The Park Güell is a public park system composed of gardens and architectural elements located on Carmel Hill, in Barcelona, Spain. Carmel Hill belongs to the mountain range of Collserola – the Parc del Carmel is located on the northern face. Park Güell is located in a neighborhood in the Gràcia district of Barcelona. With urbanization in mind, Eusebi Güell assigned the design of the park to Antoni Gaudí, a renowned architect and the face of Catalan modernism; the park was built from 1900 to 1914 and was opened as a public park in 1926. In 1984, UNESCO declared the park a World Heritage Site under "Works of Antoni Gaudí". Park Güell is the reflection of Gaudí's artistic plenitude. During this period, the architect perfected his personal style through inspiration from organic shapes, he put into practice a series of new structural solutions rooted in the analysis of geometry. To that, the Catalan artist adds an imaginative, ornamental creation. Starting from a sort of baroquism, his works acquire a structural richness of forms and volumes, free of the rational rigidity or any sort of classic premises.

In the design of Park Güell, Gaudí unleashed all his architectonic genius and put to practice much of his innovative structural solutions that would become the symbol of his organic style and that would culminate in the creation of the Basilica and Expiatory Church of the Holy Family. Güell and Gaudí conceived this park, situated within a natural park, they imagined an organized grouping of high-quality homes, decked out with all the latest technological advancements to ensure maximum comfort, finished off with an artistic touch. They envisioned a community influenced by symbolism, since, in the common elements of the park, they were trying to synthesize many of the political and religious ideals shared by patron and architect: therefore there are noticeable concepts originating from political Catalanism – in the entrance stairway where the Catalan countries are represented – and from Catholicism – the Monumento al Calvario designed to be a chapel; the mythological elements are so important: Güell and Gaudí's conception of the park was inspired by the Temple of Apollo of Delphi.

On the other hand, many experts have tried to link the park to various symbols because of the complex iconography that Gaudí applied to the urban project. Such references go from political vindication to religious exaltation, passing through mythology and philosophy. Many studies claim to see references to Freemasonry, despite the deep religious beliefs of both Gaudí and Count Güell; these references have not been proven in the historiography of the modern architect. The multiplicity of symbols found in the Park Güell is, as mentioned, associated to political and religious signs, with a touch of mystery according to the preferences of that time for enigmas and puzzles; the park was part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement; the site was a rocky hill with little vegetation and few trees, called Muntanya Pelada. It included a large country house called Larrard House or Muntaner de Dalt House and was next to a neighbourhood of upper-class houses called La Salut.

The intention was to exploit the fresh air and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Count Eusebi Güell added to the prestige of the development by moving in 1906 to live in Larrard House. Only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father in 1906; this house, where Gaudí lived from 1906 to 1926, was built by Francesc Berenguer in 1904. It contains original works by several of his collaborators, it is now the Gaudi House Museum since 1963. In 1969 it was declared a historical artistic monument of national interest, it has since been converted into a municipal garden. It can be reached by city buses, or by commercial tourist buses. Since October 2013 there is an entrance fee to visit the Monumental Zone, but the entrance to the Park remains free.

Gaudí's house, "la Torre Rosa," – containing furniture that he designed – can be only visited for another entrance fee. There is a reduced rate for those wishing to see the Sagrada Família Church. Park Güell is composed to bring the peace and calm that one would expect from a park; the buildings flanking the entrance, though original and remarkable with fantastically shaped roofs with unusual pinnacles, fit in well with the use of the park as pleasure gardens and seem inconspicuous in the landscape when one considers the flamboyance of other buildings designed by Gaudí. These two buildings make up the Porter's Lodge pavilion. One of these buildings contains a small room with a telephone booth; the other, while once being the porter's house, is now a permanent exhibition of the Barcelona City History Museum MUHBA focused on the building itself, the park and the city. The focal point of the park is the main terra

Steven N. Goodman is an American Professor of Medicine and of Health Research and Policy at Stanford School of Medicine, he has extensively contributed to statistics and probability analysis within the biosciences, in 1999 he coined the term "p-value fallacy". He graduated with an AB from Harvard College in 1976, majoring in Applied Math, he received an MD from New York University in 1981, completed a pediatrics residency at Washington University in St. Lous, qualified as a Pediatrician in 1985, received an MHS, Biostatistics and a PhD Epidemiology from Johns Hopkins School of Public Health. Co-founder and co-director, along with John Ioannidis, of the Meta-Research Innovation Center at Stanford. At Stanford, he is the Associate Dean of Clinical and Translational Research, Chief of the Division of Epidemiology. Member of the "National Public Health Honor Society". Myrto Lefkopoulou Distinguished Lecturer, Harvard Dept of Biostatistics Fellow of the "Society for Clinical Trials". Spinoza Chair in Medicine, University of Amsterdam Lilienfeld Award, American College of Epidemiology Lifetime Fellow, American College of Epidemiology Chair, PCORI Methodology Committee He has made numerous contributions to the methods of clinical research, comparative effectiveness, meta analysis and scientific inference.

In addition to works on scientific evidence. Esteller, Manel. "Cancer research: Inactivation of the DNA-repair gene MGMT and the clinical response of gliomas to alkylating agents". New England Journal of Medicine. 343: 1350–1354. Doi:10.1056/NEJM200011093431901. PMID 11070098

Daniel John "Dan" Baird is an American singer-songwriter and producer. He is best known as the lead singer and rhythm guitarist from the chart-topping 1980s rock band The Georgia Satellites. Baird left the band in 1990 to pursue a solo career, he is credited as one of the pioneers in cowpunk and alt-country music, which combines elements of rock music, country music, outlaw country, punk rock. Baird was born in San Diego, United States; when he was about 3, his family moved to Seattle for about a year to Atlanta, Georgia. Baird released his first solo album, Love Songs for the Hearing Impaired, in October 1992, produced by Brendan O'Brien with Executive Producer Rick Rubin, who founded Def American Recordings. A review in Rolling Stone magazine praised its combination of foot-stomping redneck rock and slyly intelligent lyrics: "This is how bluesed-up macho rock ought to be served: sizzling hot and extra lean, seasoned with a sneaky sense of humor. On his solo debut, Love Songs for the Hearing Impaired, the former Georgia Satellites frontman commands attention like a smart bar-stool bard.

Dan Baird spins ribald white-trash tales to familiar Chuck Berry-derived boogie, yet the guitars emit a stinging immediacy. Retro it's not – really." "I Love You Period", a single from the album, charted on October 10, 1992 and peaked at #26 on the Billboard Hot 100. "The One I Am" charted on January 23, 1993 and peaked at #13 on Billboard's chart for Album Rock Tracks. In 2005, Baird began touring with his band Homemade Sin, which today features two ex-members of The Georgia Satellites and drummer Mauro Magellan. Former member of The Georgia Satellites bassist Keith Christopher was replaced during 2014 by Micke Nilsson. Homemade Sin includes guitarist Warner E. Hodges, who tours and records with Jason & the Scorchers. Homemade Sin performs a mixture of Baird's solo material in addition to the hits and fan favorites from his years with The Georgia Satellites. To achieve a similar classic tube amplifier sound with Homemade Sin, Baird relies on a vintage setup similar to what was used during his tenure with The Georgia Satellites.

Creating confusion for some fans, there is a reformed version of The Georgia Satellites featuring original guitarist Rick Richards and bassist Rick Price, who joined the group to replace original bassist Keith Christopher, who left the band prior to their fame. He has recorded including The Yayhoos and Will Hoge. Baird was one of the original members of Hoge's band before leaving to pursue individual ventures. Baird has performed as a member of the country music band Trent Summar & the New Row Mob. Baird was in saxophonist Bobby Keys' band The Suffering Bastards, he plays with the band The Bluefields, an American rock band that includes Warner E. Hodges and Joe Blanton. Besides The Georgia Satellites, Baird has worked on various musical projects and is a record producer. Baird owns numerous vintage amplifiers, his favorite guitar is an original Fender Esquire which belonged to Steve Marriott, the lead singer of English bands Small Faces and Humble Pie. With The Georgia Satellites, Baird worked with producer Ian McLagan, a member of Small Faces.

Baird is married and does not drink alcohol. During tours, Baird can be found exercising in hotel gyms. According to Baird's blog on MySpace, he met Neil Young in a hotel gym locker room; the two discussed guitars and amplifiers, Young complimented Baird on his music. With The Georgia SatellitesKeep the Faith Georgia Satellites Inspired By Jack Daniels: Live In Concert Open All Night In the Land of Salvation and Sin Another Chance Let It Rock: The Best of the Georgia Satellites As a solo artistLove Songs for the Hearing Impaired Buffalo Nickel Redneck Savant Out of Mothballs Feels So Good Dan Baird and Homemade Sin: Live #2 Fresh Out of Georgia Live Like a Satellite: Greatest Hits Live Dan Baird and Homemade Sin Circus Life Get Loud Sweden Rock 2016 SoLow Rollercoaster Screamer Battleship chains - Live 2CD/DVD with The Harshed Mellows"U. S. Blues" from Deadicated: A Tribute to the Grateful Dead with The YayhoosFear Not the Obvious Put the Hammer Down with The Mystic Knights of the SeaCadillac Ranch / Johnny 99 with The BluefieldsPure Ramshackle Under High Cotton Bootlegs & unofficial releasesRedneck Punk Live at the Borderline London Dan Baird and Homemade Sin The Bluefields Georgia Satellites – without Dan Baird