1.
Comics
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Comics is a medium used to express ideas by images, often combined with text or other visual information. Comics frequently takes the form of juxtaposed sequences of panels of images, often textual devices such as speech balloons, captions, and onomatopoeia indicate dialogue, narration, sound effects, or other information. Size and arrangement of panels contribute to narrative pacing, cartooning and similar forms of illustration are the most common image-making means in comics, fumetti is a form which uses photographic images. Common forms of comics include comic strips, editorial and gag cartoons, since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbon have become increasingly common, and online webcomics have proliferated in the 21st century. The history of comics has followed different paths in different cultures, scholars have posited a pre-history as far back as the Lascaux cave paintings. By the mid-20th century, comics flourished particularly in the United States, western Europe, histories of Japanese comics and cartooning propose origins as early as the 12th century. Comics has had a reputation for much of its history. The English term comics is used as a noun when it refers to the medium. Though the term derives from the work that predominated in early American newspaper comic strips. It is common in English to refer to the comics of different cultures by the used in their original languages, such as manga for Japanese comics. The increasing cross-pollination of concepts from different comics cultures and eras has further made definition difficult, examples of early comics The European, American, and Japanese comics traditions have followed different paths. Japan had a prehistory of satirical cartoons and comics leading up to the World War II era. The ukiyo-e artist Hokusai popularized the Japanese term for comics and cartooning, manga, in the post-war era modern Japanese comics began to flourish when Osamu Tezuka produced a prolific body of work. Illustrated humour periodicals were popular in 19th-century Britain, the earliest of which was the short-lived The Glasgow Looking Glass in 1825, the most popular was Punch, which popularized the term cartoon for its humorous caricatures. American comics developed out of magazines as Puck, Judge. The success of illustrated humour supplements in the New York World and later the New York American, particularly Outcaults The Yellow Kid, early Sunday strips were full-page and often in colour. Between 1896 and 1901 cartoonists experimented with sequentiality, movement, shorter, black-and-white daily strips began to appear early in the 20th century, and became established in newspapers after the success in 1907 of Bud Fishers Mutt and Jeff. In Britain, the Amalgamated Press established a style of a sequence of images with text beneath them, including Illustrated Chips
2.
London
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London /ˈlʌndən/ is the capital and most populous city of England and the United Kingdom. Standing on the River Thames in the south east of the island of Great Britain and it was founded by the Romans, who named it Londinium. Londons ancient core, the City of London, largely retains its 1. 12-square-mile medieval boundaries. London is a global city in the arts, commerce, education, entertainment, fashion, finance, healthcare, media, professional services, research and development, tourism. It is crowned as the worlds largest financial centre and has the fifth- or sixth-largest metropolitan area GDP in the world, London is a world cultural capital. It is the worlds most-visited city as measured by international arrivals and has the worlds largest city airport system measured by passenger traffic, London is the worlds leading investment destination, hosting more international retailers and ultra high-net-worth individuals than any other city. Londons universities form the largest concentration of education institutes in Europe. In 2012, London became the first city to have hosted the modern Summer Olympic Games three times, London has a diverse range of people and cultures, and more than 300 languages are spoken in the region. Its estimated mid-2015 municipal population was 8,673,713, the largest of any city in the European Union, Londons urban area is the second most populous in the EU, after Paris, with 9,787,426 inhabitants at the 2011 census. The citys metropolitan area is the most populous in the EU with 13,879,757 inhabitants, the city-region therefore has a similar land area and population to that of the New York metropolitan area. London was the worlds most populous city from around 1831 to 1925, Other famous landmarks include Buckingham Palace, the London Eye, Piccadilly Circus, St Pauls Cathedral, Tower Bridge, Trafalgar Square, and The Shard. The London Underground is the oldest underground railway network in the world, the etymology of London is uncertain. It is an ancient name, found in sources from the 2nd century and it is recorded c.121 as Londinium, which points to Romano-British origin, and hand-written Roman tablets recovered in the city originating from AD 65/70-80 include the word Londinio. The earliest attempted explanation, now disregarded, is attributed to Geoffrey of Monmouth in Historia Regum Britanniae and this had it that the name originated from a supposed King Lud, who had allegedly taken over the city and named it Kaerlud. From 1898, it was accepted that the name was of Celtic origin and meant place belonging to a man called *Londinos. The ultimate difficulty lies in reconciling the Latin form Londinium with the modern Welsh Llundain, which should demand a form *lōndinion, from earlier *loundiniom. The possibility cannot be ruled out that the Welsh name was borrowed back in from English at a later date, and thus cannot be used as a basis from which to reconstruct the original name. Until 1889, the name London officially applied only to the City of London, two recent discoveries indicate probable very early settlements near the Thames in the London area
3.
Escape (magazine)
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Escape magazine was a landmark British comic strip magazine founded and edited by Paul Gravett and Peter Stanbury. Nineteen issues were published between 1983 and 1989, Eddie Campbell, Phil Elliott and Glenn Dakin were amongst the many cartoonists published within its pages. Escape has its origins in the explosion of small press or minicomics that occurred in the UK in the early 1980s, Paul Gravett was running a stall at the Westminster Comic Mart in London called Fast Fiction where he would sell other peoples self-published comics for a small cut. At the same time awareness was growing of international developments in the medium, short for Bande Dessinée, BD became the ideological anchor for Escape. Gravett wanted to apply the values of and respect attributed to French comics to his new breed of British artists. Visually this was reflected in the work of Phil Elliott and Rian Hughes, but it also infused the whole attitude of the magazine, that some comics at least deserved be taken seriously. While disillusioned with the direction, or lack of, Pssst. was taking, his job brought him contact with many more new. To some of these, such as Glenn Dakin in Manchester, he introduced the concept of self publishing small press comics and sending out to like minded souls. Pssst. was forced to close after 10 issues leaving Gravett with an idea of how not to run a magazine. The first seven issues of Escape were published between 1983 and 1985 as A5, or digest-sized, booklets of between 56 and 84 pages in length with black and white interiors and colour covers. The covers were wrap-around and, for the first five issues, the smaller size was chosen to physically differentiate it from other comics around at the time with a nod to the photocopied small press comics that usually came in this format. It was also easy to put in your pocket, the first issue had a print run of 2000 and had a disproportionate reaction from the music and style media bringing in subscribers and advertising, notably the NME and Time Out. Despite, or more likely, because of the different styles and approaches embraced by the magazine Escape had a solid identity and loyal, if disparate. As the landscape of the industry changed through the 1980s Escape was there to report it. In 1986 Escape changed to the industry standard American magazine format enabling them to reprint work by the international creators theyd previously only written about. Jacques Tardi and Gary Panter appear in eight and George Herrimans Krazy Kat became a regular feature. The logo also changed to a new design with extra prongs for the E and A. Gravett and Stanbury retained complete control over the contents and direction of the magazine
4.
ArtReview
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ArtReview is an international contemporary art magazine based in London. Its current editors are Mark Rappolt and David Terrien, in October 2011, the magazine was criticised by the Chinese government for placing Ai Weiwei at number one of that years Power 100. Chinese Foreign Ministry spokesman Liu Weimin responded China has many artists who have sufficient ability and we feel that a selection that is based purely on a political bias and perspective has violated the objectives of the magazine. It is edited by Aimee Lin from the magazines Shanghai base, ArtReview was founded in London in 1949 by a retired country medical practitioner, Dr Richard Gainsborough, and the first edition was designed by his wife, the artist Eileen Mayo. Over its 60 years of publication, it has evolved from an eight-page black-and-white broadsheet newspaper published fortnightly to a magazine format published nine times a year. The magazine is distributed in 28 countries, since 1949, ArtReview has been published under the names Art News and Review, The Arts Review, Arts Review, Art Review and ArtReview. The website, artreview. com, was launched in 2007, the website features art news and blogs and artist commissions. ArtReview website ArtReview magazine archive ArtReview Power 100 website Digital Edition of Art Review magazine
5.
Palace of Westminster
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The Palace of Westminster is the meeting place of the House of Commons and the House of Lords, the two houses of the Parliament of the United Kingdom. Commonly known as the Houses of Parliament after its occupants, the Palace lies on the bank of the River Thames in the City of Westminster. The palace is owned by the monarch in right of the Crown and for ceremonial purposes, the building is managed by committees appointed by both houses, which report to the Speaker of the House of Commons and the Lord Speaker. The first royal palace was built on the site in the 11th century, part of the New Palaces area of 3.24 hectares was reclaimed from the Thames, which is the setting of its nearly 300-metre long façade, called the River Front. Barry was assisted by Augustus Pugin, an authority on Gothic architecture and style. The Palace is one of the centres of political life in the United Kingdom, Westminster has become a metonym for the UK Parliament, the Palace of Westminster has been a Grade I listed building since 1970 and part of a UNESCO World Heritage Site since 1987. The Palace of Westminster site was important during the Middle Ages. Known in medieval times as Thorney Island, the site may have been first-used for a residence by Canute the Great during his reign from 1016 to 1035. St Edward the Confessor, the penultimate Anglo-Saxon monarch of England, Thorney Island and the surrounding area soon became known as Westminster. Neither the buildings used by the Anglo-Saxons nor those used by William I survive, the oldest existing part of the Palace dates from the reign of William Is successor, King William II. The Palace of Westminster was the principal residence in the late Medieval period. The predecessor of Parliament, the Curia Regis, met in Westminster Hall, simon de Montforts parliament, the first to include representatives of the major towns, met at the Palace in 1265. The Model Parliament, the first official Parliament of England, met there in 1295, in 1512, during the early years of the reign of King Henry VIII, fire destroyed the royal residential area of the palace. In 1534, Henry VIII acquired York Place from Cardinal Thomas Wolsey, renaming it the Palace of Whitehall, Henry used it as his principal residence. Although Westminster officially remained a royal palace, it was used by the two Houses of Parliament and by the various law courts. Because it was originally a residence, the Palace included no purpose-built chambers for the two Houses. Important state ceremonies were held in the Painted Chamber which had originally built in the 13th century as the main bedchamber for King Henry III. The House of Commons, which did not have a chamber of its own, the Commons acquired a permanent home at the Palace in St Stephens Chapel, the former chapel of the royal palace, during the reign of Edward VI
6.
Eddie Campbell
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Eddie Campbell is a Scottish comics artist and cartoonist who now lives in Australia. His graphic novel The Lovely Horrible Stuff, which playfully investigates our relationship with money, was published in July 2012 by Top Shelf Productions and his writing has been compared to that of Jack Kerouac and Henry Miller. Campbell made his earliest attempts at autobiographical comics in the late 1970s with In the Days of the Ace Rock and this evolved into Alec, with the character of Alec MacGarry standing in for the author. When Gravett founded Escape Magazine, Campbell was one of the artists featured, in 1984 Escape published Alec, a slim collection of his semi-autobiographical stories. This was followed by two collections, Love and Beerglasses and Doggie in the Window. In 1990 all three Alec volumes were collected, together with some unpublished material, as The Complete Alec by Eclipse Comics, in 2000 this material was republished as The King Canute Crowd. Two further slim volumes, The Dead Muse and Little Italy appeared through Fantagraphics Books, graffiti Kitchen, which Campbell considers the highpoint of the series, was published by Tundra in 1993, and The Dance of Lifey Death followed in 1994 from Dark Horse Comics. Campbell then followed up these works by publishing two larger works. Alec, How To Be An Artist, a study of the art form and of Campbells own artistic journey, both works were originally serialised within his Bacchus magazine, but were reworked upon collection. The graphic album Alec, How to Be an Artist was nominated for the Harvey Award for Best Graphic Album of Previously Published Work in 2000. All the Alec stories, with the exception of The Fate of the Artist, were published in one volume, Alec and this was followed in 2012 by the publication of The Lovely Horrible Stuff, a continuation of the autobiographical theme. The success of Kevin Eastman and Peter Lairds Teenage Mutant Ninja Turtles led to an explosion of black. Harrier published eight issues of Deadface and two issues of a comic, Bacchus. Dark Horse reprinted the Harrier series as Immortality Isnt Forever in 1990, Campbell continued to produce Bacchus stories for Dark Horse until 1995 as a series of miniseries. The entire Bacchus saga is to be published in two 500-page volumes by Top Shelf Productions, beginning in 1989 Campbell illustrated Alan Moores ambitious Jack the Ripper graphic novel From Hell, serialised initially in Steve Bissettes horror anthology Taboo. Moore and Bissette chose Campbell as illustrator for his approach which gave the story a convincing realism. After Taboo folded From Hell was published in instalments by Tundra and then Kitchen Sink Press, under the influence of Dave Sim, Campbell founded Eddie Campbell Comics and began self-publishing in 1995, after the film rights to From Hell were optioned. The monthly series Bacchus reprinted and completed the story begun in Deadface, as well as carrying new and he went on to collect both Alec and Bacchus as a series of graphic novels
7.
Neil Gaiman
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Neil Richard MacKinnon Gaiman is an English author of short fiction, novels, comic books, graphic novels, audio theatre, and films. His notable works include the book series The Sandman and novels Stardust, American Gods, Coraline. He has won awards, including the Hugo, Nebula. He is the first author to win both the Newbery and the Carnegie medals for the work, The Graveyard Book. In 2013, The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards and his father, David Bernard Gaiman, worked in the same chain of stores, his mother, Sheila Gaiman, was a pharmacist. He has two sisters, Claire and Lizzy. His other sister, Lizzy Calcioli, has said, Most of our social activities were involved with Scientology or our Jewish family and it would get very confusing when people would ask my religion as a kid. I’d say, I’m a Jewish Scientologist, Gaiman says that he is not a Scientologist, and that like Judaism, Scientology is his familys religion. About his personal views, Gaiman has stated, I think we can say that God exists in the DC Universe, I would not stand up and beat the drum for the existence of God in this universe. I dont know, I think theres probably a 50/50 chance and it doesnt really matter to me. Gaiman was able to read at the age of four, when he was about ten years old, he read his way through the works of Dennis Wheatley, where especially The Ka of Gifford Hillary and The Haunting of Toby Jugg made an impact on him. One work that made an impression on him was J. R. R. Tolkiens The Lord of the Rings from his school library. He consistently took them out and read them and he would later win the school English prize and the school reading prize, enabling him to finally acquire the third volume. For his seventh birthday, Gaiman received C. S. Lewiss The Chronicles of Narnia series and he later recalled that I admired his use of parenthetical statements to the reader, where he would just talk to you. Id think, Oh, my gosh, that is so cool, when I become an author, I want to be able to do things in parentheses. I liked the power of putting things in brackets, Narnia also introduced him to literary awards, specifically the 1956 Carnegie Medal won by the concluding volume. Lewis Carrolls Alices Adventures in Wonderland was another favourite. Alice was default reading to the point where I knew it by heart and he also enjoyed Batman comics as a child
8.
James Robinson (writer)
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James Dale Robinson is a British writer of American comic books and screenplays who is known for his interest in vintage collectibles and memorabilia. Some of his best known comics are series focusing on the Justice Society of America, james Robinson has been writing for over two decades, with an early comics work, Grendel, The Devils Whisper, appearing in the 1989 series of the British anthology A1. In 1997, Robinsons work on the title garnered him an Eisner Award for Best Serialized Story and he is also known for his The Golden Age limited series, which, despite being an Elseworlds story, established much of the backstory he would later use in Starman. He has written the Batman, Legends of the Dark Knight series, other work for DC includes a Vigilante miniseries and the Sandman spin-off Witchcraft for Vertigo. Robinson wrote a run of Wildcats, teamed with artist Travis Charest. Similarly, he served as a writer on the Marvel Comics titles, Cable and Generation X in 1997–1998 including the Operation. His other work includes Ectokid, one of the created by horror/fantasy novelist Clive Barker for Marvel Comics Razorline imprint. In 2006, Robinson wrote Batman and Detective Comics, penning the eight-issue Face The Face storyline, in 2008–2010, Robinson was the writer of Superman. This run included the storyline The Coming of Atlas and he wrote the 2009–2010 mini-series Justice League, Cry for Justice and began writing Justice League of America in October 2009 with art by Mark Bagley. Robinson was joined by artist Brett Booth on Justice League of America in February 2011 and he concluded his work on Superman with issue #700. One of the revision which Robinson introduced was making the Earth Two Green Lantern gay, in May 2013, Robinson ended his long relationship with DC Comics. His last issue of Earth 2 was #16, many observers found the departure abrupt, since Robinson had teased of long term plans for Earth 2. Despite the abrupt nature of Robinsons departure from DC, Robinsons relationship with the company remains amicable, Robinson took new assignments from Marvel Comics after then. His first announced project for Marvel was a collaboration with co-writer Mark Waid and illustrator Gabriele DellOtto on a graphic novel titled Spider-Man. A second announced project for Marvel was All-New Invaders, a monthly comic series with artist Steve Pugh. He and Leonard Kirk launched a new Fantastic Four series in February 2014, the Saviors was released in December 2013 by Image Comics. This story described what happens when Tomas Ramirez, a man working at a gas station stumbles upon a plot that could mean the end of the Earth. Dynamite Entertainment will publish Grand Passion, a series by Robinson
9.
The Comics Journal
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The Comics Journal, often abbreviated TCJ, is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels. In 1976, Gary Groth and Michael Catron acquired The Nostalgia Journal, the publication was relaunched as The New Nostalgia Journal with issue No. 32, it became The Comics Journal, issue No.37 adopted a magazine format. In addition to interviews with comics industry figures, the Journal has always published criticism—and received it in turn. Starting in the early 2000s, the Journal published a series of annual specials combining its usual critical format with extended samples of comics from specially selected contributors,300, The Comics Journal ceased its semi-monthly print publication. TCJ shifted from an eight-times a year publishing schedule to a larger, more elaborate, over the years The Journal has been involved in a handful of lawsuits. Artist Rich Buckler attempted legal action for a review called him a plagiarist while printing his panels next to earlier. A Groth interview with science fiction writer Harlan Ellison sparked a lawsuit by writer Michael Fleisher, over a discussion of Fleishers work. Co-defendants Groth and Ellison won the case, but emerged from the suit estranged, the Journal has on occasion published, as cover features, lengthy court transcripts of comics-related civil suits. Notable instances include the Fleisher suit and Marv Wolfmans failed suit against Marvel Comics over ownership of the character Blade, the Journal features critical essays, articles on comics history and lengthy interviews, conducted by Gary Groth and others. Noteworthy interviews include Gil Kane in No,113, and Charles M. Schulz in #200. In 1995, publisher Gary Groth joked that his magazine occupied a niche that nobody wants, Gary Groth has been the Journals publisher and nominal editor for almost all of its existence. Staff members and regular contributors have included Kim Thompson, Greg Stump, Eric Millikin, Eric Reynolds, Ng Suat Tong, R. Fiore, guest contributors have included Dave Sim and Trina Robbins. 1987–1988, Thom Powers 1988–1989, Greg S. Baisden 1989–1990, Robert Boyd 1990–September 1991, Helena Harvilicz September 1991 –1993, to compile the list, eight contributors and editors made eight separate top 100 lists of American works. These eight lists were then combined, and tweaked into an ordered list. Krazy Kat topped the list, followed by Peanuts, Pogo, harvey Kurtzman had the most entries of any creator, five, his original run on Mad, his New Trend EC war comics, the 1959 Jungle Book graphic novel, his Hey Look. Gag cartoons, and the Goodman Beaver stories, among the controversial omissions to the Top 100 was Dave Sims Cerebus series. Sim and the Journal had periodically found themselves at odds in the preceding the lists formulation
10.
Ctrl.Alt.Shift
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Ctrl. Alt. Shift was an initiative politicising a new generation of activists for social justice and global change. It was a project of UK aid and development charity Christian Aid, Ctrl. Alt. Shift was founded by Katrin Owusu and published the first issue of its magazine in June 2008. The magazines continued until 2010 and the website until mid-2011 and it has published issues focusing on HIV & Stigma and Gender & Power. The magazine was edited by blogger and columnist Chantelle Fiddy who also helped edit the website, the website featured regular columnists and staff writers such as Dwain Lucktung, Eva Baker, Russell Myrie and Bibi van der Zee alongside user-generated content. In November 2008, Ctrl. Alt. Shift launched the Nothing to Declare project – a series of demonstrations with the intention of exposing the stigma created by HIV travel bans. The project was co-organised by activist pressure group Plane Stupid, with grime star Tinchy Stryder lending his support outside the Russian embassy, the protests targeted the London embassies of Russia, South Korea and Saudi Arabia, and were covered by CNN. On 8 March 2009, International Womens Day, Ctrl. Alt. Shift marched through Guildhall in London to raise awareness of the 50 million women missing in India due to female foeticide. In November 2008, it held a showcase of dance, film and music based on the stigma surrounding HIV/Aids at Sadlers Wells, nitin Sawhney and Carlos Acosta were mentors and there was a performance by JME of Boy Better Know. In early 2009 a photo competition run in conjunction with VICE magazine focused on Gender, Poverty, nan Goldin acted as an ambassador and Alexa Chung, Alex Sturrock, Ben Rayner, and Andy Capper were mentors. The winners were exhibited in February at the Association of Photographers in London, in March 2009, Ctrl. Alt. Shift launched an art exhibition at BALTIC which focused on war and conflict in Colombia and Latin America as a whole. The exhibition took place over two floors of the building and featured work produced by 12 students and recent graduates from Newcastle Universitys LifeWorkArt programme and it also featured specially commissioned works from south London photo-artist Matthew Stone and installation artist Graham Hudson, who acted as project mentors. Urban sculptor and photographer T-Magic, street artist Benjamin Wachenje and BALTIC freelance artists, Alison Unsworth and Paul Merrick also featured, and David Shrigley was Creative Ambassador. On 14 May 2009, Ctrl. Alt. Shift premiered five short films,1000 Voices, HIV, The Musical, Man Made, No Way Through, the poster art for the films was featured in Creative Review. Ctrl. Alt. Shift Unmasks Corruption is an anthology edited by Paul Gravett. It includes contribution by comics creators like Pat Mills, an exhibition was held at the Lazarides gallery in London in 2009 to mark the launch and included examples of misguided attempts to produce worthy comic books. Ctrl. Alt. Shift Website Ctrl. Alt. Shift, Steps Against Stigma photo gallery - The Guardian
11.
The Observer
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The Observer is a British newspaper, published on Sundays. First published in 1791, it is the worlds oldest Sunday newspaper, the first issue, published on 4 December 1791 by W. S. Bourne, was the worlds first Sunday newspaper. Believing that the paper would be a means of wealth, Bourne instead soon found himself facing debts of nearly £1,600, though early editions purported editorial independence, Bourne attempted to cut his losses and sell the title to the government. When this failed, Bournes brother made an offer to the government, as a result, the paper soon took a strong line against radicals such as Thomas Paine, Francis Burdett and Joseph Priestley. In 1807, the decided to relinquish editorial control, naming Lewis Doxat as the new editor. Seven years later, the brothers sold The Observer to William Innell Clement, the woodcut pictures published of the stable and hayloft where the conspirators were arrested reflected a new stage of illustrated journalism that the newspaper pioneered during this time. Clement maintained ownership of The Observer until his death in 1852, during that time, the paper supported parliamentary reform, but opposed a broader franchise and the Chartist leadership. After Doxat retired in 1857, Clements heirs sold the paper to Joseph Snowe, under Snowe, the paper adopted a more liberal political stance, supporting the North during the American Civil War and endorsing universal manhood suffrage in 1866. These positions contributed to a decline in circulation during this time, in 1870, wealthy businessman Julius Beer bought the paper and appointed Edward Dicey as editor, whose efforts succeeded in reviving circulation. Though Beers son Frederick became the owner upon Juliuss death in 1880, henry Duff Traill took over the editorship after Diceys departure, only to be replaced in 1891 by Fredericks wife, Rachel Beer, of the Sassoon family. Though circulation declined during her tenure, she remained as editor for thirteen years, combining it in 1893 with the editorship of The Sunday Times, upon Fredericks death in 1901, the paper was purchased by the newspaper magnate Lord Northcliffe. After maintaining the editorial leadership for a couple of years. Garvin quickly turned the paper into an organ of political influence, yet the revival in the papers fortunes masked growing political disagreements between Garvin and Northcliffe. These disagreements ultimately led Northcliffe to sell the paper to William Waldorf Astor in 1911, during this period, the Astors were content to leave the control of the paper in Garvins hands. Under his editorship circulation reached 200,000 during the interwar years, politically the paper pursued an independent Tory stance, which eventually brought Garvin into conflict with Waldorfs more liberal son, David. Their conflict contributed to Garvins departure as editor in 1942, after which the paper took the step of declaring itself non-partisan. Ownership passed to Waldorfs sons in 1948, with David taking over as editor and he remained in the position for 27 years, during which time he turned it into a trust-owned newspaper employing, among others, George Orwell, Paul Jennings and C. A. Lejeune. Under Astors editorship The Observer became the first national newspaper to oppose the governments 1956 invasion of Suez, in 1977, the Astors sold the ailing newspaper to US oil giant Atlantic Richfield who sold it to Lonrho plc in 1981
12.
International Standard Book Number
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The International Standard Book Number is a unique numeric commercial book identifier. An ISBN is assigned to each edition and variation of a book, for example, an e-book, a paperback and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, the method of assigning an ISBN is nation-based and varies from country to country, often depending on how large the publishing industry is within a country. The initial ISBN configuration of recognition was generated in 1967 based upon the 9-digit Standard Book Numbering created in 1966, the 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108. Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure, however, this can be rectified later. Another identifier, the International Standard Serial Number, identifies periodical publications such as magazines, the ISBN configuration of recognition was generated in 1967 in the United Kingdom by David Whitaker and in 1968 in the US by Emery Koltay. The 10-digit ISBN format was developed by the International Organization for Standardization and was published in 1970 as international standard ISO2108, the United Kingdom continued to use the 9-digit SBN code until 1974. The ISO on-line facility only refers back to 1978, an SBN may be converted to an ISBN by prefixing the digit 0. For example, the edition of Mr. J. G. Reeder Returns, published by Hodder in 1965, has SBN340013818 -340 indicating the publisher,01381 their serial number. This can be converted to ISBN 0-340-01381-8, the check digit does not need to be re-calculated, since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland European Article Number EAN-13s. An ISBN is assigned to each edition and variation of a book, for example, an ebook, a paperback, and a hardcover edition of the same book would each have a different ISBN. The ISBN is 13 digits long if assigned on or after 1 January 2007, a 13-digit ISBN can be separated into its parts, and when this is done it is customary to separate the parts with hyphens or spaces. Separating the parts of a 10-digit ISBN is also done with either hyphens or spaces, figuring out how to correctly separate a given ISBN number is complicated, because most of the parts do not use a fixed number of digits. ISBN issuance is country-specific, in that ISBNs are issued by the ISBN registration agency that is responsible for country or territory regardless of the publication language. Some ISBN registration agencies are based in national libraries or within ministries of culture, in other cases, the ISBN registration service is provided by organisations such as bibliographic data providers that are not government funded. In Canada, ISBNs are issued at no cost with the purpose of encouraging Canadian culture. In the United Kingdom, United States, and some countries, where the service is provided by non-government-funded organisations. Australia, ISBNs are issued by the library services agency Thorpe-Bowker
13.
British Library
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The British Library is the national library of the United Kingdom and the second largest library in the world by number of items catalogued. It holds well over 150 million items from many countries, as a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a public body sponsored by the Department for Culture, Media. The Librarys collections include around 14 million books, along with holdings of manuscripts. In addition to receiving a copy of every publication produced in the UK and Ireland, the Library adds some three million items every year occupying 9.6 kilometres of new shelf space. Prior to 1973, the Library was part of the British Museum, the Euston Road building is classified as a Grade I listed building, of exceptional interest for its architecture and history. The British Library was created on 1 July 1973 as a result of the British Library Act 1972. Prior to this, the library was part of the British Museum. In 1983, the Library absorbed the National Sound Archive, which holds many sound and video recordings, with over a million discs, the core of the Librarys historical collections is based on a series of donations and acquisitions from the 18th century, known as the foundation collections. From 1997 to 2009 the main collection was housed in this new building. Construction work on the Newspaper Storage Building was completed in 2013, the collection has now been split between the St Pancras and Boston Spa sites. The British Library Document Supply Service and the Librarys Document Supply Collection is based on the site in Boston Spa. Collections housed in Yorkshire, comprising low-use material and the newspaper and Document Supply collections, the Library previously had a book storage depot in Woolwich, south-east London, which is no longer in use. The new library was designed specially for the purpose by the architect Colin St John Wilson, facing Euston Road is a large piazza that includes pieces of public art, such as large sculptures by Eduardo Paolozzi and Antony Gormley. It is the largest public building constructed in the United Kingdom in the 20th century, in December 2009 a new storage building at Boston Spa was opened by Rosie Winterton. The building was Grade I listed on 1 August 2015, in England, Legal Deposit can be traced back to at least 1610. The other five libraries are, the Bodleian Library at Oxford, the University Library at Cambridge, the Trinity College Library at Dublin, in 2003 the Ipswich MP Chris Mole introduced a Private Members Bill which became the Legal Deposit Libraries Act 2003. The Act extends United Kingdom legal deposit requirements to electronic documents, such as CD-ROMs, the Library also holds the Asia, Pacific and Africa Collections which include the India Office Records and materials in the languages of Asia and of north and north-east Africa
14.
The Guardian
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The Guardian is a British daily newspaper, known from 1821 until 1959 as the Manchester Guardian. Along with its sister papers The Observer and The Guardian Weekly, The Guardian is part of the Guardian Media Group, the Scott Trust became a limited company in 2008, with a constitution to maintain the same protections for The Guardian. Profits are reinvested in journalism rather than to the benefit of an owner or shareholders, the Guardian is edited by Katharine Viner, who succeeded Alan Rusbridger in 2015. In 2016, The Guardians print edition had a daily circulation of roughly 162,000 copies in the country, behind The Daily Telegraph. The newspaper has an online UK edition as well as two international websites, Guardian Australia and Guardian US, the newspapers online edition was the fifth most widely read in the world in October 2014, with over 42.6 million readers. Its combined print and online editions reach nearly 9 million British readers, notable scoops include the 2011 News International phone hacking scandal, in particular the hacking of murdered English teenager Milly Dowlers phone. The investigation led to the closure of the UKs biggest selling Sunday newspaper, and one of the highest circulation newspapers in the world, in 2016, it led the investigation into the Panama Papers, exposing the then British Prime Minister David Camerons links to offshore bank accounts. The Guardian has been named Newspaper of the Year four times at the annual British Press Awards, the paper is still occasionally referred to by its nickname of The Grauniad, given originally for the purported frequency of its typographical errors. The Manchester Guardian was founded in Manchester in 1821 by cotton merchant John Edward Taylor with backing from the Little Circle and they launched their paper after the police closure of the more radical Manchester Observer, a paper that had championed the cause of the Peterloo Massacre protesters. They do not toil, neither do they spin, but they better than those that do. When the government closed down the Manchester Observer, the champions had the upper hand. The influential journalist Jeremiah Garnett joined Taylor during the establishment of the paper, the prospectus announcing the new publication proclaimed that it would zealously enforce the principles of civil and religious Liberty. Warmly advocate the cause of Reform, endeavour to assist in the diffusion of just principles of Political Economy and. Support, without reference to the party from which they emanate, in 1825 the paper merged with the British Volunteer and was known as The Manchester Guardian and British Volunteer until 1828. The working-class Manchester and Salford Advertiser called the Manchester Guardian the foul prostitute, the Manchester Guardian was generally hostile to labours claims. The Manchester Guardian dismissed strikes as the work of outside agitators –, if an accommodation can be effected, the occupation of the agents of the Union is gone. CP Scott made the newspaper nationally recognised and he was editor for 57 years from 1872, and became its owner when he bought the paper from the estate of Taylors son in 1907. Under Scott, the moderate editorial line became more radical, supporting William Gladstone when the Liberals split in 1886
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IMDb
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In 1998 it became a subsidiary of Amazon Inc, who were then able to use it as an advertising resource for selling DVDs and videotapes. As of January 2017, IMDb has approximately 4.1 million titles and 7.7 million personalities in its database, the site enables registered users to submit new material and edits to existing entries. Although all data is checked before going live, the system has open to abuse. The site also featured message boards which stimulate regular debates and dialogue among authenticated users, IMDb shutdown the message boards permanently on February 20,2017. Anyone with a connection can read the movie and talent pages of IMDb. A registration process is however, to contribute info to the site. A registered user chooses a name for themselves, and is given a profile page. These badges range from total contributions made, to independent categories such as photos, trivia, bios, if a registered user or visitor happens to be in the entertainment industry, and has an IMDb page, that user/visitor can add photos to that page by enrolling in IMDbPRO. Actors, crew, and industry executives can post their own resume and this fee enrolls them in a membership called IMDbPro. PRO can be accessed by anyone willing to pay the fee, which is $19.99 USD per month, or if paid annually, $149.99, which comes to approximately $12.50 per month USD. Membership enables a user to access the rank order of each industry personality, as well as agent contact information for any actor, producer, director etc. that has an IMDb page. Enrolling in PRO for industry personnel, enables those members the ability to upload a head shot to open their page, as well as the ability to upload hundreds of photos to accompany their page. Anyone can register as a user, and contribute to the site as well as enjoy its content, however those users enrolled in PRO have greater access and privileges. IMDb originated with a Usenet posting by British film fan and computer programmer Col Needham entitled Those Eyes, others with similar interests soon responded with additions or different lists of their own. Needham subsequently started an Actors List, while Dave Knight began a Directors List, and Andy Krieg took over THE LIST from Hank Driskill, which would later be renamed the Actress List. Both lists had been restricted to people who were alive and working, the goal of the participants now was to make the lists as inclusive as possible. By late 1990, the lists included almost 10,000 movies and television series correlated with actors and actresses appearing therein. On October 17,1990, Needham developed and posted a collection of Unix shell scripts which could be used to search the four lists, at the time, it was known as the rec. arts. movies movie database
Media related to Paul Gravett at Wikimedia Commons