an action for defamation of character, unsuccessfully
39.
Domenico Bruschi
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Domenico Bruschi was an Italian painter. He was a pupil of Silvestro Valeri in Perugia, and where in 1857 and he became famous after his frescoes on the halls of the provincial councils palace. The frescoes were allegorical scenes alluding to the glory of Perugia, in 1859, he travelled to Florence to work in the studio of Bandinelli. Among one of his works was the decoration of the Chapel of San Giuseppe at San Pietro dei Cassinensi in Perugia. In 1869, he frescoed the Chapel of the Rosary in San Domenico, Perugia with depictions of San Stefano, Beati Nicolò e Tomassello and he traveled in 1862 to Scotland to paint for various members of the aristocracy. Returning to Perugia, he completed the altarpiece of the Church of the Annunziata. He was called to Rome to become professor of ornamentation at the Royal Institute of Fine Arts at Via Ripetta and he painted in Rome at the Consulta, at the church of Santissimi Apostoli in Perugia, at the Palace of Montecitorio and other government palaces. Commissioned by the Provincial Deputation of Perugia to paint the Hall of Palace of the Prefecture with extensive frescoes depicting famous persons from Perugia, in 1876-1877, he frescoed the Baptism Chapel and the Chapel of San Onofrio of the Cathedral of Perugia. Among his colleagues at the studio of Valeri were Alessandro Vertami, Domenico Belimi, Guglielmo Mangiarelli, Tito Moretti, Annibale Mariani, Lemma Rossi-Scotti, works by or about Domenico Bruschi at Internet Archive
40.
Terracotta
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Terracotta, terra cotta or terra-cotta, a type of earthenware, is a clay-based unglazed or glazed ceramic, where the fired body is porous. The term is used to refer to the natural, brownish orange color, of most terracotta. This article covers the senses of terracotta as a medium in sculpture, as in the Terracotta Army and Greek terracotta figurines, asian and European sculpture in porcelain is not covered. Glazed architectural terracotta and its version as exterior surfaces for buildings were used in Asia for some centuries before becoming popular in the West in the 19th century. In archaeology and art history, terracotta is used to describe objects such as figurines not made on a potters wheel. An appropriate refined clay is formed to the desired shape, after drying it is placed in a kiln or atop combustible material in a pit, and then fired. The typical firing temperature is around 1,000 °C, though it may be as low as 600 °C in historic and archaeological examples. In some contexts, such as Roman figurines, white-colored terracotta is known as pipeclay, as such clays were later preferred for tobacco pipes, fired terracotta is not watertight, but surface-burnishing the body before firing can decrease its porousness and a layer of glaze can make it watertight. It is suitable for use below ground to carry pressurized water, for garden pots or building decoration in many environments, most other uses, such as for tableware, sanitary piping, or building decoration in freezing environments, require the material to be glazed. Terracotta, if uncracked, will ring if lightly struck, painted terracotta is typically first covered with a thin coat of gesso, then painted. It has been widely used but the paint is only suitable for indoor positions and is much less durable than fired colors in or under a ceramic glaze. Terracotta sculpture was rarely left in its raw fired state in the West until the 18th century. Terracotta/earthenware was the known type of ceramic produced by Western and pre-Columbian people until the 14th century. Terracotta has been used throughout history for sculpture and pottery as well as for bricks, in ancient times, the first clay sculptures were dried in the sun after being formed. They were later placed in the ashes of open hearths to harden, however, only after firing to high temperature would it be classed as a ceramic material. Terracotta female figurines were uncovered by archaeologists in excavations of Mohenjo-daro, along with phallus-shaped stones, these suggest some sort of fertility cult and a belief in a mother goddess. The Burney Relief is a terracotta plaque from Ancient Mesopotamia of about 1950 BC. In Mesoamerica, the majority of Olmec figurines were in terracotta
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Andrea della Robbia
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Andrea della Robbia was an Italian Renaissance sculptor, especially in ceramics. Born in Florence, Robbia was the son of Marco della Robbia, whose brother, Luca della Robbia, Andrea became Lucas pupil, and was the most important artist of ceramic glaze of the times. One variety of method was introduced in his enamelled work, one of the most remarkable works by Andrea is the series of medallions with reliefs of the Infant Jesus in white on a blue ground set on the front of the foundling hospital in Florence. These child-figures are modelled with skill and variety, no two being alike, Andrea also produced, for guilds and private persons, a large number of reliefs of the Madonna and Child varied with much invention. These are frequently framed with realistic yet decorative garlands of fruit and flowers painted with coloured enamels, the first of these dates is the year when the hospital was rebuilt owing to a papal brief sent to the archbishop of Florence. Perhaps the finest collection of works of this class is at La Verna, in 1489 Andrea made a relief of the Virgin and two Angels, now over the archive-room door in the Florentine Opera del Duomo, for this he was paid twenty gold florins. In the same year he modelled the tympanum relief over a door of Prato cathedral, in 1491 he was still working at Prato, where many of his best reliefs still exist. A bust of San Lino exists over the door of Volterra Cathedral. His workshop was carried on by his son Giovanni della Robbia after his death and this article incorporates text from a publication now in the public domain, Middleton, John, Burton, William. CS1 maint, Uses authors parameter Thorndike, Lynn, Andrea della Robbia at National Gallery of Art
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Vitreous enamel
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Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C. The powder melts, flows, and then hardens to a smooth, durable vitreous coating on metal, so in technical terms fired enamelware is an integrated layered composite of glass and metal. Enamelling is an old and widely adopted technology, for most of its history mainly used in jewelry, enamelled and enamelling are the preferred spellings in British English, while enameled and enameling are preferred in American English. The term enamel is most often restricted to work on metal, enamelled glass is also called painted, and overglaze decoration to pottery is often called enamelling. The word enamel comes from the Old High German word smelzan via the Old French esmail, or from a Latin word smaltum, used as a noun, an enamel is usually a small decorative object coated with enamel. Since the 19th century the term also to industrial materials and many metal consumer objects, such as some cooking vessels, dishwashers, laundry machines, sinks. The ancient Egyptians applied enamels to stone objects, pottery, and sometimes jewellery, the ancient Greeks, Celts, Georgians, and Chinese also used enamel on metal objects. Enamel powder could be produced in two ways, either by powdering coloured glass, or by mixing colourless glass powder with pigments such as a metallic oxide, designs were either painted freehand or over the top of outline incisions, and the technique probably originated in metalworking. Once painted, enamelled glass vessels needed to be fired at a high enough to melt the applied powder. Ancient Persians used this method for colouring and ornamenting the surface of metals by fusing over it brilliant colours that are decorated in an intricate design and called it Meenakari. Gold has been used traditionally for Meenakari Jewellery as it holds the enamel better, lasts longer, initially, the work of Meenakari often went unnoticed as this art was traditionally used as a backing for the famous kundan or stone-studded jewellery. This also allowed the wearer to reverse the jewellery as also promised a special joy in the secret of the hidden design, the Byzantine enamel style was widely adopted by the barbarian peoples of Migration Period northern Europe. The Byzantines then began to use cloisonné more freely to create images, the champlevé technique was considerably easier and very widely practiced in the Romanesque period. In Gothic art the finest work is in basse-taille and ronde-bosse techniques, from either Byzantium or the Islamic world, the cloisonné technique reached China in the 13-14th centuries. The first written reference to cloisonné is in a book from 1388, cloisonné remained very popular in China until the 19th century and is still produced today. Starting from the century, the Japanese also produced large quantities of very high technical quality. A resurgence in enamel-based art took place near the end of the 20th century in the Soviet Union, led by artists like Alexei Maximov, in Australia, abstract artist Bernard Hesling brought the style into prominence with his variously sized steel plates. Enamel was first applied commercially to sheet iron and steel in Austria, industrialization increased as the purity of raw materials increased and costs decreased
