Park Güell

Park Güell
The two buildings at the entrance of the park
Location	Gràcia, Barcelona, Spain
Coordinates	41°24′49″N 2°09′10″E / 41.41361°N 2.15278°E / 41.41361; 2.15278Coordinates: 41°24′49″N 2°09′10″E / 41.41361°N 2.15278°E / 41.41361; 2.15278
Established	1914
UNESCO World Heritage Site
Part of	Works of Antoni Gaudí
Criteria	Cultural: i, ii, iv
Reference	320-001
Inscription	1984 (8th Session)
Extensions	2005

The Park Güell (Catalan: Parc Güell [ˈparɡ ˈɡweʎ]) (Spanish: Parque Güell) is a public park system composed of gardens and architectonic elements located on Carmel Hill, in Barcelona, Spain. Carmel Hill belongs to the mountain range of Collserola – the Parc del Carmel is located on the northern face. Park Güell is located in La Salut, a neighborhood in the Gràcia district of Barcelona. With urbanization in mind, Eusebi Güell assigned the design of the park to Antoni Gaudí, a renowned architect and the face of Catalan modernism. The park was built between 1900 and 1914 and was officially opened as a public park in 1926. In 1984, UNESCO declared the park a World Heritage Site under "Works of Antoni Gaudí".^[1]

Description[edit]

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Park Güell is the reflection of Gaudí's artistic plenitude, which belongs to his naturalist phase (first decade of the 20th century). During this period, the architect perfected his personal style through inspiration from organic shapes. He put into practice a series of new structural solutions rooted in the analysis of geometry. To that, the Catalan artist adds creative liberty and an imaginative, ornamental creation. Starting from a sort of baroquism, his works acquire a structural richness of forms and volumes, free of the rational rigidity or any sort of classic premises. In the design of Park Güell, Gaudí unleashed all his architectonic genius and put to practice much of his innovative structural solutions that would become the symbol of his organic style and that would culminate in the creation of the Basilica and Expiatory Church of the Holy Family (Catalan: Sagrada Familia).

Güell and Gaudí conceived this park, situated within a natural park. They imagined an organized grouping of high-quality homes, decked out with all the latest technological advancements to ensure maximum comfort, finished off with an artistic touch. They also envisioned a community strongly influenced by symbolism, since, in the common elements of the park, they were trying to synthesize many of the political and religious ideals shared by patron and architect: therefore there are noticeable concepts originating from political Catalanism – especially in the entrance stairway where the Catalan countries are represented – and from Catholicism – the Monumento al Calvario, originally designed to be a chapel. The mythological elements are so important: apparently Güell and Gaudí's conception of the park was also inspired by the Temple of Apollo of Delphi.^{[citation needed]}

On the other hand, many experts^[who?] have tried to link the park to various symbols because of the complex iconography that Gaudí applied to the urban project. Such references go from political vindication to religious exaltation, passing through mythology, history and philosophy. Specifically, many studies claim to see references to Freemasonry, despite the deep religious beliefs of both Gaudí and Count Güell. These references have not been proven in the historiography of the modern architect. The multiplicity of symbols found in the Park Güell is, as previously mentioned, associated to political and religious signs, with a touch of mystery according to the preferences of that time for enigmas and puzzles.

Origins as a housing development[edit]

The park was originally part of a commercially unsuccessful housing site, the idea of Count Eusebi Güell, after whom the park was named. It was inspired by the English garden city movement; hence the original English name Park (in Catalan the name is "Parc Güell"). The site was a rocky hill with little vegetation and few trees, called Muntanya Pelada (Bare Mountain). It already included a large country house called Larrard House or Muntaner de Dalt House and was next to a neighbourhood of upper-class houses called La Salut (The Health). The intention was to exploit the fresh air (well away from smoky factories) and beautiful views from the site, with sixty triangular lots being provided for luxury houses. Count Eusebi Güell added to the prestige of the development by moving in 1906 to live in Larrard House. Ultimately, only two houses were built, neither designed by Gaudí. One was intended to be a show house, but on being completed in 1904 was put up for sale, and as no buyers came forward, Gaudí, at Güell's suggestion, bought it with his savings and moved in with his family and his father in 1906.^[2] This house, where Gaudí lived from 1906 to 1926, was built by Francesc Berenguer in 1904. It contains original works by Gaudí and several of his collaborators. It is now the Gaudi House Museum (Casa Museu Gaudí) since 1963. In 1969 it was declared a historical artistic monument of national interest.

Municipal garden[edit]

The Gaudi House Museum

Gaudí's multicolored mosaic salamander, popularly known as "el drac" (the dragon), at the main entrance, as restored after the vandalism of February 2007

Gaudí's mosaic work on the main terrace

It has since been converted into a municipal garden. It can be reached by underground railway (although the stations are at a distance from the Park and at a much lower level below the hill), by city buses, or by commercial tourist buses. Since October 2013 there is an entrance fee to visit the Monumental Zone (main entrance, terrace, and the parts containing mosaics), but the entrance to the Park remains free. Gaudí's house, "la Torre Rosa," – containing furniture that he designed – can be only visited for another entrance fee. There is a reduced rate for those wishing to see both Gaudí's house and the Sagrada Família Church.

Park Güell is designed and composed to bring the peace and calm that one would expect from a park. The buildings flanking the entrance, though very original and remarkable with fantastically shaped roofs with unusual pinnacles, fit in well with the use of the park as pleasure gardens and seem relatively inconspicuous in the landscape when one considers the flamboyance of other buildings designed by Gaudí. One of these buildings houses a permanent exhibition of the Barcelona City History Museum MUHBA focused on the building itself, the park and the city.^[3][4]

The focal point of the park is the main terrace, surrounded by a long bench in the form of a sea serpent. The curves of the serpent bench form a number of enclaves, creating a more social atmosphere. Gaudí incorporated many motifs of Catalan nationalism, and elements from religious mysticism and ancient poetry, into the Park. Much of the design of the benches was the work not of Gaudí but of his often overlooked collaborator Josep Maria Jujol.^[5]

Roadways around the park to service the intended houses were designed by Gaudí as structures jutting out from the steep hillside or running on viaducts, with separate footpaths in arcades formed under these structures. This minimized the intrusion of the roads, and Gaudí designed them using local stone in a way that integrates them closely into the landscape. His structures echo natural forms, with columns like tree trunks supporting branching vaulting under the roadway, and the curves of vaulting and alignment of sloping columns designed in a similar way to his Church of Colònia Güell so that the inverted catenary arch shapes form perfect compression structures.^[6]

The large cross at the park's high-point offers the most complete view of Barcelona and the bay. It is possible to view the main city in panorama, with the Sagrada Família and the Montjuïc area visible at a distance.

The park supports a wide variety of wildlife, notably several of the non-native species of parrot found in the Barcelona area. Other birds can be seen from the park, with records including short-toed eagle. The park also supports a population of hummingbird hawk moths.

Gallery of images[edit]

• 

  View from the main terrace of the park.

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  Entrance to the Park.

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  Doric columns support the roof of the lower court which forms the central terrace, with serpentine seating round its edge.

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  The unique shape of the serpentine bench enables the people sitting on it to converse privately, although the square is large. The bench is tiled and in order to dry up quickly after it rains, and to stop people from sitting in the wet part of the bench, small bumps were installed by Gaudí.

• 

  Bird nests built by Gaudí in the terrace walls. The walls imitate the trees planted on them.

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  An uninterrupted view of the terrace walls.

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  Roadway in the Park - resembles the pine trees of the park. In order to fit in, the road and walkway structures between the terraces were built with stones quarried within the park. Bird nests have been installed in the walkways.

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  Viaduct

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  Colonnaded footpath under the roadway viaduct, with external columns sloping to take the diagonal thrust from the vault supporting the road.

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  Colonnaded pathway where the road projects out from the hillside, with the vaulting forming a retaining wall which curves over to support the road, and transmits the load onto sloping columns.

• 

  Another of Gaudí's Tiled Mosaics on the ceiling.

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  One of Gaudí's unique tiles in Parc Güell

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  Ceiling Mosaic in the Hypostyle Room, Park Güell, Barcelona

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  Pavilion at the entrance

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  Third fountain at the entrance with the dragon

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  Casa Martí Trias i Domènech

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  Panoramic view of the entrance to the Park Güell. Barcelona, Catalonia, Spain

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  A musician playing among columns of Sala Hipóstila, Park Güell ( UNESCO World Heritage Site), hill of El Carmel, Gràcia (district), Barcelona, Catalonia, Spain

See also[edit]

• List of Modernisme buildings in Barcelona

References[edit]

External links[edit]

Wikimedia Commons has media related to Parc Güell.

• Park Guell website