1.
Physician
–
Both the role of the physician and the meaning of the word itself vary around the world. Degrees and other qualifications vary widely, but there are common elements, such as medical ethics requiring that physicians show consideration, compassion. Around the world the term refers to a specialist in internal medicine or one of its many sub-specialties. This meaning of physician conveys a sense of expertise in treatment by drugs or medications and this term is at least nine hundred years old in English, physicians and surgeons were once members of separate professions, and traditionally were rivals. Henry VIII granted a charter to the London Royal College of Physicians in 1518 and it was not until 1540 that he granted the Company of Barber/Surgeons its separate charter. In the same year, the English monarch established the Regius Professorship of Physic at the University of Cambridge, newer universities would probably describe such an academic as a professor of internal medicine. Hence, in the 16th century, physic meant roughly what internal medicine does now, currently, a specialist physician in the United States may be described as an internist. Another term, hospitalist, was introduced in 1996, to describe US specialists in internal medicine who work largely or exclusively in hospitals, such hospitalists now make up about 19% of all US general internists, who are often called general physicians in Commonwealth countries. In such places, the more general English terms doctor or medical practitioner are prevalent, in Commonwealth countries, specialist pediatricians and geriatricians are also described as specialist physicians who have sub-specialized by age of patient rather than by organ system. Around the world, the term physician and surgeon is used to describe either a general practitioner or any medical practitioner irrespective of specialty. This usage still shows the meaning of physician and preserves the old difference between a physician, as a practitioner of physic, and a surgeon. The term may be used by state medical boards in the United States of America, in modern English, the term physician is used in two main ways, with relatively broad and narrow meanings respectively. This is the result of history and is often confusing and these meanings and variations are explained below. In the United States and Canada, the term physician describes all medical practitioners holding a professional medical degree, the American Medical Association, established in 1847, as well as the American Osteopathic Association, founded in 1897, both currently use the term physician to describe members. However, the American College of Physicians, established in 1915, does not, its title uses physician in its original sense. A physician trained in the United States has either a Doctor of Medicine degree, all boards of certification now require that physicians demonstrate, by examination, continuing mastery of the core knowledge and skills for a chosen specialty. Recertification varies by particular specialty between every seven and every ten years, graduates of osteopathic medical schools in the United States should not be confused with osteopaths, who are trained in the European and Commonwealth nations. Their training is similar to physical therapy and they are not licensed to prescribe medications or perform surgeries, also in the United States, the American Podiatric Medical Association defines podiatrists as physicians and surgeons that fall under the department of surgery in hospitals
Physician
–
"The Doctor" by
Luke Fildes (detail).
Physician
–
The
Italian Francesco Redi, considered to be the founder of experimental biology, he was the first to recognize and correctly describe details of many important
parasites.
Physician
–
Elizabeth Blackwell, the first female physician to receive a medical degree in the United States
2.
Painting
–
Painting is the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, Painting is a mode of creative expression, and the forms are numerous. Drawing, gesture, composition, narration, or abstraction, among other aesthetic modes, may serve to manifest the expressive, Paintings can be naturalistic and representational, photographic, abstract, narrative, symbolistic, emotive, or political in nature. A portion of the history of painting in both Eastern and Western art is dominated by motifs and ideas. In art, the term painting describes both the act and the result of the action, the term painting is also used outside of art as a common trade among craftsmen and builders. What enables painting is the perception and representation of intensity, every point in space has different intensity, which can be represented in painting by black and white and all the gray shades between. In practice, painters can articulate shapes by juxtaposing surfaces of different intensity, thus, the basic means of painting are distinct from ideological means, such as geometrical figures, various points of view and organization, and symbols. In technical drawing, thickness of line is ideal, demarcating ideal outlines of an object within a perceptual frame different from the one used by painters. Color and tone are the essence of painting as pitch and rhythm are the essence of music, color is highly subjective, but has observable psychological effects, although these can differ from one culture to the next. Black is associated with mourning in the West, but in the East, some painters, theoreticians, writers and scientists, including Goethe, Kandinsky, and Newton, have written their own color theory. Moreover, the use of language is only an abstraction for a color equivalent, the word red, for example, can cover a wide range of variations from the pure red of the visible spectrum of light. There is not a register of different colors in the way that there is agreement on different notes in music. For a painter, color is not simply divided into basic, painters deal practically with pigments, so blue for a painter can be any of the blues, phthalocyanine blue, Prussian blue, indigo, cobalt, ultramarine, and so on. Psychological and symbolical meanings of color are not, strictly speaking, colors only add to the potential, derived context of meanings, and because of this, the perception of a painting is highly subjective. The analogy with music is quite clear—sound in music is analogous to light in painting, shades to dynamics and these elements do not necessarily form a melody of themselves, rather, they can add different contexts to it. Modern artists have extended the practice of painting considerably to include, as one example, collage, some modern painters incorporate different materials such as sand, cement, straw or wood for their texture. Examples of this are the works of Jean Dubuffet and Anselm Kiefer, there is a growing community of artists who use computers to paint color onto a digital canvas using programs such as Adobe Photoshop, Corel Painter, and many others. These images can be printed onto traditional canvas if required, rhythm is important in painting as it is in music
Painting
–
The
Mona Lisa, by
Leonardo da Vinci, is one of the most recognizable paintings in the world.
Painting
–
Chen Hongshou (1598–1652), Leaf album painting (
Ming Dynasty)
Painting
–
Circus Sideshow (
French: Parade de cirque),
Georges Seurat, 1887–88
Painting
–
Cave painting of aurochs, (
French: Bos primigenius primigenius),
Lascaux,
France,
prehistoric art
3.
Vincent van Gogh
–
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings and his suicide at 37 followed years of mental illness and poverty. Born into a family, Van Gogh drew as a child and was serious, quiet. As a young man he worked as an art dealer, often travelling and he turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881 and his younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, in 1886 he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and his paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include trees, cypresses, wheat fields. Van Gogh suffered from episodes and delusions and though he worried about his mental stability, he often neglected his physical health, did not eat properly. His friendship with Gauguin ended after a confrontation with a razor and he spent time in psychiatric hospitals, including a period at Saint-Rémy. After he discharged himself and moved to the Auberge Ravoux in Auvers-sur-Oise near Paris and his depression continued and on 27 July 1890, Van Gogh shot himself in the chest with a revolver. He died from his injuries two days later, Van Gogh was unsuccessful during his lifetime, and was considered a madman and a failure. He became famous after his suicide, and exists in the imagination as the quintessential misunderstood genius. His reputation began to grow in the early 20th century as elements of his style came to be incorporated by the Fauves. The most comprehensive source on Van Gogh is the correspondence between him and his younger brother, Theo. Their lifelong friendship, and most of what is known of Vincents thoughts, Theo van Gogh was an art dealer and provided his brother with financial and emotional support, and access to influential people on the contemporary art scene. Theo kept all of Vincents letters to him, Vincent kept few of the letters he received, after both had died, Theos widow Johanna arranged for the publication of some of their letters. A few appeared in 1906 and 1913, the majority were published in 1914, Vincents letters are eloquent and expressive and have been described as having a diary-like intimacy, and read in parts like autobiography
Vincent van Gogh
–
Self-Portrait, Spring 1887, Oil on pasteboard, 42 × 33.7 cm.,
Art Institute of Chicago (F 345)
Vincent van Gogh
–
Vincent c. 1871-1872 aged 18. This photograph was taken at the time when he was working at the branch of
Goupil & Cie 's gallery in
The Hague.
Vincent van Gogh
–
Vincent c. 1866, approx. age 13
Vincent van Gogh
–
Van Gogh's drawing of
87 Hackford Road
4.
Auvers-sur-Oise
–
Auvers-sur-Oise is a commune in the northwestern suburbs of Paris, France. It is located 27.2 km from the centre of Paris and it is associated with several famous artists, the most prominent being Vincent van Gogh. Daubignys house is now a museum where one can see paintings by the artist, his family, if you walk along the river from Auvers toward Pontoise you can see a number of views which figured in the paintings of Pissarro. During the 20th century artists continued to frequent Auvers, including Henri Rousseau, Otto Freundlich, the COBRA artist Corneille spent his last years in the village and is buried a few meters from Vincent van Gogh. On 1 August 1948, 17% of the territory of Auvers-sur-Oise was detached, Dr. Paul Gachet lived in Auvers-sur-Oise. He was acquainted with the artists of the time. Through this connection, Vincent van Gogh moved to Auvers to be treated by him, Gachet befriended Van Gogh and was the subject of two portraits, one of which, Portrait of Dr. Gachet, was sold at auction for over $80m in 1990. Van Gogh died by a gunshot to the chest, the room on the upper floor of the Auberge Ravoux where he died has been preserved, although no furniture remains. Auvers-sur-Oise is the resting place of both Vincent and his brother Theo van Gogh, who died six months later. Auvers-sur-Oise in art Auvers-sur-Oise is served by two stations on the Transilien Paris – Nord suburban rail line, Chaponval and Auvers-sur-Oise. Communes of the Val-dOise department Auvers during the time of Vincent van Gogh INSEE Association of Mayors of the Val d’Oise Official website The Complete Works of Vincent van Gogh
Auvers-sur-Oise
–
The Château de Leyrit, built in the 17th and 18th centuries
Auvers-sur-Oise
–
L’Auberge Ravoux, where Vincent van Gogh spent his final months and where he died. It is now a restaurant.
Auvers-sur-Oise
–
View from the staircase leading up to Van Gogh's room in L'Auberge Ravoux
Auvers-sur-Oise
–
Vincent and Theo van Gogh's graves in Auvers-sur-Oise.
5.
Lille
–
Lille is a city in northern France, in French Flanders. On the Deûle River, near Frances border with Belgium, it is the capital of the Hauts-de-France region, archeological digs seem to show the area as inhabited by as early as 2000 BC, most notably in the modern-day quartiers of Fives, Wazemmes, and Vieux Lille. The legend of Lydéric and Phinaert puts the foundation of the city of Lille at 640, in the 8th century, the language of Old Low Franconian was spoken here, as attested by toponymic research. Lilles Dutch name is Rijsel, which comes from ter ijsel, the French equivalent has the same meaning, Lille comes from lîle. From 830 until around 910, the Vikings invaded Flanders, after the destruction caused by Norman and Magyar invasion, the eastern part of the region was ruled by various local princes. The first mention of the dates from 1066, apud Insulam. At the time, it was controlled by the County of Flanders, the County of Flanders thus extended to the left bank of the Scheldt, one of the richest and most prosperous regions of Europe. A notable local in this period was Évrard, who lived in the 9th century and participated in many of the days political, there was an important Battle of Lille in 1054. From the 12th century, the fame of the Lille cloth fair began to grow, in 1144 Saint-Sauveur parish was formed, which would give its name to the modern-day quartier Saint-Sauveur. Infante Ferdinand, Count of Flanders was imprisoned and the county fell into dispute, it would be his wife, Jeanne, Countess of Flanders and Constantinople and she was said to be well loved by the residents of Lille, who by that time numbered 10,000. He pushed the kingdoms of Flanders and Hainaut towards sedition against Jeanne in order to recover his land and she called her cousin, Louis VIII. He unmasked the imposter, whom Countess Jeanne quickly had hanged, in 1226 the King agreed to free Infante Ferdinand, Count of Flanders. Count Ferrand died in 1233, and his daughter Marie soon after, in 1235, Jeanne granted a city charter by which city governors would be chosen each All Saints Day by four commissioners chosen by the ruler. On 6 February 1236, she founded the Countesss Hospital, which one of the most beautiful buildings in Old Lille. It was in her honour that the hospital of the Regional Medical University of Lille was named Jeanne of Flanders Hospital in the 20th century, the Countess died in 1244 in the Abbey of Marquette, leaving no heirs. The rule of Flanders and Hainaut thus fell to her sister, Margaret II, Countess of Flanders, then to Margarets son, Lille fell under the rule of France from 1304 to 1369, after the Franco-Flemish War. The county of Flanders fell to the Duchy of Burgundy next, after the 1369 marriage of Margaret III, Countess of Flanders, Lille thus became one of the three capitals of said Duchy, along with Brussels and Dijon. By 1445, Lille counted some 25,000 residents, Philip the Good, Duke of Burgundy, was even more powerful than the King of France, and made Lille an administrative and financial capital
Lille
–
Grand' place, Lille city centre.
Lille
–
The 'Vieille Bourse' on the 'Grand Place'
Lille
–
1641 map of Lille (Rijssel) in
Flandria Illustrata by
Anton Sander (Sanderus)
Lille
–
Entrance to the 'Vauban Citadel' (17th century)
6.
Mechelen
–
Mechelen is a city and municipality in the province of Antwerp, Flanders, Belgium. The municipality comprises the city of Mechelen proper, some quarters at its outskirts, the hamlets of Nekkerspoel and Battel, as well as the villages of Walem, Heffen, Leest, Hombeek, and Muizen. The Dyle flows through the city, hence it is referred to as the Dijlestad. Mechelen lies on the urban and industrial axis Brussels–Antwerp, about 25 km from each city. Mechelen is one of Flanders prominent cities of art, with Antwerp, Bruges, Brussels, Ghent. The area of Mechelen was settled on the banks of the river during the Gallo-Roman period as evidenced by several Roman ruins, around 1200 started the building of the cathedral that is dedicated to the saint. Antwerp lost profitable stapelrechten for wool, oats and salt to Mechelen in 1303 when John II, Duke of Brabant and this started a rivalry between these cities that would last well into the 20th century. In the 15th century, the city came under the rule of the Dukes of Burgundy, in 1473 Charles the Bold moved several political bodies to the city, and Mechelen served as the seat of the Superior Court until the French Revolution. In 1490, a postal service between Mechelen and Innsbruck was established. During the 16th century the political influence decreased dramatically, due to many governmental institutions being moved to Brussels. In 1961, Brussels was added to the title, resulting in the current Archdiocese of Mechelen-Brussels, Mechelen also retained further relevance as the Great Council of Mechelen remained the supreme court of the territory until the French Revolutionary Wars. In 1572, during the Eighty Years War, the city was burned and sacked by the Spanish, after this pillaging, the city was rebuilt. It was during this time that the tradition of making, still seen today. The city entered the age in the 19th century. In 1835, the first railway on the European continent linked Brussels with Mechelen and this led to a development of metalworking industries, among others the central railway workshops which are still located in the town today. During the Second World War, the extensive Mechlinian railway structure had caused the Nazi occupation forces to choose Mechelen for their infamous transit camp, over 25,000 Jews and Roma were sent by rail to the Auschwitz-Birkenau extermination camp from Mechelen. The site of the camp now houses the Jewish Museum of Deportation. Several famous meetings on the Christian religion are connected to the name of the city, one in 1909 is thought to have inaugurated the Liturgical Movement
Mechelen
–
Mechelen City Hall
Mechelen
–
Mechelen: Grote Markt (Large Market square),
St. Rumbold's Cathedral
Mechelen
–
Mechelen on the
Ferraris map (around 1775)
Mechelen
–
Statue of
Neptune in Mechelen. The statue is also called Vadderik (lazy fat man). It is part of a water fountain erected in 1718. It was made by
Frans Langhemans, a sculptor from Mechelen, at the behest of the city council. The inscription reads
SPQM or Senatus Populusque Mechliensis (the council and population of Mechlin).
7.
Bachelor of Arts
–
A Bachelor of Arts is a bachelors degree awarded for an undergraduate course or program in either the liberal arts, the sciences, or both. Bachelor of Arts degree programs take three to four years depending on the country, academic institution, and specific specializations, majors or minors. The word baccalaureus or baccalarium should not be confused with baccalaureatus, degree diplomas generally are printed on high-quality paper or parchment, individual institutions set the preferred abbreviation for their degrees. In Pakistan, the Bachelor of Arts degree can also be attained within two years as an external degree, in colleges and universities in Australia, New Zealand, Nepal and South Africa, the BA degree can be taken over three years of full-time study. Unlike in other countries, students do not receive a grade for their Bachelor of Arts degree with varying levels of honours. Qualified students may be admitted, after they have achieved their Bachelors program with an overall grade point average. Thus, to achieve a Bachelor Honours degree, a postgraduate year. A student who holds a Honours degree is eligible for entry to either a Doctorate or a very high research Master´s degree program. Education in Canada is controlled by the Provinces and can be different depending on the province in Canada. Canadian universities typically offer a 3-year Bachelor of Arts degrees, in many universities and colleges, Bachelor of Arts degrees are differentiated either as Bachelors of Arts or as honours Bachelor of Arts degree. The honours degrees are designated with the abbreviation in brackets of. It should not be confused with the consecutive Bachelor of Arts degree with Honours, Latin Baccalaureatus in Artibus Cum Honore, BA hon. de jure without brackets and with a dot. It is a degree, which is considered to be the equivalent of a corresponding maîtrise degree under the French influenced system. Going back in history, a three-year Bachelor of Arts degree was called a pass degree or general degree. Students may be required to undertake a long high-quality research empirical thesis combined with a selection of courses from the relevant field of studies. The consecutive B. cum Honore degree is essential if students ultimate goal is to study towards a two- or three-year very high research masters´ degree qualification. A student holding a Baccalaureatus Cum Honore degree also may choose to complete a Doctor of Philosophy program without the requirement to first complete a masters degree, over the years, in some universities certain Baccalaureatus cum Honore programs have been changed to corresponding master´s degrees. In general, in all four countries, the B. A. degree is the standard required for entry into a masters programme, in science, a BA hons degree is generally a prerequisite for entrance to a Ph. D program or a very-high-research-activity master´s programme
Bachelor of Arts
–
A certificate or diploma evidencing the granting of a bachelor's degree
8.
University of Paris
–
The University of Paris, metonymically known as the Sorbonne, was a university in Paris, France. Emerging around 1150 as an associated with the cathedral school of Notre Dame de Paris. Vast numbers of popes, royalties, scientists and intellectuals were educated at the University of Paris, following the turbulence of the French Revolution, education was suspended in 1793 whereafter its faculties were partly reorganised by Napoleon as the University of France. In 1896, it was renamed again to the University of Paris, in 1970, following the May 1968 events, the university was divided into 13 autonomous universities. Others, like Panthéon-Sorbonne University, chose to be multidisciplinary, in 1150, the future University of Paris was a student-teacher corporation operating as an annex of the Notre-Dame cathedral school. The university had four faculties, Arts, Medicine, Law, the Faculty of Arts was the lowest in rank, but also the largest, as students had to graduate there in order to be admitted to one of the higher faculties. The students were divided into four nationes according to language or regional origin, France, Normandy, Picardy, the last came to be known as the Alemannian nation. Recruitment to each nation was wider than the names might imply, the faculty and nation system of the University of Paris became the model for all later medieval universities. Under the governance of the Church, students wore robes and shaved the tops of their heads in tonsure, students followed the rules and laws of the Church and were not subject to the kings laws or courts. This presented problems for the city of Paris, as students ran wild, students were often very young, entering the school at age 13 or 14 and staying for 6 to 12 years. Three schools were especially famous in Paris, the palatine or palace school, the school of Notre-Dame, the decline of royalty brought about the decline of the first. The other two were ancient but did not have much visibility in the early centuries, the glory of the palatine school doubtless eclipsed theirs, until it completely gave way to them. These two centres were much frequented and many of their masters were esteemed for their learning, the first renowned professor at the school of Ste-Geneviève was Hubold, who lived in the tenth century. Not content with the courses at Liège, he continued his studies at Paris, entered or allied himself with the chapter of Ste-Geneviève, and attracted many pupils via his teaching. Distinguished professors from the school of Notre-Dame in the century include Lambert, disciple of Fulbert of Chartres, Drogo of Paris, Manegold of Germany. Three other men who added prestige to the schools of Notre-Dame and Ste-Geneviève were William of Champeaux, Abélard, humanistic instruction comprised grammar, rhetoric, dialectics, arithmetic, geometry, music, and astronomy. To the higher instruction belonged dogmatic and moral theology, whose source was the Scriptures and it was completed by the study of Canon law. The School of Saint-Victor arose to rival those of Notre-Dame and Ste-Geneviève and it was founded by William of Champeaux when he withdrew to the Abbey of Saint-Victor
University of Paris
University of Paris
–
University of Paris
University of Paris
University of Paris
–
The Sorbonne covered by snow.
9.
Armand Trousseau
–
Armand Trousseau was a French internist. His contributions to medicine include Trousseau sign of malignancy, Trousseau sign of latent tetany, Trousseau–Lallemand bodies, a native of Tours, Indre-et-Loire, Armand Trousseau began his medical studies in his native town as a pupil of Pierre Fidele Bretonneau at the local general hospital. He later continued his studies in Paris, where he received his doctorate in 1825, in 1828, the French government assigned him to investigate epidemics ravaging some parts of southern France. After completing his mission the year, Trousseau travelled to Gibraltar as a member of a commission to investigate yellow fever. This work, and a monograph on laryngeal phthisis, led to his recognition in Paris. In 1837 he received the prize of the academy. In 1839 he was appointed physician at the Hôpital St. Antoine and eventually became Chair of therapy, in 1850 he assumed the Chair of clinical medicine and again commenced working in the Hôtel-Dieu. He was also active in politics, particularly after the French Revolution of 1848, during his later years Trousseau developed gastric cancer. Coincidentally, he previously described Trousseau sign of malignancy and developed a similar finding in himself and this cancer limited his activities and eventually proved fatal. Trousseau was instrumental in creating new modes of treatment of croup, emphysema, pleurisy, goiter and he received the prize of the French Academy of Medicine for his classic essay on laryngology which originally appeared in 1837. He was the first in France to perform a tracheotomy, and his textbooks on clinical medicine and therapeutics were both extremely popular and translated into English. Trousseau coined the terms aphasia and forme fruste and popularized eponyms in disease description such as Addisons disease, in 1833, Trousseau invented the Trousseau Tracheal Dilator, a blunt-nosed forcep designed to allow easier access to a tracheostomy stoma. Trousseau was considered an outstanding teacher, numerous students of his achieved fame in their own right, including Puerto Rican pro-independence leader, surgeon and Légion dhonneur laureate, Ramón Emeterio Betances. Trousseau’s son Georges Phillipe Trousseau became the doctor of the Kingdom of Hawaii. Media related to Armand Trousseau at Wikimedia Commons
Armand Trousseau
–
Armand Trousseau.
10.
Gustave Courbet
–
Jean Désiré Gustave Courbet was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and his independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator, Courbets paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects, Courbets subsequent paintings were mostly of a less overtly political character, landscapes, seascapes, hunting scenes, nudes and still lifes. He was imprisoned for six months in 1871 for his involvement with the Paris Commune, Gustave Courbet was born in 1819 to Régis and Sylvie Oudot Courbet in Ornans. Being a prosperous farming family, anti-monarchical feelings prevailed in the household, Courbets sisters, Zoé, Zélie and Juliette, were his first models for drawing and painting. After moving to Paris he often returned home to Ornans to hunt, fish and he went to Paris in 1839 and worked at the studio of Steuben and Hesse. An independent spirit, he left, preferring to develop his own style by studying the paintings of Spanish, Flemish and French masters in the Louvre. Among his paintings of the early 1840s are several self-portraits, Romantic in conception, trips to the Netherlands and Belgium in 1846–47 strengthened Courbets belief that painters should portray the life around them, as Rembrandt, Hals and other Dutch masters had. By 1848, he had gained supporters among the younger critics, Courbet achieved his first Salon success in 1849 with his painting After Dinner at Ornans. The work, reminiscent of Chardin and Le Nain, earned Courbet a gold medal and was purchased by the state, the gold medal meant that his works would no longer require jury approval for exhibition at the Salon—an exemption Courbet enjoyed until 1857. In 1849-50, Courbet painted Stone-Breakers, which Proudhon admired as an icon of peasant life, the painting was inspired by a scene Courbet witnessed on the roadside. He later explained to Champfleury and the writer Francis Wey, It is not often that one encounters so complete an expression of poverty and so, right then, I told them to come to my studio the next morning. Courbets work belonged neither to the predominant Romantic nor Neoclassical schools, instead, he maintained that the only possible source for living art is the artists own experience. He and Jean-Francois Millet would find inspiration painting the life of peasants, Courbet painted figurative compositions, landscapes, seascapes, and still lifes. He courted controversy by addressing issues in his work, and by painting subjects that were considered vulgar, such as the rural bourgeoisie, peasants. His work, along with that of Honoré Daumier and Jean-François Millet and he depicted the harshness in life, and in so doing challenged contemporary academic ideas of art. The Salon of 1850–1851 found him triumphant with The Stone Breakers, the Burial, one of Courbets most important works, records the funeral of his grand uncle which he attended in September 1848
Gustave Courbet
–
Gustave Courbet c. 1860s (portrait by
Étienne Carjat)
Gustave Courbet
–
L'homme à la pipe (Self-portrait, Man with a pipe), 1848–49,
Musée Fabre, Montpellier
Gustave Courbet
–
Les Demoiselles du bord de la Seine, 1856,
Petit Palais, Paris: one of the most famous of Courbet's paintings. "The uncompromising emphasis on density and weight"
Gustave Courbet
–
The Wave (La Vague), 1869, oil on canvas, 66 x 90 cm,
Musée des beaux-arts de Lyon
11.
Champfleury
–
Jules François Felix Fleury-Husson, who wrote under the name Champfleury, was a French art critic and novelist, a prominent supporter of the Realist movement in painting and fiction. In 1843 Fleury-Husson moved to Paris and he met Charles Baudelaire and the next year started writing art criticism under the pen-name Champfleury for the journal LArtiste. He was one of the first to promote the work of Gustave Courbet, in 1850, during a time when the Spanish school was still largely ignored, he advocated the work of El Greco. He wrote about the Le Nain brothers and Maurice Quentin de La Tour and he also had a brief affair in 1851 with Eveline Hańska, the widow of his friend Honoré de Balzac. He edited the periodical Le réalisme in 1856 and 1857 and his novels, of which the best-known is Les bourgeois de Molinchart, were among the earliest Realist works. From 1872 until his death in 1889 he was Chief of Collections at the Sèvres porcelain factory, the character of Marcel in Henri Murgers Scènes de la vie de bohème, and thus the corresponding character Marcello in Puccinis opera based on it, was partially based on Champfleury. Champfleury was a friend of Murger and they had roomed together for a time, troubat, Souvenirs sur Champfleury et le Réalisme Works by Jules Champfleury at Project Gutenberg Works by or about Champfleury at Internet Archive
Champfleury
–
Champfleury circa 1860, photographed by
Nadar
12.
Victor Hugo
–
Victor Marie Hugo was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best-known French writers, outside France, his best-known works are the novels Les Misérables,1862, and The Hunchback of Notre-Dame,1831. In France, Hugo is known primarily for his collections, such as Les Contemplations. He produced more than 4,000 drawings and also campaigned for causes such as the abolition of capital punishment. He is buried in the Panthéon in Paris and his legacy has been honoured in many ways, including his portrait being placed on French currency. Victor Hugo was the son of Joseph Léopold Sigisbert Hugo and Sophie Trébuchet, his brothers were Abel Joseph Hugo. He was born in 1802 in Besançon in the region of Franche-Comté. On 19 November 1821, Léopold Hugo wrote to his son that he had conceived on one of the highest peaks in the Vosges Mountains. This elevated origin, he went on, seems to have had effects on you so that your muse is now continually sublime, Hugos childhood was a period of national political turmoil. Napoleon was proclaimed Emperor of the French two years after Hugos birth, and the Bourbon Monarchy was restored before his 13th birthday, since Hugos father was an officer, the family moved frequently and Hugo learned much from these travels. On a childhood trip to Naples, Hugo saw the vast Alpine passes and the snowy peaks, the magnificently blue Mediterranean. Though he was five years old at the time, he remembered the six-month-long trip vividly. They stayed in Naples for a few months and then headed back to Paris, at the beginning of her marriage, Hugos mother Sophie followed her husband to posts in Italy and Spain. Thereafter she dominated Hugos education and upbringing, as a result, Hugos early work in poetry and fiction reflect her passionate devotion to both King and Faith. It was only later, during the leading up to Frances 1848 Revolution. Young Victor fell in love and, against his mothers wishes, because of his close relationship with his mother, Hugo waited until after her death to marry Adèle in 1822. Adèle and Victor Hugo had their first child, Léopold, in 1823, on 28 August 1824, the couples second child, Léopoldine was born, followed by Charles on 4 November 1826, François-Victor on 28 October 1828, and Adèle on 24 August 1830. Hugos eldest and favourite daughter, Léopoldine, died aged 19 in 1843, on 4 September, she drowned in the Seine at Villequier, pulled down by her heavy skirts when a boat overturned
Victor Hugo
–
Woodburytype of Victor Hugo by
Étienne Carjat, 1876.
Victor Hugo
–
Illustration by
Luc-Olivier Merson for
Notre-Dame de Paris (1881), showing the recently restored
galerie des chimères.
Victor Hugo
–
Victor Hugo in 1853
Victor Hugo
–
Portrait of "
Cosette " by
Émile Bayard, from the original edition of
Les Misérables (1862)
13.
Charenton (asylum)
–
Charenton was a lunatic asylum, founded in 1645 by the Frères de la Charité or Brothers of Charity in Charenton-Saint-Maurice, now Saint-Maurice, Val-de-Marne, France. Charenton was first under monastic rule, then Sisters of Charity of St. Vincent de Paul took over the asylum after their founding, although the town itself was the location of the headquarters of the French Huguenots in the 1500s and 1600s, the founders of Charenton were Catholic. At the time, many hospitals and asylums were Catholic institutions after the Council of Trent, Charenton was known for its humanitarian treatment of patients, especially under its director the Abbé de Coulmier in the early 19th century. He showed an aptitude for understanding Psychoanalytic theory. He used the technique of art therapy to help patients manifest their madness through physical art forms, now permanently closed, the psychiatric hospital is known as the Esquirol Hospital, after Jean-Étienne Dominique Esquirol who directed the institution in the 19th century. The 1845 structures architect was Émile Gilbert, Charenton was founded as a hospital for the poor in 13 September 1641 by the Frères de la Charité after receiving a donation from Sébastien Leblanc, an advisor to Louis XIII. Initially the hospital consisted of a house containing 5 beds. Starting September 1660 the mentally ill were required to be cared for in hospitals as per a government mandate, care at Charenton shifted to reflect this change, prioritizing care for more privileged members of the population with mental symptoms. In 1804 François Simonnet de Coulmiers became the director of the asylum, Jean-Étienne Dominique Esquirol became the chief physician of the hospital in 1826. Later on in the 18th century, hospitals and asylums shifted away from treatments to more humane solutions. Coulmier was known for using this and other forms of psychotherapy rather than the inhumane treatments exhibited at other facilities to encourage alternative forms of expression. However, his psychodrama therapy came under fire by Esquirol and others who criticized him for employing a fruitless treatment, despite the tendency to use more humane therapies, not all patients necessarily lived pleasant lives in the asylum. Famous prisoners were held in the Charenton asylum including Latude, the Comte de Sanois and Marquis de Sade, Marquis de Sade was arrested for his works Justine and Juliette, and was later transferred to Charenton without a trial after his opponents declared him insane. The noted Belgian-born musicologist and composer Jérôme-Joseph de Momigny also died at the Charenton asylum, the caricaturist André Gill died there in 1885. Poet Paul Verlaine was interned in 1887 and again in 1890, artist Charles Méryon died at the asylum in 1868. Composer François Devienne died in the asylum in 1803, the mathematician André Bloch spent the last three decades of his life there, and mathematician Joseph-Émile Barbier also stayed there before being found and brought back into academia by Bertrand. Pierre Gaveaux was a French operatic tenor and composer who was sent to Charenton. At the time, many believed that with a degree of insanity came the ability to be creative and have access to greater truths
Charenton (asylum)
–
Esquirol Hospital (19th century)
Charenton (asylum)
–
The hospital's chapel
14.
Auguste Renoir
–
Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has said that Renoir is the final representative of a tradition which runs directly from Rubens to Watteau. He was the father of actor Pierre Renoir, filmmaker Jean Renoir and he was the grandfather of the filmmaker Claude Renoir, son of Pierre. Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841 and his father, Léonard Renoir, was a tailor of modest means, so in 1844, Renoirs family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, although the young Renoir had a natural proclivity for drawing, he exhibited a greater talent for singing. His talent was encouraged by his teacher, Charles Gounod, who was the choir-master at the Church of St Roch at the time. However, due to the financial circumstances, Renoir had to discontinue his music lessons. Although Renoir displayed a talent for his work, he tired of the subject matter. The owner of the factory recognized his apprentice’s talent and communicated this to Renoir’s family, following this, Renoir started taking lessons to prepare for entry into Ecole des Beaux Arts. When the porcelain factory adopted mechanical reproduction processes in 1858, Renoir was forced to other means to support his learning. Before he enrolled in art school, he also painted hangings for overseas missionaries, in 1862, he began studying art under Charles Gleyre in Paris. There he met Alfred Sisley, Frédéric Bazille, and Claude Monet, at times, during the 1860s, he did not have enough money to buy paint. Renoir had his first success at the Salon of 1868 with his painting Lise with a Parasol, although Renoir first started exhibiting paintings at the Paris Salon in 1864, recognition was slow in coming, partly as a result of the turmoil of the Franco-Prussian War. This loss of a favorite painting location resulted in a change of subjects. Renoir was inspired by the style and subject matter of modern painters Camille Pissarro. Although the critical response to the exhibition was largely unfavorable, Renoirs work was well received. That same year, two of his works were shown with Durand-Ruel in London, hoping to secure a livelihood by attracting portrait commissions, Renoir displayed mostly portraits at the second Impressionist exhibition in 1876. He contributed a diverse range of paintings the next year when the group presented its third exhibition, they included Dance at Le Moulin de la Galette
Auguste Renoir
–
Pierre-Auguste Renoir
Auguste Renoir
–
The Theater Box, 1874,
Courtauld Institute Galleries, London
Auguste Renoir
–
Lise Sewing, 1866,
Dallas Museum of Art
Auguste Renoir
–
The Swing (La Balançoire), 1876, oil on canvas,
Musée d'Orsay, Paris
15.
Paris
–
Paris is the capital and most populous city of France. It has an area of 105 square kilometres and a population of 2,229,621 in 2013 within its administrative limits, the agglomeration has grown well beyond the citys administrative limits. By the 17th century, Paris was one of Europes major centres of finance, commerce, fashion, science, and the arts, and it retains that position still today. The aire urbaine de Paris, a measure of area, spans most of the Île-de-France region and has a population of 12,405,426. It is therefore the second largest metropolitan area in the European Union after London, the Metropole of Grand Paris was created in 2016, combining the commune and its nearest suburbs into a single area for economic and environmental co-operation. Grand Paris covers 814 square kilometres and has a population of 7 million persons, the Paris Region had a GDP of €624 billion in 2012, accounting for 30.0 percent of the GDP of France and ranking it as one of the wealthiest regions in Europe. The city is also a rail, highway, and air-transport hub served by two international airports, Paris-Charles de Gaulle and Paris-Orly. Opened in 1900, the subway system, the Paris Métro. It is the second busiest metro system in Europe after Moscow Metro, notably, Paris Gare du Nord is the busiest railway station in the world outside of Japan, with 262 millions passengers in 2015. In 2015, Paris received 22.2 million visitors, making it one of the top tourist destinations. The association football club Paris Saint-Germain and the rugby union club Stade Français are based in Paris, the 80, 000-seat Stade de France, built for the 1998 FIFA World Cup, is located just north of Paris in the neighbouring commune of Saint-Denis. Paris hosts the annual French Open Grand Slam tennis tournament on the red clay of Roland Garros, Paris hosted the 1900 and 1924 Summer Olympics and is bidding to host the 2024 Summer Olympics. The name Paris is derived from its inhabitants, the Celtic Parisii tribe. Thus, though written the same, the name is not related to the Paris of Greek mythology. In the 1860s, the boulevards and streets of Paris were illuminated by 56,000 gas lamps, since the late 19th century, Paris has also been known as Panam in French slang. Inhabitants are known in English as Parisians and in French as Parisiens and they are also pejoratively called Parigots. The Parisii, a sub-tribe of the Celtic Senones, inhabited the Paris area from around the middle of the 3rd century BC. One of the areas major north-south trade routes crossed the Seine on the île de la Cité, this place of land and water trade routes gradually became a town
Paris
–
In the 1860s Paris streets and monuments were illuminated by 56,000 gas lamps, making it literally "The City of Light."
Paris
Paris
–
Gold coins minted by the Parisii (1st century BC)
Paris
–
The
Palais de la Cité and
Sainte-Chapelle, viewed from the Left Bank, from the
Très Riches Heures du duc de Berry (month of June) (1410)
16.
Theo van Gogh (art dealer)
–
Theodorus Theo van Gogh was a Dutch art dealer. He was the brother of Vincent van Gogh, and Theos unfailing financial and emotional support allowed his brother to devote himself entirely to painting. Theo died at the age of 33, six months after his brother died at the age of 37, Theodorus Theo van Gogh was born on 1 May 1857 in the village Groot-Zundert in the province of North Brabant, Netherlands. He was the son of Theodorus van Gogh and Anna Cornelia Carbentus and his elder brother was Vincent van Gogh, who later became a famous painter. Theo worked for years at the Dutch office of the Parisian art dealers Goupil & Cie in The Hague. Theo joined the Brussels office on 1 January 1873 as their youngest employee, after Theo was transferred to the London office, he moved to the office in The Hague, where he developed into a successful art dealer. By 1884, he was transferred to the Paris main office, starting in the winter of 1880–1881, he sent painting materials as well as monthly financial support to his brother and painter Vincent van Gogh, who was living back in the Netherlands. In Paris, Theo met Andries Bonger and his sister Johanna and he married Johanna in Amsterdam on 17 April 1889 and they moved to Paris. Their son Vincent Willem was born in Paris on 31 January 1890, on 8 June, the family visited Vincent, who was living near Paris in Auvers-sur-Oise. Vincent died in July 1890 at age 37, Theo suffered from dementia paralytica, an infection of the brain, and his health declined rapidly after Vincents death. Weak and unable to come to terms with Vincents absence, he died six months later at age 33 in Den Dolder, Theo admired his elder brother Vincent for his whole life. But communicating with him proved to be difficult, even before Vincent opted to follow his artistic vocation, the communication between both brothers suffered from diverging definitions of standards, and it was evidently Theo who kept on writing letters. Therefore, mostly Vincents answers survived and few of Theos, Theo was often concerned about Vincents mental condition and he was amongst the few who understood his brother. It is known that Theo helped Vincent to maintain his artist lifestyle by giving him money and he also helped Vincent pursue his life as an artist through his unwavering emotional support and love. The majority of Theo’s letters and communications with Vincent are filled with praise, Vincent would send Theo sketches and ideas for paintings, along with accounts of his day to day experiences, to the delight and eager attention of Theo. Theo was instrumental in the popularity of Impressionist artists such as Claude Monet and Edgar Degas by persuading his employers, Goupil & Cie, to exhibit and buy their works. In 1886, Theo invited Vincent to come and live with him in Paris, the two brothers maintained an intensive correspondence, with Theo often encouraging his depressed brother. Theo was one of the few people who Vincent could talk to, over three-quarters of the more than 800 letters Vincent wrote during his life were to Theo, including his first and his last letters
Theo van Gogh (art dealer)
–
Theo van Gogh in 1878
Theo van Gogh (art dealer)
–
Theo van Gogh in 1888
Theo van Gogh (art dealer)
–
This 1887 portrait by
Vincent van Gogh, long thought to be a self-portrait, was reassessed in 2011 to be one of his brother Theo van Gogh.
Theo van Gogh (art dealer)
–
Vincent and Theo van Gogh's graves at the cemetery of
Auvers-sur-Oise
17.
Norbert Goeneutte
–
Norbert Goeneutte was a French painter, etcher and illustrator, notably for the novel La Terre by Émile Zola. He was born into a family that had moved from Saint-Omer to Paris in 1850, following a long interruption by the Franco-Prussian War and the Commune, when he lived away from Paris, he graduated in 1871 and his father found him a place in an attorneys office. His father died shortly thereafter and Norbert persuaded his mother that he was not suited for that sort of work and she agreed, so he entered the École des Beaux-arts and began studies with Isidore Pils. When Pils died in 1875, he was replaced by Henri Lehmann and they wrote to Édouard Manet, asking him to take Lehmanns place, but he declined. Some students remained, but Goeneutte left to set up his own studio and he frequented the Père Lathuille, a famous cabaret, where he met Manet and was introduced to the artistic circle at the Café de la Nouvelle Athènes. He soon began exhibiting at the Salon but, despite his friendship with many notable Impressionists, in 1879, he married Eva Gonzalès, one of Manets models. With the financial support of his brother, he travelled abroad, including trips to London. He also travelled extensively in France and these visits produced a multitude of landscapes and cityscapes. In 1889, he one of the founders of the Société des Peintres-graveurs Français, together with his friends Henri Guérard. That same year, he exhibited at the Exposition Universelle, two years later, he found himself at odds with the Société when it refused admission to Camille Pissarro, who was not born in France. In 1891, doctor Paul Gachet, a supporter of the arts. Gachet was able to him a house near his own in Auvers-sur-Oise, called the Villa Musette. Once there, he involved with a group of artists associated with Charles-François Daubigny. Three years later, he died of complications from what had turned out to be a lung disease and he is buried there, near the grave of Vincent van Gogh, who had also been treated by Gachet during his final illness. Norbert Goeneutte @ Zibelius Fine Art Norbert Goeneutte blog
Norbert Goeneutte
–
Norbert Goeneutte (1881); from L’Album Artistique et Biographique du Salon
Norbert Goeneutte
–
Portrait of
Paul Gachet (1891)
Norbert Goeneutte
–
On the Jetty at
Le Havre (1887)
Norbert Goeneutte
–
Morning Soup (date unknown)
18.
Portrait of Dr. Gachet
–
Portrait of Dr. Gachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet who took care of Van Gogh during the months of his life. There are two authenticated versions of the portrait, both painted in June 1890 at Auvers-sur-Oise, both show Gachet sitting at a table and leaning his head on his right arm but they are easily differentiated in color and style. In 1990, the first version fetched a price of $82.5 million when sold at auction in New York. In 1890, Van Goghs brother Theo was searching for a home for the artist upon his release from an asylum at Saint-Rémy. Upon the recommendation of Camille Pissarro, a patient of the doctor who told Theo of Gachets interests in working with artists. Vincent van Goghs first impression of Gachet was unfavorable, writing to Theo he remarked, I think that we must not count on Dr. Gachet at all. First of all, he is sicker than I am, I think, or shall we say just as much, now when one blind man leads another blind man, dont they both fall into the ditch. Van Goghs thoughts returned several times to the painting by Eugène Delacroix of Torquato Tasso in the madhouse. After a visit with Paul Gauguin to Montpellier to see Alfred Bruyass collection in the Musée Fabre, Van Gogh wrote to Theo, ah. portraiture, portraiture with the thought, the soul of the model in it, that is what I think must come. Van Gogh wrote to his sister in 1890 about the painting, Ive done the portrait of M. Gachet with a melancholy expression, sad but gentle, yet clear and intelligent, that is how many portraits ought to be done. There are modern heads that may be looked at for a time. Van Gogh painted Gachet resting his right elbow on a red table, two yellow books as well as the purple medicinal herb foxglove are displayed on the table. The foxglove in the painting is a plant from which digitalis is extracted for the treatment of certain heart complaints, the doctors sensitive face, which Van Gogh wrote to Paul Gauguin carried the heartbroken expression of our time, is described by Robert Wallace as the portraits focus. Van Gogh himself said this expression of melancholy would seem to look like a grimace to many who saw the canvas. With the Portrait of Dr. Gachet, Van Gogh sought to create a modern portrait, elaborating on this quote, Van Gogh scholar Jan Hulsker noted. Much later generations experience it not only as psychologically striking, but also as a very unconventional, Van Gogh also wrote to Wilhelmina regarding the Portraits of Madame Ginoux he painted first in Arles in 1888 and again in February 1890 while at the hospital in Saint-Rémy. Van Gogh subsequently carried compositional elements from this portrait to that of Dr. Gachet, first sold in 1897 by Van Goghs sister-in-law for 300 francs, the painting was subsequently bought by Paul Cassirer, Kessler, and Druet
Portrait of Dr. Gachet
–
1st version
Portrait of Dr. Gachet
–
2nd version
Portrait of Dr. Gachet
–
Van Gogh Self-portrait
Portrait of Dr. Gachet
–
L'Arlesienne (Madame Ginoux)
19.
International Standard Book Number
–
The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
International Standard Book Number
–
A 13-digit ISBN, 978-3-16-148410-0, as represented by an
EAN-13 bar code
20.
Find a Grave
–
Find a Grave is a website that allows the public to search and add to an online database of cemetery records. It is owned by Ancestry. com, the worlds largest for-profit genealogy company, the site was created in 1995 by Salt Lake City resident Jim Tipton to support his hobby of visiting the burial sites of celebrities. He later added an online forum, Find a Grave was launched as a commercial entity in 1998, first as a trade name and then incorporated in 2000. The site later expanded to include graves of non-celebrities, in order to allow visitors to pay respect to their deceased relatives or friends. In 2013, Tipton sold Find a Grave to Ancestry. com, burial information is a wonderful source for people researching their family history. In a September 30,2013, press release, Ancestry, as of March 2017, Find a Grave contained over 159 million burial records and 75 million photos. The website contains listings of cemeteries and graves from around the world, american cemeteries are organized by state and county, and many cemetery records contain Google Maps and photographs of the cemeteries and gravesites. Individual grave records may contain dates and places of birth and death, biographical information, cemetery and plot information, photographs, Interment listings are added by individuals, genealogical societies, and other institutions such as the International Wargraves Photography Project. Contributors must register as members to submit listings, called memorials, the submitter becomes the manager of the listing but may transfer management. Only the current manager of a listing may edit it, although any member may use the features to send correction requests to the listings manager. Managers may add links to other listings of deceased spouses, parents, members may post requests for photos of a specific grave, these requests will be automatically sent to other members who have registered their location as being near that grave. Find a Grave also maintains lists of memorials of famous persons by their claim to fame, such as Medal of Honor recipients, religious figures, Find a Grave exercises editorial control over these listings. Canadian Headstones Interment. net National Cemetery Administrations Nationwide Gravesite Locator Random Acts of Genealogical Kindness Tombstone tourist Colker, web site answers grave concerns about stars. Web site attracts millions of grave-seekers, Find VIPs who R. I. P. through online cemetery. Genealogy, Find a Grave tremendous on many different levels, terre Haute, Indiana, Community Newspaper Holdings Inc. Archived from the original on May 14,2011, tip, Find a Grave has info youre dying to know. Tracking Down Relatives, Visiting Graves Virtually, media related to Images from Find A Grave at Wikimedia Commons Official website
Find a Grave
Find a Grave
–
Find A Grave.com's current headquarters in
Provo, Utah
21.
Vincent van Gogh chronology
–
This is a chronology of the artist Vincent van Gogh. It is based as far as possible on Van Goghs correspondence, however, it has only been possible to construct the chronology by drawing on additional sources. Most of his letters are not dated, and it was only in 1973 that a sufficient dating was established by Jan Hulsker, subsequently revised by Ronald Pickvance and marginally corrected by others. Many other relevant dates in the chronology derive from the biographies of his brother Theo, his uncle and godfather Cent, his friends Émile Bernard and Paul Gauguin, facts and dates which are undisputed, remain unreferenced. Theodorus van Gogh, since 1849 pastore in Groot-Zundert, married Anna Cornelia Carbentus, his brother Cents sister-in-law, March 30, a first son, called Vincent, died at birth. March 30, Vincent Willem van Gogh is born in Groot-Zundert, February 17, sister Anna Cornelia van Gogh, called Anna, is born. May 1, brother Theodorus van Gogh, called Theo, is born, may 16, sister Elisabeth Huberta van Gogh, called Lies, is born. March 26, Uncle Cent becomes partner of Goupil & Cie. March 16, sister Willemina Jacoba van Gogh, October 1, in Zevenbergen to attend the school of Jan Provily. September 3, enters secondary school at Tilburg, may 17, brother Cornelis Vincent van Gogh, called Cor, is born. March, leaves Tilburg and returns to his family in Zundert, July 30, Vincent starts apprenticeship with Goupil & Cie, The Hague. January, Van Goghs family moves to Helvoirt, January 1, Theo starts apprenticeship with Goupil & Cie, Brussels. February 19, the lot to serve in the army has fallen on Vincent, may 12, Vincent leaves for Paris where he visits the Paris branches of Goupil & Cie, the annual Salon and the Musée du Luxembourg. A week later, takes up work at the London branch of Goupil & Cie, August, moves to the house of Ursula Loyer and her daughter Eugenie in Brixton,87 Hackford Road. June 27 - July 15, summer holiday with his family in Helvoirt, November, on the demand of Uncle Cent, Vincent is transferred to Paris to get acquainted with the headquarters of Goupil & Cie. November 26, Jet Carbentus, a cousin of Vincent, marries Anton Mauve, Christmas, with his family in Helvoirt. May 24, Goupils London opens its first exhibition, end of May, Vincent is re-transferred to Paris headquarters. October 18, Van Goghs family moves to Etten, Christmas, with his family in Etten. December 30, visits Uncle C. M. in the Hague to talk about his future, December 31, father thinks he has to advise Vincent to resign
Vincent van Gogh chronology
–
Self-Portrait, August 1889, Oil on canvas,
National Gallery of Art, Washington D.C. (
F626,
JH1770)
Vincent van Gogh chronology
–
The Van Gogh family: On top Theodorus van Gogh (1822-1885) and Anna Cornelia van Gogh-Carbentus (1819-1907), below left to right
Vincent Willem (1853-1890), Anna Cornelia (1855-1930),
Theo (1857-1891), Elisabetha Huberta (1859-1936),
Willemina Jacoba (1862-1941) and Cornelis Vincent (1867-1900)
Vincent van Gogh chronology
–
Van Gogh's birthplace in Zundert
Vincent van Gogh chronology
22.
Death of Vincent van Gogh
–
Van Gogh was shot in the stomach, either by himself or by others, and died two days later. In 1889, Vincent van Gogh experienced a deterioration in his mental health, as a result of incidents in Arles leading to a public petition, he was committed to a hospital. His condition improved and he was ready to be discharged by March 1889, at Salles suggestion van Gogh chose an asylum in nearby Saint-Rémy. Theo originally resisted this choice, even suggesting that Vincent rejoin Paul Gauguin in Pont Aven, Vincent entered the asylum in early May 1889. His mental condition remained stable for a while and he was able to work en plein air, producing many of his most iconic paintings, such as Starry Night, at this time. However at the end of July, following a trip to Arles and he made a good recovery, only to suffer another relapse in late December 1889, and early the following January an acute relapse while delivering a portrait of Madame Ginoux to her in Arles. This last relapse, described by Jan Hulsker as his longest and saddest, lasted until March 1890. In May 1890 Vincent was discharged from the asylum, and after spending a few days with Theo and Jo in Paris, Vincent went to live in Auvers-sur-Oise, a commune north of Paris popular with artists. Shortly before leaving Saint-Rémy, Van Gogh told how he was suffering from his stay in the hospital, I need some air, I feel overwhelmed by boredom and grief. On arriving at Auvers, van Goghs health was not very good. Writing on 21 May to Theo he comments, I can do nothing about my illness, I am suffering a little just now — the thing is that after that long seclusion the days seem like weeks to me. But by 25 May, the artist was able to report to his parents that his health had improved and his letters to his sister Wilhelmina on 5 June and to Theo and his wife Jo on about 10 June indicate a continued improvement, his nightmares almost having disappeared. The other patients society had a bad influence on me, furthermore, an unsent letter to Paul Gauguin which van Gogh wrote around 17 June is quite positive about his plans for the future. After describing his recent colourful wheat studies, he explains, I would like to paint some portraits against a very vivid yet tranquil background. On 2 July, writing to his brother, van Gogh comments, I myself am also trying to do as well as I can, and if my disease returns, you would forgive me. I still love art and life very much, the first sign of new problems was revealed in a letter van Gogh wrote to Theo on 10 July. He first states, I am very well, I am working hard, have painted four studies, first of all, he is sicker than I am, I think, or shall we say just as much, so thats that. Certainly my last attack, which was terrible, was in a large measure due to the influence of the other patients, later in the letter he adds, For myself, I can only say at the moment that I think we all need rest — I feel exhausted
Death of Vincent van Gogh
–
Graves of
Vincent van Gogh and his
brother Theo
Death of Vincent van Gogh
–
Vincent van Gogh: Ward in the Hospital in Arles (1889)
Death of Vincent van Gogh
–
Vincent van Gogh: Village Street in Auvers (late May, 1890)
Death of Vincent van Gogh
–
Vincent van Gogh: Wheatfield under Thunder Clouds (July 1890)
23.
Posthumous fame of Vincent van Gogh
–
His friendship with his younger brother Theo was documented in numerous letters they exchanged from August 1872 onwards. The letters were published in three volumes in 1914 by Johanna van Gogh-Bonger, Theos widow, who generously supported most of the early Van Gogh exhibitions with loans from the artists estate. His fame reached its first peak in Austria and Germany before World War I, due to the economic crisis in Germany and France after 1918, pioneer collections of Impressionist and Post-Impressionist art which included works by Van Gogh were dissolved. Thus, British and American collectors had the opportunity to acquire first rate works relatively late, during his lifetime, Van Gogh contributed works of his own only on a few and minor occasions which mainly passed unnoted by critics and public. Van Gogh considered the first one a disaster, while he was prepared to take the one as a success, Bernard and Anquetin sold paintings. The hall was decorated with his canvases, in 1888, Van Gogh joined the Société des Artistes Indépendants, so this year three of his paintings were on show in their annual exhibition in Paris, and two in the year following. In 1890 and 1891, their annual exhibitions comprised ten paintings by Vincent, part of them had shown before by the society Les XX in Brussels. According to letters from his brother Theo, Vincents contributions to these few exhibitions established his renown amongst French vanguard painters like Claude Monet, probably it is little more than for curiosity that one of the first mentions of Van Gogh in newspapers was printed in Arles. September 30,1888, LHomme de Bronze told its readers Mr. Vincent, impressionist painter, works in the night, as we are assured, earlier this year, Van Goghs contribution to the exhibition of the Artists Indépendants has been reviewed. Vincent felt more troubled than honoured, and asked Isaacson to stop writing about him, another voice was that of Octave Mirbeau whose review article Vincent van Gogh in LEcho de Paris on 1 March 1891. Later that year Van Goghs friend Émile Bernard contributed short pieces on Van Gogh for La Plume, in the English-speaking world, the Bloomsbury art critics Roger Fry and Clive Bell were his first champions. His works gave an expression in paint for the violence of his spiritual hunger. That set the agenda for many subsequent Van Gogh studies, which are predominantly biographical to this day, Van Gogh fits modern cultures attempt to find secular substitutes for a religion it no longer believed in, as M. H. Abrams describes in Natural Supernaturalism. There were retrospectives in Brussels and Paris in 1891, during the 1890s, Van Gogh exhibitions were staged in several Dutch and Belgian towns. In 1893, Julien Leclercq brought together a first exhibition featuring Van Gogh, Gauguin and other modernists touring Denmark, Norway, Sweden, Finland and Berlin. In 1895 and in 1896 Ambroise Vollard mounted Van Gogh retrospectives in his galleries Rue Lafitte, in 1901, Leclercq arranged a Van Gogh Exhibition at the Galeries Bernheim Jeune in Paris. A little later in the year 1901, the Berlin Secessionists entered the scene, accompanied by the art dealers Bruno Cassirer and especially his cousin Paul, who set the pace for the years to come. In the last days of December, running through January 1902, Paul Cassirer organized the first van Gogh exhibition in Berlin, minor exhibitions of some recently found early works were held in Rotterdam and Amsterdam in 1903 and 1904
Posthumous fame of Vincent van Gogh
–
Paul Gauguin,
The Painter of Sunflowers (Le Peintre de Tournesols): Portrait of Vincent van Gogh, painted in Arles, December 1888
Posthumous fame of Vincent van Gogh
–
Hiroshige's wood-cut "
Flowering Plumtrees at Kameido " (1857) and Vincent van Gogh's oil version (1887)
Posthumous fame of Vincent van Gogh
–
The Red Vineyard, 1888, oil on canvas, 75 × 93 cm,
Pushkin Museum, Moscow
24.
Cultural depictions of Vincent van Gogh
–
This is a list that shows references made to the life and work of artist Vincent van Gogh in culture. Letters to Theo, a selection of Vincents letters to his brother Theo in various sized volumes, became available in several languages during the 1950s, the artists life forms the basis for Irving Stones biographical novel Lust for Life. Starry Night, a written by Tupac Shakur, is a dedication to Van Gogh. Antonin Artaud wrote a study Van Gogh le suicidé de la société in 1947, Paul Celan mentions Van Goghs ear in his poem Mächte, Gewalten. Woody Allen wrote a parody of Vincents letters to his brother Theo, the short story If the Impressionists Had Been Dentists is included in Allens book Without Feathers. Paul Gauguin writes about van Gogh in his book Avant et après, theun de Vries wrote a novel Vincent in Den Haag which takes place between 1881 and 1883. Ivan Diviš wrote a poem Goghova milá, published in his book Rozpleť si vlasy and this was based on several events in Van Goghs life, he later used some of the same themes in his 6th symphony, Vincentiana. Einojuhani Rautavaara, Vincentiana, symphony N°6 - movements, I Tähtiyö II Varikset III Saint-Rémy IV Apotheosis Henri Dutilleux, Correspondances for soprano and orchestra - movements, gong II V. De Vincent à Théo. Henri Dutilleux, Timbres, espace, mouvement is a work for orchestra composed,1978, in 2006, Hong Kong singer-songwriter Ivana Wong composed a song called Paintings Meaning in memory of van Gogh. In 2007, Folk rock songwriter Freddy Blohm had a different take on Van Gogh in the song Cheerful, Bob Dylan in the 1960s wrote an unreleased, but widely bootlegged, song called Vincent Van Gogh. Bob Neuwirth, a friend of Bob Dylans, wrote a song in the 1960s called Where did Vincent van Gogh. The title track for Joni Mitchells album Turbulent Indigo references Van Goghs madness, the album cover is a take on Van Goghs Self-Portrait with Bandaged Ear. A Spanish Group is named La Oreja de Van Gogh, the Vigilantes of Love released a song titled Skin which is about Van Gogh. Smooth jazz composer/singer Michael Franks released the song Vincents Ear in 1990 on his Blue Pacific album produced on the Reprise label, lyrics include No-one understands all the love inside he tried to give/No-one understands his life was hard to live. Lust for Life, a 1934 novel by Irving Stone, was adapted into a film of the same name and it was directed by Vincente Minnelli and George Cukor and produced by John Houseman. The 1956 film starred Kirk Douglas as Vincent van Gogh and Anthony Quinn as Paul Gauguin, the film was nominated for four Academy Awards, including best actor and best supporting actor, for which Anthony Quinn won. In 1948, Alain Resnais made the documentary Van Gogh, resnais’ black-and-white film featured only Van Gogh’s canvases. According to art and film historian John Walker, the personal crisis was inscribed in the images on screen by means of accelerated montage
Cultural depictions of Vincent van Gogh
–
Self-portrait with Bandaged Ear, Easel and Japanese Print, January 1889 Oil on canvas, 60 × 49 cm
Courtauld Institute Galleries, London (F527)
Cultural depictions of Vincent van Gogh
–
Vincent van Gogh,
The Starry Night, 1889,
Museum of Modern Art, New York, (F612)
Cultural depictions of Vincent van Gogh
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Wheatfield with Crows, 1890,
Van Gogh Museum, Amsterdam
Cultural depictions of Vincent van Gogh
–
Vincent van Gogh, Self-Portrait, Summer 1887, Paris
Van Gogh Museum,
Amsterdam (F77v)
25.
List of works by Vincent van Gogh
–
List of works by Vincent van Gogh is an incomplete list of paintings and other works by the Dutch artist Vincent van Gogh. Little appreciated during his lifetime, his fame grew in the years after his death, according to the legend van Gogh sold only one painting, The Red Vineyard, bought for 400 Francs by the painter and art collector Anna Boch. Today, he is regarded as one of historys greatest painters. Van Gogh did not begin painting until his twenties. He produced more than 2,000 artworks, consisting of around 900 paintings and 1,100 drawings, in 2013 Sunset at Montmajour became the first full-sized Van Gogh painting to be newly confirmed since 1928. Today, many of his pieces—including his numerous portraits, landscapes, portraits and sunflowers—are among the worlds most recognizable. The Van Gogh Museum in Amsterdam is dedicated to Van Goghs work, the Kröller-Müller Museum in Otterlo, has another considerable collection of his paintings. The listing is ordered by year and then by catalogue number, all works listed here are oil on canvas unless otherwise indicated. † Denotes paintings which are recent recordholders for the highest price paid for a painting at an auction and it includes paintings of the interior, the enclosed wheat field he painted from his cell and a number of paintings of the garden grounds, trees and flowers. Seine, Paris, paintings along the Seine in Paris, Clichy, section showing samples of Holland work and background info about Haussmann renovations throughout the article
List of works by Vincent van Gogh
–
Self-portrait dedicated to Paul Gauguin, September 1888, (F476), Oil on canvas, 62 cm × 52 cm.
Harvard Art Museums,
Cambridge, MA.
List of works by Vincent van Gogh
List of works by Vincent van Gogh
List of works by Vincent van Gogh
26.
Post-Impressionism
–
Post-Impressionism is a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists concern for the depiction of light. The movement was led by Paul Cézanne, Paul Gauguin, Vincent van Gogh, the term Post-Impressionism was first used by art critic Roger Fry in 1906. Three weeks later, Roger Fry used the term again when he organized the 1910 exhibition, Manet, the Post-Impressionists were dissatisfied with what they felt was the triviality of subject matter and the loss of structure in Impressionist paintings, though they did not agree on the way forward. Georges Seurat and his followers concerned themselves with Pointillism, the use of tiny dots of colour. Paul Cézanne set out to restore a sense of order and structure to painting, to make of Impressionism something solid and durable and he achieved this by reducing objects to their basic shapes while retaining the saturated colours of Impressionism. The Impressionist Camille Pissarro experimented with Neo-Impressionist ideas between the mid-1880s and the early 1890s, Vincent van Gogh used colour and vibrant swirling brush strokes to convey his feelings and his state of mind. Although they often exhibited together, Post-Impressionist artists were not in agreement concerning a cohesive movement, yet, the abstract concerns of harmony and structural arrangement, in the work of all these artists, took precedence over naturalism. Artists such as Seurat adopted a scientific approach to colour. Younger painters during the early 20th century worked in geographically disparate regions and in various categories, such as Fauvism and Cubism. Most of the artists in Frys exhibition were younger than the Impressionists, Fry later explained, For purposes of convenience, it was necessary to give these artists a name, and I chose, as being the vaguest and most non-committal, the name of Post-Impressionism. This merely stated their position in time relatively to the Impressionist movement, john Rewald limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism, From Van Gogh to Gauguin. This volume would extend the period covered to other artistic movements derived from Impressionism, though confined to the late 19th, Rewald focused on such outstanding early Post-Impressionists active in France as van Gogh, Gauguin, Seurat, and Redon. Pont-Aven School, implying more than that the artists involved had been working for a while in Pont-Aven or elsewhere in Brittany. Symbolism, a highly welcomed by vanguard critics in 1891. Rewald wrote that the term Post-Impressionism is not a precise one. Convenient, when the term is by definition limited to French visual arts derived from Impressionism since 1886, rewalds approach to historical data was narrative rather than analytic, and beyond this point he believed it would be sufficient to let the sources speak for themselves. Rival terms like Modernism or Symbolism were never as easy to handle, for they covered literature, architecture and other arts as well, Symbolism, however, is considered to be a concept which emerged a century later in France, and implied an individual approach
Post-Impressionism
–
Henri Rousseau, The Centenary of Independence, 1892,
Getty Center, Los Angeles
Post-Impressionism
Post-Impressionism
–
Poster of the 1889 Exhibition of Paintings by the
Impressionist and
Synthetist Group, at Café des Arts, known as the
The Volpini Exhibition, 1889
Post-Impressionism
–
Henri de Toulouse-Lautrec, Portrait of
Émile Bernard, 1886,
Tate Gallery London
27.
Auberge Ravoux
–
The Auberge Ravoux is a French historic landmark located in the heart of the village of Auvers-sur-Oise. It is known as the House of Van Gogh because the Dutch painter Vincent van Gogh spent the last 70 days of his life as a lodger at the auberge. During his stay at Auvers, Van Gogh created more than 80 paintings and 64 sketches before shooting himself in the chest on 27 July 1890, the auberge has been restored and is now a museum and tourist attraction. The room where Van Gogh lived and died has been restored, the auberge was built in the mid-nineteenth century as a family home on the main road leading to Pontoise. Various parts of buildings were incorporated into the auberge – including an entire eighteenth-century wall. The auberge was ideally situated in front of the Town Hall, the daughter of Mr Levert, the original owner, put the centrality of the location to use by opening a retail wine business. During Van Gogh’s stay, the rooms were all occupied by Dutch, the Spaniard artist Nicolás Martínez de Valdivieso, who lived nearby, took his meals at the auberge with Van Gogh. Van Gogh arrived in Auvers-sur-Oise on 20 May 1890 and he had spent a year in a convalescent home in Saint-Rémy-de-Provence and wanted to settle in the North, closer to Paris. Camille Pissarro, a friend of Van Goghs, suggested that he go to Auvers-sur-Oise where Dr Gachet lived, Dr Gachet had treated mental patients before and was interested in and sympathetic to the arts. The doctor was immortalized in a portrait Van Gogh made of him in June of that year, which fetched a record price of $82.5 million in 1990. Upon arrival in Auvers, Van Gogh decided to stay at the Auberge Ravoux, mainly because it was cheaper than the proposed by Dr. Gachet. At the Auberge Ravoux, Vincent paid 3 francs 50 a day, half board, and rented room 5, an attic room measuring 75 square feet and containing only a bed, a dressing table. He stored his paintings and drawings in a shed at the back and he became acquainted with Arthur Ravoux and his family and painted a portrait of Adeline Ravoux, the eldest daughter of Ravoux, on more than one occasion. Van Gogh was charmed by the village and in a letter to his brother Theo van Gogh praised its old thatched roofs and colours and he found the juxtaposition between the rustic country life and recent modern additions such as the railway and the bridge on the River Oise fascinating. He was in health, covering large distances with his painting gear. Despite his love of his new surroundings and his activity, on the morning of 27 July 1890, Van Gogh walked into a field. The bullet was deflected by a rib and lodged in his stomach and he survived the impact and managed to walk back to the auberge. Adeline Ravoux later recalled, Vincent walked bent, holding his stomach, crossed the hall, took the staircase and climbed to his bedroom
Auberge Ravoux
–
Auberge Ravoux
Auberge Ravoux
–
Vincent van Gogh: Portrait of Adeline Ravoux (Auvers, June 1890)
Auberge Ravoux
–
Auberge Ravoux c. 1890. From left to right: Arthur Gustave Ravoux, Germaine Ravoux,
Raoul Levert,
Adeline Ravoux. Vincent Levert may be one of the three men sitting on the right (©
Van Gogh Museum).
Auberge Ravoux
–
Vincent's room at the Auberge Ravoux
28.
The Letters of Vincent van Gogh
–
The Letters of Vincent van Gogh refers to a collection of 903 surviving letters written or received by Vincent van Gogh. More than 650 of these were from Vincent to his brother Theo, the collection also includes letters van Gogh wrote to his sister Wil and other relatives, as well as between artists such as Paul Gauguin, Anthon van Rappard and Émile Bernard. Vincents sister-in-law and wife to his brother Theo, Johanna van Gogh-Bonger, spent many years after her husbands death in 1891 compiling the letters, by contrast Vincent infrequently kept letters sent him and just 84 have survived, of which 39 were from Theo. Nevertheless, it is to these letters between the brothers that we owe much of what we know today about Vincent van Gogh, indeed, the only period where we are relatively uninformed is the Parisian period when they shared an apartment and had no need to correspond. The letters effectively play much the role in shedding light on the art of the period as those between the de Goncourt brothers did for literature. Within two years both brothers were dead, Vincent as the result of a wound, and Theo from illness. Joanna began the task of completing the collection, which was published in full in January 1914 and that first edition consisted of three volumes, and was followed in 1952–1954 by a four-volume edition that included additional letters. Jan Hulsker suggested, in 1987, that the letters be organized in date order, the project consists of a complete annotated collection of letters written by and to Vincent. In the last days of December 1901, running through January 1902, Bruno Cassirer and his cousin Paul Cassirer organized the first van Gogh exhibition in Berlin, Germany. Paul Cassirer first established a market for van Gogh, and then, with the assistance of Johanna van Gogh-Bonger, in 1906 Bruno Cassirer published a small volume of selected letters of Vincents to Theo, translated into German. Of the 844 surviving letters that van Gogh wrote,663 were written to Theo,9 to Theo, of the letters Vincent received from Theo, only 39 survive. The first letter was written when Vincent was 19 and begins, at that time Vincent was not yet developed as a letter writer – he was factual, but not introspective. When he moved to London, and later to Paris, he began to add personal information. Beginning in 1888 and ending a year later, van Gogh wrote 22 letters to Émile Bernard in which the tone is different from those to Theo, in these letters van Gogh wrote more about his techniques, his use of color, and his theories. Van Gogh was a reader, and his letters reflect his literary pursuits as well as a uniquely authentic literary style. His writing style in the letters reflect the literature he read and valued, Balzac, historians such as Michelet, additionally he read novels written by George Eliot, Charlotte Brontë, Charles Dickens, Keats poetry, reading mostly at night when the light was too poor for painting. Gauguin told him that he read too much, poet W. H. Auden wrote about the letters, there is scarcely one letter by van Gogh which I. do not find fascinating. Pomerans believes the letters to be on the level of world literature based on style, in the letters Vincent reflects different facets of his personality and he adopts a tone specific to his circumstances
The Letters of Vincent van Gogh
–
Self-portrait dedicated to
Paul Gauguin, September 1888, (F476), oil on canvas, 62 × 52 cm,
Fogg Art Museum,
Cambridge, MA
The Letters of Vincent van Gogh
–
Vincent c. 1873 aged 19. This photograph was taken at the time when he was working at the branch of
Goupil & Cie 's gallery at
The Hague.
The Letters of Vincent van Gogh
–
Vincent van Gogh, Self-portrait without beard, September 1889, van Gogh's last self-portrait. Given as a birthday gift to his mother.
The Letters of Vincent van Gogh
–
Photograph of
Theo van Gogh, 1890
29.
Wil van Gogh
–
Wilhelmina Jacoba Wil van Gogh was a nurse and early feminist. She is best known as the youngest sister of the artist Vincent van Gogh, wilhelmina Jacoba van Gogh was born on 16 March 1862 in Zundert in the Netherlands, daughter of Theodorus van Gogh and Anna Cornelia Carbentus. She had three brothers Vincent, Theo, and Cor, and two sisters Elisabeth and Anna, during the first part of her life Wil van Gogh served her family and others, nursing the sick. After the death of her brothers in 1890 and 1891, she obtained a modest job in a hospital, There she engaged in the committee to organise the National exhibition of womens work,1898. This was a successful enterprise and funds raised from the exhibition,20,000 Dutch guilders. No sources record what happened, but on 4 December 1902 Wil van Gogh was interned and later transferred to the House Veldwijk, the diagnosis of dementia praecox, on which this measure was based, was at the time considered a fatal illness. Asylum records later noted, There has been no significant change in the condition of this long-standing patient and she remains solitary and withdrawn, rarely speaks and generally does not respond to questions. She spends her day in the same place in the lounge, sitting in her chair. She has refused food for years and has to be fed artificially, Wil van Gogh remained at Ermelo for almost four decades before she died there on 17 May 1941. Whether she was ill or not is nowadays difficult to prove. Renate Berger asserts that Wil van Gogh shared the fate of many sisters of men at the time. Anonymous, Van Gogh, s-Gravenhage, Nederlands Patriciaat 50,1964, pp. 171–183 Berger, Renate, Willemina Jacoba van Gogh, Du bist sehr tapfer, liebe Schwester, in, Schwestern berühmter Männer
Wil van Gogh
–
Willemina Jacoba van Gogh
30.
Johanna van Gogh-Bonger
–
Johanna Gezina Jo van Gogh-Bonger was the wife of Theo van Gogh, art dealer, and the sister-in-law of the painter Vincent van Gogh and key player in the growth of Vincents fame. Johanna Gezina Bonger was born on 4 October 1862 in Amsterdam in the Netherlands and she was the fifth of seven children, the daughter of an insurance broker. The family was musical, holding evening performances of quartets, and she stayed some months in London, working in the library of the British Museum. From the age of seventeen she kept a diary, which was to become a source of much information about Vincent van Gogh. At this time she came under the influence of the non-conformist writer Multatuli. At the age of twenty-two she became a teacher of English at a school for girls at Elburg. About this time while in Amsterdam she was introduced by her brother Andries to Theo van Gogh, one of the Van Gogh sisters described her as smart and tender. Theo became preoccupied with Johanna, and the following year paid a visit to Amsterdam to declare his love, surprised and annoyed that a man she hardly knew should wish to marry her, she rejected him. However, she accepted his proposal the following year, and they were married in Amsterdam on 17 April 1889 and their son Vincent Willem, was born on 31 January 1890. Following Theos death in January 1891, Johanna was left a widow with her infant son to support and she was left with only an apartment in Paris filled with a few items of furniture and about 200 then valueless works of her brother-in-law Vincent. She had not kept her diary during her marriage, but resumed it, to earn extra income she translated short stories from French and English into Dutch. In 1905, to the evident disapproval of her family, she was one of the members of a womens socialist movement. It is schoolgirlish twaddle, nothing more, in August 1901, she married Johan Cohen Gosschalk, a Dutch painter who was born in Amsterdam. She was widowed again in 1912, in 1914, she moved Theos body from Utrecht to Auvers-sur-Oise and interred it next to Vincents grave. A sprig of ivy taken from the garden of Dr Paul Gachet carpets both graves to this day, after the death of Vincent and her husband, she worked assiduously on editing the brothers correspondence, producing the first volume in Dutch in 1914. She also played a key role in the growth of Vincents fame and she wrote a Van Gogh family history as well. Johanna van Gogh stayed in contact with Vincent van Goghs friend Eugène Boch to whom she offered the portrait of Eugene Boch in July 1891. She also stayed in touch with Émile Bernard, who helped her to promote Vincent van Goghs paintings, the legacy and renown of Vincent van Gogh the long-suffering artist began to spread in the years after his death, first in the Netherlands, and Germany and then throughout Europe
Johanna van Gogh-Bonger
–
Johanna van Gogh-Bonger in 1889
Johanna van Gogh-Bonger
–
Johanna Bonger, by her second husband Johan Cohen Gosschalk, 1905
Johanna van Gogh-Bonger
–
Jo with son Vincent Willem at the studio of photographer Raoul Saisset, 4 Rue Frochot, Paris, 1890
31.
Andries Bonger
–
Andries Bonger, nicknamed Dries, was Johanna van Gogh-Bongers favorite brother. Bonger was a friend of his future brother-in-law Theo van Gogh in Paris and it was through Andries that Johanna and Theo met. He also knew Vincent van Gogh who called him André in letters and he mentioned that Van Gogh was not very strong, and so this was a very melancholy circumstance. In several letters over the remainder of the year, Bonger comments on an appreciation for. Vincent van Gogh arrived in Paris in 1886 which meant that Bonger saw less of Theo, Bonger expressed his concern that Vincent van Gogh was harsh with his brother Theo, who had begun to look haggard. Theo met Bongers parents during a visit to the Netherlands about August,1886, Bonger went into the insurance business later in Amsterdam. He was a friend of Bertrand-Jean Redon, better known as Odilon Redon. His collection also included works by Van Gogh, Paul Cézanne and Émile Bernard and he is buried at Zorgvlied cemetery
Andries Bonger
–
Johan Cohen Gosschalk,
Johanna Bonger, 1905
Andries Bonger
–
Vincent van Gogh, self-portrait in 1887
32.
Theo van Gogh (film director)
–
Theodoor Theo van Gogh was a Dutch film director, film producer, television director, television producer, television presenter, screenwriter, actor, critic and author. On 2 November 2004, Van Gogh was murdered by Mohammed Bouyeri, Theo van Gogh was born on 23 July 1957 in The Hague, Netherlands to Anneke and Johan van Gogh. His father served in the Dutch secret service and he was named after his paternal uncle Theo, who was captured and executed while working as a resistance fighter during the Nazi occupation of the Netherlands during World War II. Theo van Gogh was the great-grandson of Theo van Gogh, the brother of painter Vincent van Gogh, after dropping out of law school at the University of Amsterdam, Van Gogh became a stage manager. His self-proclaimed passion was film-making, and he made his debut as a director with the movie Luger and he was awarded a Gouden Kalf for Blind Date and In het belang van de staat. For the latter, he received a Certificate of Merit from the San Francisco International Film Festival. As an actor, he appeared in the film, De noorderlingen and he made numerous films, many on political themes. From the 1990s, van Gogh worked in television and his last book was Allah weet het beter, in which he strongly condemned Islam. He was a critic of Islam, particularly after the September 11 attacks in the United States. He supported the nomination of writer Ayaan Hirsi Ali for the Dutch parliament, born in Somalia, she had immigrated to the Netherlands to escape an arranged marriage. She became a writer and liberal politician, in the 1980s, Van Gogh became a newspaper columnist. Through the years he used his columns to express his frustration with politicians, actors, film directors, writers and he delighted in provocation and became a controversial figure, frequently criticizing Islamic cultures. He used his website, De Gezonde Roker, to express criticism of multicultural society. He said the Netherlands was so rife with social turmoil that it was in danger of turning into something Belfast-like, working from a script written by Ayaan Hirsi Ali, Van Gogh created the 10-minute short film Submission. The movie deals with violence against women in some Islamic societies, it tells the stories, using visual shock tactics, the title, Submission, is a translation of the word Islam into English. Following the broadcast, both Van Gogh and Hirsi Ali received death threats, Van Gogh did not take the threats seriously and refused any protection. According to Hirsi Ali, he said, Nobody kills the village idiot, Van Gogh was a member of the Dutch Republican society Republikeins Genootschap, which advocates the abolition of the Dutch monarchy. He was a friend and supporter of the controversial Dutch politician Pim Fortuyn, the killer shot Van Gogh eight times with an HS2000 handgun
Theo van Gogh (film director)
–
Theo van Gogh in 2004
Theo van Gogh (film director)
–
Place where van Gogh was killed
Theo van Gogh (film director)
–
Ten years after the murder, the bullet holes are still visible in the bicycle lane in front of Linnaeusstraat 22 (picture taken 2 November 2014)
Theo van Gogh (film director)
–
Demonstration at the Dam square after Van Gogh was killed
33.
Anton Mauve
–
Anthonij Rudolf Mauve was a Dutch realist painter who was a leading member of the Hague School. Mauve or with a monogrammed A. M, a master colorist, he was a very significant early influence on his cousin-in-law Vincent van Gogh. Most of Mauves work depicts people and animals in outdoor settings, in his Morning Ride in the Rijksmuseum, for example, fashionable equestrians at the seacoast are seen riding away from the viewer. An unconventional detail, horse droppings in the foreground, attests his commitment to realism and his best known paintings depict peasants working in the fields. His paintings of flocks of sheep were especially popular with American patrons, Anton Mauve was born on 18 September 1838 in Zaandam, a town in the Dutch province of North Holland. A year after his birth, his father Willem Carel Mauve, a Mennonite chaplain, was sent to Haarlem and he was apprenticed to the painter Pieter Frederik van Os followed by Wouter Verschuur. In his further development he worked with Paul Gabriël, painting from nature, and they stayed and worked together at Oosterbeek. He was a friend of Jozef Israëls and Willem Maris, in the last two years of his life Mauve settled in the village of Laren in the region surrounding Hilversum called het Gooi. Mauve will have influenced other painters one of whom was the Scottish painter. Mauve died suddenly in Arnhem on 5 February 1888, Mauve was married to van Goghs cousin Ariëtte Sophia Jeannette Carbentus, and he was a major influence on van Gogh, who revered him. He is mentioned, directly or indirectly, in 152 of van Goghs surviving letters, a comparative table of number of letters mentioning his most significant influences is shown in the table. Mauve continued to him and lent him money to rent and furnish a studio. Van Gogh continued his letter by expressing his sorrow, and then launches defiantly into a defence of his relationship with Clasina Maria Hoornik. Vincent is keeping something back that may not be divulged, the reality was that they were lovers. The presumption must be that Mauve had heard of the relationship, however, their relationship had already become strained by late January. Nevertheless, van Gogh continued to hold Mauve in very high esteem, now here, for instance, at this moment, I have 6 paintings of blossoming fruit trees. You may well see it, since I’ve decided to send one to Jet Mauve. I’ve written on it Souvenir de Mauve Vincent & Theo, van Gogh und die Haager Schule, Skira, Milan 1996 ISBN 88-8118-072-3 Engel, E. P. Anton Mauve
Anton Mauve
–
Anton Mauve
Anton Mauve
–
Morning Ride on the Beach (1876), oil on canvas,
Rijksmuseum
Anton Mauve
–
Ariëtte (Jet) Carbentus, the Artist's Wife,in the Dunes. She was a cousin of van Gogh on his mother's side.
Anton Mauve
–
Vincent van Gogh, Souvenir de Mauve (circa 30 March 1888), oil on canvas,
Kröller-Müller Museum
34.
Johannes Stricker
–
Johannes Paulus Stricker was a Dutch theologian and biblical scholar. He attended the University of Leiden where he worked with J. F. van Oordt and he sat his ordination examination in May 1841, and was appointed to a ministerial post in October of that year. In December of that year, he married Willemina Carbentus, a sister of Vincent van Goghs mother. As an uncle he tutored the young Vincent in theology and biblical criticism in 1877-78, in the summer of 1881, van Gogh became infatuated with Strickers daughter Kee. He proposed marriage, but was rebuffed with an adamant no, nay, never
Johannes Stricker
–
A photo of Kee Vos Stricker with her son taken around 1879/1880 by Albert Greiner.
35.
Anna Boch
–
Anna Rosalie Boch was a Belgian painter, born in Saint-Vaast, Hainaut. Anna Boch died in Ixelles in 1936 and is interred there in the Ixelles Cemetery, Brussels, Boch participated in the Neo-Impressionist movement. Her early works used a Pointillist technique, but she is best known for her Impressionist style which she adopted for most of her career, a pupil of Isidore Verheyden, she was influenced by Théo van Rysselberghe whom she met in the Groupe des XX. Besides her own paintings, Boch held one of the most important collections of impressionist paintings of her time and she promoted many young artists including Vincent van Gogh whom she admired for his talent and who was a friend of her brother Eugène Boch. The Vigne Rouge, purchased by Anna Boch, was believed to be the only painting Van Gogh sold during his lifetime. The Anna Boch collection was sold after her death, in her will, she donated the money to pay for the retirement of poor artist friends. 140 of her own paintings were left to her godchild Ida van Haelewijn, many of these paintings show Ida van Haelewijn as a little girl in the garden. In 1968 these 140 paintings were purchased by her great nephew Luitwin von Boch, the paintings remained in the house of Ida van Haelewijn until her death in 1992. The Anna & Eugène Boch Expo opened March 30,2011, some paintings were also donated by Anna Bochs will to various museums like the Musées royaux des beaux-arts de Belgique. Different exhibitions of her life and work were held at the Royal Museum of Mariemont at Morlanwelz and her name is associated with famous museums like the Pushkin Museum in Moscow, the Musée dOrsay in Paris or the Van Goghhuis in Zundert, the Netherlands. In 2005 the Belgian historian Dr Therèse Thomas published a catalogue raisonné, in 2010 a great great great nephew of Anna Boch and Dr Therèse Thomas created the Anna Boch. com website. Since 2011 the website is edited from the Cremerie de Paris, P. & V. Berko, Dictionary of Belgian painters born between 1750 &1875, Knokke 1981, p.51. Anna Boch. com - includes painting reproductions Newsletter on Anna Boch
Anna Boch
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Photo of Anna Boch (before 1900)
Anna Boch
–
Falaise - Côte de Bretagne. 62 x 84 cm. Oil on canvas.'
Anna Boch
–
Anna Boch, c. 1889, by
Théo van Rysselberghe
36.
Fernand Cormon
–
Fernand Cormon was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels and his father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress, the Musée dOrsay has his Cain flying before Jehovahs Curse, and for the Mairie of the fourth arrondissement of Paris he executed in grisaille a series of panels, Birth, Death, Marriage, War, etc. A Chiefs Funeral, and a series of paintings for the Museum of natural history in Paris with themes from the Stone Age. He was appointed to the Legion of Honor in 1880, subsequently he also devoted himself to portraiture. Among his students with whom he was unsuccessful on this point were, for instance, Henri de Toulouse-Lautrec, Louis Anquetin, Eugène Boch, Paul Tampier, Émile Bernard, other students included Alphonse Osbert, Marius Borgeaud, and Theodor Pallady. This article incorporates text from a now in the public domain, Chisholm, Hugh. Atelier Cormon ~1885 (note e. g. Toulouse-Lautrec, Tampier, Anquetin, last row, second after sculpture, É. Bernard
Fernand Cormon
–
Fernand Cormon.
Fernand Cormon
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Murder in the
Seraglio, (1874)
Fernand Cormon
–
Cain flying before Jehovah's Curse (1880)
Fernand Cormon
–
A
Forge (1894)
37.
Paul Gauguin
–
Eugène Henri Paul Gauguin was a French post-Impressionist artist. Underappreciated until after his death, Gauguin is now recognized for his use of color. His work was influential to the French avant-garde and many artists, such as Pablo Picasso. Many of his paintings were in the possession of Russian collector Sergei Shchukin and he was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. He was also a proponent of wood engraving and woodcuts as art forms. Gauguin was born in Paris, France to Clovis Gauguin and Alina Maria Chazal on June 7,1848 and his birth coincided with revolutionary upheavals throughout Europe that year. His father, a 34-year-old liberal journalist, came from a family of petit-bourgeoisie entrepreneurs residing in Orléans and he was compelled to flee France when the newspaper for which he wrote was suppressed by French authorities. Gauguins mother, the 22-year-old Aline Marie Chazal, was the daughter of Andre Chazal, an engraver, and Flora Tristan and their union ended when Andre assaulted his wife Flora and was sentenced to prison for attempted murder. Paul Gauguins maternal grandmother, Flora Tristan, was the daughter of Thérèse Laisnay. Details of Thérèses family background are not known, her father, Don Mariano, was a Spanish nobleman, members of the wealthy Tristan Moscoso family held powerful positions in Peru. Nonetheless, Don Marianos unexpected death plunged his mistress and daughter Flora into poverty, when Floras marriage with Andre failed, she petitioned for and obtained a small monetary settlement from her fathers Peruvian relatives. She sailed to Peru in hopes of enlarging her share of the Tristan Moscoso family fortune and this never materialized, but she successfully published a popular travelogue of her experiences in Peru which launched her literary career in 1838. An active supporter of early socialist societies, Gauguins maternal grandmother helped to lay the foundations for the 1848 revolutionary movements, placed under surveillance by French police and suffering from overwork, she died in 1844. Her grandson Paul idolized his grandmother, and kept copies of her books with him to the end of his life. In 1850, Clovis Gauguin departed for Peru with his wife Alina and he died of a heart attack en route, and Alina arrived in Peru a widow with the 18-month-old Paul and his 2 ½ year-old sister, Marie. Gauguins mother was welcomed by her granduncle, whose son-in-law would shortly assume the presidency of Peru. To the age of six, Paul enjoyed an upbringing, attended by nursemaids. He retained a vivid memory of period of his childhood which instilled indelible impressions of Peru that haunted him the rest of his life
Paul Gauguin
–
Aline Marie Chazal Tristán, La mère de l'artiste ("The Artist's Mother"), 1889,
Staatsgalerie Stuttgart.
Paul Gauguin
–
Gauguin, c. 1891
Paul Gauguin
–
Woman Sewing, 1880,
Ny Carlsberg Glyptotek
38.
John Peter Russell
–
John Peter Russell was an Australian impressionist painter. Born and raised in Sydney, Russell moved to Europe in his teenage years to attend art school. A mans man, popular with students, Russell befriended fellow pupil Vincent Van Gogh. Van Gogh maintained correspondence with Russell throughout his life, Russells work was also admired by the French Impressionists, with whom he often painted. Russell returned to Sydney in old age, where he died and his works are held in major galleries in his home country and in Europe. John Peter Russell was born at the Sydney suburb of Darlinghurst, the eldest of four children of John Russell, J. P. Russell was a nephew of Sir Peter Nicol Russell. After his fathers death J. P. Russell enrolled at the Slade School of Fine Art, University College London, on 5 January 1881, Russell then went to Paris to study painting under Fernand Cormon. His fellow students there included Henri de Toulouse-Lautrec and Émile Bernard, Russell was a man of means and, having married a beautiful Italian, Mariana Antoinetta Matiocco, he settled at Belle Île off the coast of Brittany, where he established an artists colony. He would have 11 children with Matiocco, of whom six survived, Russell had met Vincent van Gogh in Paris and formed a friendship with him. Van Gogh spoke highly of Russells work, and after his first summer in Arles in 1888 he sent twelve drawings of his paintings to Russell, to inform him about the progress of his work. Claude Monet often worked with Russell at Belle Île and influenced his style, due to his substantial private income Russell did not attempt to make his pictures well known. In 1897 and 1898 Henri Matisse visited Belle Île, Russell introduced him to impressionism and to the work of van Gogh. Matisses style changed radically, and he would later say Russell was my teacher, in 1907, Russells wife Matiocco died in Paris. Grief-stricken, Russell buried her next to his home and destroyed 400 of his oils, Auguste Rodin despaired at the destruction of those marvels, and in one of his final letters to Russell, said Your works will live, I am certain. One day you will be placed on the level with our friends Monet, Renoir. Russell returned to Sydney, where he suffered a heart attack. Thea Proctor, a cousin of Russell prominent in Sydney art and society circles, Russell was a friend of Auguste Rodin and Emmanuel Frémiet, and his wifes beauty is immortalised in Rodins Minerve sans Casque and Fremiets Joan of Arc. Five of Russells sons served in France during World War I and his portrait of van Gogh, painted about 1886-87, was acquired by the Van Gogh Museum, at Amsterdam in 1938
John Peter Russell
–
John Peter Russell, c. 1888
John Peter Russell
–
John Peter Russell:
Vincent van Gogh, 1886,
Van Gogh Museum,
Amsterdam
39.
Agostina Segatori
–
She is also known for running the Café du Tambourin in Paris. Agostina Segatori was born in the Italian city of Ancona, in 1860 she posed for Manet and in 1873 for Jean-Baptiste Corot. Little is known of her life until she met the Parisian painter Edward Dantan in 1873, Agostina Segatori had a child by Dantan, Jean-Pierre Segatori. In 1874, she was depicted by Edward Dantan in the first work that he exhibited at the Salon, during the summers of 1874,1875 and 1877, Agostina Segatori posed many times for Dantan. In 1884, Edward Dantan described his former mistress by the name of Madame Segatori-Morière and his son Jean-Pierre is also called Morière, so he may have been recognized or adopted by her husband. Agostina Segatori is not only known for being the mistress of Edward Dantan, she was the proprietress of the Café Tambourin, Agostina Segatori became famous for her relationship in the spring of 1887 with Vincent van Gogh, who lived in Paris from 1886 until 1888. We have little information on this relationship as Vincent van Gogh lived at the time with his brother, however Agostina Segatori was cited in two letters by the painter. It seems that Vincent van Gogh and Agostina Segatori were very fond of other, and she inspired the painter. Agostina Segatori gave Vincent van Goghs first exhibition at her Café Tambourin and their relationship quickly became stormy and they decided by mutual agreement to separate in July 1887. After this separation, Agostina Segatori improperly retained works by Van Gogh in her Café, Agostina Segatori died in Paris in 1910 after experiencing a number of setbacks including the loss of her Café. Segatoris Café du Tambourin was originally located at 27 rue de Richelieu in Paris, before reopening at 62 Boulevard de Clichy, the decor included works offered to her by Edward Dantan, but also featured those by Vincent van Gogh. In 1887, Henri de Toulouse-Lautrec created a portrait of Vincent van Gogh at the Café, in 1860, she posed for Manet, who painted her portrait known as The Italian. This work, now held in a collection in New York, was sold by the merchant Alphonse Portier to Alexander Cassatt. She then posed twice for the painter Jean-Baptiste Corot, the first work is called The Picture of Agostina and the second the Bacchante with tambourines. She was also painted by Jean-Léon Gérôme, Vincent van Gogh created two portraits of Agostina Segatori, one named The woman with the tambourine and the other the Italian
Agostina Segatori
–
Vincent van Gogh,
Agostina Segatori Sitting in the Café du Tambourin (1887–88;
Van Gogh Museum).
Agostina Segatori
–
Henri Toulouse-Lautrec (1864–1901), Portrait of Vincent van Gogh, 1887
Agostina Segatori
–
Jean-Baptiste-Camille Corot, Agostina, the Italian, 1866
Agostina Segatori
–
Vincent van Gogh, Portrait of an Italian woman, 1887
40.
Anthon van Rappard
–
Anthon Gerard Alexander van Rappard was a Dutch painter and draughtsman. He was a pupil of Lawrence Alma-Tadema and for four years a friend and mentor of Vincent van Gogh. According to the RKD he worked in Paris, Brussels, Utrecht, Amsterdam and he studied at the Rijksakademie and was a member of the Utrecht artist societies Kunstliefde and Utrechtse Kunstkring, and Arti et Amicitiae in Amsterdam. The letters Van Gogh wrote to Van Rappard during their correspondence in the years 1881-1885 are a source for Van Goghs biography. Today, Van Rappards works are due to his short life
Anthon van Rappard
–
G. A. Ridder van Rappard, (1858-1892) portrait by unknown photographer
Anthon van Rappard
–
Workers at a brickworks
41.
Portraits of Vincent van Gogh
–
This article refers to self portraits and portraits of Vincent van Gogh. It includes self-portraits, portraits of him by artists, and photographs. Van Goghs dozens of self-portraits were an important part of his oeuvre as a painter. Most probably, van Goghs self-portraits are depicting the face as it appeared in the mirror he used to reproduce his face, the first self-portrait by van Gogh that survived, is dated 1886. All the self-portraits executed in Saint-Rémy show the head from the left. No self-portraits were executed by van Gogh in Auvers-sur-Oise, during the weeks of his life. F208a, Self-Portrait with Dark Felt Hat is amongst the earliest of Vincents self-portraits and it was discovered late in the family collection and was not exhibited before 1945. Opinions differ about the date and place of its execution, de la Faille thought it painted in Antwerp before 1886, while Hulsker thought it painted in Paris in spring 1886. Hendriks and Tilborgh opt for autumn 1886, based on its resemblance to Vincents work that winter when he began to embrace Neo-impressionism, x-ray analysis reveals a nude figure study below. Since students did not work from the model at Antwerp. There is no work in Vincents oeuvre which complements this portrait. However Hendriks and Tilborgh are satisfied that the painting is consistent with others executed at the beginning, marc Edo Tralbaut, Vincents principal biographer, especially valorised the portrait, selecting it for the dust-jacket of his biography and stating that Vincent had laid himself bare for the portrait. Tralbaut notes that Vincent painted a number of self-portraits at this time and he was in poor health and his teeth were falling out, prompting him to grow a moustache to conceal them. At this time he was wearing city-clothes in an effort to stress his middle-class background as he strove to establish a career for himself as an artist. F627, This painting may have been van Goghs last self-portrait, f525, This painting may have been van Goghs last self-portrait, which he gave to his mother as a birthday gift. Van Gogh painted Self-Portrait without beard just after he had shaved himself, the painting can be seen in the third version of Bedroom in Arles at the Musée dOrsay. The self-portrait is one of the most expensive paintings of all time, at the time, it was the third most expensive painting ever sold. F476, Vincent van Gogh, Arles, gift, to Paul Gauguin, sold
Portraits of Vincent van Gogh
–
Vincent van Gogh, Self-portrait without beard, end September 1889, (F 525), Oil on canvas, 40 × 31 cm., Private collection. This may have been Van Gogh's last self-portrait. Given as a birthday gift to his mother. (See Remarks below)
Portraits of Vincent van Gogh
–
Two Self-Portraits and Several Details, Drawing, Paris, 1886
Van Gogh Museum, Amsterdam (F1378r)
Portraits of Vincent van Gogh
–
Self-Portrait with Dark Felt Hat at the Easel, 1886
Van Gogh Museum, Amsterdam (F181)
Portraits of Vincent van Gogh
–
Self-Portrait with Pipe, 1886
Van Gogh Museum, Amsterdam (F208)
42.
Portraits by Vincent van Gogh
–
Vincent van Gogh lived during the Impressionist era. With the development of photography, painters and artists turned to conveying the feeling and ideas behind people, places, Impressionist artists did this by emphasizing certain hues, using vigorous brushstrokes, and paying attention to highlighting. Vincent van Gogh implemented this ideology to pursue his goal of depicting his own feelings toward, Van Gogh’s portraiture focuses on color and brushstrokes to demonstrate their inner qualities and van Gogh’s own relationship with them. Vincent van Gogh painted portraits throughout his career from 1881 through 1890, Van Gogh was fascinated with making portraits early in his artistic career. Even so, he considered it a matter to focus on their character. Van Gogh wrote to his brother Theo in November 1882 that he had drawn a portrait of Jozef Blok, unlike the character studies, the work was detailed in pencil with watercolor and chalk. At this time it was rare for Van Gogh to use color, in November 1882 Van Gogh began drawings of individuals to depict a range of character types from the working class. The peasant genre that greatly influenced Van Gogh began in the 1840s with the works of Jean-François Millet, Jules Breton, in 1885 Van Gogh described the painting of peasants as the most essential contribution to modern art. If one hasnt a horse, one is ones own horse, to depicting the essence of the life of the peasant and their spirit, Van Gogh lived as they lived, he was in the fields as they were, enduring the weather or long hours as they were. To do so was not something taught in schools, he noted, Van Gogh described his sitter for this painting a wonderful old man. It was made in Antwerp where Van Gogh hoped to bring in money to himself by painting portraits. Van Gogh made a series of paintings of Sien Hoornik, a prostitute whom he met, included in the series are works of Siens daughter, Maria, her newborn son and her mother. Van Gogh occasionally visited Café du Tambourin run by Agostina Segatori, the Italian Woman also called Le Italienne is without doubt Agostina Segatori, per the Musée dOrsay. Van Gogh introduced elements of Japanese woodcut prints in this portrait, surrounding her image is an asymmetrical border with a monochromatic background. He also brings, though, his own style and energy to the work as compared to the lines of the Asian prints. Van Gogh creates his own style of brushstroke from Impressionism and Pointillism and he uses red and green in her face which he later described as a technique to be able to express the terrible passions of humanity by means of red and green. The Portrait of Etienne-Lucien Martin was made of the owner of a restaurant in Paris and he allowed artists to exhibit their work. In November 1887 Van Gogh and his friends showed their works, Van Gogh made the painting of Martin with care and precision
Portraits by Vincent van Gogh
–
John Peter Russell 1886
Van Gogh Museum,
Amsterdam
Portraits by Vincent van Gogh
Portraits by Vincent van Gogh
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Photo by Victor Morin, c. 1886, Brussels, discovered in the early 1990s. Experts disagree whether or not it is Vincent van Gogh.
Portraits by Vincent van Gogh
–
Henri de Toulouse-Lautrec 1887, pastel on cardboard
Van Gogh Museum,
Amsterdam
43.
Early works of Vincent van Gogh
–
The early works of Vincent van Gogh is a group of paintings and drawings that Vincent van Gogh made when he was 27 and 28, in 1881 and 1882, his first two years of serious artistic exploration. Over the course of the two-year period Van Gogh lived in several places and he left Brussels, where he had studied for about a year in 1881, to return to his parents home in Etten, where he made studies of some of the residents of the town. In January 1882 Van Gogh went to The Hague where he studied with his cousin-in-law Anton Mauve and set up a studio, in 1882 Van Gogh had an offer for a commission of paintings of The Hague however the paintings, now considered masterpieces, were not acceptable. Van Gogh started out primarily drawing and painting with watercolor, under Mauves tutelage Van Gogh began painting with oils in 1882. A subject that fascinated Van Gogh was the class or peasant, inspired by the works of Jean-François Millet. In July 1869, Van Goghs uncle Philip James Quinlan helped him obtain a position with the art dealer Goupil & Cie in The Hague. After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton and this was a happy time for him, he was successful at work and was, at 20, earning more than his father. He fell in love with his landladys daughter, Eugénie Loyer and he was increasingly isolated and fervent about religion. His father and uncle sent him to Paris to work in a dealership, however, he became resentful at how art was treated as a commodity, a fact apparent to customers. On 1 April 1876, his employment was terminated, Van Gogh explored his interest in ministry to serve working people. He studied for a time in the Netherlands but his zeal and he became somewhat embittered and rejected the church establishment, yet found a personal spirituality that was comforting and important to him. By 1879, he made a shift in the direction of his life and found he could express his love of God and man through painting. After having moved to Brussels Van Gogh decided to study on his own, rather than at the art academy, often in the company of Dutch artist Anthon van Rappard. It is at this point his brother Theo, working as an art dealer at the Paris Goupil & Cie branch, began sending him money for support, a practice that continued throughout the brothers lives. In April 1881, Van Gogh moved to the Etten countryside in the Netherlands with his parents where he continued drawing, through the summer he spent much time walking and talking with his recently widowed cousin, Kee Vos-Stricker. She was the daughter of his mothers sister and Johannes Stricker. Although Van Gogh would have liked to marry Stricker, given her decisive refusal, No, never, never and his inability to support himself financially, marriage was out of the question. That Christmas he quarreled violently with his father, to the point of refusing a gift of money, in January 1882, he settled in The Hague where he called on his cousin-in-law, the painter Anton Mauve
Early works of Vincent van Gogh
–
The Sower (after Millet)
Early works of Vincent van Gogh
–
Rooftops, View from the Atelier
The Hague (1882), watercolor, Private collection.
Early works of Vincent van Gogh
–
Van Gogh's drawing of
87 Hackford Road
Early works of Vincent van Gogh
–
Man Stooping with Stick or Spade 1882 Kuboso Memorial Museum of Arts,
Izumi,
Japan (F12)
44.
Lost works by Vincent van Gogh
–
A part of the work that remained with his family when he left the Netherlands must be considered lost, and the remaining early works of Vincent van Gogh tell an incomplete story. Van Gogh himself wrote that he had stored some 70 painted studies in the attic of his studio when he left The Hague, but only some 25 of these are now known. Some of those involved in the trade have been interviewed by journalists and art researchers. The father of Vincent van Gogh, the Nuenen pastor Theo van Gogh, Vincent moved to Antwerp on November 27. In the following months his mother, Anna-Cornelia van Gogh-Carbentus, decided to move to a home for her and her daughter Wil. They found a part of a house on the corner of the Nieuwe Ginnekenstraat and Wapenplein in Breda. Vincents mother had a part of the furniture, including Vincents possessions and it ended up in a warehouse owned by a carpenter, Adrianus Schrauwen, living in the Ginnekenstraat. When the furniture and boxes were later retrieved, Vincents sister Wil discovered traces of woodworm in the crates and he wondered if he had to help with arrangements in Nuenen. Vincent went to Paris at the end of February 1886 and he did not help his family with packing. When the family moved, the things that Vincent had left behind when he went to Antwerp, including wood engravings, the carpenters name was Adrianus Schrauwen. In a letter from Arles to his sister Wil from June 1888 Vincent writes and it is perhaps worth saving what is good among the rubbish which, as Theo says, is still in an attic somewhere in Breda. I dare not ask, however, and perhaps it is lost, in a postscript of a letter in early August 1888, Vincent asks Wil to bring him some wood engravings and prints that had remained in Breda. This could mean that Vincent considered his work in the attic at Schrauwen lost, in any case, in 1888 Theo and Wil knew of belongings that had been left behind in Breda. In a letter from Vincent to Wil he says that Wil, the population register in Breda mentions that the move took place on November 2,1889. On this basis, it is assumed that in the beginning of November 1889 his mother and Wil reclaimed their possessions from Schrauwen, but left Vincents boxes because of the alleged woodworm. Seventeen years later, in 1903, Schrauwen invited a market merchant Mr. J. C. Couvreur to sell some belongings, such as a small can, a pot and other kitchen equipment. Couvreur offered 2.50 guilders and Schrauwen accepted on condition that he take the rubbish which he had stored in his attic for so long. She said to me, That I do not want to have in my house, I said, you can never know what those things may turn out to be worth, but my wife said, those things go out the door or I go out the door
Lost works by Vincent van Gogh
–
Still Life with Bible, 1885, Nuenen.
Lost works by Vincent van Gogh
–
Planting Potatoes, April 1885, Nuenen.
Lost works by Vincent van Gogh
–
Still Life with Potatoes, September 1885, Nuenen.
45.
Sien (Van Gogh series)
–
Vincent van Gogh drew and painted a series of works of his mistress Sien during their time together in the Netherlands. In particular, his drawing Sorrow is widely acknowledged as a masterwork of draftsmanship, commonly called Sien Hoornik, Clasina Maria Hoornik lived with van Gogh during much of his time in The Hague from 1881 to 1883. Van Gogh used Sien, a pregnant prostitute, as a model for his work and later took Sien, Van Gogh made drawings and paintings of Sien and her daughter, baby and mother over that period, which reflected the domestic life and hardships of the working poor. Their relationship was not accepted by his family or supporters, although his brother Theo did not withdraw his support over it, at his brother Theos urging, van Gogh left Sien in 1883 to paint in Drenthe, ending the only domestic relationship he would ever have. Sien resumed her life as a seamstress, cleaning woman and likely prostitute before marrying in 1901. On 12 November 1904, aged 54, she threw herself into the Schelde river and drowned, fulfilling a prediction she had made to van Gogh in 1883, it’s bound to end up with me jumping into the water. In the summer of 1881, van Gogh fell in love with his widowed cousin. He proposed marriage, but was rebuffed with an adamant no, nay, Mauve was a successful and noted artist, a leading member of the Hague School and a master colorist whose paintings found a ready market both home and abroad. He had married van Goghs cousin, Ariëtte Carbentus, in 1874 while she was very young and he was already established and successful. After a last, humiliating, effort to win Kee over, on Christmas Day that year he refused to attend church, provoking a violent quarrel with his father, a pastor, which resulted in his leaving home the very same day. He returned to The Hague and studied further under Mauve and he also introduced van Gogh to painting, first in oils and then with watercolor. At the end of January 1882, on his own account, van Gogh met a homeless, pregnant, the exact date of this meeting is not known beyond van Goghs dating of it in a letter to Theo written in May. However another letter written mid-January mentions he was negotiating modelling with a mother with a little child, based on the dates, van Gogh could not have been the father of the child. Sien was born in 1850, the eldest of ten children of Pieter Hoornik, a porter in the district of the Geest. To provide for the family, Sien and her mother worked as seamstresses and their earnings were supplemented by what Siens brother, Pieter, could provide from the income of his chair-making business. The family often relied upon public assistance, for a time Sien and some of her siblings lived at a Catholic orphanage, relying on assistance from the public soup kitchen and church charities. So meager were her earnings, she turned to prostitution for a better income, by the age of 32, the unmarried Sien had given birth to four children, two of whom lived, Maria Wilhelmina, born about 1877, and Willem, born July 1882. Sien posed for van Gogh throughout the winter, in exchange, van Gogh provided Sien and her daughter with a place to live and food to eat
Sien (Van Gogh series)
–
Sorrow, drawing in chalk, the
Garman Ryan Collection, at
The New Art Gallery Walsall (F929a)
Sien (Van Gogh series)
–
Kee Vos Stricker with her son Jan c. 1879/1880.
Sien (Van Gogh series)
–
Anton Mauve - Ariëtte (Jet) Carbentus, the Artist's Wife,in the Dunes. Jet Carbentus was a cousin of Van Gogh on his mother's side.
Sien (Van Gogh series)
–
Anton Mauve - Fishing boat on the beach, 115 x 172 cm. This was the painting Mauve was busy with at the time of his dealings with Van Gogh. It was shown in May at the
1882 Salon.
Gemeentemuseum, The Hague.
46.
Peasant Character Studies (Van Gogh series)
–
Peasant Character Studies is a series of works that Vincent van Gogh made between 1881 and 1885. Van Gogh had an attachment and sympathy for peasants and other working class people that was fueled in several ways. He was particularly fond of the peasant genre work of Jean-François Millet and he found the subjects noble and important in the development of modern art. Van Gogh had a particular interest in creating character studies of working men and women in the Netherlands and Belgium, such as farmers, weavers, and fishermen. Making up a body of Van Goghs work during this period. The peasant genre of the Realism movement began in the 1840s with the works of Jean-François Millet, Jules Breton, Van Gogh described the works of Millet and Breton as having religious significance, something on high, and described them as being the voices of the wheat. The Van Gogh Museum says of Millets influence on Van Gogh, Millets paintings, with their depictions of peasants and their labors. Before Millet, peasant figures were just one of many elements in picturesque or nostalgic scenes, in Millets work, individual men and women became heroic and real. Millet was the major artist of the Barbizon School who was not interested in pure landscape painting. In 1880 when he was 27 years old, Van Gogh decided to become an artist, in October of that year he moved to Brussels and began a beginners course of study. Van Gogh returned to Etten in April 1881 to live with his parents and his younger brother Theo, an art dealer at the main branch of Goupil & Cie, encouraged him and started covering Van Goghs expenses. Van Gogh used images from illustrated magazines to teach himself how to draw, Charles Bargue, a French artist, wrote two books on drawing that were a significant source of study for Van Gogh. In January 1882, he settled in The Hague where he called on his cousin-in-law, Mauve introduced him to painting in both oil and watercolor and lent him money to set up a studio. Van Gogh began drawing people from the poor, including the prostitute Clasina Maria Sien Hoornik. Van Gogh dreamed his studio would one day become a form of respite for the poor where they could receive food, shelter and money for posing. His work was not well received, Mauve and H. G. Tersteeg, manager of Goupil & Cie, considered the drawings coarse, Van Gogh likened the unrefined characteristics of his drawings to harsh yellow soap made of lye. Van Goghs relationship with Sien changed as they lived together with Maria, her five-year-old daughter, Mauve appears to have suddenly gone cold towards Van Gogh and did not return a number of his letters. Van Gogh supposed that Mauve did not approve of his arrangement with Sien
Peasant Character Studies (Van Gogh series)
–
Woman Sewing
Peasant Character Studies (Van Gogh series)
–
Jean-François Millet, La Charité, 1859
Peasant Character Studies (Van Gogh series)
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Two Hands, 1885, Private collection (F66)
Peasant Character Studies (Van Gogh series)
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Head of a Woman, 1885,
Van Gogh Museum, Amsterdam (F160)
47.
Cottages (Van Gogh series)
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Cottages is a subject of paintings created by Vincent van Gogh from 1883 and 1885. This is related to the Peasant Character Studies that Van Gogh worked on during the time period. Inspired by the work of Jean-François Millet and others working in the peasant genre, Van Gogh became interested in representing peasant life in his art. To depict the essence and spirit of their life, he for a time lived as they lived, he was in the fields as they were, enduring the weather for long hours as they were. To do so was not something taught in art schools, he wrote, so thoroughly was he engaged in living the peasant lifestyle that his appearance and manner of speech began to change. This alienated some of his friends and family, but was a cost, he believed, Van Gogh visited the province of Drenthe for three months, staying in Nieuw-Amsterdam. While there, he explored the countryside still untouched by progress found in larger towns, cottages is a study of farm cottages and an outbuilding that Van Gogh found on one of his treks. The dark cottage is set against the evening sky, here he was greatly impressed by the working poor, but unable to find models for his character studies. In 1882 Van Goghs father became pastor in Nuenen and the family lived at the vicarage at Nuenen, having been in Drenthe for several months, Van Gogh came to live with his parents in December 1883 and stayed there until May 1885. During the winter in Nuenen Van Gogh worked on studies of the local peasants. There was little to be done in the fields and Van Gogh was able to make connections to people through his father, Van Goghs character studies culminated in his famous painting The Potato Eaters. The Cottage was a home that the De Groot family, immortalized in The Potato Eaters shared with another family, the cottage has double front doors, a split chimney and quarters for two families. Seen in the light, the cottage seems peaceful. Van Gogh called the peasant homes human nests, Peasant Woman Digging in Front of Her Cottage was one of the paintings that Van Gogh left behind when he went to Antwerp in 1885 and it went to his mother Anna Carbentus van Gogh. Houses at Auvers, a return to the subject of cottages by van Gogh in 1890 Impressionism List of works by Vincent van Gogh Postimpressionism Saint-Paul Asylum, Saint-Rémy
Cottages (Van Gogh series)
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Cottages, 1883,
Van Gogh Museum,
Amsterdam (F17)
Cottages (Van Gogh series)
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Farmhouse Among Trees, 1883,
Museum Kolekcji Jana Pawla II,
Warsaw, Poland (F18)
Cottages (Van Gogh series)
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Cottage, 1885,
Van Gogh Museum, Amsterdam (F83)
Cottages (Van Gogh series)
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Cottage with Peasant Woman Digging, 1885, Private collection (F89)
48.
Montmartre (Van Gogh series)
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The Montmartre paintings are a group of works that Vincent van Gogh made in 1886 and 1887 of the Paris district of Montmartre while living there with his brother Theo. Rather than capture urban settings in Paris, van Gogh preferred pastoral scenes, such as Montmartre, of the two years in Paris, the work from 1886 often has the dark, somber tones of his early works from the Netherlands and Brussels. By the spring of 1887 van Gogh embraced use of color and light, the works in the series provide examples of his work during that period of time and the progression he made as an artist. In 1886, van Gogh left the Netherlands for Paris and the guidance of his brother Theo van Gogh who was an art dealer. While he had influenced not only by the great Dutch masters but also to a considerable extent by his cousin-in-law Anton Mauve a Dutch realist painter. Coming to Paris meant that he would also have the opportunity to be influenced by Impressionists, Symbolists, Pointillists and his circle of friends included Camille Pissarro, Henri de Toulouse-Lautrec, Paul Gauguin and Émile Bernard. Montmartre, sitting on a butte overlooking Paris, was known for its bars, cafes and it was also located on the edge of countryside that afforded Van Gogh the opportunity to work on paintings of rural settings while living in Paris. When Van Gogh painted he intended not just to capture the subject and it was through his paintings of nature that he was most successful at accomplishing his goal. It also created a challenge, how to portray the subject. The Boulevard de Clichy, a street in Montmartre, played an important role in van Goghs life in Paris, the Café du Tambourin was located there, a restaurant just around the corner from the apartment where he lived with his brother Theo. There van Gogh met with artists and displayed some of his works. He had a relationship with the owner of the establishment, Agostina Segatori, the painting of the Boulevard is Impressionistic in terms of subject and technique. Van Gogh used short brush strokes to depict the figures of the people, light is reflected off the road. Capturing a moment in a scene was a common theme for Impressionists. The vantage point for the painting was looking northwest from Place Blanche, Rue Lepics entrance is on the right side of the painting. Van Gogh also made a drawing of this site from a greater distance, Van Gogh created a number of paintings titled Le Moulin de la Galette, which was also called Moulin Bloute-Fin. In van Gogh’s first year in Paris he painted rural areas around Montmartre, such as the butte, the colors are somber and evoke a sense of his anxiety and loneliness. The landscape and windmills around Montmartre were the source of inspiration for a number of van Goghs paintings, the Moulin de la Galette, still standing, is located near the apartment he shared with his brother
Montmartre (Van Gogh series)
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Street Scene in Montmartre: Le Moulin à Poivre
Montmartre (Van Gogh series)
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Sloping Path in Montmartre 1886
Van Gogh Museum, Amsterdam (F232)
Montmartre (Van Gogh series)
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Terrace of a Cafe on Montmartre (La Guinguette) 1886
Musée d'Orsay, Paris (F238)
Montmartre (Van Gogh series)
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Shelter on Montmartre 1886
Fine Arts Museums of San Francisco, San Francisco (F264a)
49.
Outskirts of Paris (Van Gogh)
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Outskirts of Paris are paintings that Vincent van Gogh made in 1887, while he was living in Paris with his brother Theo. Van Gogh liked to explore the outskirts of Paris, searching for pastoral settings in parks and his goal was to find scenes that would allow him to explore techniques he learned in Paris. Like many Impressionsits, Van Gogh was concerned about the way in which the landscape and way of life was affected by technical progress and industrialization. Speaking for myself, in certain spots I do not look without a little sadness on a new red-tiled tavern, since then there have come beet-sugar factories, railways, agricultural developments of the heath, etc. which is infinitely less picturesque. One of the versions of Outskirts of Paris illustrates the encroachment of urban expansion to the pastoral life, to Van Gogh, industrialization meant loss of a revered lifestyle, the simple life of the peasant
Outskirts of Paris (Van Gogh)
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Outskirts of Paris: Road with Peasant Shouldering a Spade
Outskirts of Paris (Van Gogh)
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On the Outskirts of Paris 1887 Private Collection (F351)
Outskirts of Paris (Van Gogh)
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Outskirts of Paris near Montmartre, watercolor, 1887, Stedelijk Museum, Amsterdam (F1410)
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